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116-459: The format usually plays some classic R&B hits, as well as hits that are ten years old or more. Classic dance music also has a great impact in this format. Disc jockeys use a more relaxed sound than their younger counterparts. News and current events have a major impact on the older audience. Around the evening, urban AC stations play smooth jazz during the Quiet Storm program. Many of

232-522: A Federal Communications Commission investigation into the network's influence over advertising, strict ownership rules were introduced in 1941. RCA was compelled to sell one network and three local stations. RCA put an asking price of $ 8 million on the Blue network; after two years on the market, it was sold in 1943 to businessman Edward J. Noble , owner of Life Savers candy and the Rexall store chain, for

348-461: A doo-wop group, had the number four hit of the year with " Crying in the Chapel ". Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with " Ain't That a Shame ". Ray Charles came to national prominence in 1955 with " I Got a Woman ". Big Bill Broonzy said of Charles's music: "He's mixing the blues with the spirituals   ... I know that's wrong." In 1954

464-840: A "rawer" or "grittier" sound than the more popular " beat groups ". During the 1960s, Geno Washington , the Foundations , and the Equals gained pop hits. Many British black musicians helped form the British R&;B scene. These included Geno Washington , an American singer stationed in England with the Air Force. He was invited to join what became Geno Washington & the Ram Jam Band by guitarist Pete Gage in 1965 and enjoyed top 40 hit singles and two top 10 albums before

580-474: A 24/7 urban AC format delivered to affiliated stations via satellite, called " The Touch ", which is common on smaller- and medium-market stations featuring the urban AC format. KJLH in Los Angeles is one urban AC station whose playlist heavily emphasizes current material. While artists were once reluctant to be on urban AC because it made them look "old", by 2024, young people had become a major part of

696-546: A Dream ". Faye Adams 's " Shake a Hand " made it to number two in 1952. In 1953, the R&;B record-buying public made Willie Mae Thornton 's original recording of Leiber and Stoller 's " Hound Dog " the year's number three hit. Ruth Brown was very prominent among female R&B stars; her popularity most likely came from "her deeply rooted vocal delivery in African American tradition". That same year The Orioles ,

812-536: A United States embargo that still remains in effect today, the island nation had been forgotten as a source of music. By the time people began to talk about rock and roll as having a history, Cuban music had vanished from North American consciousness." At first, only African Americans were buying R&B discs. According to Jerry Wexler of Atlantic Records, sales were localized in African-American markets; there were no white sales or white radio play. During

928-475: A blues progression. Ike Turner recorded "Cubano Jump" (1954) an electric guitar instrumental, which is built around several 2–3 clave figures, adopted from the mambo. The Hawketts , in " Mardi Gras Mambo " (1955) (featuring the vocals of a young Art Neville), make a clear reference to Perez Prado in their use of his trademark "Unhh!" in the break after the introduction. Ned Sublette states: "The electric blues cats were very well aware of Latin music, and there

1044-619: A boogie-woogie with a tresillo bass line, and lyrics proudly declaring the adoption of Cuban rhythm: Harlem's got a new rhythm, man it's burning up the dance floors because it's so hot! They took a little rhumba rhythm and added boogie-woogie and now look what they got! Rhumboogie, it's Harlem's new creation with the Cuban syncopation, it's the killer! Just plant your both feet on each side. Let both your hips and shoulder glide. Then throw your body back and ride. There's nothing like rhumbaoogie, rhumboogie, boogie-woogie. In Harlem or Havana, you can kiss

1160-517: A chart that had been dominated by "legacy acts". Rhythm and blues Rhythm and blues , frequently abbreviated as R&B or R'n'B , is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat"

1276-404: A mainstay in rock and roll. At the urging of Leonard Chess at Chess Records, Chuck Berry reworked a country fiddle tune with a long history, entitled " Ida Red ". The resulting " Maybellene " was not only a number three hit on the R&B charts in 1955, but also reached into the top 30 on the pop charts. Alan Freed , who had moved to the much larger market of New York City in 1954, helped

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1392-529: A non-African American artist into a music category known for being created by blacks. Nat King Cole , also a jazz pianist who had two hits on the pop charts in the early 1950s (" Mona Lisa " at number two in 1950 and " Too Young " at number one in 1951), had a record in the top five in the R&B charts in 1958, " Looking Back "/"Do I Like It". In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke 's Sar and Berry Gordy 's Motown Records . Brook Benton

1508-501: A notable three-hour guest appearance by Snyder on Ray Briem's program. However, the rising popularity of conservative talk radio , fueled by The Rush Limbaugh Show , led to the main network's demise. Limbaugh had been picked to replace Owen Spann on the main ABC Talkradio network after Spann was forced to retire due to medical issues. This occurred when former ABC executive Ed McLaughlin purchased Spann's former weekday slot with

1624-445: A number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music had contributed to the development of rock and roll , the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music . By the 1970s, the term "rhythm and blues" had changed once again and

1740-497: A primarily African-American clientele. Freed began referring to the rhythm and blues music he played as "rock and roll". In 1951 Little Richard Penniman began recording for RCA Records in the jump blues style of late 1940s stars Roy Brown and Billy Wright . However, it was not until he recorded a demo in 1954 that caught the attention of Specialty Records that the world would start to hear his new uptempo funky rhythm and blues that would catapult him to fame in 1955 and help define

1856-493: A quintet consisting of a vocal quartet with accompanying guitarist, sang a distinctive-sounding combination of blues and gospel. They had the number five hit of the year with " Don't You Know I Love You " on Atlantic. Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW (850 AM). Freed's show was sponsored by Fred Mintz, whose R&B record store had

1972-575: A regular basis. The format was an instant hit with black and white listeners around the Greater New York area , reaching to number two on the Arbitron ratings. Before WRKS, many of the stations playing this music were on AM radio . Primary artists included The Isley Brothers , McFadden & Whitehead , Aretha Franklin , Marvin Gaye , and The Temptations . One of the first stations to try

2088-415: A saxophone-section riff) on his own 1949 disc "Country Boy" and subsequently helped make it the most over-used rhythmic pattern in 1950s rock 'n' roll. On numerous recordings by Fats Domino , Little Richard and others, Bartholomew assigned this repeating three-note pattern not just to the string bass, but also to electric guitars and even baritone sax, making for a very heavy bottom. He recalls first hearing

2204-412: A short time. Mark Levin was added in 2005 and eventually replaced Elder in 2007, and Mark Davis of WBAP had a brief syndication run on the network in 2005. Rush Limbaugh's program was not part of this network; following a series of mergers in the 1990s, Ed McLaughlin's company, EFM, was absorbed into Premiere Networks , a subsidiary of Clear Channel Communications (now iHeartMedia ). Hannity has been

2320-695: A sold-out performance with 8,000 seats. Roads were clogged for seven hours. Filmmakers took advantage of the popularity of "rhythm and blues" musicians as "rock n roll" musicians beginning in 1956. Little Richard, Chuck Berry, Fats Domino, Big Joe Turner, the Treniers , the Platters , and the Flamingos all made it onto the big screen. Two Elvis Presley records made the R&B top five in 1957: " Jailhouse Rock "/" Treat Me Nice " at number one, and " All Shook Up " at number five, an unprecedented acceptance of

2436-407: A strong sexual connotation in jump blues and R&B, but when DJ Alan Freed referred to rock and roll on mainstream radio in the mid-1950s, "the sexual component had been dialed down enough that it simply became an acceptable term for dancing". The great migration of Black Americans to the urban industrial centers of Chicago, Detroit, New York City, Los Angeles, Washington, D.C. and elsewhere in

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2552-494: A total of 40 affiliates. Executives in charge of ABC Rock at the launch were vice president Tom Plant and program director Denise Oliver. The Direction Network was under ABC Entertainment Network's executive's charge, was for adult (25–45) format stations, and started with 57 affiliates. ABC Radio acquired Watermark Inc. , best known as the syndicator of American Top 40 with Casey Kasem and American Country Countdown with Bob Kingsley , in 1982. Kasem left ABC in 1988, reclaiming

2668-478: A triplet or shuffle feel to even or straight eighth notes. Concerning the various funk motifs, Stewart states that this model "...   is different from a time line (such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle." Johnny Otis released the R&B mambo "Mambo Boogie" in January 1951, featuring congas, maracas, claves, and mambo saxophone guajeos in

2784-486: A version of " Stagger Lee " at number one and " Personality " at number five in 1959. The white bandleader of the Bill Black Combo, Bill Black , who had helped start Elvis Presley's career and was Elvis's bassist in the 1950s, was popular with black listeners. Ninety percent of his record sales were from black people, and his " Smokie, Part 2 " (1959) rose to the number one position on black music charts. He

2900-589: Is 'Longhair's Blues Rhumba,' where he overlays a straightforward blues with a clave rhythm." Longhair's particular style was known locally as rumba-boogie . In his "Mardi Gras in New Orleans", the pianist employs the 2–3 clave onbeat/offbeat motif in a rumba boogie " guajeo ". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&;B during this time. Alexander Stewart states that

3016-467: Is ABC Radio. To repeat: in Dallas, Texas, three shots were fired at President Kennedy's motorcade today. The president now making a two-day speaking tour of Texas. We're going to stand by for more details on the incident in Dallas. Stay tuned to your ABC station for further details. Now we return you to your regular program. Ralph Beaudin, group vice president of ABC Radio, came up with the idea of splitting

3132-455: Is an attempt to blend African American and Afro-Cuban music. The word mambo , larger than any of the other text, is placed prominently on the record label. In his composition "Misery", New Orleans pianist Professor Longhair plays a habanera-like figure in his left hand. The deft use of triplets is a characteristic of Longhair's style. Gerhard Kubik notes that with the exception of New Orleans, early blues lacked complex polyrhythms, and there

3248-469: Is disagreement in the music industry over the use of the term urban in describing music genres and formats. In June 2020, Republic Records and artist management company Milk & Honey stated that they would drop the use of the word in relation to music of a black origin. These decisions came in the wake of the murder of George Floyd at the hands of police and the subsequent protests . Lance Venta of radio industry publication RadioInsight claimed that

3364-590: Is often cited as a precursor to rock and roll or as one of the first records in that genre. In a later interview, however, Ike Turner offered this comment: "I don't think that 'Rocket 88' is rock 'n' roll. I think that 'Rocket 88' is R&B, but I think 'Rocket 88' is the cause of rock and roll existing". Ruth Brown , performing on the Atlantic label, placed hits in the top five every year from 1951 through 1954: " Teardrops from My Eyes ", "Five, Ten, Fifteen Hours", " (Mama) He Treats Your Daughter Mean " and " What

3480-496: Is one of the roots of rock and roll . A more mass-appeal version of the format is rhythmic oldies , which attracts both white and black listeners, as well as Latino listeners (particularly in the Southwest United States ). One of the first stations to play this type of music was WRKS-FM (98.7 Kiss FM). In December 1994, Emmis Broadcasting transformed Kiss FM into the first station to play urban oldies music on

3596-542: Is the flagship station of the urban contemporary format, was one of the first stations to introduce the urban AC format in 1994. WRKS-FM (also in New York City) introduced the first 24-hour classic soul radio station in the country. Urban AC stations usually target the 18-49 and 25-54 age groups. Many urban AC stations rely heavily on syndicated programming such as The Steve Harvey Morning Show and The D. L. Hughley Show . Cumulus Media Networks also operates

Urban adult contemporary - Misplaced Pages Continue

3712-524: The National Barn Dance , running from 1924 to 1960, and Paul Harvey 's daily commentary, which ran from 1951 until his death in 2009. In 1958, ABC collaborated with its sister television network to produce the first national stereophonic sound broadcasts, when it simulcast The Plymouth Show (one of two shows hosted by Lawrence Welk at the time); the TV side broadcast one audio channel and

3828-565: The American Top 40 name from ABC in 1998, and selling the AT40 brand to AMFM Radio Networks (later absorbed into Premiere Networks ). Kingsley left ABC in 2005, and 'ACC' continues to air as part of the ABC stable, with Kix Brooks as host since 2006. Dick Bartley joined the network in 1991 with the AT40 spinoff American Gold and his live Saturday night call-in oldies show, before leaving at

3944-560: The Blue Network while New York station WEAF and its affiliates (also absorbed into NBC) were known as the "Red Network". On the air, both were identified as "NBC, the National Broadcasting Company." The distinctions between the two networks were, beyond staff and advertisers, mostly a matter of the more popular and established programming appearing on NBC Red. Both NBC networks were owned by RCA; following

4060-617: The boogie-woogie rhythms that had come to prominence during the 1940s. Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums. Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues". Robert Palmer described it as "urbane, rocking, jazz-based music ... [with a] heavy, insistent beat". Jordan's music, along with that of Big Joe Turner , Roy Brown , Billy Wright , and Wynonie Harris , before 1949,

4176-408: The conga drum , bongos , maracas and claves . According to John Storm Roberts , R&B became the vehicle for the return of Cuban elements into mass popular music. Ahmet Ertegun , producer for Atlantic Records , is reported to have said that "Afro-Cuban rhythms added color and excitement to the basic drive of R&B." As Ned Sublette points out though: "By the 1960s, with Cuba the object of

4292-593: The original Westwood One a decade earlier. Cumulus Media Networks had its origins in an early network set up by WJZ (now WABC ) in New York City which provided programs to other stations over Western Union lines. WJZ radio , originally owned by Westinghouse and its informal network were absorbed into the National Broadcasting Company in 1927. To the parent company Radio Corporation of America , WJZ and affiliates were known as

4408-525: The " ABC Radio Networks " name from The Walt Disney Company for nearly two years. ABC now operates ABC Audio which produces mostly short-form audio content for radio stations. As ABC Radio Networks, it was the penultimate of the original major radio networks to still be owned by its original founding company, CBS Radio being the last. The Mutual Broadcasting System and the NBC Radio Network were both dissolved in 1999 after both were sold to

4524-443: The 1800s with the popularity of the Cuban contradanza (known outside of Cuba as the habanera ). The habanera rhythm can be thought of as a combination of tresillo and the backbeat . For the more than a quarter-century in which the cakewalk , ragtime and proto-jazz were forming and developing, the Cuban genre habanera exerted a constant presence in African American popular music. Jazz pioneer Jelly Roll Morton considered

4640-552: The 1920s and 1930s created a new market for jazz, blues, and related genres of music. These genres of music were often performed by full-time musicians, either working alone or in small groups. The precursors of rhythm and blues came from jazz and blues, which overlapped in the late-1920s and 30s through the work of musicians such as the Harlem Hamfats , with their 1936 hit "Oh Red", as well as Lonnie Johnson , Leroy Carr , Cab Calloway , Count Basie , and T-Bone Walker . There

4756-411: The 2007 sale of the original ABC Radio, Inc. to Citadel Broadcasting and then subsequently to Cumulus Media, and again until 2015, when Radio Disney discontinued terrestrial broadcast service—with the exception of KRDC in Los Angeles, Disney/ABC owned and/or operated several radio stations in numerous markets, big and small. ABC also owned and operated several radio formats and networks , mostly during

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4872-684: The ABC Radio Network into four different networks. He felt that there was more product than stations could broadcast, causing a sale issue. The four separate networks would allow advertisers to better market to their preferred audience. Paul Harvey and the Breakfast Club were designated as Entertainment network features. Before the split, ABC obtained a waiver of the FCC's "Chain Broadcasting" rule on December 29, 1967, which had forced

4988-500: The Blues , writes that "rhythm and blues" was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use (in some contexts) to categorize music made by black musicians, as distinct from styles of music made by other musicians. In

5104-668: The CEO of LaFace Records , was responsible for some of R&B's greatest successes in the 1990s in the form of Usher , TLC and Toni Braxton . Later, Reid successfully marketed Boyz II Men . In 2004, 80% of the songs that topped the R&B charts were also at the top of the Hot 100. That period was the all-time peak for R&B and hip hop on the Billboard Hot 100 and on Top 40 Radio. From about 2005 to 2013, R&B sales declined. However, since 2010, hip-hop has started to take cues from

5220-550: The Chords ' " Sh-Boom " became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, " Hearts of Stone " by the Charms made the top 20. At Chess Records in the spring of 1955, Bo Diddley 's debut record " Bo Diddley "/" I'm a Man " climbed to number two on the R&B charts and popularized Bo Diddley's own original rhythm and blues clave-based vamp that would become

5336-595: The Cleftones , and the Spaniels with Illinois Jacquet 's Big Rockin' Rhythm Band. Cities visited by the tour included Columbia, South Carolina; Annapolis, Maryland; Pittsburgh, Pennsylvania; Syracuse, Rochester and Buffalo, New York; and other cities. In Columbia, the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt". In Annapolis, 50,000 to 70,000 people tried to attend

5452-626: The Cumulus stations in 2020 when Westwood One made the decision to fold its news division . The merger of Cumulus Media Networks into Westwood One was completed in mid-2015. In 1989, ABC Radio Networks acquired the Satellite Music Network which originally started in Chicago. Full-time music formats operated by ABC Radio, Citadel Media and Cumulus Media include the following: From the very beginning of its broadcast days until

5568-573: The Jewish writer, music publishing executive, and songwriter Arnold Shaw , during the 1940s in the US, there was generally little opportunity for Jews in the WASP -controlled realm of mass communications , but the music business was "wide open for Jews as it was for blacks". Jews played a key role in developing and popularizing African American music, including rhythm and blues, and the independent record business

5684-461: The New Orleans sound. Robert Palmer reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's mambo records." He was especially enamored with Afro-Cuban music. Michael Campbell states: "Professor Longhair's influence was   ... far-reaching. In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit

5800-481: The R&B sound, choosing to adopt a softer, smoother sound that incorporates traditional R&B with rappers such as Drake , who has opened an entire new door for the genre. This sound has gained in popularity and created great controversy for both hip-hop and R&B as to how to identify it. In 2010, the National Rhythm & Blues Hall of Fame was founded by LaMont "ShowBoat" Robinson . According to

5916-662: The United States in 1948, the term had been used in Billboard as early as 1943. However, the company's first list of songs popular among African Americans was named Harlem Hit Parade ; created in 1942, it listed the "most popular records in Harlem ," and is the predecessor to the Billboard RnB chart. “Rhythm and Blues” replaced the common term " race music ", a term coined by Okeh producer Ralph Peer based on

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6032-554: The Urban music division. Hip Hop and R&B is leading the way for the surge in music sales and usage of streaming. Are the other positions, titles and departments within a record company going to change or dissolve? ... Do they realize the cultural power of Urban Music? In 2024, Billboard quoted P Music Group founder Michael Paran, who said of the magazine's Adult R&B chart, "the chart is named wrong ... Let's call it what it is: It's just R&B." More younger people were showing up on

6148-439: The article said that rock and roll combined R&B with pop and country music. Fats Domino was not convinced that there was any new genre. In 1957, he said, "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to Rolling Stone , "this is a valid statement ... all Fifties rockers, black and white, country born and city bred, were fundamentally influenced by R&B,

6264-602: The asking price. After Noble took over, the network identified itself on-air as "The Blue Network". It was officially renamed American Broadcasting Companies, Inc., in June 1945, after the company bought the rights to the name from (what would later become) Storer Broadcasting . With about 65 affiliates, ABC began with few of the big names and popular shows the other networks offered, so counter-programming became an ABC specialty. Industry policy had been to forbid taped or pre-recorded programs; ABC lured some big-name stars by adapting

6380-401: The backbeat (two-side). The " Bo Diddley beat " (1955) is perhaps the first true fusion of 3–2 clave and R&B/rock 'n' roll. Bo Diddley has given different accounts of the riff's origins. Sublette asserts: "In the context of the time, and especially those maracas [heard on the record], 'Bo Diddley' has to be understood as a Latin-tinged record. A rejected cut recorded at the same session

6496-531: The band split up in 1969. Another American GI , Jimmy James , born in Jamaica, moved to London after two local number one hits in 1960 with The Vagabonds, who built a strong reputation as a live act. They released a live album and their studio debut, The New Religion, in 1966 and achieved moderate success with a few singles before the original Vagabonds broke up in 1970. White blues rock musician Alexis Korner formed new jazz rock band CCS in 1970. Interest in

6612-468: The black popular music of the late Forties and early Fifties". In 1956, an R&B "Top Stars of '56" tour took place, with headliners Al Hibbler , Frankie Lymon and the Teenagers, and Carl Perkins , whose " Blue Suede Shoes " was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr , Shirley & Lee , Della Reese , Sam "T-Bird" Jensen,

6728-418: The blues would influence major British rock musicians, including Eric Clapton , Mick Taylor , Peter Green , and John Mayall , the groups Free and Cream adopted an interest in a wider range of rhythm and blues styles. Citadel Media Cumulus Media Networks was an American radio network owned and operated by Cumulus Media . From 2011 until its merger with Westwood One , it controlled many of

6844-786: The branding of this network from ABC Radio to "Citadel Media" to reflect its current ownership of a major radio network. However, "ABC News"; and its programming/satellite format listings would remain. Cumulus Media absorbed all the assets of Citadel Broadcasting, including Citadel Media in September 2011, and the name change to "Cumulus Media Networks" immediately took effect upon acquisition. Previously, Citadel turned down previous acquisition offers months after emerging from bankruptcy. On August 29, 2013, Cumulus Broadcasting purchased Dial Global ( Westwood One as of September 4). Cumulus paid $ 260 million in cash for this programming syndication service, part of which has paid off Dial's debt before it

6960-495: The commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with

7076-417: The common self description by the African American press as “people of race.” The term "rhythm and blues" was then used by Billboard in its chart listings from June 1949 until August 1969, when its "Hot Rhythm & Blues Singles" chart was renamed as "Best Selling Soul Singles". Before the "Rhythm and Blues" name was instated, various record companies had already begun replacing the term "race music" with

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7192-427: The content, allowing stations to use it with their branding. As an example, Cumulus stated that its "Nash"-branded country stations would run the content under the " Nash News" name. The programming deal started on January 1, 2015, when its broadcasting rights to ABC's news division expired. ABC relaunched an entirely new ABC Radio network (known as ABC Audio as of 2019). ABC Audio renewed its affiliation with most of

7308-755: The early 1950s, more white teenagers started to become aware of R&B and began purchasing the music. For example, 40% of 1952 sales at Dolphin's of Hollywood record shop, located in an African-American area of Los Angeles, were to whites. Eventually, white teens across the country turned their musical taste toward rhythm and blues. Johnny Otis , who had signed with the Newark, New Jersey–based Savoy Records, produced many R&B hits in 1951, including " Double Crossing Blues ", "Mistrustin' Blues" and " Cupid's Boogie ", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include " Gee Baby ", "Mambo Boogie" and "All Nite Long". The Clovers ,

7424-767: The early converts. KHYS in Houston switched to the format in 1999. KCJZ in San Antonio followed suit 7 months later. Early in 1994, M Street Journal reported 33 radio stations in the format, compared to 14 a year earlier. Many of these were affiliates of the Satellite Music Network format Urban Gold, which had 27 stations six months after starting October 1, 1993. Steve Harris, the SMN manager for urban radio, said no black radio stations had targeted adults over 35. Consultant Tony Gray said older adults did not like contemporary music, which had few tunes that had proved they could stand

7540-473: The end of March 2009. ABC launched a foray into talk radio with ABC Talkradio (similar to rival NBC's Talknet ) in 1982. Among its most notable hosts were Michael Jackson , Owen Spann , Toni Grant and Ray Briem . In 1987, an adjunctive network internally known as "ABC Radio Talk" was launched to wrest some programming control away from local ABC station KABC in Los Angeles. Tom Snyder and Barry Farber were featured on this secondary network, following

7656-408: The figure – as a bass pattern on a Cuban disc. In a 1988 interview with Palmer, Bartholomew (who had the first R&B studio band), revealed how he initially superimposed tresillo over swing rhythm: I heard the bass playing that part on a 'rumba' record. On 'Country Boy' I had my bass and drums playing a straight swing rhythm and wrote out that 'rumba' bass part for the saxes to play on top of

7772-583: The five ESPN Radio stations (or the myriad of Radio Disney stations) Disney owned at the time, or any of ABC's television assets (the ABC name, which also remained in Disney's hands, would be licensed to Citadel for two years). Disney 's ABC News unit will also still produce ABC News Radio programming for distribution by Citadel. Despite the change in ownership, Citadel Media still listed "ESPN Radio" & "ESPN Deportes" as part of its advertising sales family. The acquisition of ABC Radio by Citadel Broadcasting

7888-632: The format was WSID in Baltimore in the late 1950s/1960s/1970s. WDGS in the Louisville market had a full-range urban AC format, with no rap music, as early as 1985. WDGS neatly substituted jazz, blues and urban/soul gold for the 35% of the playlists that were rap/hip-hop at the time, while playing 65% non-rap urban currents, to wide acclaim. WJMO in Cleveland and WVOL in Nashville were some of

8004-495: The format. With mainstream urban becoming more of a hip-hop format, R&B was less of a factor there. Urban AC played more of a role in introducing records and artists than it had been. It was also more popular than mainstream urban. "Urban oldies" refers to R&B music dating back to the late 1950s/early 1960s through the early 1990s. Although African Americans are the primary audience, radio stations playing this type of music often attract White listeners because R&B

8120-575: The foundation for R&B in the 1940s, cutting one swinging rhythm & blues masterpiece after another". Other artists who were "cornerstones of R&B and its transformation into rock & roll" include Etta James, Fats Domino , Roy Brown, Little Richard and Ruth Brown. The "doo wop" groups were also noteworthy, including the Orioles , the Ravens and the Dominoes . The term "rock and roll" had

8236-461: The idea of giving Limbaugh a national platform following his initial success on KFBK in Sacramento . After Tom Snyder's retirement in 1992, ABC ostensibly filled his weeknight slot with Leslie Marshall , at the time the youngest syndicated host ever, while most major affiliates instead picked up Limbaugh. ABC's national talk programming efforts ended shortly thereafter, though one program from

8352-771: The late 1980s and early 1990s, hip-hop started to capture the imagination of America's youth. R&B started to become homogenized, with a group of high-profile producers responsible for most R&B hits. It was hard for R&B artists of the era to sell their music or even have their music heard because of the rise of hip-hop, but some adopted a "hip-hop" image, were marketed as such, and often featured rappers on their songs. In 1990, Billboard reintroduced R&B to categorize all of Black popular music other than hip-hop. Newer artists such as Usher , R. Kelly , Janet Jackson , TLC , Aaliyah , Brandy , Destiny's Child , Tevin Campbell and Mary J. Blige enjoyed success. L.A. Reid ,

8468-424: The lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure. R&B lyrical themes often encapsulate the African-American experience of pain and

8584-460: The most successful, displacing Laura Schlessinger as the most popular host in the time slot within a few years (especially on the East Coast); the network shared the program with Premiere Radio Networks from 2008 to 2013 before Premiere took over the program entirely beginning in 2014. In 2005, ABC began to explore the sale of its radio division. The two leading competitors for the purchase of

8700-537: The network required affiliates to get approval before any delayed broadcast of network programming. The new networks were launched on January 1, 1968. Two additional networks, ABC Rock Network and ABC Direction Network, were added on January 4, 1982. ABC Rock's anchor affiliate was WPLJ in New York City, and many album-oriented rock -formatted stations moved from the American FM Network, with

8816-522: The network, which included twenty-two of ABC Radio's top stations, as well as ABC's talk and music networks, were Bala Cynwyd -based Entercom Communications and Forstmann Little & Company 's Citadel Broadcasting unit. Citadel was chosen as the top bidder and the deal to purchase the stations and the network was struck in February 2006. The deal did not include Radio Disney , ESPN Radio (or its Spanish counterpart, ESPN Deportes Radio ), any of

8932-681: The old Savannah. It's a killer! Although originating in the metropolis at the mouth of the Mississippi River, New Orleans blues, with its Afro-Caribbean rhythmic traits, is distinct from the sound of the Mississippi Delta blues. In the late 1940s, New Orleans musicians were especially receptive to Cuban influences precisely at the time when R&B was first forming. The first use of tresillo in R&B occurred in New Orleans. Robert Palmer recalls: New Orleans producer-bandleader Dave Bartholomew first employed this figure (as

9048-552: The original Talkradio/Weekend network, Bob Brinker 's Moneytalk , remained on the air until 2018. ABC acquired the Satellite Music Network , the first satellite-delivered music radio network, and its nine channels of programming in 1989. The division continues to operate semi-autonomously as Cumulus Music Radio at Cumulus's Dallas-Fort Worth cluster. ESPN Radio Network was formed in September 1991 by both ESPN Inc. and Capital Cities/ABC , Inc.'s ABC Radio Networks and launched as Sports Radio ESPN on January 1, 1992. Radio Disney

9164-514: The pattern is only half a clave ). Tresillo is the most basic duple-pulse rhythmic cell in Sub-Saharan African music traditions , and its use in African American music is one of the clearest examples of African rhythmic retention in the United States. The use of tresillo was continuously reinforced by the consecutive waves of Cuban music, which were adopted into North American popular culture. In 1940 Bob Zurke released "Rhumboogie",

9280-420: The popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s," adding: "The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from

9396-498: The quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. One publication of the Smithsonian Institution provided this summary of the origins of the genre in 2016. "A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that

9512-485: The radio assets formerly belonging to the American Broadcasting Company (ABC), which was broken up in 2007; Cumulus owned the portion of the network that was purchased by Citadel Broadcasting that year. The network adopted its final name in September 2011, following Cumulus's acquisition of Citadel; prior to this, it had been known as Citadel Media Networks since April 2009, after licensing

9628-517: The radio side broadcast the other in synchronization; viewers had to tune into both devices to achieve the stereophonic effect. ABC Radio broadcast the first nationwide report of the assassination of President John F. Kennedy . Kennedy was shot in a motorcade in Dallas , Texas , at 18:30 UTC on November 22, 1963, and ABC Radio's Don Gardiner anchored the network's initial bulletin at 18:36:50 UTC, minutes before any other radio or television network did

9744-523: The rawer Memphis soul sound for which Stax became known. In Jamaica, R&B influenced the development of ska . In 1969, black culture and rhythm and blues reached another great achievement when the Grammys added the Rhythm and Blues category, giving academic recognition to the category. By the 1970s, the term "rhythm and blues" was being used as a blanket term for soul , funk , and disco . In

9860-505: The record become popular with white teenagers. Freed had been given part of the writing credit by Chess in return for his promotional activities, a common practice at the time. R&B was also a strong influence on rock and roll . A 1985 article in The Wall Street Journal , titled, "Rock! It's Still Rhythm and Blues" reported that the "two terms were used interchangeably" until about 1957. The other sources quoted in

9976-410: The sale of the Blue network in 1943. Though each of the four new networks was carried on the same 5 kHz telco line (3.5 in some cities), the move allowed ABC to have as many as four affiliates in one city, a major competitive advantage and a dramatic turning point in the history of network radio. However, the FCC insisted that there be no overlap of any ABC network broadcast in a single market, and

10092-444: The same. A surviving aircheck from New York shortwave station WRUL includes the first ABC Radio bulletin. Gardiner interrupts Doris Day 's recording of " Hooray for Hollywood " to tell listeners at 13:36:50 EST (UTC−5): We interrupt this program to bring you a special bulletin from ABC Radio. Here is a special bulletin from Dallas, Texas: three shots were fired at President Kennedy's motorcade today in downtown Dallas, Texas. This

10208-408: The sound of rock 'n' roll. A rapid succession of rhythm and blues hits followed, beginning with " Tutti Frutti " and " Long Tall Sally ", which would influence performers such as James Brown , Elvis Presley , and Otis Redding . Also in 1951, the song Rocket 88 was recorded by Ike Turner and his Kings of Rhythm at a studio owned by Sam Phillips with the vocal by Jackie Brenston . This song

10324-461: The swing rhythm. Later, especially after rock 'n' roll came along, I made the 'rumba' bass part heavier and heavier. I'd have the string bass, an electric guitar and a baritone all in unison. Bartholomew referred to the Cuban son by the misnomer rumba , a common practice of that time. Fats Domino's " Blue Monday ", produced by Bartholomew, is another example of this now classic use of tresillo in R&B. Bartholomew's 1949 tresillo-based "Oh Cubanas"

10440-772: The tape technology developed in World War II. To add to its programming, ABC bought stations KECA (now KABC ) in Los Angeles and WXYZ (now WXYT ) in Detroit , the latter home and originator of many popular serials such as The Lone Ranger . Financially unable to match the larger networks, NBC and CBS, ABC merged with United Paramount Theaters early in 1953. Through the 1950s, network radio declined in popularity, and ABC radio gradually became more oriented to its local stations, especially its two pop-music powerhouses, New York's WABC (formerly WJZ) and Chicago's WLS (which

10556-504: The term urban is outdated in that R&B and hip hop music have gained massive popularity outside the inner cities and the descriptor should not serve as a euphemism for "black music". He recommended substituting the terms adult R&B for the urban adult contemporary format and hip hop for urban contemporary . Myron Fears, operations manager and program director of the black owned Carter Broadcast Group in Kansas City, defended

10672-544: The term "sepia series". "Rhythm and blues" is often abbreviated as "R&B" or "R'n'B". In the early 1950s, the term "rhythm & blues" was frequently applied to blues records. Writer and producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans". He has also used the term "R&B" as a synonym for jump blues . However, AllMusic separates it from jump blues because of R&B's stronger gospel influences. Lawrence Cohn , author of Nothing but

10788-598: The test of time. And hip hop was becoming a bigger part of contemporary radio. Another factor was the availability of older records in remastered form. Hurricane Dave Smith of WJJJ in Pittsburgh, which had switched from smooth jazz , doubted the format would succeed on FM radio , but he believed listeners who enjoyed older songs were used to AM. Sean Ross of WGCI in Chicago believed the format could work either place, but stations that selected it would be those desiring something different. The satellite format focused on

10904-476: The tresillo/habanera rhythm (which he called the Spanish tinge ) to be an essential ingredient of jazz. There are examples of tresillo-like rhythms in some African American folk music such as the hand-clapping and foot-stomping patterns in ring shout , post-Civil War drum and fife music, and New Orleans second line music. Wynton Marsalis considers tresillo to be the New Orleans "clave" (although technically,

11020-490: The two-celled timeline structure was brought into the blues. New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into

11136-508: The urban AC radio stations implement slogans such as "Classic Soul & Today's R&B", "(City/Region)'s Old School and R&B Station", "The Best Mix of R&B", and "(City/Region)'s R&B Leader." Some popular nicknames for urban oldies stations include "Magic" (borrowed from the adult contemporary format), "Mix" and "Star" (both borrowed from the Hot AC format), and " KISS-FM " (borrowed from top 40/CHR ). WBLS in New York City, which

11252-412: The use of the urban tag. Responding to Republic's elimination of the term, he expressed concern that the action diminishes the status of black music executives within record companies and the industry as a whole: I do not think it’s a great idea because it nullifies all the hard work that past African American music executives built. This potentially leads to the dissolving of people and positions within

11368-1035: The years 1967 to 1978, but also played songs from as far back as 1963 and as recent as the early 1980s. Included were both ballads and uptempo songs. WGCI even played songs from the 1950s, including Unforgettable by Nat King Cole , though Ross said even teenagers liked the station because they had learned about older songs from their parents, and because newer versions of old songs were being recorded. Other stations included WRBO 103.5 in Memphis, WNPL in Nashville, KMEZ in New Orleans and WPLZ in Richmond . In addition to WRBO, urban oldies stations include WATV (AM) in Birmingham, Alabama , and KAJM in Phoenix. Some urban oldies stations refer to this format as "old school," for example, WOSL in Cincinnati. There

11484-427: Was a "very specific absence of asymmetric time-line patterns ( key patterns ) in virtually all early-twentieth-century African American music   ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African timelines." In the late 1940s, this changed somewhat when

11600-630: Was a very nasty dance". Also in 1949, a new version of a 1920s blues song, " Ain't Nobody's Business " was a number four hit for Jimmy Witherspoon , and Louis Jordan and the Tympany Five once again made the top five with " Saturday Night Fish Fry ". Many of these hit records were issued on new independent record labels, such as Savoy (founded 1942), King (founded 1943), Imperial (founded 1945), Specialty (founded 1946), Chess (founded 1947), and Atlantic (founded 1948). African American music began incorporating Afro-Cuban rhythmic motifs in

11716-467: Was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone . R&B originated in African-American communities in the 1940s. In 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". In that year, Louis Jordan dominated the top five listings of the R&;B charts with three songs, and two of the top five songs were based on

11832-400: Was at the top of the R&B charts in 1959 and 1960 with one number one and two number two hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Nat King Cole , Frank Sinatra and Tony Bennett . Lloyd Price , who in 1952 had a number one hit with " Lawdy Miss Clawdy ", regained predominance with

11948-529: Was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone

12064-458: Was being called soul music , and similar music by white artists was labeled blue-eyed soul . Motown Records had its first million-selling single in 1960 with the Miracles ' " Shop Around ", and in 1961, Stax Records had its first hit with Carla Thomas 's " Gee Whiz (Look at His Eyes) ". Stax's next major hit, The Mar-Keys ' instrumental " Last Night " (also released in 1961), introduced

12180-422: Was definitely such a thing as rhumba blues ; you can hear Muddy Waters and Howlin' Wolf playing it." He also cites Otis Rush , Ike Turner and Ray Charles , as R&B artists who employed this feel. The use of clave in R&B coincided with the growing dominance of the backbeat , and the rising popularity of Cuban music in the U.S. In a sense, clave can be distilled down to tresillo (three-side) answered by

12296-537: Was dominated by young Jewish men who promoted the sounds of black music. British rhythm and blues and blues rock developed in the early 1960s, largely as a response to the recordings of American artists, often brought over by African American servicemen stationed in Britain or seamen visiting ports such as London, Liverpool, Newcastle and Belfast. Many bands, particularly in the developing London club scene, tried to emulate black rhythm and blues performers, resulting in

12412-416: Was folded into this network service. Cumulus funded the sale by making a pair of station deals with Townsquare Media . On July 31, 2014, Cumulus acquired the rights to CNN 's content to distribute to radio stations (the company had held CNN radio rights since its acquisition of Dial Global, but CNN had not produced any radio content since April 2012). The newly acquired Westwood One network would distribute

12528-419: Was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights". The Rock & Roll Hall of Fame defines some of the originators of R&B, including Joe Turner 's big band, Louis Jordan's Tympany Five, James Brown and LaVern Baker. In fact, this source states that "Louis Jordan joined Turner in laying

12644-500: Was officially completed on June 12, 2007 and the "ABC Radio Networks" logo was licensed from Disney until April 2, 2009. Shortly after the announcement of the ABC/Citadel merger, the "FM" network was reactivated. It now provides an hourly, two-minute newscast, similar in format to when the network formerly operated. Those newscasts carry the on-air brand "ABC News Now". On April 2, 2009, the staff at Citadel Broadcasting changed

12760-527: Was once told that "a lot of those stations still think you're a black group because the sound feels funky and black." Hi Records did not feature pictures of the Combo on early records. Sam Cooke 's number five hit " Chain Gang " is indicative of R&B in 1960, as is pop rocker Chubby Checker 's number five hit " The Twist ". By the early 1960s, the music industry category previously known as rhythm and blues

12876-555: Was owned and operated by the Prairie Farmer in a time-share arrangement with ABC-owned WENR until both stations merged in 1954; ABC acquired the Farmer's minority stake in 1959). Some network shows survived the transition to television: Don McNeill's Breakfast Club , one of the country's first and longest-running morning programs, aired from 1933 to 1968 with Don McNeill as the host. Other long-running ABC programs included

12992-585: Was referred to as jump blues . Then, Paul Gayten , Roy Brown, and others had had hits in the style now referred to as rhythm and blues. In 1948, Wynonie Harris's remake of Brown's 1947 recording " Good Rockin' Tonight " reached number two on the charts, following band leader Sonny Thompson 's "Long Gone" at number one. In 1949, the term "Rhythm and Blues" (R&B) replaced the Billboard category Harlem Hit Parade . Also in that year, " The Huckle-Buck ", recorded by band leader and saxophonist Paul Williams ,

13108-440: Was test-launched on November 18, 1996, in four markets by ABC Radio Networks, with a Los Angeles station added on August 26, 1997. ABC again began building a talk network, this time with an emphasis on political talk, in 2001. Among the first hosts heard on the new ABC talk network were Sam Donaldson of ABC News television, Sean Hannity of WABC, Larry Elder of KABC, and John Batchelor of WABC. Donaldson left his show after

13224-523: Was the number one R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson , the song was described as a "dirty boogie" because it was risque and raunchy. Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit " (The) Rock and Roll Waltz "), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck

13340-464: Was titled only 'Rhumba' on the track sheets." Johnny Otis 's "Willie and the Hand Jive" (1958) is another example of this successful blend of 3–2 claves and R&B. Otis used the Cuban instruments claves and maracas on the song. Afro-Cuban music was the conduit by which African American music was "re-Africanized", through the adoption of two-celled figures like clave and Afro-Cuban instruments like

13456-411: Was used as a blanket term for soul and funk . In the late 1980s, a newer style of R&B developed, becoming known as " contemporary R&B ". This contemporary form combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music . Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in

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