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85-593: The temple was destroyed during a 10 March 1945 firebombing air raid on Tokyo during World War II. The main hall was rebuilt in the 1950s. Formerly associated with the Tendai sect of Buddhism , the temple became independent after the war. Leading to it is Nakamise-dōri street, containing many shops with traditional goods. Adjacent to the east of Sensō-ji is the Asakusa Shrine of the Shinto religion. The temple

170-506: A challenge for the gardeners. Due to the absolute importance of the arrangement of natural rocks and trees, finding the right material becomes highly selective. The serenity of a Japanese landscape and the simple but deliberate structures of the Japanese gardens are a unique quality, with the two most important principles of garden design being "scaled reduction and symbolization". Japanese gardens always feature water, either physically with

255-618: A composition whose function is to incite mediation." Several of the famous Zen gardens of Kyoto were the work of one man, Musō Soseki (1275–1351). He was a monk, a ninth-generation descendant of the Emperor Uda and a formidable court politician, writer and organizer, who armed and financed ships to open trade with China, and founded an organization called the Five Mountains, made up of the most powerful Zen monasteries in Kyoto. He

340-653: A copy of the Lotus Sutra that is designated a Japanese National Treasure and the Issai-kyō , a complete collection of Buddhist scriptures that has been designated an Important Cultural Property . Unlike the Kaminarimon, which houses four different statues, the Hōzōmon houses two guardian statues that are located on either side of the gate's south face. These 5.45 metres (17.9 ft) tall statues represent Niō ,

425-480: A garden, though the tsubo-niwa style of tiny gardens in passages and other spaces, as well as bonsai (in Japan always grown outside) and houseplants mitigates this, and domestic garden tourism is very important. The Japanese tradition has long been to keep a well-designed garden as near as possible to its original condition, and many famous gardens appear to have changed little over several centuries, apart from

510-715: A much more radical approach to the traditions. One example is Awaji Yumebutai , a garden on the island of Awaji , in the Seto Inland Sea of Japan, designed by Tadao Ando . It was built as part of a resort and conference center on a steep slope, where land had been stripped away to make an island for an airport. Japanese gardens are distinctive in their symbolism of nature, with traditional Japanese gardens being very different in style from occidental gardens: "Western gardens are typically optimised for visual appeal while Japanese gardens are modelled with spiritual and philosophical ideas in mind." Japanese gardens are conceived as

595-653: A new garden architecture style appeared, created by the followers of Pure Land Buddhism . These were called "Paradise Gardens", built to represent the legendary Paradise of the West, where the Amida Buddha ruled. These were built by noblemen who wanted to assert their power and independence from the Imperial household, which was growing weaker. The best surviving example of a Paradise Garden is Byōdō-in in Uji , near Kyoto. It

680-451: A pond or stream, or symbolically, represented by white sand in a dry rock garden. In Buddhist symbolism, water and stone are thought of as yin and yang , two opposites that complement and complete each other. A traditional garden will usually have an irregular-shaped pond or, in larger gardens, two or more ponds connected by a channel or stream, and a cascade, a miniature version of Japan's famous mountain waterfalls. In traditional gardens,

765-523: A promenade garden, meant to be seen from the winding garden paths, with elements of the Zen garden, such as artificial mountains, meant to be contemplated from a distance. The most famous garden of this kind, built in 1592, is situated near the Tokushima castle on the island of Shikoku . Its notable features include a bridge 10.5 metres (34 ft) long made of two natural stones. Another notable garden of

850-482: A prototype for future Japanese architecture. They opened up onto the garden, so that the garden seemed entirely part of the building; whether the visitor was inside or outside of the building, they would ideally always feel they were in the center of nature. The garden buildings were arranged so that were always seen from a diagonal, rather than straight on. This arrangement had the poetic name ganko , which meant literally "a formation of wild geese in flight". Most of

935-554: A representation of a natural setting, tying in to Japanese connections between the land and Shinto spiritualism, where spirits are commonly found in nature; as such, Japanese gardens tend to incorporate natural materials, with the aim of creating a space that captures the beauties of nature in a realistic manner. Traditional Japanese gardens can be categorized into three types: tsukiyama (hill gardens), karesansui (dry gardens) and chaniwa gardens (tea gardens). The small space given to create these gardens usually poses

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1020-425: A role in Japanese gardens than in the West, though seasonally flowering shrubs and trees are important, all the more dramatic because of the contrast with the usual predominant green. Evergreen plants are "the bones of the garden" in Japan. Though a natural-seeming appearance is the aim, Japanese gardeners often shape their plants, including trees, with great rigour. Japanese literature on gardening goes back almost

1105-445: A stimulant to keep awake during long periods of meditation. The first great tea master, Sen no Rikyū (1522–1591), defined in the most minute detail the appearance and rules of the tea house and tea garden, following the principle of wabi ( 侘び , "sober refinement and calm") . Following Sen no Rikyū's rules, the teahouse was supposed to suggest the cottage of a hermit-monk. It was a small and very plain wooden structure, often with

1190-459: A suggested donation of 100 yen, visitors may consult the oracle and divine answers to their questions. Querents shake labelled sticks from enclosed metal containers and read the corresponding answers they retrieve from one of 100 possible drawers. Within the temple is a quiet contemplative garden kept in the distinctive Japanese style . The Kaminarimon ( 雷門 , "Thunder Gate" ) is the outer of two large entrance gates that ultimately lead to

1275-413: A thatched roof, with just enough room inside for two tatami mats. The only decoration allowed inside a scroll with an inscription and a branch of a tree. It did not have a view of the garden. The garden was also small, and constantly watered to be damp and green. It usually had a cherry tree or elm to bring color in the spring, but otherwise did not have bright flowers or exotic plants that would distract

1360-404: A thousand years, and several different styles of garden have developed, some with religious or philosophical implications. A characteristic of Japanese gardens is that they are designed to be seen from specific points. Some of the most significant different traditional styles of Japanese garden are the chisen-shoyū-teien ("lake-spring-boat excursion garden"), which was imported from China during

1445-594: A weight of 400 kilograms (880 lb), the lantern displays the name of the town Kobunachō ( 小舟町 ) . The current iteration of the lantern dates back to 2003 when ¥2 billion was donated by the people of Kobunachō. Its donation commemorated the 10th-year-anniversary of the start of the Edo period . On either side of the chōchin hangs five 2.75 metres (9.0 ft) tall copper tōrō weighing approximately 1,000 kilograms (2,200 lb) each. All three lanterns are completely removed during festivals such as Sanja Matsuri . On

1530-606: Is dedicated to the bodhisattva Kannon ( Avalokiteśvara ). According to legend, a statue of the Kannon was found in the Sumida River in 628 AD by two fishermen, brothers Hinokuma Hamanari and Hinokuma Takenari. The chief of their village, Hajino Nakamoto, recognized the sanctity of the statue and enshrined it by remodeling his own house into a small temple in Asakusa so that the villagers could worship Kannon. The first temple

1615-492: Is the inner of two large entrance gates that lead to the Sensō-ji. It is a two-story gate ( nijūmon ), and its second story houses many of the Sensō-ji's treasures. The first story houses two statues, three lanterns and two large sandals. It stands 22.7 metres (74 ft) tall, 21 metres (69 ft) wide, and 8 metres (26 ft) deep. The Hōzōmon was first built in 942 AD by Taira no Kinmasa. Destroyed by fire in 1631, it

1700-566: The Man'yōshū , the "Collection of Countless Leaves", the oldest known collection of Japanese poetry. The Nara period is named after its capital city Nara . The first authentically Japanese gardens were built in this city at the end of the 8th century. Shorelines and stone settings were naturalistic, different from the heavier, earlier continental mode of constructing pond edges. Two such gardens have been found at excavations, both of which were used for poetry-writing festivities. One of these gardens,

1785-639: The daimyō , around which new cities and gardens appeared. The characteristic garden of the period featured one or more ponds or lakes next to the main residence, or shoin , not far from the castle. These gardens were meant to be seen from above, from the castle or residence. The daimyō had developed the skills of cutting and lifting large rocks to build their castles, and they had armies of soldiers to move them. The artificial lakes were surrounded by beaches of small stones and decorated with arrangements of boulders, with natural stone bridges and stepping stones . The gardens of this period combined elements of

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1870-587: The Asuka period ( c.  6th to 7th century ). Japanese gardens first appeared on the island of Honshu , the large central island of Japan. Their aesthetic was influenced by the distinct characteristics of the Honshu landscape: rugged volcanic peaks, narrow valleys, mountain streams with waterfalls and cascades, lakes, and beaches of small stones. They were also influenced by the rich variety of flowers and different species of trees, particularly evergreen trees, on

1955-635: The Eight Immortals , who lived in perfect harmony with nature. Each Immortal flew from his mountain home on the back of a crane . The islands themselves were located on the back of an enormous sea turtle . In Japan, the five islands of the Chinese legend became one island, called Horai-zen, or Mount Horai . Replicas of this legendary mountain, the symbol of a perfect world, are a common feature of Japanese gardens, as are rocks representing turtles and cranes. The earliest recorded Japanese gardens were

2040-461: The Heian period (794–1185). These were designed to be seen from small boats on the central lake. No original examples of these survive, but they were replaced by the "paradise garden" associated with Pure Land Buddhism , with a Buddha shrine on an island in the lake. Later large gardens are often in the kaiyū-shiki-teien , or promenade garden style, designed to be seen from a path circulating around

2125-633: The Kyoto Imperial Palace of 794, the Heian-jingū , was built in Kyoto in 1895 to celebrate the 1100th birthday of the city. The south garden is famous for its cherry blossom in spring, and for azaleas in the early summer. The west garden is known for its irises in June, and the large east garden lake recalls the leisurely boating parties of the 8th century. Near the end of the Heian period,

2210-645: The Shōwa period (1926–1989), many traditional gardens were built by businessmen and politicians. After World War II, the principal builders of gardens were no longer private individuals, but banks, hotels, universities and government agencies. The Japanese garden became an extension of the landscape architecture with the building. New gardens were designed by landscape architects , and often used modern building materials such as concrete. Some modern Japanese gardens, such as Tōfuku-ji , designed by Mirei Shigemori , were inspired by classical models. Other modern gardens have taken

2295-565: The pleasure gardens of the emperors and nobles. They are mentioned in several brief passages of the Nihon Shoki , the first chronicle of Japanese history, published in 720 CE. In spring 74 CE, the chronicle recorded: "The Emperor Keikō put a few carp into a pond, and rejoiced to see them morning and evening". The following year, "The Emperor launched a double-hulled boat in the pond of Ijishi at Ihare, and went aboard with his imperial concubine, and they feasted sumptuously together". In 486,

2380-790: The East Palace garden at Heijō Palace , Nara, has been faithfully reconstructed using the same location and even the original garden features that had been excavated. It appears from the small amount of literary and archaeological evidence available that the Japanese gardens of this time were modest versions of the Imperial gardens of the Tang dynasty, with large lakes scattered with artificial islands and artificial mountains. Pond edges were constructed with heavy rocks as embankment. While these gardens had some Buddhist and Daoist symbolism, they were meant to be pleasure gardens, and places for festivals and celebrations. Recent archaeological excavations in

2465-563: The Golden Pavilion , built in 1398, and Ginkaku-ji, the Silver Pavilion , built in 1482. In some ways they followed Zen principles of spontaneity, extreme simplicity and moderation, but in other ways they were traditional Chinese Song-dynasty temples; the upper floors of the Golden Pavilion were covered with gold leaf, and they were surrounded by traditional water gardens. The most notable garden style invented in this period

2550-475: The Hōzōmon's east (back) face are the waraji , two 4.5 metres (15 ft) long, 1.5 metres (4.9 ft) wide straw sandals that weigh 400 kilograms (880 lb) each. The Nakamise-dōri ( 仲見世通り ) is a street on the approach to the temple. It is said to have come about in the early 12th century, when neighbors of Sensō-ji were granted permission to set up shops on the approach to the temple. However, in May 1885

2635-651: The Japanese court sent fifteen more legations to the court of the Tang dynasty . These legations, with more than five hundred members each, included diplomats, scholars, students, Buddhist monks, and translators. They brought back Chinese writing, art objects, and detailed descriptions of Chinese gardens. In 612 CE, the Empress Suiko had a garden built with an artificial mountain, representing Shumi-Sen, or Mount Sumeru , reputed in Hindu and Buddhist legends to be located at

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2720-559: The Kaminarimon is Nakamise-dori with its shops, followed by the Hōzōmon or "Treasure House Gate", which provides the entrance to the inner complex. Within the precincts stand a stately five-story pagoda and the main hall, devoted to Kannon. Many tourists, both Japanese and from abroad, visit Sensō-ji every year. Catering to the visiting crowds, the surrounding area has many traditional shops and eating places that feature traditional dishes (hand-made noodles, sushi, tempura, etc.). Nakamise-Dori,

2805-739: The Mongol invasions. The monks brought with them a new form of Buddhism, called simply Zen , or "meditation". Japan enjoyed a renaissance in religion, in the arts, and particularly in gardens. The term Zen garden appears in English writing in the 1930s for the first time, in Japan zen teien , or zenteki teien comes up even later, from the 1950s. It applies to a Song China -inspired composition technique derived from ink-painting. The composition or construction of such small, scenic gardens have no relation to religious Zen. Many famous temple gardens were built early in this period, including Kinkaku-ji,

2890-510: The Sensō-ji (the inner being the Hōzōmon) in Asakusa . The gate, with its lantern and statues, is popular with tourists. It stands 11.7 metres (38 ft) tall, 11.4 metres (37 ft) wide and covers an area of 69.3 square metres (746 sq ft). The first gate was built in 941, but the current gate dates back to 1960, after the previous gate was destroyed in a fire in 1865. The Kaminarimon

2975-508: The UK, where the climate was similar and Japanese plants grew well. Japanese gardens, typically a section of a larger garden, continue to be popular in the West, and many typical Japanese garden plants, such as cherry trees and the many varieties of Acer palmatum or Japanese maple, are also used in all types of garden, giving a faint hint of the style to very many gardens. The ideas central to Japanese gardens were first introduced to Japan during

3060-553: The Wikimedia System Administrators, please include the details below. Request from 172.68.168.226 via cp1108 cp1108, Varnish XID 189557193 Upstream caches: cp1108 int Error: 429, Too Many Requests at Thu, 28 Nov 2024 07:52:15 GMT Japanese garden Japanese gardens ( 日本庭園 , nihon teien ) are traditional gardens whose designs are accompanied by Japanese aesthetics and philosophical ideas, avoid artificial ornamentation, and highlight

3145-656: The ancient capital of Nara have brought to light the remains of two 8th-century gardens associated with the Imperial Court, a pond and stream garden – the To-in – located within the precinct of the Imperial Palace and a stream garden – Kyuseki – found within the modern city. They may be modeled after Chinese gardens, but the rock formations found in the To-in would appear to have more in common with prehistoric Japanese stone monuments than with Chinese antecedents, and

3230-405: The arms of an armchair, with the garden between them. The gardens featured one or more lakes connected by bridges and winding streams. The south garden of the imperial residences had a uniquely Japanese feature: a large empty area of white sand or gravel. The emperor was the chief priest of Japan, and the white sand represented purity, and was a place where the gods could be invited to visit. The area

3315-455: The arrival of  kami , and the Shinto reverence for great rocks, lakes, ancient trees, and other "dignitaries of nature" would exert an enduring influence on Japanese garden design. Japanese gardens were also strongly influenced by the Chinese philosophy of Daoism and Amida Buddhism, imported from China in or around 552 CE. Daoist legends spoke of five mountainous islands inhabited by

3400-401: The attention of the visitor. A path led to the entrance of the teahouse. Along the path was waiting bench for guests and a privy, and a stone water-basin near the teahouse, where the guests rinsed their hands and mouths before entering the tea room through a small, square door called nijiri-guchi , or "crawling-in entrance", which requires bending low to pass through. Sen no Rikyū decreed that

3485-464: The center of the gate. It is 3.9 metres (13 ft) tall, 3.3 metres (11 ft) wide and weighs approximately 700 kilograms (1,500 lb). The current lantern, the fifth iteration, was built by Takahashi Chōchin K.K in 2013 and has the same metallic base on the bottom as the previous lantern. The base has a name plate that says "Matsushita Denki", an abbreviated form of Panasonic's old Japanese name, Matsushita Denki Sangyo Kabushiki Gaisha. The front of

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3570-523: The centre of the world. During the reign of the same empress, one of her ministers, Soga no Umako, had a garden built at his palace featuring a lake with several small islands, representing the islands of the Eight Immortals famous in Chinese legends and Daoist philosophy. This palace became the property of the Japanese emperors, was named "The Palace of the Isles", and was mentioned several times in

3655-471: The chronicle recorded that "The Emperor Kenzō went into the garden and feasted at the edge of a winding stream". Chinese gardens had a very strong influence on early Japanese gardens. In or around 552 CE, Buddhism was officially installed from China, via Korea, into Japan. Between 600 and 612 CE, the Japanese emperor sent four legations to the court of the Chinese Sui dynasty . Between 630 and 838 CE,

3740-413: The courtyard there is a tree that was hit by a bomb in the air raids, and it had regrown in the husk of the old tree and is a similar symbol as the temple itself. The temple now has a titanium tiled roof that maintains a historic image but is stronger and lighter. The Kaminarimon gate was rebuilt in 1960, the Hōzōmon gate in 1964, and the pagoda in 1973. The Nishinomiya Inari shrine was located within

3825-422: The east, to enter the garden, pass under the house, and then leave from the southeast. In this way, the water of the blue dragon will carry away all the bad spirits from the house toward the white tiger. The Imperial gardens of the Heian period were water gardens , where visitors promenaded in elegant lacquered boats, listening to music, viewing the distant mountains, singing, reading poetry, painting, and admiring

3910-647: The emperors and the rivalry of feudal warlords resulted in two civil wars (1156 and 1159), which destroyed most of Kyoto and its gardens. The capital moved to Kamakura , and then in 1336 back to the Muromachi quarter of Kyoto. The emperors ruled in name only; real power was held by a military governor, the shōgun . During this period, the government reopened relations with China, which had been broken off almost three hundred years earlier. Japanese monks went again to study in China, and Chinese monks came to Japan, fleeing

3995-535: The end of the 16th century referring to isolated tea houses. It originally applied to the simple country houses of samurai warriors and Buddhist monks, but in the Edo period it was used in every kind of building, from houses to palaces. The sukiya style was used in the most famous garden of the period, the Katsura Imperial Villa in Kyoto. The buildings were built in a very simple, undecorated style,

4080-455: The form of unusual rocks or trees marked with cords of rice fiber ( shimenawa ) and surrounded with white stones or pebbles, a symbol of purity. The white gravel courtyard became a distinctive feature of Shinto shrines, Imperial Palaces, Buddhist temples, and Zen gardens . Although its original meaning is somewhat obscure, one of the Japanese words for garden— niwa —came to mean a place that had been cleansed and purified in anticipation of

4165-514: The garden should be left unswept for several hours before the ceremony, so that leaves would be scattered in a natural way on the path. Notable gardens of the period include: During the Edo period , power was won and consolidated by the Tokugawa clan , who became the shōgun , and moved the capital to Edo , which became Tokyo . The emperor remained in Kyoto as a figurehead leader, with authority only over cultural and religious affairs. While

4250-399: The garden, with fixed stopping points for viewing. Specialized styles, often small sections in a larger garden, include the moss garden , the dry garden with gravel and rocks, associated with Zen Buddhism , the roji or teahouse garden, designed to be seen only from a short pathway, and the tsubo-niwa , a very small urban garden. Most modern Japanese homes have little space for

4335-461: The garden. Edo promenade gardens were often composed of a series of meisho , or "famous views", similar to postcards. These could be imitations of famous natural landscapes, like Mount Fuji , or scenes from Taoist or Buddhist legends, or landscapes illustrating verses of poetry. Unlike Zen gardens, they were designed to portray nature as it appeared, not the internal rules of nature. Well-known Edo-period gardens include: The Meiji period saw

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4420-408: The gardens of nobles in the capital, the gardens of villas at the edge of the city, and the gardens of temples. The architecture of the palaces, residences and gardens in the Heian period followed Chinese practice. Houses and gardens were aligned on a north-south axis, with the residence to the north and the ceremonial buildings and main garden to the south, there were two long wings to the south, like

4505-443: The gardens of the Edo period were either promenade gardens or dry rock Zen gardens, and they were usually much larger than earlier gardens. The promenade gardens of the period made extensive use of borrowed scenery ( shakkei ). Vistas of distant mountains are integrated in the design of the garden; or, even better, building the garden on the side of a mountain and using the different elevations to attain views over landscapes outside

4590-480: The gate along with several other of the major structures in the temple complex. The gate burnt to the ground in 1757 AD and again in 1865 AD. The Kaminarimon's current structure was dedicated in December 1960 AD . Ninety-five years after the last fire, Konosuke Matsushita , the founder of Matsushita Electric Industrial Company (now Panasonic ), was asked to rebuild the gate. With monetary donations from Matsushita, it

4675-557: The government of Tokyo ordered all shop owners to leave. In December of that same year the area was reconstructed in Western-style brick. During the 1923 Great Kantō earthquake many of the shops were destroyed, then rebuilt in 1925 using concrete, only to be destroyed again during the bombings of World War II. The street is approximately 250 metres (820 ft) long and contains around 72 shops. Bombing of Tokyo (10 March 1945) Too Many Requests If you report this error to

4760-519: The guardian deities of the Buddha . Because of these statues, the gate was originally called the Niōmon ( 仁王門 , "Niō Gate" ) before it was renamed the Hōzōmon. The gate also features three large lanterns. The largest and most prominent lantern is a red chōchin that hangs under the center of the gate's opening. With a height of 3.75 metres (12.3 ft), a diameter of 2.7 metres (8.9 ft) and

4845-595: The heads being saved, and the statues restored for the gate's 1960 reconstruction. Two additional statues stand on the reverse of the gate: the Buddhist god Tenryū on the east, and the goddess Kinryū on the west side. These were donated in 1978 to commemorate the 1350th anniversary of the first appearance of the bodhisattva Kannon ( Avalokiteśvara ) at Asakusa, which led to the founding of Sensō-ji. The statues were carved by then-106-year-old master sculptor Hirakushi Denchū . A giant red lantern ( chōchin ) hangs under

4930-445: The inevitable turnover of plants, in a way that is extremely rare in the West. Awareness of the Japanese style of gardening reached the West near the end of the 19th century, and was enthusiastically received as part of the fashion for Japonisme , and as Western gardening taste had by then turned away from rigid geometry to a more naturalistic style, of which the Japanese style was an attractive variant. There were immediately popular in

5015-425: The islands, and by the four distinct seasons in Japan, including hot, wet summers and snowy winters. Japanese gardens have their roots in the national religion of Shinto , with its story of the creation of eight perfect islands, and of the shinchi , the lakes of the gods. Prehistoric Shinto shrines to the kami , the gods and spirits, are found on beaches and in forests all over the island. They often took

5100-420: The lantern displays the gate's name, Kaminarimon ( 雷門 ) . Painted on the back is the gate's official name, Fūraijinmon ( 風雷神門 ) . During festivals such as Sanja Matsuri , the lantern is collapsed to let tall objects pass through the gate. The characters 金龍山 ( Kinryū-zan ) on the tablet above the lantern read from right to left and reference the Sensō-ji. The Hōzōmon ( 宝蔵門 , "Treasure-House Gate" )

5185-465: The main pavilion, or from the "Hall of the Pure View", located on a higher elevation in the garden. In the east of the garden, on a peninsula, is an arrangement of stones designed to represent the mythical Mount Horai. A wooden bridge leads to an island representing a crane, and a stone bridge connects this island to another representing a tortoise, which is connected by an earth-covered bridge back to

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5270-421: The modernization of Japan, and the re-opening of Japan to the West. Many of the old private gardens had been abandoned and left to ruin. In 1871, a new law transformed many gardens from the earlier Edo period into public parks, preserving them. Garden designers, confronted with ideas from the West experimented with western styles, leading to such gardens as Kyu-Furukawa Gardens , or Shinjuku Gyoen . Others, more in

5355-464: The natural landscape. Plants and worn, aged materials are generally used by Japanese garden designers to suggest a natural landscape, and to express the fragility of existence as well as time's unstoppable advance. Ancient Japanese art inspired past garden designers. Water is an important feature of many gardens, as are rocks and often gravel. Despite there being many attractive Japanese flowering plants, herbaceous flowers generally play much less of

5440-575: The natural, serpentine course of the Kyuseki stream garden may be far less formal than what existed in Tang China. Whatever their origins, both the To-in and Kyuseki clearly anticipate certain developments in later Japanese gardens. In 794 CE, at the beginning of the Heian period (794–1185 CE), the Japanese court moved its capital to Heian-kyō (present-day Kyoto ). During this period, there were three different kinds of gardens: palace gardens and

5525-442: The north of Japan kept to Edo period blueprint design. A third wave was the naturalistic style of gardens, invented by captains of industry and powerful politicians like Aritomo Yamagata . Many gardeners soon were designing and constructing gardens catering to this taste. One of the gardens well-known for his technical perfection in this style was Ogawa Jihei VII , also known as Ueji. Notable gardens of this period include: During

5610-487: The peninsula. The garden also includes a waterfall at the foot of a wooded hill. One characteristic of the Momoyama period garden visible at Sanbō-in is the close proximity of the buildings to the water. The Momoyama period also saw the development of chanoyu (tea ceremony), the chashitsu (teahouse), and the roji (tea garden). Tea had been introduced to Japan from China by Buddhist monks, who used it as

5695-400: The period still existing is Sanbō-in , rebuilt by Toyotomi Hideyoshi in 1598 to celebrate the festival of the cherry blossom and to recreate the splendor of an ancient garden. Three hundred garden-builders worked on the project, digging the lakes and installing seven hundred boulders in a space of 540 square metres (5,800 sq ft). The garden was designed to be seen from the veranda of

5780-418: The political center of Japan was now Tokyo, Kyoto remained the cultural capital, the center for religion and art. The shōgun provided the emperors with little power, but with generous subsidies for building gardens. The Edo period saw the widespread use of a new kind of Japanese architecture, called sukiya-zukuri , which means literally "building according to chosen taste". The term first appeared at

5865-530: The ponds and streams are carefully placed according to Buddhist geomancy , the art of putting things in the place most likely to attract good fortune. The rules for the placement of water were laid out in the first manual of Japanese gardens, the Sakuteiki ("Records of Garden Making") , in the 11th century. According to the Sakuteiki , water should enter the garden from the east or southeast and flow toward

5950-407: The porch of the residence the abbot of the monastery. There have been many debates about what the rocks are supposed to represent, but, as garden historian Gunter Nitschke wrote, "The garden at Ryōan-ji does not symbolize. It does not have the value of representing any natural beauty that can be found in the world, real or mythical. I consider it as an abstract composition of "natural" objects in space,

6035-523: The precincts of Sensō-ji and a torii identified the entry into the hallowed ground of the shrine. A bronze plaque on the gateway structure listed those who contributed to the construction of the torii, which was erected in 1727 ( Kyōhō 12, 11th month ). After the Meiji government ordered the separation of Shinto and Buddhism in 1868, the Inari shrine was moved to the grounds of the Asakusa Shrine , where it

6120-577: The scenery. The social life in the gardens was memorably described in the classic Japanese novel The Tale of Genji , written in about 1005 by Murasaki Shikibu , a lady-in-waiting to the empress. The traces of one such artificial lake, Osawa no ike, near the Daikaku-ji temple in Kyoto, still can be seen. It was built by the Emperor Saga , who ruled from 809 to 823, and was said to be inspired by Dongting Lake in China. A scaled-down replica of

6205-404: The south, which represents fire, which are opposites ( yin and yang ) and therefore will bring good luck. The Sakuteiki recommends several possible miniature landscapes using lakes and streams: the "ocean style", which features rocks that appear to have been eroded by waves, a sandy beach, and pine trees; the "broad river style", recreating the course of a large river, winding like a serpent;

6290-543: The street leading from the Thunder Gate to the temple itself, is lined with small shops selling souvenirs ranging from fans, ukiyo-e ( woodblock prints ), kimono and other robes, Buddhist scrolls, traditional sweets, to Godzilla toys, t-shirts and mobile phone straps. These shops themselves are part of a living tradition of selling to pilgrims who walked to Sensō-ji. Within the temple itself, and also at many places on its approach, there are o-mikuji stalls. For

6375-636: The west, because the east is the home of the Green Dragon ( seiryu ), an ancient Chinese divinity adopted in Japan, and the west is the home of the White Tiger, the divinity of the east. Water flowing from east to west will carry away evil, and the owner of the garden will be healthy and have a long life. According to the Sakuteiki , another favorable arrangement is for the water to flow from north, which represents water in Buddhist cosmology, to

6460-621: The west. In the lake in front of the temple is a small island of white stones, representing Mount Horai, the home of the Eight Immortals of the Daoists, connected to the temple by a bridge, which symbolized the way to paradise. It was designed for mediation and contemplation, not as a pleasure garden. It was a lesson in Daoist and Buddhist philosophy created with landscape and architecture, and a prototype for future Japanese gardens. Notable existing or recreated Heian gardens include: The weakness of

6545-570: Was destroyed in the 10 March 1945 firebombing. Sensō-ji is the focus of Tokyo's largest and most popular festival , Sanja Matsuri . This takes place over 3 to 4 days in late spring, and sees the surrounding streets closed to traffic from dawn until late evening. Dominating the entrance to the temple is the Kaminarimon or "Thunder Gate". This imposing Buddhist structure features a massive paper lantern dramatically painted in vivid red-and-black tones to suggest thunderclouds and lightning. Beyond

6630-422: Was first built in 941 AD by Taira no Kinmasa, a military commander. It was originally located near Komagata, but it was reconstructed in its current location in 1635. This is believed to be when the gods of wind and thunder were first placed on the gate. The gate has been destroyed many times throughout the ages. Four years after its relocation, the Kaminarimon burned down, and in 1649 AD Tokugawa Iemitsu rebuilt

6715-482: Was founded in 645 AD, which makes it the oldest-established temple in Tokyo. In the early years of the Tokugawa shogunate , Tokugawa Ieyasu designated Sensō-ji as tutelary temple of the Tokugawa clan . During World War II, the temple was destroyed during the 10 March 1945 firebombing air raid on Tokyo . The main hall was rebuilt in 1951–58 and has been perceived as a symbol of rebirth and peace by Japanese people. In

6800-568: Was originally the villa of Fujiwara Michinaga (966–1028), who married his daughters to the sons of the Emperor. After his death, his son transformed the villa into a temple, and in 1053 built the Hall of Phoenix, which still stands. The Hall is built in the traditional style of a Chinese Song dynasty temple, on an island in the lake. It houses a gilded statue of the Amitābha Buddha, looking to

6885-488: Was rebuilt by Tokugawa Iemitsu in 1636. It stood for 300 more years until it was once again burned down during the Tokyo air raids of 1945 . In 1964, the present steel-reinforced concrete structure was built with a donation of ¥ 150 million from Yonetarō Motoya. Since the gate was reconstructed using flame-resistant materials, the upper story of the Hōzōmon stores the Sensō-ji's treasured sutras . These treasures include

6970-418: Was rebuilt in 1960. Four statues are housed in the Kaminarimon, two in the front alcoves and two on the other side. On the front of the gate, the statues of the Shinto gods Fūjin and Raijin are displayed. Fūjin, the god of wind, is located on the east side of the gate, while Raijin, the god of thunder, is located on the west side. The original sculptures were severely damaged in the fire of 1865, with only

7055-529: Was responsible for the building of the zen gardens of Nanzen-ji , Saihō-ji (the Moss Garden), and Tenryū-ji . Notable gardens of the Kamakura and Muromachi periods include: The Momoyama period was short, just 32 years, and was largely occupied with the wars between the daimyō , the leaders of the feudal Japanese clans. The new centers of power and culture in Japan were the fortified castles of

7140-406: Was the Zen garden, dry garden , or Japanese rock garden . One of the finest examples, and one of the best-known of all Japanese gardens is Ryōan-ji in Kyoto. This garden is just 9 metres (30 ft) wide and 24 metres (79 ft) long, composed of white sand carefully raked to suggest water, and fifteen rocks carefully arranged, like small islands. It is meant to be seen from a seated position on

7225-407: Was used for religious ceremonies and dances for the welcoming of the gods. The layout of the garden itself was strictly determined according to the principles of traditional Chinese geomancy , or Feng Shui . The first known book on the art of the Japanese garden, the Sakuteiki ( Records of Garden Keeping ), written in the 11th century, said: It is a good omen to make the stream arrive from

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