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20-528: Cals or CALS may refer to: People with the surname [ edit ] Isabelle Cals , French opera singer Jo Cals (1914–1971), Dutch politician, Prime Minister of the Netherlands from 1965 to 1966 Adolphe-Félix Cals (1810–1880), French portrait and landscape painter Organizations [ edit ] Central Arkansas Library System College of Agriculture and Life Sciences (disambiguation) ,

40-639: A 2000 recording that received many awards including Grammy Awards . She recorded the role of Mercedes in Carmen in 2003, with the Orchestre Capitole de Toulouse conducted by Michel Plasson . She appeared as Javotte in a recording of Massenet's Manon with Renée Fleming in the title role, and choir and orchestra of the Opéra National de Paris conducted by Jesús López Cobos . Wesendonck-Lieder Wesendonck Lieder , WWV 91,

60-563: A 2024 filmed concert, Michael Spyres . Tenor Stuart Skelton recorded the cycle in 2018, as did Christoph Prégardien in 2019. The orchestration of all five songs was completed for large orchestra by Felix Mottl , the Wagner conductor, on 3 August 1893. In 1972 the Italian composer Vieri Tosatti entirely re-orchestrated the songs. In 1976 the German composer Hans Werner Henze produced

80-573: A chamber version for the songs; each of the players has a separate part, with some very unusual wind registration. Clytus Gottwald arranged "Im Treibhaus" and "Träume" for 16-voice choir a cappella in 2004 as Zwei Studien zu "Tristan und Isolde" . In 2013 (the bicentennial of Wagner's birth) the French composer Alain Bonardi released a new version for voice, piano, clarinet and cello, including instrumental interludes with oriental resonant percussions. In

100-572: A lawyer's office and then for three years for Deloitte . She turned to singing at age 24, first as a mezzo-soprano , studying at the Centre de formation lyrique of the Opéra de Paris . Her roles include the title roles of Debussy's Pelléas et Mélisande and Offenbach's La belle Hélène , and Concepcion in Ravel's L'heure espagnole . Although in demand as a mezzo-soprano, performing roles such as

120-476: A love affair; in any case, the situation and mutual infatuation certainly contributed to the intensity in the conception of Tristan und Isolde . Wagner sold the settings to the publisher Schott in 1860 for 1000 francs. The first published version (1862) was titled Fünf Gedichte für eine Frauenstimme (Five poems for a female voice), and the first performance was given at the publisher's residence in Mainz , by

140-754: A lyrical-dramatic voice and at times a delicate dark timbre. Cals is married to the Austrian tenor Nikolai Schukoff . They have a residence in a village in the Lot department in south-western France. Cals recorded music by Hector Berlioz in the complete works with Sir Colin Davis and the London Symphony Orchestra , Ascanio in Benvenuto Cellini and Ascagne in Les Troyens ,

160-498: A number of colleges at different universities Technology [ edit ] Client access license , a Microsoft license technology Continuous Acquisition and Life-cycle Support , a United States Department of Defense initiative for electronically capturing military documentation and linking related information CALS Table Model , a standard for representing tables in SGML/XML CALS Raster file format ,

180-533: A standard for the interchange of graphics data Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title CALS . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=CALS&oldid=1182267705 " Categories : Disambiguation pages Disambiguation pages with surname-holder lists Hidden categories: Short description

200-522: Is different from Wikidata All article disambiguation pages All disambiguation pages Isabelle Cals Isabelle Cals (born 1993) is a French operatic soprano and mezzo-soprano who made an international career in opera and concert. Her roles include Bizet's Carmen and Wagner's Kundry . Born in south-western France, Cals achieved a master's degree in Chinese, and a degree in international relations. She worked as expert for Asia in

220-508: Is the common name of a set of five songs for female voice and piano by Richard Wagner , Fünf Gedichte für eine Frauenstimme ( Five Poems for a Female Voice ). He set five poems by Mathilde Wesendonck while he was working on his opera Tristan und Isolde . The songs, together with the Siegfried Idyll , are the two non-operatic works by Wagner most regularly performed. The songs are settings of poems by Mathilde Wesendonck ,

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240-803: The Festival Messiaen, and Four Last Songs by Richard Strauss at the Festival du Septembre Musical de l'Orne. She sang the part of Marguerite in Honegger's Jeanne d'Arc au bûcher , conducted by Alain Altinoglu , on stage in Montpellier in 2006, and appeared in a half-scenic production of the oratorio with chorus and orchestra of the Accademia Nazionale di Santa Cecilia conducted by Antonio Pappano in 2008. She performed

260-782: The Governess in Britten's The Turn of the Screw . In 2023 she appeared as Kundry in Wagner's Parsifal in the project of the Stadttheater Minden , directed by Eric Vigié, with the Nordwestdeutsche Philharmonie conducted by Frank Beermann , alongside Jussi Myllys in the title role, Tijl Faveyts as Gurnemanz and Roman Trekel as Amfortas. A reviewer noted that she portrayed the different aspects of her character with haunting stage presence and

280-479: The same year, the Chinese-British composer Jeffrey Ching premiered his Wesendonck Sonata for voice, viola (or cello), and piano. In 2014 Aurélien Bello made an orchestration for chamber orchestra as used in the Siegfried Idyll (and a harp ad libitum). French composer Christophe Looten wrote a transcription for voice and string quartet ( Théâtre des Champs-Élysées , Paris, March 2015). A version of

300-504: The songs "studies" for Tristan und Isolde , using for the first time certain musical ideas that are later developed in the opera. In " Träume " can be heard the roots of the love duet in Act 2, while " Im Treibhaus " (the last of the five to be composed) uses music later developed extensively for the prelude to Act 3. Wagner wrote the songs for female voice and piano alone but also orchestrated "Träume" for chamber forces , with violin taking

320-462: The soprano Emilie Genast, accompanied by Hans von Bülow . No name was given for the author of the texts at the first publication; it was not publicly revealed until after Mathilde's death (1902). The present order of the songs appears for the first time in the published version, and this has raised doubts as to whether the sequence is a genuine song cycle , or should be regarded simply as a collection of individual pieces. Wagner himself called two of

340-869: The soprano solo of Beethoven's Ninth Symphony in 2019 at the Opéra de Marseille . Operatic soprano roles include the title roles of Lully's Armide and Béatrice et Bénédict by Berlioz, Giulietta in Offenbach's Les contes d'Hoffmann , Marguerite in La damnation de Faust , the Foreign Princess in Dvorák's Rusalka , Alice Ford in Verdi's Falstaff , Tatiana in Tchaikovsky's Eugene Onegin , Madame Lidoine in Poulenc's Dialogues des Carmélites , and

360-610: The title role of Bizet's Carmen , she decided to expand her tessitura into the soprano register, and especially study towards a better technique. Her first role as a soprano was Donna Elvira in Mozart's Don Giovanni in 2006. She performed Wagner's Wesendonck-Lieder with the Landesjugendorchester Berlin, Les nuits d'été and La mort de Cléopâtre by Berlioz, Ravel's Shéhérazade , conducted by François-Xavier Roth . She sang Messiaen’s Harawi at

380-492: The voice part, for a performance beneath Mathilde's window on her birthday, 23 December 1857. Men have also sung them. Lauritz Melchior recorded " Schmerzen " and "Träume" for HMV in 1923; " Der Engel " has been recorded by tenors Franco Corelli (in French), Plácido Domingo , Jonas Kaufmann and Andrea Bocelli , and by the bass Paata Burchuladze . A few men have performed the whole cycle, including René Kollo and, in

400-689: The wife of one of Richard Wagner 's patrons. Wagner had become acquainted with Otto Wesendonck in Zürich , where he had fled on his escape from Saxony after the May Uprising in Dresden in 1849. For a time Wagner and his wife Minna lived together in the Asyl (German for Asylum in the sense of "sanctuary"), a small cottage on the Wesendonck estate. It is sometimes claimed that Wagner and Mathilde had

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