The Tibetan script is a segmental writing system, or abugida , derived from Brahmic scripts and Gupta script , and used to write certain Tibetic languages , including Tibetan , Dzongkha , Sikkimese , Ladakhi , Jirel and Balti . It was originally developed c. 620 by Tibetan minister Thonmi Sambhota for King Songtsen Gampo .
38-447: The cham dance ( Tibetan : འཆམ་ , Wylie : ' cham ) is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by monks using traditional Tibetan musical instruments. The dances often offer moral instruction relating to karuṇā (compassion) for sentient beings and are held to bring merit to all who perceive them. Chams are considered
76-474: A form of meditation and an offering to the gods . The leader of the cham is typically a musician, keeping time with a percussion instrument like cymbals , the one exception being Dramyin Cham , where time is kept using dramyin . The term "devil dance" was an early 20th century description of the performance, derived from Western perceptions of the costumes worn by performers. Chams often depict incidents from
114-555: A rich heritage of Buddhist artifacts. When the monasteries were being built in Mongolia, nearly over 700 monasteries had been built but among them, Choijin Lama Temple has highly distinctive features and history. This is a sublime heritage of Mongolians' history of handcrafts, fine arts, and sculpting of the late 19th century and the beginning of the 20th century. Located in central Ulaanbaatar directly south of Sukhbaatar Square ,
152-404: A significant part of Buddhism in Mongolia before it was banned under communist rule in 1924. The Stalinist purges in Mongolia destroyed over 700 monasteries, killed tens of thousands of Mongolian monks and lamas, and forcibly laicized thousands more monks. The mass murder of so much of Mongolia's monastic culture seriously threatened the tsam dance with extinction, as few practitioners survived
190-458: A space. Spaces are not used to divide words. The Tibetan alphabet has thirty basic letters, sometimes known as "radicals", for consonants. As in other Indic scripts , each consonant letter assumes an inherent vowel ; in the Tibetan script it is /a/. The letter ཨ is also the base for dependent vowel marks. Although some Tibetan dialects are tonal , the language had no tone at the time of
228-623: A statue of Choijin Lama Luvsankhaidav on the Buddha's right and the embalmed corpse of Baldan Choephel on his left. In addition, the temple boasts a copious collection of religious instruments, thangka paintings, silk embroideries, wood carvings, statues, and a biggest collection of cham dance masks). The annex to the temple contains another temple, named 'Zankhang' and a central square in which Choijin Lama Luvsankhaidav performed Oracle trance rituals. The Zuu Temple, dedicated to
266-496: A written tradition. Amdo Tibetan was one of a few examples where Buddhist practitioners initiated a spelling reform. A spelling reform of the Ladakhi language was controversial in part because it was first initiated by Christian missionaries. In the Tibetan script, the syllables are written from left to right. Syllables are separated by a tsek (་); since many Tibetan words are monosyllabic, this mark often functions almost as
304-667: Is a Buddhist monastery in Ulaanbaatar , the capital of Mongolia . The complex consists of six temples originally occupied by the brother of the ruler the Eighth Bogd Jetsun Dampa Khan , Choijin Lama Luvsankhaidav , who was the state oracle and 'Precious Wisdom and Clear Devotion' Khutugtu at the time. The complex was begun in 1904 and completed in 1908, in honor of the State Oracle Lama Lubsanhaidub /Losang Kedrup/, brother of
342-452: Is a gilt bronze sculpture of one of the 84 Indian yogis , or Mahasiddha . Also depicted are the tantric gods Kalacakra , Mahamaya , Vajradhara and others with their shakti or consorts in postures of meditation that symbolize power and strength. The fourth temple, the temple of amugulang or peace, is dedicated to the first Mongolian reincarnation of Boghda Jevzundamba , Undur Gegeen Zanabazar , (1635-1724). The museum preserves
380-410: Is above most other consonants, thus རྐ rka. However, an exception to this is the cluster རྙ /ɲa/. Similarly, the consonants ར /ra/, and ཡ /ja/ change form when they are beneath other consonants, thus ཀྲ /ʈ ~ ʈʂa/; ཀྱ /ca/. Besides being written as subscripts and superscripts, some consonants can also be placed in prescript, postscript, or post-postscript positions. For instance,
418-505: Is closely linked to a broad ethnic Tibetan identity, spanning across areas in India , Nepal , Bhutan and Tibet. The Tibetan script is of Brahmic origin from the Gupta script and is ancestral to scripts such as Lepcha , Marchen and the multilingual ʼPhags-pa script , and is also closely related to Meitei . According to Tibetan historiography, the Tibetan script was developed during
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#1732781048226456-666: Is designed as a simple means for inputting Dzongkha text on computers. This keyboard layout was standardized by the Dzongkha Development Commission (DDC) and the Department of Information Technology (DIT) of the Royal Government of Bhutan in 2000. It was updated in 2009 to accommodate additional characters added to the Unicode & ISO 10646 standards since the initial version. Since
494-442: Is performed by Buddhist monks and operates in two levels, to achieve enlightenment and to destroy evil forces. The dancers often hold a skull and scarf tied together and then attached to the hilt of a purba . In Bhutan , the dances are performed during the annual religious festivals or tshechu , held in the dzong in each district. The Cham is performed by monks, sometimes nuns and villagers. The Royal Academy of Performing Arts
532-528: Is simply read as it usually is and has no effect on the pronunciation of the consonant to which it is subjoined, for example ཀ་ཝ་ཟུར་ཀྭ (IPA: /ka.wa.suː.ka/). The vowels used in the alphabet are ཨ /a/, ཨི /i/, ཨུ /u/, ཨེ /e/, and ཨོ /o/. While the vowel /a/ is included in each consonant, the other vowels are indicated by marks; thus ཀ /ka/, ཀི /ki/, ཀུ /ku/, ཀེ /ke/, ཀོ /ko/. The vowels ཨི /i/, ཨེ /e/, and ཨོ /o/ are placed above consonants as diacritics, while
570-560: Is solely for the consonants ད /tʰa/ and ས /sa/. The head ( མགོ in Tibetan, Wylie: mgo ) letter, or superscript, position above a radical is reserved for the consonants ར /ra/, ལ /la/, and ས /sa/. The subscript position under a radical can only be occupied by the consonants ཡ /ja/, ར /ra/, ལ /la/, and ཝ /wa/. In this position they are described as བཏགས (Wylie: btags , IPA: /taʔ/), in Tibetan meaning "hung on/affixed/appended", for example བ་ཡ་བཏགས་བྱ (IPA: /pʰa.ja.taʔ.t͡ʃʰa/), except for ཝ , which
608-490: Is the main body which promotes the preservation of the culture of Cham. This honors Guru Rinpoche (Padmasambhava) and celebrates his deeds through the performance of sacred dances. Since Guru Rinpoche was a fully enlightened being, he is extremely important in Bhutan and it is through his teachings that Bhutanese devotees are shown the true and fast path to enlightenment. These dances assist in cultivating faith and understanding of
646-488: The Buddha Shakyamuni features papier-mache sculptures of Buddha in the past, present, and future. The 16 arhat disciples of Buddha appear on the temple walls with four Maharajas protectors shown sitting in caves on either side of the door. The Yidam Temple was used as a place of prayer by Choijin Lama Luvsankhaidav, and therefore closed to the public. Now, it is open to public for sightseeing. In its center
684-898: The Latin script . Multiple Romanization and transliteration systems have been created in recent years, but do not fully represent the true phonetic sound. While the Wylie transliteration system is widely used to Romanize Standard Tibetan , others include the Library of Congress system and the IPA-based transliteration (Jacques 2012). Below is a table with Tibetan letters and different Romanization and transliteration system for each letter, listed below systems are: Wylie transliteration (W), Tibetan pinyin (TP), Dzongkha phonetic (DP), ALA-LC Romanization (A) and THL Simplified Phonetic Transcription (THL). The first version of Microsoft Windows to support
722-545: The Monlam Prayer Festival . Tibetan script The Tibetan script has also been used for some non-Tibetic languages in close cultural contact with Tibet, such as Thakali , Nepali and Old Turkic . The printed form is called uchen script while the hand-written cursive form used in everyday writing is called umê script . This writing system is used across the Himalayas and Tibet . The script
760-518: The 9th-century spoken Tibetan, and current pronunciation. This divergence is the basis of an argument in favour of spelling reform , to write Tibetan as it is pronounced ; for example, writing Kagyu instead of Bka'-rgyud . The nomadic Amdo Tibetan and the western dialects of the Ladakhi language , as well as the Balti language , come very close to the Old Tibetan spellings. Despite that,
798-618: The Guru deeds, and as such both honor and educate the attendees. Dances are performed during cultural and religious festivals in: Tsam ( Mongolian : Цам) dance was not introduced to Mongolia until the early 19th century, however it rapidly gained popularity and visibility with celebrations such as the Tsam festival and the opera Tale of the Moon Cuckoo . Tsam came to incorporate both tantric and older, shamanistic elements of dance. It became
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#1732781048226836-732: The Tibetan keyboard layout is MS Windows Vista . The layout has been available in Linux since September 2007. In Ubuntu 12.04, one can install Tibetan language support through Dash / Language Support / Install/Remove Languages, the input method can be turned on from Dash / Keyboard Layout, adding Tibetan keyboard layout. The layout applies the similar layout as in Microsoft Windows. Mac OS -X introduced Tibetan Unicode support with OS-X version 10.5 and later, now with three different keyboard layouts available: Tibetan-Wylie, Tibetan QWERTY and Tibetan-Otani. The Dzongkha keyboard layout scheme
874-509: The arrangement of keys essentially follows the usual order of the Dzongkha and Tibetan alphabet, the layout can be quickly learned by anyone familiar with this alphabet. Subjoined (combining) consonants are entered using the Shift key. The Dzongkha (dz) keyboard layout is included in Microsoft Windows, Android, and most distributions of Linux as part of XFree86 . Tibetan was originally one of
912-434: The assassination of the cruel Tibetan king, Langdarma in 841 CE by a monk called Lhalung Pelgyi Dorje . The monk, dressed in a black robe and a black hat, danced outside the palace until he was allowed to perform in front of the emperor, then assassinated him. It is a dance symbolising the victory of good over evil. The Black Hat dance is a Vajrakilaya dance and is the dance most frequently depicted in paintings. The dance
950-407: The basic Tibetan alphabet to represent different sounds. In addition to the use of supplementary graphemes, the rules for constructing consonant clusters are amended, allowing any character to occupy the superscript or subscript position, negating the need for the prescript and postscript positions. Romanization and transliteration of the Tibetan script is the representation of the Tibetan script in
988-418: The consonants ག /kʰa/, ད /tʰa/, བ /pʰa/, མ /ma/ and འ /a/ can be used in the prescript position to the left of other radicals, while the position after a radical (the postscript position), can be held by the ten consonants ག /kʰa/, ན /na/, བ /pʰa/, ད /tʰa/, མ /ma/, འ /a/, ར /ra/, ང /ŋa/, ས /sa/, and ལ /la/. The third position, the post-postscript position
1026-554: The eighth Bogd Khan. The Choijin Lama Museum was originally a Buddhist temple complex, consisting of one main and five branch temples. It was active until 1937, when it was closed during the height of Communist repression against Buddhism and other religious traditions. In 1938 the complex was re-established as museum due to skillful efforts of wise people. This was how it was saved throughout communism. The main temple features an 18th-century gilt statue of Buddha Sakyamuni with
1064-406: The first half of the 7th century, the Tibetan script was used for the codification of these sacred Buddhist texts, for written civil laws, and for a Tibetan Constitution. A contemporary academic suggests that the script was instead developed in the second half of the 11th century. New research and writings also suggest that there were one or more Tibetan scripts in use prior to the introduction of
1102-592: The grammar of these dialectical varieties has considerably changed. To write the modern varieties according to the orthography and grammar of Classical Tibetan would be similar to writing Italian according to Latin orthography, or to writing Hindi according to Sanskrit orthogrophy. However, modern Buddhist practitioners in the Indian subcontinent state that the classical orthography should not be altered even when used for lay purposes. This became an obstacle for many modern Tibetic languages wishing to modernize or to introduce
1140-517: The life of Padmasambhava , the 9th century Nyingmapa teacher, and other saints. The great debate of the Council of Lhasa between the two principal debators or dialecticians, Moheyan and Kamalaśīla is narrated and depicted in a specific cham dance held annually at Kumbum Monastery in Qinghai . One iteration of this dance is performed on the eve of Losar , the Tibetan new year, to commemorate
1178-591: The purges. With the dissolution of the Soviet Union in 1991 and the introduction of a new constitution permitting religious practices, the practice and performance of tsam dancing has grown enormously. Many of the costumes and masks used for tsam dances survived Soviet purges of monasteries and temples by being buried, hidden, or stored in museums such as the Choijin Lama Temple Museum. Tibetans usually perform chams to large audiences during
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1216-404: The radical ཀ /ka/ and see what happens when it becomes ཀྲ /kra/ or རྐ /rka/ (pronounced /ka/). In both cases, the symbol for ཀ /ka/ is used, but when the ར /ra/ is in the middle of the consonant and vowel, it is added as a subscript. On the other hand, when the ར /ra/ comes before the consonant and vowel, it is added as a superscript. ར /ra/ actually changes form when it
1254-546: The reign of King Songtsen Gampo by his minister Thonmi Sambhota , who was sent to India with 16 other students to study Buddhism along with Sanskrit and written languages. They developed the Tibetan script from the Gupta script while at the Pabonka Hermitage . This occurred c. 620 , towards the beginning of the king's reign. There were 21 Sutra texts held by the King which were afterward translated. In
1292-432: The script by Songtsen Gampo and Thonmi Sambhota . The incomplete Dunhuang manuscripts are their key evidence for their hypothesis, while the few discovered and recorded Old Tibetan Annals manuscripts date from 650 and therefore post-date the c. 620 date of development of the original Tibetan script. Three orthographic standardisations were developed. The most important, an official orthography aimed to facilitate
1330-453: The script's invention, and there are no dedicated symbols for tone. However, since tones developed from segmental features, they can usually be correctly predicted by the archaic spelling of Tibetan words. One aspect of the Tibetan script is that the consonants can be written either as radicals or they can be written in other forms, such as subscript and superscript forming consonant clusters . To understand how this works, one can look at
1368-1295: The scripts in the first version of the Unicode Standard in 1991, in the Unicode block U+1000–U+104F. However, in 1993, in version 1.1, it was removed (the code points it took up would later be used for the Burmese script in version 3.0). The Tibetan script was re-added in July, 1996 with the release of version 2.0. The Unicode block for Tibetan is U+0F00–U+0FFF. It includes letters, digits and various punctuation marks and special symbols used in religious texts: Choijin Lama Temple The Choijin Lama Temple ( Mongolian : Чойжин ламын сүм ; Official name given by Manchu Qing Emperor Guangxu (1871 – 1908): Mongolian : Өршөөлийг хөгжүүлэгч сүм , ᠥᠷᠥᠰᠢᠶᠡᠯ ᠢ ᠬᠥᠭᠵᠢᠭᠦᠯᠦᠭᠴᠢ ᠰᠦᠮᠡ ; Manchu : ᡤᠣᠰᡳᠨ ᠪᡝ ᠶᡝᠠᡩᠠᠪᡡᡥᡝ ᠵᡠᡴᡨᡝᡥᡝᠨ Gosimbin Jadenblh juktenen , Tibetan : བརྩེ་འཕེལ་གླིང་།། , ZYPY : Brtse'phel gling , English ; Compassion Perfection Temple, Chinese :興仁寺)
1406-467: The translation of Buddhist scriptures emerged during the early 9th century. Standard orthography has not been altered since then, while the spoken language has changed by, for example, losing complex consonant clusters . As a result, in all modern Tibetan dialects and in particular in the Standard Tibetan of Lhasa , there is a great divergence between current spelling, which still reflects
1444-512: The vowel ཨུ /u/ is placed underneath consonants. Old Tibetan included a reversed form of the mark for /i/, the gigu 'verso', of uncertain meaning. There is no distinction between long and short vowels in written Tibetan, except in loanwords , especially transcribed from the Sanskrit . The Tibetan alphabet, when used to write other languages such as Balti , Chinese and Sanskrit , often has additional and/or modified graphemes taken from
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