This is an accepted version of this page
59-9963: Poetry award The Cholmondeley Awards ( / ˈ tʃ ʌ m l i / CHUM -lee ) are annual awards for poetry given by the Society of Authors in the United Kingdom . Awards honour distinguished poets, from a fund endowed by the Dowager Marchioness of Cholmondeley in 1966. Since 1991 the award has been made to four poets each year, to the total value of £ 8000. List of prize winners [ edit ] 2000s [ edit ] 2000s Cholmondeley Awards winners Year Winner Ref. 2000 Alistair Elliot Michael Hamburger Adrian Henri Carole Satyamurti 2001 Ian Duhig Paul Durcan Kathleen Jamie Grace Nichols 2002 Moniza Alvi David Constantine Liz Lochhead Brian Patten 2003 Ciaran Carson Michael Donaghy Lavinia Greenlaw Jackie Kay 2004 John Agard Ruth Padel Lawrence Sail Eva Salzman 2005 Jane Duran Christopher Logue M. R. Peacocke Neil Rollinson 2006 Alan Jenkins Mimi Khalvati Jo Shapcott 2007 Judith Kazantzis Robert Nye Penelope Shuttle 2008 John Burnside John Greening David Harsent Sarah Maguire 2009 Bernard O'Donoghue Alice Oswald Fiona Sampson Pauline Stainer 2010 Gillian Allnutt Colette Bryce Gwyneth Lewis Deryn Rees-Jones 2011 Imtiaz Dharker Michael Haslam Lachlan Mackinnon 2012 Christine Evans Don Paterson Peter Riley Robin Robertson 2013 Simon Armitage Paul Farley Lee Harwood Medbh McGuckian 2014 W.N. Herbert Jeremy Hooker John James Glyn Maxwell Denise Riley 2015 Patience Agbabi Brian Catling Christopher Middleton Pascale Petit J. H. Prynne 2016 Maura Dooley David Morley Peter Sansom Iain Sinclair 2017 Caroline Bergvall Sasha Dugdale Philip Gross Paula Meehan 2018 Vahni Capildeo Kate Clanchy Linton Kwesi Johnson Daljit Nagra Zoë Skoulding 2019 Malika Booker Fred D'Aguiar Allen Fisher Jamie McKendrick 2020 Alec Finlay Linda France Bhanu Kapil Hannah Lowe Rod Mengham 2021 Paula Claire Kei Miller Katrina Porteous Maurice Riordan Susan Wicks 2022 Tiffany Atkinson Menna Elfyn David Kinloch Gerry Loose Maggie O'Sullivan 2023 Caroline Bird Jane Draycott Greta Stoddart Michael Symmons Roberts Jackie Wills Tamar Yoseloff 1900s [ edit ] 1900s Cholmondeley Awards winners Year Winner Ref. 1966 Ted Walker Stevie Smith 1967 Seamus Heaney Brian Jones Norman Nicholson 1968 Harold Massingham Edwin Morgan 1969 Derek Walcott Tony Harrison 1970 Kathleen Raine Douglas Livingstone Edward Brathwaite 1971 Charles Causley Gavin Ewart Hugo Williams 1972 Molly Holden Tom Raworth Patricia Whittaker 1973 Patric Dickinson Philip Larkin 1974 D. J. Enright Vernon Scannell Alasdair Maclean 1975 Jenny Joseph Norman MacCaig John Ormond 1976 Peter Porter Fleur Adcock 1977 Peter Bland George MacBeth James Simmons Andrew Waterman 1978 D. M. Thomas R. S. Thomas Christopher Hope Leslie Norris Peter Reading 1979 Alan Brownjohn Andrew Motion Charles Tomlinson 1980 George Barker Terence Tiller Roy Fuller 1981 Roy Fisher Robert Garioch Charles Boyle 1982 Basil Bunting Herbert Lomas William Scammell 1983 John Fuller Craig Raine Anthony Thwaite 1984 Michael Baldwin Michael Hofmann Carol Rumens 1985 Dannie Abse Peter Redgrove Brian Taylor 1986 Lawrence Durrell James Fenton Selima Hill 1987 Wendy Cope Matthew Sweeney George Szirtes 1988 John Heath-Stubbs Sean O'Brien John Whitworth 1989 E. J. Scovell Peter Didsbury Douglas Dunn 1990 Kingsley Amis Elaine Feinstein Michael O'Neill 1991 James Berry Sujata Bhatt Michael Hulse Derek Mahon 1992 Carol Ann Duffy Allen Curnow Donald Davie Roger Woddis 1993 George Mackay Brown P. J. Kavanagh Patricia Beer Michael Longley 1994 Ruth Fainlight Gwen Harwood Elizabeth Jennings John Mole 1995 U. A. Fanthorpe C. H. Sisson Christopher Reid Kit Wright 1996 Iain Crichton Smith Elizabeth Bartlett Dorothy Nimmo Peter Scupham 1997 Alison Brackenbury Gillian Clarke Tony Curtis Anne Stevenson 1998 Roger McGough Robert Minhinnick Anne Ridler Ken Smith 1999 Vicki Feaver Geoffrey Hill Elma Mitchell Sheenagh Pugh See also [ edit ] List of British literary awards British poetry List of poetry awards List of years in poetry List of years in literature References [ edit ] ^ "Cholmondeley Awards" . The Society of Authors . 2020-05-08 . Retrieved 2023-03-14 . ^ "Obituary Notes: Ciaran Carson" . Shelf Awareness . 2019-10-11 . Retrieved 2023-03-14 . ^ "UK Poet Laureate Simon Armitage comes to Wellington" . British Council . Retrieved 2023-03-13 . ^ "Global Poetry Anthology 2017" . Vehicule Press . Retrieved 2023-03-14 . ^ Mullen, Alice (2017-06-27). "2017 Cholmondeley Prize Winners Announced" . The Poetry Book Society . Retrieved 2023-03-14 . ^ "Drift" . Nightboat Books . Retrieved 2023-03-14 . ^ "Judges" . Griffin Poetry Prize . Retrieved 2023-03-14 . ^ "Cholmondeley Award" . Bangor University . Retrieved 2023-03-14 . ^ "Malika Booker receives Cholmondeley Award" . The Poetry Society . Retrieved 2023-03-14 . ^ "Dr Rod Mengham wins Cholmondeley Award for poetry" . Jesus College Cambridge . 25 June 2020 . Retrieved 2023-03-14 . ^ "Professor Emerita Menna Elfyn wins coveted Cholmondeley Award" . University of Wales . 2022-01-06 . Retrieved 2023-03-14 . ^ "SHORE POETS" . Fruitmarket . Retrieved 2023-03-14 . ^ " 'A plethora of riches' – announcing
118-622: A synonym (a metonym ) for poetry. Poetry has a long and varied history , evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile , Niger , and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during
177-400: A characteristic metrical foot and the number of feet per line. The number of metrical feet in a line are described using Greek terminology: tetrameter for four feet and hexameter for six feet, for example. Thus, " iambic pentameter " is a meter comprising five feet per line, in which the predominant kind of foot is the " iamb ". This metric system originated in ancient Greek poetry , and
236-435: A common meter alone. Other poems may be organized into verse paragraphs , in which regular rhymes with established rhythms are not used, but the poetic tone is instead established by a collection of rhythms, alliterations, and rhymes established in paragraph form. Many medieval poems were written in verse paragraphs, even where regular rhymes and rhythms were used. In many forms of poetry, stanzas are interlocking, so that
295-549: A critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. Poets – as, from the Greek , "makers" of language – have contributed to the evolution of the linguistic, expressive, and utilitarian qualities of their languages. In an increasingly globalized world, poets often adapt forms, styles, and techniques from diverse cultures and languages. A Western cultural tradition (extending at least from Homer to Rilke ) associates
354-577: A definition that could encompass formal differences as great as those between Chaucer's Canterbury Tales and Matsuo Bashō 's Oku no Hosomichi , as well as differences in content spanning Tanakh religious poetry , love poetry, and rap . Until recently, the earliest examples of stressed poetry had been thought to be works composed by Romanos the Melodist ( fl. 6th century CE). However, Tim Whitmarsh writes that an inscribed Greek poem predated Romanos' stressed poetry. Classical thinkers in
413-727: A given foot or line and to avoid boring repetition. For example, the stress in a foot may be inverted, a caesura (or pause) may be added (sometimes in place of a foot or stress), or the final foot in a line may be given a feminine ending to soften it or be replaced by a spondee to emphasize it and create a hard stop. Some patterns (such as iambic pentameter) tend to be fairly regular, while other patterns, such as dactylic hexameter, tend to be highly irregular. Regularity can vary between language. In addition, different patterns often develop distinctively in different languages, so that, for example, iambic tetrameter in Russian will generally reflect
472-401: A key part of their structure, so that the metrical pattern determines when the listener expects instances of alliteration to occur. This can be compared to an ornamental use of alliteration in most Modern European poetry, where alliterative patterns are not formal or carried through full stanzas. Alliteration is particularly useful in languages with less rich rhyming structures. Assonance, where
531-416: A meaning separate from the repetitive sound patterns created. For example, Chaucer used heavy alliteration to mock Old English verse and to paint a character as archaic. Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines (" internal rhyme "). Languages vary in the richness of their rhyming structures; Italian, for example, has
590-674: A number of poets, including William Shakespeare and Henry Wadsworth Longfellow , respectively. The most common metrical feet in English are: There are a wide range of names for other types of feet, right up to a choriamb , a four syllable metric foot with a stressed syllable followed by two unstressed syllables and closing with a stressed syllable. The choriamb is derived from some ancient Greek and Latin poetry . Languages which use vowel length or intonation rather than or in addition to syllabic accents in determining meter, such as Ottoman Turkish or Vedic , often have concepts similar to
649-420: A process known as lineation . These lines may be based on the number of metrical feet or may emphasize a rhyming pattern at the ends of lines. Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone. See the article on line breaks for information about
SECTION 10
#1732779886294708-473: A regularity in the use of accents to reinforce the meter, which does not occur, or occurs to a much lesser extent, in English. Some common metrical patterns, with notable examples of poets and poems who use them, include: Rhyme, alliteration, assonance and consonance are ways of creating repetitive patterns of sound. They may be used as an independent structural element in a poem, to reinforce rhythmic patterns, or as an ornamental element. They can also carry
767-693: A resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses , in their patterns of rhyme or rhythm. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante , Goethe , Mickiewicz , or Rumi may think of it as written in lines based on rhyme and regular meter . There are, however, traditions, such as Biblical poetry and alliterative verse , that use other means to create rhythm and euphony . Much modern poetry reflects
826-430: A rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem. The richness results from word endings that follow regular forms. English, with its irregular word endings adopted from other languages, is less rich in rhyme. The degree of richness of a language's rhyming structures plays a substantial role in determining what poetic forms are commonly used in that language. Alliteration
885-414: A sentence without putting the sound only at the front of a word. Consonance provokes a more subtle effect than alliteration and so is less useful as a structural element. In many languages, including Arabic and modern European languages, poets use rhyme in set patterns as a structural element for specific poetic forms, such as ballads , sonnets and rhyming couplets . However, the use of structural rhyme
944-468: A series of more subtle, more flexible prosodic elements. Thus poetry remains, in all its styles, distinguished from prose by form; some regard for basic formal structures of poetry will be found in all varieties of free verse, however much such structures may appear to have been ignored. Similarly, in the best poetry written in classic styles there will be departures from strict form for emphasis or effect. Among major structural elements used in poetry are
1003-404: Is an attempt to render the beautiful or sublime without the burden of engaging the logical or narrative thought-process. English Romantic poet John Keats termed this escape from logic " negative capability ". This "romantic" approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic. This approach remained influential into
1062-457: Is called a poem and is written by a poet . Poets use a variety of techniques called poetic devices, such as assonance , alliteration , euphony and cacophony , onomatopoeia , rhythm (via metre ), and sound symbolism , to produce musical or other artistic effects. Most written poems are formatted in verse : a series or stack of lines on a page, which follow a rhythmic or other deliberate structure. For this reason, verse has also become
1121-593: Is considered to be one of the official Confucian classics . His remarks on the subject have become an invaluable source in ancient music theory . The efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in " poetics "—the study of the aesthetics of poetry. Some ancient societies, such as China's through the Shijing , developed canons of poetic works that had ritual as well as aesthetic importance. More recently, thinkers have struggled to find
1180-451: Is most often founded on the pattern of stressed and unstressed syllables (alone or elided ). In the classical languages , on the other hand, while the metrical units are similar, vowel length rather than stresses define the meter. Old English poetry used a metrical pattern involving varied numbers of syllables but a fixed number of strong stresses in each line. The chief device of ancient Hebrew Biblical poetry , including many of
1239-645: Is not universal even within the European tradition. Much modern poetry avoids traditional rhyme schemes . Classical Greek and Latin poetry did not use rhyme. Rhyme entered European poetry in the High Middle Ages , due to the influence of the Arabic language in Al Andalus . Arabic language poets used rhyme extensively not only with the development of literary Arabic in the sixth century , but also with
SECTION 20
#17327798862941298-529: Is perceived. Languages can rely on either pitch or tone. Some languages with a pitch accent are Vedic Sanskrit or Ancient Greek. Tonal languages include Chinese, Vietnamese and most Subsaharan languages . Metrical rhythm generally involves precise arrangements of stresses or syllables into repeated patterns called feet within a line. In Modern English verse the pattern of stresses primarily differentiate feet, so rhythm based on meter in Modern English
1357-409: Is the repetition of letters or letter-sounds at the beginning of two or more words immediately succeeding each other, or at short intervals; or the recurrence of the same letter in accented parts of words. Alliteration and assonance played a key role in structuring early Germanic, Norse and Old English forms of poetry. The alliterative patterns of early Germanic poetry interweave meter and alliteration as
1416-407: Is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading ). Some scholars believe that the art of poetry may predate literacy , and developed from folk epics and other oral genres. Others, however, suggest that poetry did not necessarily predate writing. The oldest surviving epic poem,
1475-587: The Epic of Gilgamesh , dates from the 3rd millennium BCE in Sumer (in Mesopotamia , present-day Iraq ), and was written in cuneiform script on clay tablets and, later, on papyrus . The Istanbul tablet#2461 , dating to c. 2000 BCE, describes an annual rite in which the king symbolically married and mated with the goddess Inanna to ensure fertility and prosperity; some have labelled it
1534-703: The Tamil language , had rigid grammars (to the point that they could be expressed as a context-free grammar ) which ensured a rhythm. Classical Chinese poetics , based on the tone system of Middle Chinese , recognized two kinds of tones: the level (平 píng ) tone and the oblique (仄 zè ) tones, a category consisting of the rising (上 sháng ) tone, the departing (去 qù ) tone and the entering (入 rù ) tone. Certain forms of poetry placed constraints on which syllables were required to be level and which oblique. The formal patterns of meter used in Modern English verse to create rhythm no longer dominate contemporary English poetry. In
1593-591: The West employed classification as a way to define and assess the quality of poetry. Notably, the existing fragments of Aristotle 's Poetics describe three genres of poetry—the epic, the comic, and the tragic—and develop rules to distinguish the highest-quality poetry in each genre, based on the perceived underlying purposes of the genre. Later aestheticians identified three major genres: epic poetry, lyric poetry , and dramatic poetry , treating comedy and tragedy as subgenres of dramatic poetry. Aristotle's work
1652-519: The psalms , was parallelism , a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three. Parallelism lent itself to antiphonal or call-and-response performance, which could also be reinforced by intonation . Thus, Biblical poetry relies much less on metrical feet to create rhythm, but instead creates rhythm based on much larger sound units of lines, phrases and sentences. Some classical poetry forms, such as Venpa of
1711-608: The scanning of poetic lines to show meter. The methods for creating poetic rhythm vary across languages and between poetic traditions. Languages are often described as having timing set primarily by accents , syllables , or moras , depending on how rhythm is established, although a language can be influenced by multiple approaches. Japanese is a mora -timed language. Latin , Catalan , French , Leonese , Galician and Spanish are called syllable-timed languages. Stress-timed languages include English , Russian and, generally, German . Varying intonation also affects how rhythm
1770-437: The "a-bc" convention, such as the ottava rima and terza rima . The types and use of differing rhyming schemes are discussed further in the main article . Poetic form is more flexible in modernist and post-modernist poetry and continues to be less structured than in previous literary eras. Many modern poets eschew recognizable structures or forms and write in free verse . Free verse is, however, not "formless" but composed of
1829-519: The 20th century. During the 18th and 19th centuries, there was also substantially more interaction among the various poetic traditions, in part due to the spread of European colonialism and the attendant rise in global trade. In addition to a boom in translation , during the Romantic period numerous ancient works were rediscovered. Some 20th-century literary theorists rely less on the ostensible opposition of prose and poetry, instead focusing on
Cholmondeley Award - Misplaced Pages Continue
1888-850: The 25th century BCE. The earliest surviving Western Asian epic poem , the Epic of Gilgamesh , was written in the Sumerian language . Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda , the Zoroastrian Gathas , the Hurrian songs , and the Hebrew Psalms ); or from a need to retell oral epics, as with
1947-638: The Egyptian Story of Sinuhe , Indian epic poetry , and the Homeric epics, the Iliad and the Odyssey . Ancient Greek attempts to define poetry, such as Aristotle 's Poetics , focused on the uses of speech in rhetoric , drama , song , and comedy . Later attempts concentrated on features such as repetition , verse form , and rhyme , and emphasized aesthetics which distinguish poetry from
2006-597: The Indian Sanskrit -language Rigveda , the Avestan Gathas , the Hurrian songs , and the Hebrew Psalms , possibly developed directly from folk songs . The earliest entries in the oldest extant collection of Chinese poetry , the Classic of Poetry ( Shijing ), were initially lyrics . The Shijing, with its collection of poems and folk songs, was heavily valued by the philosopher Confucius and
2065-597: The United Kingdom British poetry awards English-language literary awards Hidden categories: Articles with short description Short description is different from Wikidata Articles with hCards Poetry Poetry (from the Greek word poiesis , "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry
2124-504: The case of free verse , rhythm is often organized based on looser units of cadence rather than a regular meter. Robinson Jeffers , Marianne Moore , and William Carlos Williams are three notable poets who reject the idea that regular accentual meter is critical to English poetry. Jeffers experimented with sprung rhythm as an alternative to accentual rhythm. In the Western poetic tradition, meters are customarily grouped according to
2183-608: The complex cultural web within which a poem is read. Today, throughout the world, poetry often incorporates poetic form and diction from other cultures and from the past, further confounding attempts at definition and classification that once made sense within a tradition such as the Western canon . The early 21st-century poetic tradition appears to continue to strongly orient itself to earlier precursor poetic traditions such as those initiated by Whitman , Emerson , and Wordsworth . The literary critic Geoffrey Hartman (1929–2016) used
2242-444: The division between lines. Lines of poems are often organized into stanzas , which are denominated by the number of lines included. Thus a collection of two lines is a couplet (or distich ), three lines a triplet (or tercet ), four lines a quatrain , and so on. These lines may or may not relate to each other by rhyme or rhythm. For example, a couplet may be two lines with identical meters which rhyme or two lines held together by
2301-506: The first half of the 20th century coincided with a questioning of the purpose and meaning of traditional definitions of poetry and of distinctions between poetry and prose, particularly given examples of poetic prose and prosaic poetry. Numerous modernist poets have written in non-traditional forms or in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and tone established by non-metrical means. While there
2360-501: The first, second and fourth lines of a quatrain rhyme with each other and the third line do not rhyme, the quatrain is said to have an AA BA rhyme scheme . This rhyme scheme is the one used, for example, in the rubaiyat form. Similarly, an A BB A quatrain (what is known as " enclosed rhyme ") is used in such forms as the Petrarchan sonnet . Some types of more complicated rhyming schemes have developed names of their own, separate from
2419-457: The format of more objectively-informative, academic, or typical writing, which is known as prose . Poetry uses forms and conventions to suggest differential interpretations of words, or to evoke emotive responses. The use of ambiguity , symbolism , irony , and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, figures of speech such as metaphor , simile , and metonymy establish
Cholmondeley Award - Misplaced Pages Continue
2478-414: The iamb and dactyl to describe common combinations of long and short sounds. Each of these types of feet has a certain "feel," whether alone or in combination with other feet. The iamb, for example, is the most natural form of rhythm in the English language, and generally produces a subtle but stable verse. Scanning meter can often show the basic or fundamental pattern underlying a verse, but does not show
2537-418: The language. Actual rhythm is significantly more complex than the basic scanned meter described above, and many scholars have sought to develop systems that would scan such complexity. Vladimir Nabokov noted that overlaid on top of the regular pattern of stressed and unstressed syllables in a line of verse was a separate pattern of accents resulting from the natural pitch of the spoken words, and suggested that
2596-403: The line, the stanza or verse paragraph , and larger combinations of stanzas or lines such as cantos . Also sometimes used are broader visual presentations of words and calligraphy . These basic units of poetic form are often combined into larger structures, called poetic forms or poetic modes (see the following section), as in the sonnet . Poetry is often separated into lines on a page, in
2655-523: The major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's." In the 2020s, advances in artificial intelligence (AI), particularly large language models , enabled the generation of poetry in specific styles and formats. A 2024 study found that AI-generated poems were rated by non-expert readers as more rhythmic, beautiful, and human-like than those written by well-known human authors. This preference may stem from
2714-507: The much older oral poetry, as in their long, rhyming qasidas . Some rhyming schemes have become associated with a specific language, culture or period, while other rhyming schemes have achieved use across languages, cultures or time periods. Some forms of poetry carry a consistent and well-defined rhyming scheme, such as the chant royal or the rubaiyat , while other poetic forms have variable rhyme schemes. Most rhyme schemes are described using letters that correspond to sets of rhymes, so if
2773-564: The phrase "the anxiety of demand" to describe the contemporary response to older poetic traditions as "being fearful that the fact no longer has a form", building on a trope introduced by Emerson. Emerson had maintained that in the debate concerning poetic structure where either "form" or "fact" could predominate, that one need simply "Ask the fact for the form." This has been challenged at various levels by other literary scholars such as Harold Bloom (1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write
2832-443: The poet as simply one who creates using language, and poetry as what the poet creates. The underlying concept of the poet as creator is not uncommon, and some modernist poets essentially do not distinguish between the creation of a poem with words, and creative acts in other media. Other modernists challenge the very attempt to define poetry as misguided. The rejection of traditional forms and structures for poetry that began in
2891-461: The production of poetry with inspiration – often by a Muse (either classical or contemporary), or through other (often canonised) poets' work which sets some kind of example or challenge. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker , distinct from the poet (the author ). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it
2950-463: The relative simplicity and accessibility of AI-generated poetry, which some participants found easier to understand. Prosody is the study of the meter, rhythm , and intonation of a poem. Rhythm and meter are different, although closely related. Meter is the definitive pattern established for a verse (such as iambic pentameter ), while rhythm is the actual sound that results from a line of poetry. Prosody also may be used more specifically to refer to
3009-420: The rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas. Examples of such interlocking stanzas include, for example, the ghazal and the villanelle , where a refrain (or, in the case of the villanelle, refrains) is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of
SECTION 50
#17327798862943068-534: The term "scud" be used to distinguish an unaccented stress from an accented stress. Different traditions and genres of poetry tend to use different meters, ranging from the Shakespearean iambic pentameter and the Homeric dactylic hexameter to the anapestic tetrameter used in many nursery rhymes. However, a number of variations to the established meter are common, both to provide emphasis or attention to
3127-421: The use of similar vowel sounds within a word rather than similar sounds at the beginning or end of a word, was widely used in skaldic poetry but goes back to the Homeric epic. Because verbs carry much of the pitch in the English language, assonance can loosely evoke the tonal elements of Chinese poetry and so is useful in translating Chinese poetry. Consonance occurs where a consonant sound is repeated throughout
3186-437: The varying degrees of stress , as well as the differing pitches and lengths of syllables. There is debate over how useful a multiplicity of different "feet" is in describing meter. For example, Robert Pinsky has argued that while dactyls are important in classical verse, English dactylic verse uses dactyls very irregularly and can be better described based on patterns of iambs and anapests, feet which he considers natural to
3245-1240: The winners of the 2023 Society of Authors' Awards - The Society of Authors" . 2023-06-28 . Retrieved 2023-06-30 . ^ "Cholmondeley Poetry Award" . Representative Poetry Online . Retrieved 2023-03-14 . ^ "Obituary Notes: Francis Wyndham; Jenny Joseph" . Shelf Awareness . 2018-01-23 . Retrieved 2023-03-14 . ^ "Peter Reading Biography" . Readings in Contemporary Poetry . Retrieved 2023-03-14 . ^ "Selima Hill, 2010 Recipient" . Center for Hellenic Studies | Harvard University . Retrieved 2023-03-14 . ^ "Obituary Note: Matthew Sweeney" . Shelf Awareness . 2018-08-08 . Retrieved 2023-03-14 . ^ "Obituary Note: Peter Scupham" . Shelf Awareness . 2022-06-28 . Retrieved 2023-03-14 . External links [ edit ] Society of Authors Awards page Complete list of past winners Information from recent years Retrieved from " https://en.wikipedia.org/w/index.php?title=Cholmondeley_Award&oldid=1244989199 " Categories : Cholmondeley Award Awards established in 1966 1966 establishments in
3304-979: The world's oldest love poem. An example of Egyptian epic poetry is The Story of Sinuhe (c. 1800 BCE). Other ancient epics includes the Greek Iliad and the Odyssey ; the Persian Avestan books (the Yasna ); the Roman national epic , Virgil 's Aeneid (written between 29 and 19 BCE); and the Indian epics , the Ramayana and the Mahabharata . Epic poetry appears to have been composed in poetic form as an aid to memorization and oral transmission in ancient societies. Other forms of poetry, including such ancient collections of religious hymns as
3363-402: Was a substantial formalist reaction within the modernist schools to the breakdown of structure, this reaction focused as much on the development of new formal structures and syntheses as on the revival of older forms and structures. Postmodernism goes beyond modernism's emphasis on the creative role of the poet, to emphasize the role of the reader of a text ( hermeneutics ), and to highlight
3422-677: Was influential throughout the Middle East during the Islamic Golden Age , as well as in Europe during the Renaissance . Later poets and aestheticians often distinguished poetry from, and defined it in opposition to prose , which they generally understood as writing with a proclivity to logical explication and a linear narrative structure. This does not imply that poetry is illogical or lacks narration, but rather that poetry
3481-416: Was used by poets such as Pindar and Sappho , and by the great tragedians of Athens . Similarly, " dactylic hexameter ", comprises six feet per line, of which the dominant kind of foot is the " dactyl ". Dactylic hexameter was the traditional meter of Greek epic poetry , the earliest extant examples of which are the works of Homer and Hesiod . Iambic pentameter and dactylic hexameter were later used by
#293706