66-592: The BBC Big Band , originally known as the BBC Radio Big Band is a British big band , previously run under the auspices of the British Broadcasting Corporation ( BBC ). The band broadcasts exclusively on BBC Radio, particularly on BBC Radio 2 's long-running series Big Band Special . It consists of professional musicians and is directed by a number of conductors. These include arranger and composer Barry Forgie, who has been
132-660: A century as a result of their broadcasts on the NBC and CBS networks of the annual New Year's Eve celebrations from the Roosevelt Grill at New York's Roosevelt Hotel (1929-1959) and the Ballroom at the Waldorf Astoria Hotel (1959-1976) . Gloria Parker had a radio program on which she conducted the largest all-girl orchestra led by a female. She led her Swingphony while playing marimba. Phil Spitalny ,
198-505: A genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop . In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Big bands generally have four sections: trumpets, trombones, saxophones, and
264-431: A menace. After 1935, big bands rose to prominence playing swing music and held a major role in defining swing as a distinctive style. Western swing musicians also formed popular big bands during the same period. A considerable range of styles evolved among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel. Count Basie played
330-420: A native of Ukraine, led a 22-piece female orchestra known as Phil Spitalny and His Hour of Charm Orchestra , named for his radio show, The Hour of Charm , during the 1930s and 1940s. Other female bands were led by trumpeter B. A. Rolfe , Anna Mae Winburn , and Ina Ray Hutton . Big Bands began to appear in movies in the 1930s through the 1960s, though cameos by bandleaders were often stiff and incidental to
396-413: A relaxed, propulsive swing, Bob Crosby (brother of Bing ), more of a dixieland style, Benny Goodman a hard driving swing, and Duke Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and Artie Shaw , the trombone of Jack Teagarden , the trumpet of Harry James , the drums of Gene Krupa , and
462-481: A rhythm section of guitar, piano, double bass, drums and sometimes vibraphone. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxophones, and a rhythm section of four instruments. In the 1940s, Stan Kenton 's band used up to five trumpets, five trombones (three tenor and two bass trombones ), five saxophones (two alto saxophones , two tenor saxophones , one baritone saxophone ), and
528-483: A rhythm section of piano (doubling keyboards), guitar, double bass (doubling bass guitar), drums and percussion (including vibes and Latin instruments). For various projects, the band has also seen regular augmentation with additional instruments including French horns, tubas, extra wind and on occasion large groups of strings, particularly the BBC Concert Orchestra , (effectively recreating the line-up of
594-581: A rhythm section. Duke Ellington at one time used six trumpets. While most big bands dropped the previously common jazz clarinet from their arrangements (other than the clarinet-led orchestras of Artie Shaw and Benny Goodman), many Duke Ellington songs had clarinet parts, often replacing or doubling one of the tenor saxophone parts; more rarely, Ellington would substitute baritone sax for bass clarinet, such as in "Ase's Death" from Swinging Suites . Boyd Raeburn drew from symphony orchestras by adding flute , French horn , strings, and timpani to his band. In
660-765: A special guest as part of BBC Proms at the Royal Albert Hall. The evening celebrated Sam Smith’s debut album, ′In the Lonely Hour′. She sang two songs with them accompanied by the BBC Concert Orchestra. The songs were ‘Messing with Fire′ and ′Fever′. She also joined them on stage for the finale song ′Over the Rainbow′. Teal lives in a village near Bath with her partner Amanda Field. In 2007, she said that, although she had lived in Bath for more than
726-714: A two-hour swing and big band show. Her final show for Jazz FM was broadcast on Sunday 21 July 2024. Teal collaborated with Van Morrison on the single "Carrying a Torch" from his album Duets: Reworking the Catalogue . She was the opening act for Liza Minnelli at Kenwood House and the Royal Festival Hall . She performed at the Glastonbury Festival and the Marlborough Jazz Festival. On 2nd August 2024, Teal appeared as
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#1732775530369792-548: A young Bob Hope as the announcer. Big band remotes on the major radio networks spread the music from ballrooms and clubs across the country during the 1930s and 1940s, with remote broadcasts from jazz clubs continuing into the 1950s on NBC's Monitor . Radio increased the fame of Benny Goodman , the "Pied Piper of Swing". Others challenged him, and battle of the bands became a regular feature of theater performances. Similarly, Guy Lombardo and his Royal Canadians Orchestra also achieved widespread notoriety for nearly half
858-516: Is also directed on occasions by its longstanding baritone saxophonist Jay Craig . Initially, the BBC Big Band was formed of contracted BBC staff, as with all of the BBC’s orchestras. However, following an agreement reached in 1994, the band was able to retain their name whilst operating as freelance musicians. The final episode of Big Band Special aired on BBC Radio 2 in 2013. Currently, the band
924-429: Is contracted to perform in live events (such as Friday Night Is Music Night and BBC Proms ) and can be heard on BBC Radio 2, BBC Radio 3, BBC Radio Scotland and BBC World Service . Since 2007, the BBC Big Band has been an associate ensemble at Birmingham Town Hall , performing regularly in concert and participating in community and education projects. The BBC Big Band is also invited to perform in locations across
990-415: Is generally configured so lead parts are seated in the middle of their sections and solo parts are seated closest to the rhythm section. The fourth trombone part is generally played by a bass trombone. In some pieces the trumpets may double on flugelhorn or cornet , and saxophone players frequently double on other woodwinds such as flute , piccolo , clarinet , bass clarinet , or soprano saxophone . It
1056-524: Is useful to distinguish between the roles of composer, arranger and leader. The composer writes original music that will be performed by individuals or groups of various sizes, while the arranger adapts the work of composers in a creative way for a performance or recording. Arrangers frequently notate all or most of the score of a given number, usually referred to as a "chart". Bandleaders are typically performers who assemble musicians to form an ensemble of various sizes, select or create material for them, shape
1122-688: The Cotton Club in Harlem. Fletcher Henderson 's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom . At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofé, Whiteman on Bill Challis . Henderson and arranger Don Redman followed
1188-676: The Library of Congress film collection. Clare Teal Clare Teal (born 14 May 1973) is an English singer and broadcaster who has become famous not only for her singing, but also for having signed the biggest recording contract by a British jazz singer. Teal was brought up in the Kildwick area of Yorkshire . She developed an interest in jazz from an early age, through her father's collection of 78rpm records, becoming "obsessed" with big band singers like Ella Fitzgerald and big bands like Joe Loss . She took music lessons, first on
1254-627: The 1930s, Earl Hines and his band broadcast from the Grand Terrace in Chicago every night across America. In Kansas City and across the Southwest, an earthier, bluesier style was developed by such bandleaders as Bennie Moten and, later, by Jay McShann and Jesse Stone . By 1937, the "sweet jazz band" saxophonist Shep Fields was also featured over the airways on the NBC radio network in his Rippling Rhythm Revue, which also showcased
1320-671: The 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects. As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich , Gene Krupa , Lionel Hampton , Earl Hines , Les Brown , Clark Terry , and Doc Severinsen . Progressive bands were led by Dizzy Gillespie , Gil Evans , Carla Bley , Toshiko Akiyoshi and Lew Tabackin , Don Ellis , and Anthony Braxton . In
1386-401: The 1960s and 1970s, big band rock became popular by integrating such musical ingredients as progressive rock experimentation , jazz fusion , and the horn choirs often used in blues and soul music , with some of the most prominent groups including Chicago ; Blood, Sweat and Tears ; Tower of Power ; and, from Canada, Lighthouse . The genre was gradually absorbed into mainstream pop rock and
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#17327755303691452-503: The BBC Radio 2 show, Big Band Special . In 2009 she started presenting her own show on BBC Radio 2. She has appeared as a presenter on Friday Night is Music Night . From 2 August 2009, she presented Sunday Night at 10 , taking over from Malcolm Laycock . She writes a weekly blog for The Yorkshire Post . Her final show for BBC Radio 2 was broadcast on Sunday 3 January 2021. On Sunday 24 January 2021 she joined Jazz FM for
1518-1015: The BBC Radio Orchestra). The BBC Radio Big Band was also complemented by similar ensembles throughout the UK, including the BBC Northern Dance Orchestra in Manchester and the BBC Scottish Radio Orchestra in Glasgow (which was also known as the Radio Scotland Big Band ). The band was used across a huge variety of BBC Radio programmes, its main features included Jazz Parade , Saturday Swings and Saturday Night , accompanying singers and performing instrumental versions of popular tunes. Though staffed with many jazz soloists,
1584-462: The BBC in the 1990s. Big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones , trumpets , trombones , and a rhythm section . Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe
1650-1011: The Big Band. However, due to overwhelming public opposition to the decision, an agreement was reached, whereby the band would continue to exist, but would be managed outside the BBC and its musicians would be freelance rather than BBC staff. The BBC Big Band has been voted the best Big Band in the British Jazz Awards in 1992, 1994, 1997, 1999, 2001, 2007, 2013 and 2014. The band has played with musicians such as Van Morrison , Michael Bublé , Tony Bennett , George Shearing , Michel Legrand , Cleo Laine , John Dankworth , Lalo Schifrin , Dr. John , Mel Torme , Ray Charles , Kurt Elling , Mark Murphy , Jack Bruce , Ed Thigpen , Monty Alexander , Norma Winstone , Clark Terry , Amy Winehouse , Koop , Claire Martin , Ian Shaw , Lea Delaria , The Manhattan Transfer , Buddy Greco , Phil Woods and New York Voices . The band regularly features on
1716-781: The Dance Orchestra was changed and modernised, and it became a big band with strings in the Billy May style, known as the BBC Showband , under the leadership of Cyril Stapleton . The band, featuring many British jazz players, was heavily featured on the BBC Light Programme and also began to be used widely in television in the company of homegrown talent, including a then unknown Matt Monro , and with international stars such as Frank Sinatra and Nat ‘King’ Cole . The BBC Big Band came into existence in 1964 when
1782-679: The Radio Orchestra, prefixed A-D, could be used for different kinds of recordings and the "C1" section of the BBC Radio Orchestra was known as the BBC Radio Big Band. The orchestra was initially directed by Malcolm Lockyer , who had previously directed the BBC Showband and BBC joined by various arrangers and guest conductors, including Barry Forgie in 1977, who remains the big band’s Musical Director. At
1848-519: The Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During
1914-632: The UK and the world, with her pianist, trio, mini big band, or Hollywood Orchestra. She has worked with the Hallé Orchestra , BBC Concert Orchestra , RTÉ Concert Orchestra , and the John Wilson Orchestra as well as other top big bands. In August 2017, she produced and presented her third concert for The Proms . Swing No End featured two big bands and many special guests. It was broadcast on BBC Radio 2 , BBC Radio 3 , and televised on BBC Four . From 2006 to 2013 Teal presented
1980-686: The UK jazz festival circuit, and concert tours with major artists have taken the band all over the world in addition to its regular concert recordings throughout the UK for BBC Radio. It also links, from time to time, with the BBC Concert Orchestra , for concerts and broadcasts. The band has also been conducted by notable members of the big band and jazz world including Billy May , Robert Farnon , Les Brown , Tommy Watt , Angela Morley , Stan Tracey , Bob Brookmeyer , Bill Russo , Gerald Wilson , Roy Hargrove , Thad Jones , Mike Abene , Brian Fahey , Steve Gray , Bob Florence , Sammy Nestico , Jiggs Whigham , Mark Nightingale and Steve Sidwell . The band
2046-572: The UK. In 2017, an episode of the BBC sitcom W1A featured the fictional “BBC Big Swing Band”, and the controversy attracted by their proposed disbanding. The programme ends with the central character Ian Fletcher seemingly improvising a policy position live on BBC News, which ends with him announcing a new “creative and commercial freedom” for the BBC Big Swing Band. This seems to echo the BBC Big Band’s own real-life relationship with
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2112-558: The United States, and the personnel often had to perform having had little sleep and food. Apart from the star soloists, many musicians received low wages and would abandon the tour if bookings disappeared. Sometimes bandstands were too small, public address systems inadequate, pianos out of tune. Bandleaders dealt with these obstacles through rigid discipline (Glenn Miller) and canny psychology ( Duke Ellington ). Big bands raised morale during World War II . Many musicians served in
2178-488: The absence of their original leaders. Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet 's recording of " Cherokee " in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman 's first band, nicknamed the First Herd, borrowed from progressive jazz, while
2244-405: The band had little in the way of dedicated jazz output and was used primarily as a light-music ensemble and dance band. But in 1979, a significant development took place which led to the band establishing its own identity as a dedicated jazz orchestra when Big Band Special began. Originally commissioned as a series of 12 shows, such was the impact made by the BBC Big Band in this show that the run
2310-471: The band's Musical Director since 1977, American jazz trombonist Jiggs Whigham , and guest musical directors. The BBC Big Band’s origins lie in the earliest days of the BBC when the BBC Dance Orchestra was formed in 1928 under the leadership of Jack Payne before Henry Hall took over in 1932. Benny Carter was hired as the arranger from 1935 to 1938. In the 1950s, the format and purpose of
2376-631: The bands of Guy Lombardo and Paul Whiteman. A distinction is often made between so-called "hard bands", such as those of Count Basie and Tommy Dorsey, which emphasized quick hard-driving jump tunes, and "sweet bands", such as the Glenn Miller Orchestra and the Shep Fields Rippling Rhythm Orchestra who specialized in less improvised tunes with more emphasis on sentimentality, featuring somewhat slower-paced, often heart-felt songs. By this time
2442-403: The big band was such a dominant force in jazz that the older generation found they either had to adapt to it or simply retire. With no market for small-group recordings (made worse by a Depression-era industry reluctant to take risks), musicians such as Louis Armstrong and Earl Hines led their own bands, while others, like Jelly Roll Morton and King Oliver, lapsed into obscurity. Even so, many of
2508-594: The distinction between these roles can become blurred. Billy Strayhorn , for example, was a prolific composer and arranger, frequently collaborating with Duke Ellington , but rarely took on the role of bandleader, which was assumed by Ellington, who himself was a composer and arranger. Typical big band arrangements from the swing era were written in strophic form with the same phrase and chord structure repeated several times. Each iteration, or chorus, commonly follows twelve bar blues form or thirty-two-bar (AABA) song form . The first chorus of an arrangement introduces
2574-466: The electronic organ, then more formally on clarinet, before studying music at Wolverhampton University . While at university, Teal found herself without a clarinet for an unexpected examination. Deciding to sing instead, she not only got her "best grades ever", but discovered that she loved singing in public. After graduation, she started a career in advertising, singing in her spare time with amateur and semi-professional bands. Teal's break came when she
2640-508: The entire band then memorizing the way they are going to perform the piece, without writing it on sheet music. During the 1930s, Count Basie 's band often used head arrangements, as Basie said, "we just sort of start it off and the others fall in." Head arrangements were more common during the period of the 1930s because there was less turnover in personnel, giving the band members more time to rehearse. Before 1910, social dance in America
2706-550: The existing BBC Variety Orchestra and BBC Revue Orchestra were amalgamated creating the BBC Radio Orchestra . The BBC Radio Orchestra was a large flexible studio ensemble on the Nelson Riddle / Henry Mancini model, with a full jazz Big Band and symphonic strings. The BBC Big Band made up the orchestra's brass, reed and rhythm sections, and was nominally the orchestra's jazz wing. The various sections of
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2772-474: The first bands to accompany the new rhythms was led by a drummer, Art Hickman , in San Francisco in 1916. Hickman's arranger, Ferde Grofé , wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofé to use similar techniques for his band. Whiteman
2838-455: The form include modulations and cadential extensions. Some big ensembles, like King Oliver 's, played music that was half-arranged, half-improvised, often relying on head arrangements. A head arrangement is a piece of music that is formed by band members during rehearsal. They experiment, often with one player coming up with a simple musical figure leading to development within the same section and then further expansion by other sections, with
2904-468: The form of the "rhythm sextet ". These ensembles typically featured three or more accordions accompanied by piano, guitar, bass, cello, percussion, and marimba with vibes and were popularized by recording artists such as Charles Magnante , Joe Biviano and John Serry . Twenty-first century big bands can be considerably larger than their predecessors, exceeding 20 players, with some European bands using 29 instruments and some reaching 50. In
2970-645: The instrumentation of the big bands. Examples include the Vienna Art Orchestra , founded in 1977, and the Italian Instabile Orchestra , active in the 1990s. In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again. Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment . Typically
3036-497: The jazz rock sector. Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane (on the album Ascension from 1965) and bass guitarist Jaco Pastorius introduced cool jazz , free jazz and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary European jazz ensembles play mostly avant-garde jazz using
3102-419: The late 1930s, Shep Fields incorporated a solo accordion, temple blocks , piccolo , violins and a viola into his Rippling Rhythm Orchestra. Paul Whiteman also featured a solo accordion in his ensemble. Jazz ensembles numbering eight ( octet ), nine ( nonet ) or ten ( tentet ) voices are sometimes called "little big bands". During the 1940s, somewhat smaller configurations of the big band emerged in
3168-466: The melody and is followed by choruses of development. This development may take the form of improvised solos, written solo sections, and " shout choruses ". An arrangement's first chorus is sometimes preceded by an introduction, which may be as short as a few measures or may extend to a chorus of its own. Many arrangements contain an interlude, often similar in content to the introduction, inserted between some or all choruses. Other methods of embellishing
3234-541: The middle of the decade. Bridging the gap to white audiences in the mid-1930s was the Casa Loma Orchestra and Benny Goodman's early band. The contrast in commercial popularity between "black" and "white" bands was striking: between 1935 and 1945 the top four "white" bands had 292 top ten records, of which 65 were number one hits, while the top four "black" bands had only 32 top ten hits, with only three reaching number one. White teenagers and young adults were
3300-402: The military and toured with USO troupes at the front, with Glenn Miller losing his life while traveling between shows. Many bands suffered from loss of personnel during the war years, and, as a result, women replaced men who had been inducted, while all-female bands began to appear. The 1942–44 musicians' strike worsened the situation. Vocalists began to strike out on their own. By the end of
3366-419: The more literal 4 of early jazz. Walter Page is often credited with developing the walking bass , although earlier examples exist, such as Wellman Braud on Ellington's Washington Wabble (1927). This type of music flourished through the early 1930s, although there was little mass audience for it until around 1936. Up until that time, it was viewed with ridicule and sometimes looked upon as
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#17327755303693432-411: The most common seating for a 17-piece big band, each section is carefully set-up in a way to optimize the bands sound. For the wind players, there are 3 different types of parts: lead parts (including first trumpet, first trombone, and first alto sax), solo parts (including second or fourth trumpet, second trombone, and the first tenor sax), and section members (which include the rest of the band). The band
3498-776: The most popular big bands of the swing era cultivated small groups within the larger ensemble: e.g. Benny Goodman developed both a trio and a quartet, Artie Shaw formed the Gramercy Five, Count Basie developed the Kansas City Six and Tommy Dorsey the Clambake Seven. The major "black" bands of the 1930s included, apart from Ellington's, Hines's, and Calloway's, those of Jimmie Lunceford , Chick Webb , and Count Basie. The "white" bands of Benny Goodman, Artie Shaw, Tommy Dorsey, Shep Fields and, later, Glenn Miller were more popular than their "black" counterparts from
3564-402: The most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles. Many college and university music departments offer jazz programs and feature big band courses in improvisation, composition, arranging, and studio recording, featuring performances by 18 to 20 piece big bands. During
3630-719: The music's dynamics, phrasing, and expression in rehearsals, and lead the group in performance often while playing alongside them. One of the first prominent big band arrangers was Ferde Grofé , who was hired by Paul Whiteman to write for his “symphonic jazz orchestra”. A number of bandleaders established long-term relationships with certain arrangers, such as the collaboration between leader Count Basie and arranger Neil Hefti . Some bandleaders, such as Guy Lombardo , performed works composed by others (in Lombardo's case, often by his brother Carmen ), while others, such as Maria Schneider , take on all three roles. In many cases, however,
3696-485: The outset, the big band was sometimes known within the BBC as the 'Radio Dance Orchestra' or 'Radio Showband', utilising some of the names the band had been previously known under, but it was officially called the Radio Big Band from 1964. For the most part, it has been a standard-sized big band, comprising four trumpets, four trombones, five saxophones (all of whom double on various reed and wind instruments) and
3762-509: The plot. Shep Fields appeared with his Rippling Rhythm Orchestra in a playful and integrated animated performance of "This Little Ripple Had Rhythm" in the musical extravaganza The Big Broadcast of 1938 . Fictionalized biographical films of Glenn Miller , Gene Krupa , and Benny Goodman were made in the 1950s. The bands led by Helen Lewis, Ben Bernie , and Roger Wolfe Kahn's band were filmed by Lee de Forest in his Phonofilm sound-on-film process in 1925, in three short films which are in
3828-431: The principal fans of the big bands in the late 1930s and early 1940s. They danced to recordings and the radio and attended live concerts. They were knowledgeable and often biased toward their favorite bands and songs, and sometimes worshipful of famous soloists and vocalists. Many bands toured the country in grueling one-night stands. Traveling conditions and lodging were difficult, in part due to segregation in most parts of
3894-475: The template of King Oliver , but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter , whose career lasted into the 1990s. Swing music began appearing in the early 1930s and was distinguished by a more supple feel than
3960-699: The vibes of Lionel Hampton . The popularity of many of the major bands was amplified by star vocalists, such as Frank Sinatra and Connie Haines with Tommy Dorsey , Helen O'Connell and Bob Eberly with Jimmy Dorsey , Ella Fitzgerald with Chick Webb , Billie Holiday and Jimmy Rushing with Count Basie , Kay Starr with Charlie Barnet , Bea Wain with Larry Clinton , Dick Haymes , Kitty Kallen and Helen Forrest with Harry James , Fran Warren with Claude Thornhill , Doris Day with Les Brown , and Peggy Lee and Martha Tilton with Benny Goodman . Some bands were "society bands" which relied on strong ensembles but little on soloists or vocalists, such as
4026-421: The war, swing was giving way to less danceable music, such as bebop . Many of the great swing bands broke up, as the times and tastes changed. Many bands from the swing era continued for decades after the death or departure of their founders and namesakes, and some are still active in the 21st century, often referred to as " ghost bands ", a term attributed to Woody Herman, referring to orchestras that persist in
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#17327755303694092-489: Was asked to stand in for Stacey Kent at a weekend festival in Llandrindod Wells . This led (after some determined self-promotion, in which she drew upon her advertising skills) to a three-album contract with the jazz label Candid Records . Her popularity soared, with appearances on radio and television bringing her to the attention of a wider public, and in 2004 she released her first album for Sony Jazz in what
4158-509: Was dominated by steps such as the waltz and polka . As jazz migrated from its New Orleans origin to Chicago and New York City , energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop . The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the Europe Society Orchestra led by James Reese Europe . One of
4224-515: Was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton , who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway , Tin Pan Alley , ragtime , and vaudeville . Duke Ellington led his band at
4290-425: Was extended. The programme remained a key part of Radio 2’s Monday night programming up to 2013, latterly presented by jazz singer and broadcaster Clare Teal . The band also found a home on BBC Radio 3 's Jazz Parade. In a shake-up of musical policy at the BBC, the corporation disbanded the BBC Radio Orchestra in 1991, retaining the Big Band. But, in 1994, the BBC once again announced that it had decided to dismantle
4356-642: Was the biggest recording deal by any British jazz singer. Don't Talk topped the jazz charts and entered the UK Top 20 UK Albums Chart . While the majority of her recordings are cover versions of standards, her albums feature original songs and contemporary cover versions, notably a cover of " California Dreaming " by The Mamas & the Papas . This song attracted the attention of BBC Radio presenter Michael Parkinson , garnering significant publicity during her period with Candid Records. Teal has toured throughout
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