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126-413: Bela Vista hosts a large number of Italian cantinas or eateries, restaurant and/or delicatessens. Renowned theaters , such as the state-funded Teatro Sergio Cardoso and few smaller ones on Rua dos Ingleses/Morro dos Ingleses and Avenida 9 de Julho area, such as the teatros Bibi Ferreira and Maria Della Costa. Most theatres nowadays tend to concentrate on Avenida Brigadeiro Luis Antonio with Teatro Abril being

252-410: A collective form of reception. The structure of dramatic texts , unlike other forms of literature , is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex ( c.  429 BCE ) by Sophocles are among the masterpieces of the art of drama. A modern example

378-585: A belly as round and big as a party balloon (also "bexiga" in Portuguese), so, the section was nicknamed after him. Until recently, the Bela Vista community organized the celebration of the anniversary of the City of São Paulo by offering a huge long cake to the population, measuring the age of São Paulo for each year in the metric system. Lack of funding and greed on the part of revellers who grabbed chunks of

504-445: A certain word or phrase. These gestures are closely coordinated with speech. The so-called beat gestures are used in conjunction with speech and keep time with the rhythm of speech to emphasize certain words or phrases. These types of gestures are integrally connected to speech and thought processes. Other spontaneous gestures used during speech production known as iconic gestures are more full of content, and may echo, or elaborate,

630-494: A cognitive purpose in aiding in lexical access and retrieval or verbal working memory. Most recent research suggests that lexical gestures serve a primarily socio-pragmatic role. Studies affirm a strong link between gesture typology and language development . Young children under the age of two seem to rely on pointing gestures to refer to objects that they do not know the names of. Once the words are learned, they eschewed those referential (pointing) gestures. One would think that

756-440: A cold weather can accompany their verbal description with a visual one. This can be achieved through various gestures such as by demonstrating a shiver and/or by rubbing the hands together. In such cases, the language or verbal description of the person does not necessarily need to be understood as someone could at least take a hint at what's being communicated through the observation and interpretation of body language which serves as

882-406: A dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of

1008-400: A debate about whether humans, too, looked to gestures first as their modality of language in the early existence of the species. The function of gestures may have been a significant player in the evolution of language. Gesturing is probably universal; there has been no report of a community that does not gesture. Gestures are a crucial part of everyday conversation such as chatting, describing

1134-526: A disruption of one (speech or gesture) will cause a problem in the other. Studies have found strong evidence that speech and gesture are innately linked in the brain and work in an efficiently wired and choreographed system. McNeill's view of this linkage in the brain is just one of three currently up for debate; the others declaring gesture to be a "support system" of spoken language or a physical mechanism for lexical retrieval. Because of this connection of co-speech gestures—a form of manual action—in language in

1260-416: A form of submissive gesture to signify "Yes". Within the realm of communicative gestures, the first distinction to be made is between gestures made with the hands and arms, and gestures made with other parts of the body. Examples of Non-manual gestures may include head nodding and shaking , shoulder shrugging , and facial expression , among others. Non-manual gestures are attested in languages all around

1386-484: A gesture equivalent in meaning to what's being said through communicative speech. The elaboration of lexical gestures falls on a spectrum of iconic-metaphorical in how closely tied they are to the lexico-semantic content of the verbal speech they coordinate with. More iconic gesture very obviously mirrors the words being spoken (such as drawing a jagged horizontal line in the air to describe mountains) whereas more metaphorical gestures clearly contain some spatial relation to

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1512-513: A guide under his book named Chirologia which focused on hand gestures. In the 19th century, Andrea De Jorio an Italian antiquarian who considered a lot of research about body language published an extensive account of gesture expressions. Andrew N. Meltzoff an American psychologist internationally renown for infant and child development conducted a study in 1977 on the imitation of facial and manual gestures by newborns. The study concluded that "infants between 12 and 21 days of age can imitate

1638-419: A major role in many aspects of human life. Additionally, when people use gestures, there is a certain shared background knowledge. Different cultures use similar gestures when talking about a specific action such as how we gesture the idea of drinking out of a cup. When an individual makes a gesture, another person can understand because of recognition of the actions/shapes. Gestures have been documented in

1764-533: A particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient India 's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramuurvashiiya ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntala ( The Recognition of Shakuntala ). The last was inspired by a story in the Mahabharata and

1890-500: A play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance : the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring

2016-424: A route, negotiating prices on a market; they are ubiquitous. Gestures are learned embodied cultural practices that can function as a way to interpret ethnic , gender, and sexual identity . Gestures, commonly referred to as " body language ," play an important role in industry. Proper body language etiquette in business dealings can be crucial for success. However, gestures can have different meanings according to

2142-402: A shoulder shrug, a gesture signifying that the person is not comprehending what they are supposed to be understanding. Also, that showing the palms of both hands to show a person is not hiding anything, and raising the eyebrows to indicate a greeting. Finger gestures are commonly used in a variety of ways, from point at something to indicate that you want to show a person something to indicating

2268-464: A single fundamental semiotic system that underlies human discourse. The linkage of hand and body gestures in conjunction with speech is further revealed by the nature of gesture use in blind individuals during conversation. This phenomenon uncovers a function of gesture that goes beyond portraying communicative content of language and extends David McNeill 's view of the gesture-speech system. This suggests that gesture and speech work tightly together, and

2394-604: A somewhat vibrant nightlife and is the home of many descendants of Italians and young professionals and students that enjoy the urban atmosphere and the Avenida Paulista area nearby. Bela Vista is also the home of the Vai-Vai Samba School, the oldest one in São Paulo. Our Lady Achiropita Roman Catholic church on Rua 13 de Maio is an important charity and cultural center in the neighborhood. Famous for

2520-592: A specific established structure while gesturing is more malleable and has no specific structure rather it supplements speech. Before an established sign language was created in Nicaragua after the 1970s, deaf Nicaraguans would use " home signs " in order to communicate with others. These home signs were not part of a unified language but were still used as familiar motions and expressions used within their family—still closely related to language rather than gestures with no specific structure. Home signs are similar to

2646-465: A thumbs up to show everything is good. Some gestures are near universals, i.e., found all over the world with only some exceptions. An example is the head shake to signify "no". Also, in most cultures nodding your head signifies "Yes", which the book "The Definitive Book of Body Language" describes as submissive gesture to representing the conversation is going the direction of the person speaking. The book explains that people who are born deaf can show

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2772-524: A tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago. Having been an important part of human culture for more than 2,500 years, theatre has evolved

2898-431: A variety of feelings and thoughts, from contempt and hostility to approval and affection, often together with body language in addition to words when they speak. Gesticulation and speech work independently of each other, but join to provide emphasis and meaning. Gesture processing takes place in areas of the brain such as Broca's and Wernicke's areas , which are used by speech and sign language . In fact, language

3024-421: A vehicle to tell a story qualify as comedies. This may include a modern farce such as Boeing Boeing or a classical play such as As You Like It . Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as black comedy . Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy. Tragedy, then, is an imitation of an action that

3150-435: A very colourful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at

3276-450: A way to rewrite gender and negotiate power relations. She also connects gesture to Giorgio Agamben 's idea of "means without ends" to think about political projects of social justice that are incomplete, partial, and legibile within culturally and socially defined spheres of meaning. Within the field of linguistics, the most hotly contested aspect of gesture revolves around the subcategory of Lexical or Iconic Co-Speech Gestures. Adam Kendon

3402-674: A way to think about how the moving body gains social meaning. José Esteban Muñoz uses the idea of gesture to mark a kind of refusal of finitude and certainty and links gesture to his ideas of ephemera. Muñoz specifically draws on the African-American dancer and drag queen performer Kevin Aviance to articulate his interest not in what queer gestures might mean, but what they might perform. Juana María Rodríguez borrows ideas of phenomenology and draws on Noland and Muñoz to investigate how gesture functions in queer sexual practices as

3528-697: A wide range of different theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The classical Greek philosopher Aristotle , in his seminal treatise, Poetics ( c.  335 BCE ) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama — comedy , tragedy , and

3654-436: Is Long Day's Journey into Night by Eugene O'Neill (1956). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c.  335 BCE ); the earliest work of dramatic theory . The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century . Drama in this sense refers to

3780-545: Is a collaborative form of performing art that uses live performers, usually actors or actresses , to present experiences of a real or imagined event before a live audience in a specific place, often a stage . The performers may communicate this experience to the audience through combinations of gesture , speech, song, music , and dance . It is the oldest form of drama , though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance

3906-495: Is a form of non-verbal communication or non-vocal communication in which visible bodily actions communicate particular messages, either in place of, or in conjunction with, speech . Gestures include movement of the hands , face , or other parts of the body . Gestures differ from physical non-verbal communication that does not communicate specific messages, such as purely expressive displays, proxemics , or displays of joint attention . Gestures allow individuals to communicate

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4032-408: Is also known as "Bexiga" ou "Bixiga." The saying goes that an infection of the bladder ("bexiga" in Portuguese) was common in the section in the late nineteenth century and beginning of the twentieth century when it still had a few farms, and residents were labeled with that pejorative. Others say that an Italian or Portuguese resident known for drinking at the taverns of Bela Vista until late night, had

4158-663: Is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapala from Mataram Kingdom in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit

4284-469: Is crossing oneself as a sign of respect, also known as doing the sign of the cross , often accompanied by kneeling before a sacred object. Gestures are processed in the same areas of the brain as speech and sign language such as the left inferior frontal gyrus ( Broca's area ) and the posterior middle temporal gyrus , posterior superior temporal sulcus and superior temporal gyrus ( Wernicke's area ). It has been suggested that these parts of

4410-644: Is described in an 11th-century Javanese poem as a leather shadow figure. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh , where actors re-enact episodes from Muslim history . In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali 's sons Hasan ibn Ali and Husayn ibn Ali . Secular plays were known as akhraja , recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theatre. Theatre took on many alternative forms in

4536-433: Is indicative of its association to language development. Gestural languages such as American Sign Language operate as complete natural languages that are gestural in modality. They should not be confused with finger spelling , in which a set of emblematic gestures are used to represent a written alphabet. Sign languages are different from gesturing in that concepts are modeled by certain hand motions or expressions and has

4662-539: Is known primarily from the substantial papyrus fragments of Menander . Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the Satyr Play . Finding its origins in rural, agricultural rituals dedicated to Dionysus,

4788-464: Is no different from spoken language. The first way to distinguish between categories of gesture is to differentiate between communicative gesture and informative gesture. While most gestures can be defined as possibly happening during the course of spoken utterances, the informative-communicative dichotomy focuses on intentionality of meaning and communication in co-speech gesture. Informative gestures are passive gestures that provide information about

4914-604: Is research to suggest that Lexical Gesture does indeed serve a primarily communicative purpose and cognitive only secondary, but in the realm of socio-pragmatic communication, rather than lexico-semantic modification. Humans have the ability to communicate through language, but they can also express through gestures. In particular, gestures can be transmitted through movements of body parts, face, and body expressions. Researchers Goldin Meadow and Brentari D. conducted research in 2015 and concluded that communicating through sign language

5040-419: Is serious, complete, and of a certain magnitude: in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it

5166-472: Is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe 's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti ( c.  7th century CE ). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttar Ramacharita . Among these three, the last two cover between them

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5292-565: Is thought by some scholars to have evolved in Homo sapiens from an earlier system consisting of manual gestures. The theory that language evolved from manual gestures, termed Gestural Theory , dates back to the work of 18th-century philosopher and priest Abbé de Condillac , and has been revived by contemporary anthropologist Gordon W. Hewes, in 1973, as part of a discussion on the origin of language . Gestures have been studied throughout time from different philosophers. Marcus Fabius Quintilianus

5418-777: Is universally acknowledged in the Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski , Vsevolod Meyerhold , Jacques Copeau , Edward Gordon Craig , Bertolt Brecht , Antonin Artaud , Joan Littlewood , Peter Brook , Jerzy Grotowski , Augusto Boal , Eugenio Barba , Dario Fo , Viola Spolin , Keith Johnstone and Robert Wilson (director) . Gesture A gesture

5544-518: Is why actors are commonly called "Children of the Pear Garden". During the dynasty of Empress Ling, shadow puppetry first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets , as opposed to

5670-546: The 20th century in the realism of Stanislavski and Lee Strasberg , the political theatre of Erwin Piscator and Bertolt Brecht , the so-called Theatre of the Absurd of Samuel Beckett and Eugène Ionesco , American and British musicals, the collective creations of companies of actors and directors such as Joan Littlewood 's Theatre Workshop , experimental and postmodern theatre of Robert Wilson and Robert Lepage ,

5796-508: The City Dionysia as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of citizenship . Civic participation also involved the evaluation of the rhetoric of orators evidenced in performances in the law-court or political assembly , both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed

5922-563: The Persian response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in

6048-569: The Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese —draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata . These tales also provide source material for the wayang wong (human theatre) of Java and Bali , which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak . Wayang

6174-559: The high-style , verbally elaborate tragedies of Seneca . Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE),

6300-516: The postcolonial theatre of August Wilson or Tomson Highway , and Augusto Boal 's Theatre of the Oppressed . Drama is the specific mode of fiction represented in performance . The term comes from a Greek word meaning " action ", which is derived from the verb δράω, dráō , "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience , presupposes collaborative modes of production and

6426-514: The satyr play —as well as lyric poetry , epic poetry , and the dithyramb ). He examines its "first principles" and identifies its genres and basic elements; his analysis of tragedy constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) mythos or "plot", ethos or "character", dianoia or "thought", lexis or "diction", melos or "song", and opsis or "spectacle". "Although Aristotle's Poetics

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6552-573: The specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts , literature and the arts in general. A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. Modern theatre includes performances of plays and musical theatre . The art forms of ballet and opera are also theatre and use many conventions such as acting , costumes and staging. They were influential in

6678-484: The well-made plays of Scribe and Sardou gave way to the problem plays of Naturalism and Realism ; the farces of Feydeau ; Wagner's operatic Gesamtkunstwerk ; musical theatre (including Gilbert and Sullivan 's operas); F. C. Burnand 's, W. S. Gilbert 's and Oscar Wilde 's drawing-room comedies; Symbolism ; proto- Expressionism in the late works of August Strindberg and Henrik Ibsen ; and Edwardian musical comedy . These trends continued through

6804-465: The 1st century CE. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of

6930-407: The 5th century BCE have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalized in competitions ( agon ) held as part of festivities celebrating Dionysus (the god of wine and fertility ). As contestants in the City Dionysia's competition (the most prestigious of

7056-601: The Achiropita procession and the street Italian food fair all weekends in August, the community caters to the needs of poor children and their families in the section and promotes integration of diversity into worship, by adding an African-Brazilian flavor to its masses and baptismal ceremonies. The Menino Jesus (Infant Jesus) children's hospital, the Perola Byington women's hospital, The German Osvaldo Cruz hospital,

7182-775: The Centro Universitario Ibero-Americano, and elite private schools also make their home in Bela Vista, which claims parts of the Avenida Paulista's São Paulo financial center as within its jurisdiction. The Paulista shopping mall, The Cidade de Sao Paulo shopping mall, the Hipermercado Extra, and the Pao de Acucar supermarket chain also make their home in the Bela Vista/Av. Paulista/Paraiso/Jardim Paulista region. Bela Vista

7308-553: The Corduba-born Stoic philosopher and tutor of Nero. These tragedies are known for their philosophical themes, complex characters, and rhetorical style. While Seneca's plays provide valuable insights into Roman theater, they represent only a small fraction of the dramatic repertoire that existed in ancient Rome. The first form of Indian theatre was the Sanskrit theatre , earliest-surviving fragments of which date from

7434-598: The French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called tragédie bourgeoise , or domestic tragedy —that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling,

7560-584: The Hospital Paulistano, Hospital Santa Catarina and Hospital Sirio-Libanes—a cardiovascular and cancer reference institutions,-- as well as vaccine institutes such as the Instituto Pasteur on Avenida Paulista, and other important laboratories and clinics are located in the Bela Vista region. Higher education institutions such as Fundacao Getulio Vargas's Schools of Business ( EAESP ), Economics ( EESP ) and Law (EDESP), Colegio Objectivo,

7686-507: The Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors . Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics , to the staging of Plautus 's broadly appealing situation comedies , to

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7812-544: The U.S. Army recruitment poster of Uncle Sam, he is pointing and sending a non-verbal form of gesture by implying he wants the viewer to join the U.S. Army. This is a form of symbolic gesture, usually used in the absence of speech. Body language is a form of nonverbal communication that allows visual cues that transmit messages without speaking. Gestures are movement that are made with the body: arms, hands, facial, etc. Authors Barbara Pease and Allan Pease, of " The Definitive Book of Body Language " concluded that everyone does

7938-820: The West between the 15th and 19th centuries, including commedia dell'arte from Italian theatre , and melodrama . The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution . Theatre took a big pause during 1642 and 1660 in England because of the Puritan Interregnum. The rising anti-theatrical sentiment among Puritans saw William Prynne write Histriomastix (1633),

8064-630: The Woods (1986), and The Phantom of the Opera (1986), as well as more contemporary hits including Rent (1994), The Lion King (1997), Wicked (2003), Hamilton (2015) and Frozen (2018). Musical theatre may be produced on an intimate scale Off-Broadway , in regional theatres , and elsewhere, but it often includes spectacle. For instance, Broadway and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets. Theatre productions that use humour as

8190-483: The arts such as in Greek vase paintings, Indian Miniatures or European paintings. Gestures play a central role in religious or spiritual rituals. In Hinduism and Buddhism , a mudra ( Sanskrit , literally "seal", "gesture" or "attitude") is a symbolic gesture made with the hand, body or mind. Each mudra has a specific meaning, and is associated with a specific spiritual quality or state. In Yoga Mudras are considered to be higher practices which lead to awakening of

8316-587: The best known of which is Peking Opera which is still popular today. Xiangsheng is a certain traditional Chinese comedic performance in the forms of monologue or dialogue. In Indonesia , theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres — wayang golek (wooden rod-puppet play) of

8442-462: The brain originally supported the pairing of gesture and meaning and then were adapted in human evolution "for the comparable pairing of sound and meaning as voluntary control over the vocal apparatus was established and spoken language evolved". As a result, it underlies both symbolic gesture and spoken language in the present human brain . Their common neurological basis also supports the idea that symbolic gesture and spoken language are two parts of

8568-514: The brain to decrease the need for "semantic control". Because gestures aided in understanding the relayed message, there was not as great a need for semantic selection or control that would otherwise be required of the listener through Broca's area . Gestures are a way to represent the thoughts of an individual, which are prompted in working memory. The results of an experiment revealed that adults have increased accuracy when they used pointing gestures as opposed to simply counting in their heads (without

8694-607: The brain, Roel Willems and Peter Hagoort conclude that both gestures and language contribute to the understanding and decoding of a speaker's encoded message. Willems and Hagoort's research suggest that "processing evoked by gestures is qualitatively similar to that of words at the level of semantic processing." This conclusion is supported through findings from experiments by Skipper where the use of gestures led to "a division of labor between areas related to language or action (Broca's area and premotor/primary motor cortex respectively)", The use of gestures in combination with speech allowed

8820-799: The cake and stuffed Tupperware containers to take home, which made the cake disappear in seconds, seem to have stopped the annual event on January 25, the Catholic feast of the Conversion of Paul, the apostle, and anniversary of the foundation of São Paulo de Pirapitininga by chief Tibirica' & the Spanish Jesuits Anchieta and Nobrega. (sources: Cyrillo, a São Paulo native who lived in Bela Vista; O Globo Online and Folha de S.Paulo news 2009) 23°33′37″S 46°38′55″W  /  23.5603°S 46.6486°W  / -23.5603; -46.6486 Theater Theatre or theater

8946-552: The concepts of dramatic criticism and theatre architecture. Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama : tragedy , comedy , and the satyr play . The origins of theatre in ancient Greece, according to Aristotle (384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of

9072-459: The country in which they are expressed. In an age of global business, diplomatic cultural sensitivity has become a necessity. Gestures that we take as innocent may be seen by someone else as deeply insulting. The following gestures are examples of proper etiquette with respect to different countries' customs on salutations: Gestures are also a means to initiate a mating ritual . This may include elaborate dances and other movements. Gestures play

9198-471: The dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of Satyrs . However, according to Webster , satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature. Western theatre developed and expanded considerably under the Romans . The Roman historian Livy wrote that

9324-433: The development of musical theatre . The city-state of Athens is where Western theatre originated. It was part of a broader culture of theatricality and performance in classical Greece that included festivals , religious rituals , politics , law , athletics and gymnastics, music , poetry , weddings, funerals, and symposia . Participation in the city-state's many festivals—and mandatory attendance at

9450-454: The dialogue ( melodrama and Japanese Nō , for example). In certain periods of history (the ancient Roman and modern Romantic ) some dramas have been written to be read rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Music and theatre have had a close relationship since ancient times— Athenian tragedy , for example,

9576-484: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialized in

9702-477: The entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . The Tang dynasty is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The Pear Garden to produce a form of drama that was primarily musical. That

9828-481: The existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BCE that are among the earliest examples of literature in the world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been

9954-569: The facial and manual gestures of parents". In 1992, David Mcneill , a professor of linguistics and psychology at the University of Chicago , wrote a book based on his ten years of research and concluded that "gestures do not simply form a part of what is said, but have an impact on thought itself." Meltzoff argues that gestures directly transfer thoughts into visible forms, showing that ideas and language cannot always be express. A peer-reviewed journal Gesture has been published since 2001, and

10080-517: The festivals to stage drama) playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records ( didaskaliai ) begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatize events from Greek mythology , though The Persians —which stages

10206-628: The first improvisation form. Popularized by 1997 Nobel Prize in Literature winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as

10332-406: The gestural actions of chimpanzees. Gestures are used by these animals in place of verbal language, which is restricted in animals due to their lacking certain physiological and articulation abilities that humans have for speech. Corballis (2010) asserts that "our hominid ancestors were better pre-adapted to acquire language-like competence using manual gestures than using vocal sounds." This leads to

10458-507: The gesture-signs of sign languages , even though sign language is communicative and primarily produced using the hands, because the gestures in sign language are not used to intensify or modify the speech produced by the vocal tract, rather they communicate fully productive language through a method alternative to the vocal tract . The most familiar are the so-called emblems or quotable gestures. These are conventional, culture-specific gestures that can be used as replacement for words, such as

10584-780: The handwave used in the US for "hello" and "goodbye". A single emblematic gesture can have a very different significance in different cultural contexts, ranging from complimentary to highly offensive. The page List of gestures discusses emblematic gestures made with one hand, two hands, hand and other body parts, and body and facial gestures. Symbolic gestures can occur either concurrently or independently of vocal speech. Symbolic gestures are iconic gestures that are widely recognized, fixed, and have conventionalized meanings. Deictic gestures can occur simultaneously with vocal speech or in place of it. Deictic gestures are gestures that consist of indicative or pointing motions. These gestures often work in

10710-675: The idea of the national theatre gained support in the 18th century, inspired by Ludvig Holberg . The major promoter of the idea of the national theatre in Germany, and also of the Sturm und Drang poets, was Abel Seyler , the owner of the Hamburgische Entreprise and the Seyler Theatre Company . Through the 19th century , the popular theatrical forms of Romanticism , melodrama , Victorian burlesque and

10836-672: The late 19th and early 20th century . After the Edwardian musical comedy that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of Rodgers and Hammerstein ), with Oklahoma! (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included My Fair Lady (1956), West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1980), Cats (1981), Into

10962-411: The meaning of the co-occurring speech. They depict aspects of spatial images, actions, people, or objects. For example, a gesture that depicts the act of throwing may be synchronous with the utterance, "He threw the ball right into the window." Such gestures that are used along with speech tend to be universal. For example, one describing that they are feeling cold due to a lack of proper clothing and/or

11088-464: The most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture , costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in

11214-496: The most important venue of musical presentations such as Miss Saigon , Beauty and the Beast , and The Phantom of the Opera . Towards the end of the twentieth century, parts of Bexiga became more decayed and dilapidated because its more affluent middle-class moved to newer areas in the suburbs. Although most of the clubs and bars moved from Bela Vista to Itaim Bibi and Vila Madalena in the late 1980s and mid 1990s, Bexiga still has

11340-471: The most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642 . On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses . This stagnant period ended once Charles II came back to

11466-411: The necessary skills (dance, music, and recitation) in a [hereditary process]. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of

11592-410: The necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce

11718-437: The oldest surviving work of dramatic theory —his Poetics ( c.  335 BCE ). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes , while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as Athenaeus of Naucratis ). New Comedy

11844-486: The person speaking (e.g. itchy, uncomfortable, etc.), this communication is not engaged with any language being produced by the person gesturing. Communicative gestures are gestures that are produced intentionally and meaningfully by a person as a way of intensifying or modifying speech produced in the vocal tract (or with the hands in the case of sign languages), even though a speaker may not be actively aware that they are producing communicative gestures. For instance, on

11970-704: The physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece , from which it borrows technical terminology, classification into genres , and many of its themes , stock characters , and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language , stage writing and

12096-582: The possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the Song dynasty , there were many popular plays involving acrobatics and music. These developed in the Yuan dynasty into a more sophisticated form known as zaju , with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of

12222-426: The pranas, chakras and kundalini, and which can bestow major siddhis, psychic powers, on the advanced practitioner In Hindu and Buddhist iconography mudras play a central role. For example, Vitarka Vicara , the gesture of discussion and transmission of Buddhist teaching, is done by joining the tips of the thumb and the index together, while keeping the other fingers straight. A common Christian religious gesture

12348-443: The remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behaviour in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in

12474-484: The same way as demonstrative words and pronouns like "this" or "that". Deictic gestures can refer to concrete or intangible objects or people. Motor or beat gestures usually consist of short, repetitive, rhythmic movements that are closely tied with prosody in verbal speech. Unlike symbolic and deictic gestures, beat gestures cannot occur independently of verbal speech and convey no semantic information. For example, some people wave their hands as they speak to emphasize

12600-422: The satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with

12726-460: The scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognized as

12852-452: The seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is

12978-436: The semantic content of the co-occurring verbal speech, but the relationship between the gesture and the speech might be more ambiguous. Lexical gestures, like motor gestures, cannot occur independently of verbal speech. The purpose of lexical gestures is still widely contested in the literature with some linguists arguing that lexical gestures serve to amplify or modulate the semantic content of lexical speech, or that it serves

13104-449: The speaker as a person and not about what the speaker is trying to communicate. Some movements are not purely considered gestures, however a person could perform these adapters in such way like scratching, adjusting clothing, and tapping. These gestures can occur during speech, but they may also occur independently of communication, as they are not a part of active communication. While informative gestures may communicate information about

13230-596: The spoken parts were written in the Attic dialect whereas the choral (recited or sung) ones in the Doric dialect , these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical drama . Tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation . That tradition has been multiple and discontinuous, yet

13356-461: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all

13482-568: The term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians , in a common activity", as Raymond Williams puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus , Sophocles and Euripides , through its singular articulations in

13608-459: The theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during

13734-721: The throne in 1660 in the Restoration . Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the King's Company . Performances were held in converted buildings, such as Lisle's Tennis Court . The first West End theatre , known as Theatre Royal in Covent Garden , London,

13860-532: The time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage. Jeremy Collier , a preacher, was one of the heads in this movement through his piece A Short View of the Immorality and Profaneness of the English Stage . The beliefs in this paper were mainly held by non-theatre goers and

13986-429: The type of play performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of Kabuki , Nō , and Kyōgen developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic colour

14112-588: The use of gesture would decrease as the child develops spoken language, but results reveal that gesture frequency increased as speaking frequency increased with age. There is, however, a change in gesture typology at different ages, suggesting a connection between gestures and language development. Children most often use pointing and adults rely more on iconic and beat gestures. As children begin producing sentence-like utterances, they also begin producing new kinds of gestures that adults use when speaking (iconics and beats). Evidence of this systematic organization of gesture

14238-435: The use of pointing gestures) Furthermore, the results of a study conducted by Marstaller and Burianová suggest that the use of gestures affect working memory. The researchers found that those with low capacity of working memory who were able to use gestures actually recalled more terms than those with low capacity who were not able to use gestures. Although there is an obvious connection in the aid of gestures in understanding

14364-519: The wake of Renaissance Humanism ), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of

14490-540: The way gestures are embodied corporeal forms of cultural communication. But rather than just residing within one cultural context, she describes how gestures migrate across bodies and locations to create new cultural meanings and associations. She also posits how they might function as a form of "resistance to homogenization" because they are so dependent on the specification of the bodies that perform them. Gesture has also been taken up within queer theory , ethnic studies and their intersections in performance studies , as

14616-475: The works of Shakespeare , Lope de Vega , Racine , and Schiller , to the more recent naturalistic tragedy of Strindberg , Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at

14742-435: The world, but have not been the primary focus of most research regarding co-speech gesture. A gesture that is a form of communication in which bodily actions communicate particular messages. Manual gestures are most commonly broken down into four distinct categories: Symbolic (Emblematic), Deictic (Indexical), Motor (Beat), and Lexical (Iconic) Manual gesture in the sense of communicative co-speech gesture does not include

14868-540: The young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal . Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière

14994-513: Was a Roman Rhetorician who studied in his Institutio Oratoria on how gesture can be used on rhetorical discourses. One of his greatest works and foundation for communication was the " Institutio Oratoria " where he explains his observations and nature of different oratories. A study done in 1644, by John Bulwer an English physician and early Baconian natural philosopher wrote five works exploring human communications pertaining to gestures. Bulwer analyzed dozens of gestures and provided

15120-457: Was a form of dance - drama that employed a chorus whose parts were sung (to the accompaniment of an aulos —an instrument comparable to the modern oboe ), as were some of the actors' responses and their 'solo songs' ( monodies ). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan ), variety , vaudeville , and music hall genres of

15246-440: Was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast

15372-574: Was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane . One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre , round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating

15498-417: Was founded by Adam Kendon and Cornelia Müller . The International Society for Gesture Studies (ISGS) was founded in 2002. Gesture has frequently been taken up by researchers in the field of dance studies and performance studies in ways that emphasize the ways they are culturally and contextually inflected. Performance scholar Carrie Noland describes gestures as "learned techniques of the body" and stresses

15624-422: Was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of

15750-516: Was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although

15876-403: Was the first to hypothesize on their purpose when he argued that Lexical gestures do work to amplify or modulate the lexico-semantic content of the verbal speech with which they co-occur. However, since the late 1990s, most research has revolved around the contrasting hypothesis that Lexical gestures serve a primarily cognitive purpose in aiding the process of speech production. As of 2012, there

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