The Grammy Award for Best Pop Vocal Album is an honor presented at the Grammy Awards , a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality vocal pop music albums. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."
17-403: The honor was first presented in 1968 at the 10th Grammy Awards as Best Contemporary Album to The Beatles for Sgt. Pepper's Lonely Hearts Club Band . The category was then discontinued until 1995 where it emerged with the new name Best Pop Album . In 2001, the category became known as Best Pop Vocal Album . According to the category description guide for the 52nd Grammy Awards , the award
34-1502: A Motion Picture or a Television Show Lalo Schifrin (composer) for Mission: Impossible Best Instrumental Arrangement Burt Bacharach (arranger) for Alfie Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement Jimmie Haskell (arranger) for " Ode to Billie Joe " performed by Bobbie Gentry Country [ edit ] Best Country & Western Solo Vocal Performance, Female Tammy Wynette for " I Don't Wanna Play House " Best Country & Western Solo Vocal Performance, Male Glen Campbell for " Gentle on My Mind " Best Country & Western Performance Duet, Trio or Group (Vocal or Instrumental) Johnny Cash & June Carter for " Jackson " Best Country & Western Recording Al De Lory (producer) & Glen Campbell for "Gentle on My Mind" Best Country & Western Song John Hartford (songwriter) for "Gentle on My Mind" performed by Glen Campbell Folk [ edit ] Best Folk Performance John Hartford for Gentle On My Mind Gospel [ edit ] Best Gospel Performance Porter Wagoner & The Blackwood Brothers for More Grand Old Gospel Best Sacred Performance Elvis Presley for How Great Thou Art Jazz [ edit ] Best Instrumental Jazz Performance, Small Group or Soloist With Small Group Cannonball Adderley for Mercy, Mercy, Mercy performed by
51-471: Is presented to artists that perform "albums containing at least 51% playing time of newly recorded pop vocal tracks." The award goes to the artist, producer and engineer/mixer, provided they worked on more than 50% of playing time on the album. A producer or engineer/mixer who worked on less than 50% of playing time, as well as the mastering engineer, do not win an award, but can apply for a Winners Certificate. Adele , Kelly Clarkson and Taylor Swift are
68-1144: The Paris National Opera Orchestra & Chorus for Berg : Wozzeck Best Classical Choral Performance (other than opera) Leonard Bernstein (conductor) & the London Symphony Orchestra & Choir for Mahler : Symphony No. 8 in E Flat Major (Symphony of a Thousand) Eugene Ormandy (conductor), Robert Page (choir director), the Temple University Choir & the Philadelphia Orchestra for Orff : Catulli Carmina Best Classical Performance - Instrumental Soloist or Soloists (with or without orchestra) Vladimir Horowitz for Horowitz in Concert ( Haydn , Schumann , Scriabin , Debussy , Mozart , Chopin ) Best Chamber Music Performance Ravi Shankar & Yehudi Menuhin for West Meets East Album of
85-919: The Philadelphia Brass Ensemble for The Glorious Sound of Brass R&B [ edit ] Best R&B Solo Vocal Performance, Female Aretha Franklin for " Respect " Best R&B Solo Vocal Performance, Male Lou Rawls for "Dead End Street" Best Rhythm & Blues Group Performance, Vocal or Instrumental Sam & Dave for " Soul Man " Best Rhythm & Blues Recording Aretha Franklin for " Respect " Spoken [ edit ] Best Spoken Word, Documentary or Drama Recording Everett M. Dirksen for Gallant Men References [ edit ] ^ Campbell, Mary (1 March 1968). "Up, Up and Away Picks Up 6 Grammy Record Awards" . The Sun . Retrieved 1 May 2011 . ^ "1967 Grammy Award Winners" . Grammy.com. Archived from
102-1332: The Cannonball Adderley Quintet Best Instrumental Jazz Performance, Large Group or Soloist with Large Group Duke Ellington for " Far East Suite " Musical show [ edit ] Best Score From an Original Cast Show Album Fred Ebb , John Kander (composers), Goddard Lieberson (producer) & the original cast ( Joel Grey , Jill Haworth , Lotte Lenya , Jack Gilford & Bert Convy ) for Cabaret Packaging and notes [ edit ] Best Album Cover, Graphic Arts Jann Haworth & Peter Blake (art directors) for Sgt. Pepper's Lonely Hearts Club Band performed by The Beatles Best Album Cover, Photography Robert Cato & John Berg (art directors) & Roland Scherman (photographer) for Bob Dylan's Greatest Hits performed by Bob Dylan Best Album Notes John D. Loudermilk (notes writer) for Suburban Attitudes in Country Verse performed by John D. Loudermilk Pop [ edit ] Best Vocal Performance, Female Bobbie Gentry for "Ode to Billie Joe" Best Vocal Performance, Male Glen Campbell for "By
119-827: The Grinch Stole Christmas Classical [ edit ] Best Classical Performance - Orchestra Igor Stravinsky (conductor) & the Columbia Symphony Orchestra for Stravinsky: Firebird and Petrouchka Suites Best Classical Vocal Soloist Performance Francesco Molinari-Pradelli (conductor), Leontyne Price , & the RCA Italiana Opera Orchestra for Prima Donna, Volume 2 Best Opera Recording Thomas Z. Shepard (producer), Pierre Boulez (conductor), Walter Berry , Ingeborg Lasser , Isabel Strauss , Fritz Uhl &
136-739: The Time I Get to Phoenix" Best Contemporary Group Performance (Vocal or Instrumental) The 5th Dimension for " Up, Up and Away " Best Contemporary Single Johnny Rivers & Marc Gordon (producers) & The 5th Dimension for "Up, Up and Away" Best Contemporary Album George Martin (producer) & The Beatles for Sgt. Pepper's Lonely Hearts Club Band Production and engineering [ edit ] Best Engineered Recording - Non-Classical Geoff E. Emerick (engineer) for Sgt. Pepper's Lonely Hearts Club Band performed by The Beatles Best Engineered Recording, Classical Edward T. Graham (engineer) &
153-756: The Time I Get to Phoenix" Best Performance by a Vocal Group The 5th Dimension for " Up, Up and Away " Best Performance by a Chorus Johnny Mann for "Up, Up and Away" performed by the Johnny Mann Singers Best Instrumental Performance Chet Atkins for Chet Atkins Picks the Best Best Contemporary Female Solo Vocal Performance Bobbie Gentry for "Ode to Billie Joe" Best Contemporary Male Solo Vocal Performance Glen Campbell for "By
170-626: The United States Grammy Award for Best Orchestral Performance The Grammy Award for Best Orchestral Performance has been awarded since 1959. There have been several minor changes to the name of the award over this time: Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Until 1989, the Grammy Award went to the conductor only, but since then,
187-819: The Year Ceremonies 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 (years are of music release; ceremonies are
SECTION 10
#1732790329097204-1147: The Year Record of the Year Song of the Year Best New Artist Producer of the Year, Non-Classical Songwriter of the Year, Non-Classical Retrieved from " https://en.wikipedia.org/w/index.php?title=10th_Annual_Grammy_Awards&oldid=1246507178 " Categories : Grammy Awards ceremonies 1968 in Chicago 1968 in Los Angeles 1968 in Tennessee 1968 music awards 20th century in Nashville, Tennessee 1968 in New York City 1968 in American music February 1968 events in
221-747: The Year, Classical John McClure (producer), Leonard Bernstein (conductor), various artists & the London Symphony Orchestra for Mahler : Symphony No. 8 (Symphony of a Thousand) Thomas Z. Shepard (producer), Pierre Boulez (conductor), Walter Berry , Ingeborg Lasser , Isabel Strauss , Fritz Uhl , Choeur Nationale de Paris & the Orchestra of Paris National Opera for Berg : Wozzeck Comedy [ edit ] Best Comedy Performance Bill Cosby for Revenge Composing and arranging [ edit ] Best Instrumental Theme Lalo Schifrin (composer) for " Mission: Impossible " Best Original Score Written for
238-458: The next year) Related Grammy Museum By country American Argentine Australian Austrian Brazilian British Canadian Chinese Cuban French Indian Irish Italian Japanese Malian Mexican Nigerian New Zealand Peruvian Philippines Polish Senegalese South African Spanish Other countries Album of
255-792: The only two-time winners of this award, and Clarkson was the first to win twice. Clarkson, Swift, and Ariana Grande lead all performers with six nominations. 10th Grammy Awards (Redirected from 10th Grammy Awards ) 10th Annual Grammy Awards Date February 29, 1968 Location Chicago , Los Angeles , Nashville and New York Hosted by Stan Freberg Television/radio coverage Network ABC ← 9th · Grammy Awards · 11th → The 10th Annual Grammy Awards were held on February 29, 1968, at Chicago , Los Angeles , Nashville and New York . They recognized accomplishments of musicians for
272-425: The original on 12 October 2013 . Retrieved 1 May 2011 . v t e Grammy Awards The Recording Academy Categories Grammy Nominees Records Locations EGOT Special awards Legend Award Lifetime Achievement Award Trustees Award Special Merit/Technical Grammy Award Hall of Fame MusiCares Person of
289-767: The year 1967. Award winners [ edit ] Record of the Year Johnny Rivers & Marc Gordon (producers) & The 5th Dimension for " Up, Up and Away " Album of the Year The Beatles & George Martin (producer) for Sgt. Pepper's Lonely Hearts Club Band Song of the Year Jimmy L. Webb (songwriter) for " Up, Up and Away " performed by The 5th Dimension Best New Artist Bobbie Gentry Children's [ edit ] Best Recording for Children Boris Karloff for Dr. Seuss: How
#96903