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15-426: The museum has two galleries of exhibits which are open to the public. There is a reading room for researchers to access and consult materials from the collection by appointment. The museum is named after the filmmaker Bill Douglas . The collection that Douglas put together with his friend Peter Jewell founded the museum; many other donors have added to the holdings since. The museum now holds over 80,000 artefacts from

30-625: A career of acting and writing. After spending some time with Joan Littlewood 's ' Theatre Workshop ' company at the Theatre Royal Stratford East , he was cast in the Granada television series, The Younger Generation in 1961 and had a musical, Solo , produced in 1962 at Cheltenham . Having been interested in film-making all his life, in 1969 Douglas enrolled at the London School of Film Technique , where he wrote

45-432: A children's home, and then living in a hostel for down-and-outs. Eventually the call-up for national service allows Jamie to find freedom through his friendship with Robert, a young middle class Englishman who introduces him to books and the possibility of a more optimistic and fulfilling future. The austere black and white images of the films embody a stillness and intensity reminiscent of silent cinema and this visual style

60-533: A fellowship to Strathclyde University in 1990, was produced by BBC Scotland in 1996. Bill Douglas lived with Peter Jewell (on whom Robert of the Trilogy was based) for much of his life. Of their relationship, Peter Jewell said in 2006: We weren't a gay couple. A lot of people assume that we were because [we lived] together [...] but Bill wasn't homosexual [...] we were all sorts of other things to each other. Practically everything but sexual. Douglas's legacy

75-572: A wealth of critical plaudits but Douglas struggled to raise financing for his next project, and was forced to find other ways of earning a living. Mamoun Hassan , the former head of BFI Production, invited him to teach at the National Film and Television School from 1978 and he proved to be an inspiring presence. Hassan was also able, in his role as director of the National Film Finance Corporation to help realise

90-714: Is a stub . You can help Misplaced Pages by expanding it . Bill Douglas William Gerald Douglas (17 April 1934 – 18 June 1991) was a Scottish film director best known for the trilogy of films about his early life. Born in Newcraighall , a mining village on the outskirts of Edinburgh . He was brought up initially by his maternal grandmother, Jean Beveridge; following her death, he lived with his father and paternal grandmother. He undertook his National Service in Egypt , where he met his lifelong friend, Peter Jewell . On returning to Britain, Douglas moved to London and began

105-417: Is augmented by the equally spare and precise use of sound. Just as the stillness of the image forces the audience to look, so the relative silence encourages greater attention to specific sounds – boots scraping on asphalt, the chirping of birds and the timbre of voices – granting an emotional power that many considered lost in the aural bombardment characterising much contemporary cinema. The Trilogy gained

120-417: The face of material adversity. It also brings to the fore his fascination with the world of optics and image-making, through a number of references to various forms of Victorian optical entertainments such as the magic lantern , the zoetrope , the peep show and the camera obscura . The story itself is mediated by the character of an itinerant magic lanternist who reappears in a number of roles. Comrades

135-533: The present day. There are also a number of filmmakers' production archives, including Bill Douglas's working papers, the Townley Cooke collection, and the archives of producer/director Don Boyd , and producers Gavrik Losey and James Mackay . 50°44′00″N 3°32′03″W  /  50.7333°N 3.5341°W  / 50.7333; -3.5341 This article about an organisation in England

150-417: The project of Comrades , Douglas's film about the ' Tolpuddle Martyrs ', six Dorset farm labourers who in 1834 were arrested and tried for forming a trade union and subsequently transported to Australia. Even so, the film did not appear until 1986, six years after the screenplay had been completed. Dubbed a 'poor man's epic', Comrades continues Douglas's interest in the perseverance of the human spirit in

165-478: The screenplay for a short autobiographical film called Jamie . After initial difficulties in finding support for the project, he eventually found a champion at the British Film Institute in the newly appointed head of Production, Mamoun Hassan , who secured funding on the basis that Jamie should form part one of a trilogy – echoing the great childhood trilogies of Ray and Gorky . The film

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180-450: The seventeenth century to the present day. There is a large collection of material on optical media prior to the invention of cinema including holdings on magic lanterns , shadow puppets , panoramas and dioramas , optical illusions and peep shows . There are also significant holdings on cinema pioneers, early and silent cinema, film stars, such as Charlie Chaplin and Marilyn Monroe , and film publicity material and merchandising up to

195-744: Was not confined to his films. Along with Peter Jewell, he was a voracious collector of books, memorabilia, and artefacts relating to the history and prehistory of cinema. This core collection formed the basis of the Bill Douglas Cinema Museum (formerly The Bill Douglas Centre for the History of Cinema and Popular Culture), housed at the University of Exeter , when it opened six years after his death. The museum contains an exhibition on Bill Douglas's life and work and holds his working papers, which can be accessed by researchers. In 2012,

210-471: Was renamed My Childhood , and its success on the international festival circuit paved the way for the second and third instalments of the trilogy of Douglas's formative years: My Ain Folk (1973) and My Way Home (1978). The Bill Douglas Trilogy recounts the harrowing experiences of a young boy, Jamie, growing up in material and emotional poverty with his brother and grandmother; followed by incarceration in

225-486: Was to be Bill Douglas's last film. He died of cancer and is buried in the churchyard of Bishop's Tawton in Devon. He left behind him two unmade screenplays: Justified Sinner , an adaptation of James Hogg 's celebrated novel The Private Memoirs and Confessions of a Justified Sinner , and Flying Horse , based on the life of pre-cinema pioneer Eadweard Muybridge . Another posthumous script, Ring of Truth , written during

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