Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States . The genre derives its name from the band Bill Monroe and the Blue Grass Boys . Like mainstream country music , it largely developed out of old-time music , though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes , as well as incorporating blues and jazz . It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt . Bill Monroe once described bluegrass music as, "It's a part of Methodist , Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
50-574: Blue Highway is an American contemporary bluegrass band formed in 1994 and based in Tennessee . The band's albums include Wondrous Love (2003), Marbletown (2005), and Original Traditional (2016). After helping found the band Dusty Miller, which was the 1990 SPBGMA International Bluegrass Band champion, and being a member (1990–92) of Alison Krauss & Union Station , Kingsport, Tennessee native Tim Stafford helped organize Blue Highway with Wayne Taylor in 1994. The group's first project, It's
100-576: A 21-year run with the band he announced his departure on November 18, 2015. Ickes was replaced by resonator guitarist and Virginia native, Gaven Largent. Vocalist, fiddler, and mandolin player Shawn Lane joined the group as a founding member after cutting "his musical teeth" in the bands of Ricky Skaggs and Doyle Lawson . Lane's songs have also been recorded by Ricky Skaggs, Ronnie Bowman , Mountain Heart , Blue Ridge, and other groups. Lead singer Wayne Taylor, who plays bass, hails from Southwest Virginia and
150-558: A Long, Long Road , "spent six months at the top of the Bluegrass Unlimited charts and won IBMA's Album of the Year Award (1996)." Jason Burleson, the original banjo player with the group and a multi-instrumentalist, is a native of Newland, North Carolina ., Rob Ickes, a Northern California native, moved to Nashville in 1992 and joined as a founding member in 1994. Ickes has won numerous awards for his playing, and after
200-553: A distinct musical form developed from elements of old-time music and traditional music in the Appalachian region of the United States . The Appalachian region was where many Scottish American immigrants settled, bringing with them the musical traditions of their homelands. Hence the sounds of jigs and reels , especially as played on the fiddle, were innate to the developing style. Black musicians, meanwhile, brought
250-647: A fiddle. Many older bluegrass songs come directly from the British Isles . Several Appalachian bluegrass ballads, such as " Pretty Saro ", " Pretty Polly ", " Cuckoo Bird ", and " House Carpenter ", come from England and preserve the English ballad tradition both melodically and lyrically. Some bluegrass fiddle songs popular in Appalachia, such as "Leather Britches" and "Soldier's Joy", have Scottish roots. The dance tune " Cumberland Gap " may be derived from
300-413: A genre within the post-war country/western-music industry, a period of time characterized now as the golden era or wellspring of "traditional bluegrass". From its earliest days, bluegrass has been recorded and performed by professional and amateur musicians alike. Although amateur bluegrass musicians and trends such as "parking-lot picking" are too important to be ignored, it is touring musicians who have set
350-485: A solo on top of the guitar during breaks , guitarists may also provide these solos on occasion. The instrument originates from eighteenth century Spain, but there were no American-made models until the C.F. Martin Company started to manufacture them in the 1830s. The guitar is now most commonly played with a style referred to as flatpicking , unlike the style of early bluegrass guitarists such as Lester Flatt , who used
400-412: A thumb pick and finger pick . Bassists almost always play pizzicato , occasionally adopting the "slap-style" to accentuate the beat. A bluegrass bass line is generally a rhythmic alternation between the root and fifth of each chord , with occasional walking bass excursions. Instrumentation has been a continuing topic of debate. Traditional bluegrass performers believe the "correct" instrumentation
450-466: A worldwide audience as a result of its frequent use in the movie "Bonnie and Clyde". But the functionally similar old-time music genre was long-established and widely recorded in the period of the film's events and later CD was released. Ralph Stanley commented about the origins of the genre and its name. Oh, (Monroe) was the first. But it wasn't called bluegrass back then. It was just called old-time mountain hillbilly music. When they started doing
500-662: Is a common name given in America for the grass of the Poa genus, the most famous being Kentucky bluegrass . A large region in central Kentucky is sometimes called the Bluegrass region (although this region is west of the hills of Kentucky). Exactly when the word "bluegrass" was adopted is not certain, but is believed to be in the late 1950s. It was derived from the name of the seminal Blue Grass Boys band, formed in 1939 with Bill Monroe as its leader. Due to this lineage, Bill Monroe
550-471: Is also a founding member of the group. Grammy nominations International Bluegrass Music Association Awards Society for the Preservation of Bluegrass Music of America Awards Dove Award Bluegrass music Bluegrass features acoustic stringed instruments and emphasizes the off-beat . The off-beat can be "driven" (played close to the previous bass note) or "swung" (played farther from
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#1732772794557600-706: Is frequently referred to as the "father of bluegrass". The bluegrass style of music dates from the mid-1940s. In 1948, the Stanley Brothers recorded the traditional song " Molly and Tenbrooks " in the Blue Grass Boys' style, arguably the point in time that bluegrass emerged as a distinct musical form. Monroe's 1946 to 1948 band, which featured guitarist Lester Flatt , banjoist Earl Scruggs , fiddler Chubby Wise and bassist Howard Watts (also known as "Cedric Rainwater") – sometimes called "the original bluegrass band" – created
650-437: Is generally syncopated , and may have a subtle swing or shuffle feel, especially on mid-tempo numbers. The result is lively, rapid music, which lends itself both as an accompaniment to other instruments and as a solo. "Scruggs-style back-up is effective for any...break when it is played with the deeper tones of the banjo... However, it is particularly effective [with]...fiddle, mandolin, and vocal breaks. The deeper tones of
700-451: Is in contrast to old-time music , where all instrumentalists play the melody together, or one instrument carries the lead throughout while the others provide accompaniment. Breakdowns are often characterized by rapid tempos and unusual instrumental dexterity, and sometimes by complex chord changes . The violin (also known as the fiddle ), five-string banjo , guitar , mandolin , and upright bass ( string bass ) are often joined by
750-450: Is played with picks on the thumb, index, and middle fingers; the pinky and ring fingers are typically braced against the head (top) of the instrument. The strings are picked rapidly in repetitive sequences or rolls ; the same string is not typically picked twice in succession. Melody notes are interspersed among arpeggios , and musical phrases typically contain long series of staccato notes, often played at very rapid tempos . The music
800-467: Is that used by Bill Monroe's band, the Blue Grass Boys (guitar, mandolin, fiddle, banjo, and bass). Departures from the traditional instrumentation have included dobro, accordion , harmonica , piano , autoharp , drums , electric guitar , and electric versions of other common bluegrass instruments, resulting in what has been referred to as "new grass." Despite this debate, even Monroe himself
850-535: Is the most common style of playing the banjo in bluegrass music . It is a fingerpicking method, also known as three-finger style . It is named after Earl Scruggs , whose innovative approach and technical mastery of the instrument have influenced generations of bluegrass banjoists ever since he was first recorded in 1946. It contrasts with earlier styles such as minstrel, classic , or parlor style (a late 19th-century finger-style played without picks), clawhammer /frailing/two-finger style (played with thumb and nail of
900-933: The Telluride Bluegrass Festival , RockyGrass in Lyons, Colorado, and MerleFest in Wilkesboro, North Carolina began to attract acts from outside the bluegrass tradition, merging the bluegrass community with other popular music scenes across America. Following the death of Jerry Garcia , who began his career playing bluegrass, and the dissolution of the Grateful Dead , the blossoming " jam band " scene that followed in their wake embraced and included many groups that performed progressive bluegrass styles that included extended, exploratory musical improvisation , often called "jamgrass." This style began to define many such acts whose popularity has grown into
950-426: The key of G , and a I-IV-V chord pattern is common. In traditional bluegrass, instrumental breaks are typically short and played between sections of a song, conventionally originating as a variation on the song's melody. Also common are breakdowns, an instrumental form that features a series of breaks, each played by a different instrument. Particularly since the 1990s, a number of younger groups have attempted to revive
1000-541: The resonator guitar (also referred to as a Dobro ) and (occasionally) harmonica or Jew's harp . This instrumentation originated in rural dance bands and is the basis on which the earliest bluegrass bands were formed. The fiddle, made by Italians and first used in sixteenth century Europe, was one of the first instruments to be brought into America. It became popular due to its small size and versatility. Fiddles are also used in country , classical , cajun , and old time music. Banjos were brought to America through
1050-450: The "Scruggs style" was actually "invented" (instead of merely popularized) by Scruggs. For example, Scruggs names Snuffy Jenkins as a major influence. Either way, no one doubts that Scruggs did more to popularize the elements of his eponymous style than any of his contemporaries; it is hard to overstate his influence. In 1968, the instructional manual Earl Scruggs and the 5-String Banjo (revised in 2005 under ISBN 0-634-06042-2 )
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#17327727945571100-484: The 1930s and mid-1940s. However, the term "bluegrass" did not appear formally to describe the music until the late 1950s and did not appear in Music Index until 1965. The first entry in Music Index mentioning "bluegrass music" directed the reader to "see Country Music; Hillbilly Music". Music Index maintained this listing for bluegrass music until 1986. The first time bluegrass music had its own entries in Music Index
1150-748: The 21st century, such as Leftover Salmon , The String Cheese Incident , Yonder Mountain String Band , The Infamous Stringdusters , Railroad Earth , Greensky Bluegrass and Billy Strings . In recent years, groups like the Punch Brothers , the Jon Stickley Trio and Nickel Creek have developed a new form of progressive bluegrass which includes highly arranged pieces resembling contemporary classical music played on bluegrass instruments. These bands feature complicated rhythms, chord schemes, and harmonics combined with improvised solos. At
1200-544: The African slave trade. They began receiving attention from white Americans when minstrel shows incorporated the banjo as part of their acts. The " clawhammer ", or two finger style playing, was popular before the Civil War. Now, however, banjo players use mainly the three-finger picking style made popular by banjoists such as Earl Scruggs . Guitars are used primarily for rhythmic purposes. Other instruments may provide
1250-630: The banjo counter-balance the higher pitched tones of the fiddle and mandolin, and the activity of the roll patterns creates a counter-melody which enhances the effectiveness of the melody." Beginning with his first recordings with Bill Monroe and His Blue Grass Boys, and later with Lester Flatt, Earl Scruggs and the Foggy Mountain Boys , Earl Scruggs introduced a vocabulary of " licks ", short musical phrases that are reused in many different songs. Because these licks were widely copied (with variations) by later players, they have become one of
1300-523: The baritone part sung in the normal range of that voice; E.P. Tullock [aka Cousin Jake] normally providing the part, though at times it was handled by Curly Seckler). Bluegrass tunes often take the form of narratives on the everyday lives of the people whence the music came. Aside from laments about loves lost, interpersonal tensions and unwanted changes to the region (e.g., the visible effects of mountaintop coal mining ), bluegrass vocals frequently reference
1350-412: The bluegrass festivals in 1965, everybody got together and wanted to know what to call the show, y'know. It was decided that since Bill was the oldest man, and was from the bluegrass state of Kentucky and he had the Blue Grass Boys, it would be called 'bluegrass.' Traditional bluegrass emphasizes the traditional elements and form of the genre as laid out by Bill Monroe and his Blue Grass Boys band in
1400-587: The borders of the United States and become an internationally appreciated art form. Bluegrass associations now exist worldwide. One such association, the International Bluegrass Music Association (IBMA) was formed in 1985 and presents annual awards. In 2012, the critically acclaimed Dutch -language Belgian film, The Broken Circle Breakdown , featured Flemish musicians performing Bluegrass music central to
1450-421: The defining attributes of the style, and give it its characteristic sound. These licks often contain fretting-hand embellishments such as slides , chokes ( bends ), hammer-ons , or plucking the strings with the fretting hand (left hand pizzicato ), which add to the harmonic and rhythmic complexity. Many licks also make use of blue notes , giving the music a bluesier feel. Some have debated how much of
1500-460: The definitive sound and instrumental configuration that remains a model to this day. By some arguments, while the Blue Grass Boys were the only band playing this music, it was just their unique sound; it could not be considered a musical style until other bands began performing in a similar fashion. In 1967, the banjo instrumental " Foggy Mountain Breakdown " by Flatt and Scruggs was introduced to
1550-549: The direction of the style. Radio stations dedicated to bluegrass have also proved influential in advancing the evolution of the style into distinctive subgenres. Bluegrass was initially included in the category of folk music and later changed to hillbilly . In 1948, bluegrass was placed under the country and western heading for radio airplay charting. All four of the seminal bluegrass authors - Artis, Price, Cantwell, and Rosenberg - described bluegrass music in detail as originating in style and form, in one form or another, between
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1600-659: The exposure traditional bluegrass received alongside mainstream country music on radio and televised programs such as the Grand Ole Opry , a wave of young and not exclusively Southern musicians began replicating the genre's format on college campuses and in coffeehouses amidst the American folk music revival of the early 1960s. These artists often incorporated songs, elements and instruments from other popular genres, particularly rock and roll. Banjoist Earl Scruggs of Flatt and Scruggs had shown progressive tendencies since
1650-462: The first or middle finger), jazz styles played with a plectrum , and more modern styles such as Keith /melodic/chromatic/arpa style and single-string/Reno style. The influence of Scruggs is so pervasive that even bluegrass players such as Bill Keith and Don Reno , who are credited with developing these latter styles, typically work out of the Scruggs style much of the time. Scruggs-style banjo
1700-401: The group's breakup in 1969. New Grass Revival began utilizing electric instrumentation alongside songs imported from other genres to great popularity in the 1970s and 1980s, and the term "newgrass" became synonymous with "progressive bluegrass". It continued to evolve though the '80s and '90s, moving closer to folk and rock in some quarters and closer to jazz in others, while festivals such as
1750-432: The group's earliest days, incorporating jazz-inspired banjo and bass duets and complex chord progressions that extended the genre's original rigid, conservative structure. In the late 1960s, Scruggs experimented on duets with saxophonist King Curtis and added songs by the likes of counterculture icon Bob Dylan to the group's repertoire, while bandmate Lester Flatt , a traditionalist , opposed these changes, resulting in
1800-522: The hardscrabble existence of living in Appalachia and other rural areas with modest financial resources. Some protest music has been composed in the bluegrass style, especially concerning the vicissitudes of the Appalachian coal mining industry . Railroading has also been a popular theme, with ballads such as " Wreck of the Old 97 " and "Nine Pound Hammer" (from the legend of John Henry ). Bluegrass as
1850-480: The high baritone above Ralph Stanley's tenor, both parts above Carter's lead vocal. This trio vocal arrangement was variously used by other groups as well; even Bill Monroe employed it in his 1950 recording of "When the Golden Leaves Begin to Fall'. In the 1960s, Flatt and Scruggs often added a fifth part to the traditional quartet parts on gospel songs, the extra part being a high baritone (doubling
1900-563: The iconic banjo to Appalachia. Much later, in 1945, Earl Scruggs would develop a three-finger roll on the instrument which allowed a rapid-fire cascade of notes that could keep up with the driving tempo of the new bluegrass sound. Settlers from Britain and Ireland arrived in Appalachia during the 18th century and brought with them the musical traditions of their homelands. These traditions consisted primarily of English and Scottish ballads —which were essentially unaccompanied narrative—and dance music, such as reels , which were accompanied by
1950-475: The late 1940s. Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, exclusively on acoustic instruments , though it is common practice to amplify acoustic instruments during stage performances before larger audiences. In most traditional bluegrass bands, the guitar rarely takes the lead, instead acting as a rhythm instrument, one notable exception being gospel-based songs . Melodies and lyrics tend to be simple, often in
2000-418: The ordering and layering of vocal harmony is called the "stack". A standard stack has a baritone voice at the bottom, the lead in the middle (singing the main melody) and a tenor at the top, although stacks can be altered, especially where a female voice is included. Alison Krauss and Union Station provide a good example of a different harmony stack with a baritone and tenor with a high lead, an octave above
2050-405: The previous bass note). Notes are anticipated, in contrast to laid-back blues where notes are behind the beat; this creates the higher energy characteristic of bluegrass. In bluegrass, as in most forms of jazz, one or more instrumentalists take a turn playing the melody and improvising around it, while the others perform accompaniment ; this is especially typified in tunes called breakdowns . This
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2100-518: The same time, several popular indie folk and folk rock bands such as the Avett Brothers , Mumford & Sons and Trampled by Turtles have incorporated rhythmic elements and instrumentation from the bluegrass tradition into their popular music arrangements, as has the Branson -based band The Petersens . While originating in the United States, Bluegrass as a genre has expanded beyond
2150-515: The sound and structure of traditional bluegrass, a trend that has been dubbed neo-traditional bluegrass. The group The Country Gentlemen is credited with starting the progressive bluegrass movement with their 1960 album Country Songs, Old and New , combining traditional ballads such as "The Little Sparrow," "Weeping Willow" and "Ellen Smith" with traditional bluegrass instrumentation and "bouncy" mandolin and banjo parts distinct from those of traditional players such as Monroe and Scruggs. Due to
2200-524: The standard melody line, sung by the female vocalist. However, by employing variants to the standard trio vocal arrangement, they were simply following a pattern existing since the early days of the genre. Both the Stanley Brothers and the Osborne Brothers employed the use of a high lead with the tenor and baritone below it. The Stanleys used this technique numerous times in their recordings for both Mercury and King records. This particular stack
2250-650: The story. International bluegrass groups include Hayde Bluegrass Orchestra and Ila Auto from Norway ; Rautakoura and Steve 'n' Seagulls from Finland ; Druhá Tráva and Poutníci from the Czech Republic (home of the subgenre, Czech bluegrass ); Hutong Yellow Weasels and The Randy Abel Stable from China ; Heartbreak Hill and Foggy Hogtown Boys from Canada ; the U.K. 's The Beef Seeds , Southern Tenant Folk Union , and Police Dog Hogan ; and Australia 's Flying Emus , Mustered Courage , and Rank Strangers . Scruggs style Scruggs style
2300-475: The tune that accompanies the Scottish ballad " Bonnie George Campbell ". The music now known as bluegrass was frequently used to accompany a rural dancing style known as buckdancing , flatfooting , or clogging . As the bluegrass sound spread to urban areas, listening to it for its own sake increased, especially after the advent of audio recording . In 1948, what would come to be known as bluegrass emerged as
2350-604: Was in 1987. The topical and narrative themes of many bluegrass songs are highly reminiscent of folk music. Many songs that are widely considered to be bluegrass are in reality older works legitimately classified as folk or old-time music that are performed in the bluegrass style. The interplay between bluegrass and folk forms has been academically studied. Folklorist Neil Rosenberg, for example, shows that most devoted bluegrass fans and musicians are familiar with traditional folk songs and old-time music and that these songs are often played at shows, festivals, and jams . "Bluegrass"
2400-407: Was known to experiment with instrumentation; he once even used a string orchestra, choir, and pre-recorded bird-song track. Apart from specific instrumentation, a distinguishing characteristic of bluegrass is vocal harmony featuring two, three, or four parts, often with a dissonant or modal sound in the highest voice (see modal frame ), a style described as the "high, lonesome sound." Commonly,
2450-682: Was most famously employed by the Osborne Brothers who first employed it during their time with MGM records in the latter half of the 1950s. This vocal arrangement would become the trademark of the Osbornes' sound with Bobby's high, clear voice at the top of the vocal stack. Additionally, the Stanley Brothers also utilized a high baritone part on several of their trios recorded for Columbia records during their time with that label (1949–1952). Mandolin player Pee Wee Lambert sang
2500-404: Was published. This made Scruggs' technique more widely accessible, and as one of the earliest books of its kind for bluegrass banjo, helped spread Scruggs' influence considerably. The style was also popularized by Scruggs' recording of the theme song of the television program The Beverly Hillbillies (1962–1971), " The Ballad of Jed Clampett ", as well as the use of " Foggy Mountain Breakdown " in
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