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76-565: Brighton Fringe is an open-access arts festival held annually in Brighton , England. It is the largest annual arts festival in England and one of the largest fringe festivals in the world. The programme of 2018 included 1008 events at over 166 venues across 4 weeks, in May and June. Brighton Fringe runs at a similar time to Brighton Festival , and in 2013 extended its run to four weeks. One of

152-500: A 700-seat marquee auditorium, which hosted, among other things, opera, even though the organisers had been told it was no such place for the artform. The venue also took over the nearby Heriot-Watt Students' Association and the Little Lyceum. In total, it hosted 38 companies. The next year it became a "tented village", with several smaller tents. Malcolm Hardee made his debut here as part of The Greatest Show On Legs . In 1982

228-684: A centenary play The Legend and True History of Aubrey Beardsley, with Christopher Pope as Beardsley, which went to the Edinburgh Fringe. The Fringe established itself as a limited company and registered charity in October 2006, with its own board of directors and complete financial independence from the Festival. In 2012 it rebranded itself as Brighton Fringe. In this period of time the organisation more than doubled in size, increasing from 323 shows in 2007 to 719 in 2012, bringing visitors into

304-480: A chance to get notable recognition among fellow film enthusiasts. Films can include international and domestic releases and can even be on a specific film-maker, genre or subject matter. Film festivals are typically annual events and can feature full-length or short films. One of the most notable Film Festivals is the Sundance Film Festival , which originated from Salt Lake City in 1984 as part of

380-546: A comedy venue in the former J. & R. Allan's department store on Cowgate . A 3am late licence made it a home for late-night socialising for comedians, and the raucous late-night show Late 'n' Live was started there. In 1988, the Society moved from 170 High Street to expanded headquarters at 158–166 High Street on the Royal Mile , with an extension leading back towards the former Wireworks Building. The basement became

456-564: A feeling that "smaller venues may lose out, but this case may be overstated... The episode of the super-venues, the Assembly Rooms in particular, has some way to go yet". Student shows continued to thrive with the National Student Theatre Company, National Youth Music Theatre, Cambridge Mummers, Oxford Theatre Group and Bradford University producing well-received new work. Among professional companies,

532-410: A flood of paintings were for sale, this reduced artists to near impoverishment. Therefore, as a result, this called for an attempt to replace the old system of the arts with a new one. This gave rise to festivals that were used not only as an artistic outlet, but also for political protest against the old government system. These festivals often included religious symbolism, political messages and embodied

608-457: A high level of learning. Every year Brighton Fringe hand out awards in the various categories to the best events and companies participating in the Fringe. Furthermore, Brighton Fringe works closely together with local and national organisations and companies to put together a number of bursaries and funding opportunities for Brighton Fringe participants. Arts festival An arts festival

684-469: A lack of venues, but just as that limit seemed to be being reached, groups began to find more efficient ways of sharing spaces. Venues could be fully utilised from 10am to 2am, with up to seven different groups throughout the day. The sharing led to the rise of bigger, more centralised venues. Rents increased too, with a venue like Heriot-Watt Students' Union doubling their rent in three years. In 1986, promoter Karen Koren established The Gilded Balloon as

760-445: A month. Each event within the program is usually separate. Arts festivals are largely curated by an artistic director who handles the organizations' artistic direction and can encompass different genres, including fringe theater festivals that are open access, making arts festivals distinctive from greenfield festivals, which typically are weekend camping festivals such as Glastonbury , and Visual Arts Festivals, which concentrate on

836-408: A number of locations around the city. The internet began to have an impact in 2000 with the launch of the Fringe's official website, which sold more than half a million tickets online by 2005. The following year, a Half Price Ticket Tent, run in association with Metro newspaper, started offering special ticket prices for different shows each day. This sold 45,000 tickets in its first year. In 2008,

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912-426: A part-time basis, but it became clear after a few weeks that the role would have to be permanent. Milligan was responsible for a number of innovations which remain in place today, such as the numbering system for venues and the Fringe map in the brochure, and he was also credited with establishing the co-operative spirit of the Fringe. He left in 1976. Between 1976 and 1981, under the direction of Alistair Moffat ,

988-414: A resistance project. It shows the use of art and research as a community dialogue to reflect on the lived experience of homeless people under austerity. A venue for Brighton Fringe can be anything; from a large concert hall or theatre to a private house, a park, or on one occasion, a bath. With the increase of large high-profile venues, some commentators have suggested that Brighton Fringe may be reaching

1064-442: A return to pre-pandemic levels, with 3,334 shows. Fifty were livestreamed, by NextUp Comedy , for the first time ever since the founding of The Fringe, in an effort to stay true to The Fringe Society's 2022 vision of equality and inclusiveness. The 2025 festival is scheduled from August 1 to 25. The Fringe started life when eight theatre companies turned up uninvited to the inaugural Edinburgh International Festival in 1947. With

1140-536: A review of Everyman in 1947, when a critic remarked it was a shame the show was so far out "on the fringe of the Festival". In 1950, it was still being referred to in similar terms, with a small 'f': On the fringe of the official Festival there are many praiseworthy "extras," including presentations by the Scottish Community Drama Association and Edinburgh University Dramatic Society – Dundee Courier , 24 August 1950 Since it

1216-662: A similar profile as the Edinburgh Fringe. In a similar vein to the use of the Royal Mile at the Edinburgh Festival Fringe , "Fringe City", a free event taking place in the New Road, Pavilion Gardens and Jubilee Street area of Brighton, was first introduced in 2007. By 2008, it was taking place every Saturday of May, and provides a showcase for any of the performers from the Fringe. In 2015, Fringe City saw audiences of 75,000, and in 2016, Fringe City saw audiences of 100.000, and takes place every weekend throughout

1292-744: A specific theme. They are often held in a particular location over set dates. In contrast to literary festivals, poetry festivals put poetry centre stage. Poetry Festivals are typically annual events. Festivals established for more than 10 years in the UK include the festivals at Aldeburgh, Ledbury and Torbay, and the Stanza Poetry festival in Scotland. In India, a number of popular poetry festivals and in Northeast India, Guwahati Grand Poetry festival and Assam Arts Biennale, which began in 2018, are

1368-572: A type of arts festival, often focusing on many arts but sometimes focusing on a specific art such as theater more than others. Some subgenres of an arts festival include art fairs, theater festivals, dance festivals, film festivals, music festivals (pop festivals) and more. An art fair is a subgenre of arts festival that focuses on visual art specifically, or specific fields of visual art such as new media art festivals . Other subgenres of art festivals are termed photography festivals or street art festivals , for example. Typically, an art fair has

1444-419: A vast free showcase of events held on The Meadows – was cancelled when a sponsor could not be secured. The "Big Four" venues - Assembly , Gilded Balloon , The Pleasance and Underbelly - also decided to market themselves as Edinburgh Comedy Festival , which drew criticism from some quarters. After an interim period, during which Tim Hawkins, formerly general manager of Brighton Komedia took charge,

1520-440: A wide range of artists, art dealers, collectors, and curators who buy or sell artwork in a venue, or gallery, that is open to the public. Some items for sale include photography, paintings, drawings, metalwork, handcrafted items and pottery. Festivals of visual arts are also not to be confused with commercial art fairs . Artists participate in the most important of such festival exhibitions by invitation, and these exhibitions (e.g.

1596-747: A year, in August, and board members serve a term of four years. The Board appoints the Fringe Society's Chief Executive (formerly known as the Fringe Administrator or Director). The Chief Executive operates under the chair. Phoebe Waller-Bridge , whose show Fleabag was performed at the Fringe in 2013 before it was adapted for television, was named the first-ever President of the Edinburgh Festival Fringe Society in 2021. The planned 2020 Fringe Festival

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1672-588: Is Amy Keogh and the Chair of Trustees is Duncan Lustig-Prean In 2020, Brighton Fringe was scheduled to run from 1 May until the 31 May; however due to the COVID-19 pandemic , the festival was rescheduled for an unconfirmed date in September or October 2020. Brighton Fringe is an open-access mixed arts event, which means it does not book performers, but is approached by people wishing to put events on and be part of

1748-406: Is a festival that can encompass a wide range of art forms including music, dance, film, fine art, literature, poetry and is not solely focused on visual arts. Arts festivals may feature a mixed program that include music, literature, comedy, children's entertainment, science, or street theatre, and are typically presented in venues over a period of time ranging from as short as a day or a weekend to

1824-433: Is a registered charity but does not rely on public funding, in fact, less than 3% of its income is generated from public sources. The other sources of revenue include participants’ registration fees, advertising, sponsorship and Friends memberships. Fringe activity has run alongside Brighton Festival since its creation in 1967. In 1972 Sussex University student Titus Alexander set up a society to stage fringe events, including

1900-472: Is at the Fringe Shop on the Royal Mile , and in August they also manage Fringe Central, a separate collection of spaces dedicated to providing support for Fringe participants during their time at the festival. The Fringe board of directors is drawn from members of the Edinburgh Festival Fringe Society, many of whom are Fringe participants themselves – performers or venue operators. Elections are held once

1976-931: Is the Brighton Festival Fringe . Leading arts festivals include the Edinburgh Festival in Edinburgh , Adelaide Festival of Arts in Adelaide , the Biennale of Sydney , Festival d'Avignon in Avignon , France, and Tongyeong International Music Festival in Tongyeong , Korea and Sanskruti Arts Festival, Upvan, India. One-off arts festivals have included the Liverpool08 European Capital of Culture in 2008. In

2052-608: Is the largest section, making up over one-third of the programme, and the one that in modern times has the highest public profile, due in part to the Edinburgh Comedy Awards . The Festival is supported by the Edinburgh Festival Fringe Society , which publishes the programme, sells tickets to all events from a central physical box office and website, and offers year-round advice and support to performers. The Society's permanent location

2128-462: The 2012 Cultural Olympiad , Brighton Fringe introduced the Dip Your Toe project in 2012, which featured performances in six custom-built Victorian bathing machines , which were located throughout Brighton and Hove during the month of May. In 2014, the organisation launched an Arts Council England supported scheme called "Window" which showcases productions suitable for touring. Brighton Fringe

2204-687: The Actors Touring Company , it had operated in the south side of the city in 1980 and 1981, but in 1982 expanded into a piece of empty ground popularly known as "The Hole in The Ground" near the Usher Hall. This was once the site of a church building ( Poole 's Synod Hall), which was converted to a cinema, and where the Saltire complex was subsequently built in the early 1990s. The new Traverse Theatre opened here in 1993. It had

2280-614: The Almeida Theatre , ATC, Cheek By Jowl , Cherub, Cliff Hanger, Entertainment Machine, Hull Truck , Kick Theatre, Lumiere and Son, Medieval Players and Trickster were regulars. In 1983, the Fringe joined with the International Festival, Edinburgh Tattoo and the Film Festival to promote Edinburgh as 'The Festival City' for the first time. Moffatt believed the growth of the Fringe would stop due to

2356-670: The Assembly Theatre in the empty Georgian building Assembly Rooms on George Street (formerly the EIF Festival Club), the investment in staging, lighting and sound meant that the original amateur or student theatricals were left behind. In the same year, the YMCA in South St Andrew Street, which had been an important venue since the early days, closed. However, the subsequent rise in prominence of

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2432-596: The Edinburgh International Festival and the Fringe during August. It set a standard to which other companies on the Fringe aspired. The Traverse is occasionally referred to as "The Fringe venue that got away", reflecting its current status as a permanent and integral part of the Edinburgh arts scene. The Pleasance , a venue since the first year of the Fringe, was also important in setting the artistic tone. Christopher Richardson, founder of

2508-577: The Olympics and the World Cup in terms of global ticketed events. It is an open-access (or " unjuried ") performing arts festival, meaning that there is no selection committee, and anyone may participate, with any type of performance. The official Fringe Programme categorises shows into sections for theatre, comedy, dance, physical theatre , circus , cabaret , children's shows, musicals , opera, music, spoken word , exhibitions, and events. Comedy

2584-477: The Pleasance Theatre Trust , became a major Fringe figure. John Cairney is credited with pioneering the one-man Fringe show with his show based on Robert Burns , There Was A Man , in 1965, although Elspeth Douglas Reid had done her One Woman Theatre as early as 1955. American Nancy Cole played Gertrude Stein in 1969 and continued to do so until 1985. Over the first two decades of

2660-559: The Venice Biennale ) are organised by internationally recognized curators chosen by a committee of peers. Conversely art fairs are market-oriented shows where art dealers exhibit and sell the work of the artists they represent. The first drama festival was in 543BC, at the Athenian Great Dionysia. At the drama festivals, playwrights and poets competed to have their plays performed, and the actors competed to win

2736-635: The Assembly Rooms meant there was now a balance in the Fringe between the Old Town and the New Town, with Princes Street in the middle. Fringe Sunday started in the High Street in 1981 and moved, through pressure of popularity, to Holyrood Park in 1983. Fringe Sunday was held on the second Sunday of the Fringe when companies performed for free. Having outgrown even Holyrood Park, this showcase took place on The Meadows and continued until 2008. 1981

2812-573: The Fringe Club (variously in the High Street from 1971 and at Teviot Row House from 1981) provided nightly showcases of Fringe fare to allow audiences to sample shows. In its earlier years the club also provided a significant space for after-hours socialising at a time when Edinburgh's strict licensing laws meant a 10pm pub closing time. For a time, the main ticket office was in the University Chaplaincy Centre, and then in

2888-456: The Fringe faced its biggest crisis so far when the computerised ticketing system failed. The events surrounding the failed box office software led to the resignation of Fringe Director Jon Morgan after only one full year in post. The resultant financial loss suffered by the Fringe Society was estimated at £300,000, which it was forced to meet from its reserves, although other sources report this at £900,000. These events attracted much comment from

2964-423: The Fringe head's basic administrative function. A report into the failure was commissioned from accountancy firm Scott-Moncrieff. Several venues now use their own ticketing systems; this is partly due to issues of commissions and how ticket revenue is distributed, but was reinforced by this 2008 failure of the main box office. The same year, other incidents conspired to add to the negative publicity. Fringe Sunday –

3040-464: The Fringe in the late 1970s and some successful Fringe performers transferred to perform works at the Festival. These included Richard Crane and Faynia Williams, who in 1981 produced a sell-out version of The Brothers Karamazov for the Festival, after having been successful in the Fringe during the '70s. The early 1980s saw the arrival of the "super-venue" – locations that contained multiple performing spaces. By 1981 when William Burdett-Coutts set up

3116-399: The Fringe on merit given the Society's position of neutrality. Increasing show numbers was therefore a way of attracting more attention. At this point, the Fringe operated on only two full-time members of staff. In 1977, the office moved to a converted shop and basement at 170 High Street. The International Festival, now under the direction of John Drummond, became more accommodating towards

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3192-436: The Fringe, each performing group used its own performing space, or venue. However, by the late 1960s, the concept of sharing a venue became popular, principally as a means of cutting costs. It soon became common for halls to host up to six or seven different shows per day. The obvious next step was to partition a venue into two or more performing spaces; the majority of today's major venues fit into this category. For many years,

3268-413: The Fringe. Participants can vary from the complete beginner to the hardened professional show, and everything in between. Therefore, anyone can put an event on as part of Brighton Fringe. For example, in May 2019 - Unframed Lives was a photographic exhibition, panel event and installation for Brighton Fringe . It’s a creative collaboration between people who have experienced homelessness under austerity as

3344-423: The International Festival programme. The YMCA became established as the first central Fringe ticket office. Not long afterwards came the first complaints that the Fringe had become too big. Director Gerard Slevin claimed in 1961 that "it would be much better if only ten halls were licensed". In the 1960s and 1970s, the Fringe began to establish its reputation for size and variety and the tension between it and

3420-622: The International Festival using the city's major venues, these companies took over smaller, alternative venues for their productions. Seven performed in Edinburgh, and one undertook a version of the medieval morality play " Everyman " in Dunfermline Abbey , about 20 miles north, across the River Forth in Fife. These groups aimed to take advantage of the large assembled theatre crowds to showcase their own alternative theatre. Although at

3496-725: The Professional Development Programme, aimed at offering workshops to aspiring performers wanting to progress in the business. In 2012, Brighton Fringe opened its own on-street box office, which provided a physical base for the arts event, selling tickets as well as being a hub for promoters and performers. They also launched "Brighton in the Square", a showcase of Brighton Fringe performers at the Leicester Square Theatre in London. As part of

3572-653: The Royal Mile Centre on the High Street. Although the Fringe was now associated with the High Street, areas like the New Town , West End and Morningside were also prominent in this period. Problems then began to arise as the Fringe became too big for students and volunteers to deal with. Eventually in 1969, the Fringe Society became a constituted body, and in 1970 it employed its first administrator, John Milligan. He started work in January 1971, originally on

3648-664: The Sundance Institute organization and was founded by Robert Redford. To this date, it is one of the largest independent cinema festivals in the United States. Poetry festivals are organized events staged by poetry and literature groups, local arts associations, private organizations and others that showcase contemporary poetry and provide a chance for poets to meet each other, celebrate poetry, critique each other's work and debate poetic issues. Poets can include international, national and local writers, and can include

3724-465: The UK and world media. More debts emerged as the year went on, and an independent report criticised the Board and the current and previous Fringe Directors for a failure of management and an inability to provide the basic service. The Board eventually decided that the post of "Director" (instituted in 1992 in lieu of "Fringe Administrator") would be abolished and replaced by a Chief Executive, to reinforce

3800-545: The city and boosting tourism and local businesses. The programme of 2018 included two new seasons. The Freedom Season – a programme of events that are accessible to a range of audiences with access needs, including those with physical and invisible disabilities, and the Finnish Season. Furthermore, 2018 also saw the return of the Dutch Season and the return of late-night Fringe City. The Acting Managing Director

3876-547: The early 1950s. The first one was the New Drama Group's After The Show , a series of sketches taking place after Donald Pleasence 's Ebb Tide , in 1952. Among the talent to appear in early Fringe revues were Ned Sherrin in 1955, and Ken Loach and Dudley Moore with the Oxford Theatre Group in 1958. Due to many reviewers only being able to attend Fringe events late night after the official festival

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3952-404: The enterprise lost £28,000, and in 1983 there were further criticisms related to over-charging, over-crowding and inadequate facilities. The Circuit was not repeated, but it had demonstrated the potential for temporary venues at the Fringe, which are now a familiar sight. Even with the rise of super venues, there was still theatre done on a shoestring, but several cultural entrepreneurs had raised

4028-517: The established Edinburgh Book Festival and Fringe manager Kath Mainland was appointed in February 2009 to stabilise the situation, becoming the Fringe's first Chief Executive. Comedy finally surpassed theatre as the biggest section of the programme in 2008, with 660 comedy entries to 599. In 2009, theSpaceUK launched their multi-space complex at the Royal College of Surgeons . In 2011,

4104-452: The event's main objectives is to promote local talent and the arts. It also offers performers an opportunity for their event to be reviewed or picked up by promoters, as well as going on to Edinburgh. This is why anyone can put on a Brighton Fringe event. Open access means that Brighton Fringe does not curate works which are performed. Anyone can register as a performer and negotiate with a Fringe affiliated venue. In 2011 Brighton Fringe launched

4180-404: The festival, alongside Family Picnic events on some weekends. Fringe Academy is a year-round programme of more than fifty free workshops providing skills-basked training, advice and support for individuals looking to expand their knowledge and understanding of the arts. Brighton Fringe brings thereby a host of experts from Brighton University and Arts Council England for instance, which secures

4256-652: The first of its kind in the region. Edinburgh Festival Fringe The Edinburgh Festival Fringe (also referred to as the Edinburgh Fringe , the Fringe or the Edinburgh Fringe Festival ) is the world's largest performance arts festival, which in 2024 spanned 25 days, sold more than 2.6 million tickets and featured more than 51,446 scheduled performances of 3,746 different shows across 262 venues from 60 different countries. Of those shows,

4332-567: The formation of the Festival Fringe Society. The push for such an organisation was led by Michael Imison , director of Oxford Theatre Group. A constitution was drawn up, in which the policy of not vetting or censoring shows was set out, and the Society produced the first guide to Fringe shows. Nineteen companies participated in the Fringe in that year. By that time it provided a "complete... counter-festival programme" although efforts were still being made to gain publicity through

4408-438: The largest section was comedy, representing almost 40% of shows, followed by theatre, which was 26.6% of shows. Established in 1947 as an unofficial offshoot to (and on the "fringe" of) the Edinburgh International Festival , it takes place in Edinburgh every August. The combination of Edinburgh Festival Fringe and Edinburgh International Festival has become a world-leading celebration of arts and culture, surpassed only by

4484-582: The more formal International Festival became of mutual benefit. The artistic credentials of the Fringe were established by the creators of the Traverse Theatre , John Calder , Jim Haynes and Richard Demarco , in 1963. While their original objective was to maintain something of the Festival atmosphere in Edinburgh all year round, the Traverse Theatre quickly and regularly presented cutting-edge drama to an international audience at both

4560-424: The name "Fringe" was still not yet in regular usage. By that year, the Fringe was attracting around a dozen companies, and a meeting was held to discuss creating "a small organisation to act as a brain for the Fringe", or what The Scotsman called an "official unofficial festival". A first attempt was made to provide a central booking service in 1955 by students from the university, although it lost money, which

4636-502: The new ticket office. Its current headquarters are at 180 High Street. Acts included The Jim Rose Circus , who performed in 2008, and Tokyo Shock Boys who performed in 1994. The Fringe Club ceased operation in 2004, but various venues still provide "the Best of the Fest" and similar. A computerised booking system was first installed in the early 1990s, allowing tickets to be bought at

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4712-469: The number of companies performing rose from 182 to 494, and new venues such as St Columba's in Newington came on board. Moffat also expanded the street performance aspect and brought in sponsorship deals, particularly local breweries. In this way, the Fringe ascended to its current position as the largest arts festival in the world. This was a deliberate policy by Moffat, who found it difficult to promote

4788-489: The spirit of liberty, equality and fraternity. In 1792, The "Festival of Liberty" included a Declaration of the rights of man, busts of Voltaire, Rousseau, and Franklin, a hymn to liberty, women in white carrying chains, and a large chariot with a seated statue of liberty An Arts Festival is an umbrella term for a festival that focuses on multiple art genres including fine art (painting, drawing, pottery), music, photography, film, and other visual styles. Fringe festivals are

4864-553: The stakes to the point where a venue like Aurora (St Stephen's Church, Stockbridge ) could hold its head up in any major world festival. However, in 1982, 24% of the Fringe was housed in The Circuit/Assembly, both of which were being commercially marketed, and this attracted complaints, including from Traverse Theatre founder, Richard Demarco, who felt the Fringe should not have allowed either venue. By 1988, there was, according to former Fringe Administrator Michael Dale,

4940-414: The summer of 1793, revolutionary France was invaded by foreign armies which resulted in the destruction of all signs of royalty. During this time, French citizens sang, danced, and theaters as well as indoor music multiplied. By 1793, two dozen new venues for music and drama had been established, as a result of the end of restrictive monopolies that previously ruled. Art dealings were rapidly increasing and as

5016-411: The time it was not recognised as such, this was the first Edinburgh Festival Fringe . This meant that two defining features of the future Fringe were established at the very beginning – the lack of official invitations to perform and the use of unconventional venues. Originally, these groups referred to themselves as the "Festival Adjuncts" and were also referred to as the "semi-official" festival. It

5092-598: The title for best performance. The performances were given in semi-circular auditorium cut into hillsides and capable of seating 10,000–20,000 people. The stage consisted of a dancing floor, an orchestra, dressing room and scene-building area, known as a skene. The actors were typically men who wore masks appropriate to the characters they represented, and each might play several parts. Film festivals are organized events, usually staged by universities, private organizations, local governments, or arts associations, that show films in cinemas or screening venues and provide filmmakers

5168-467: The visual arts. Another type of arts festivals are music festivals, which are outdoor musical events usually spanning a weekend, featuring a number of bands and musical genres including pop, rock, heavy-metal, and more. Since the 1960s, world-music festivals have become popular in a variety of countries. The most well-recognized music festival was Woodstock , which took place in 1969 in Bethel, New York. It

5244-497: Was a watershed for comedy at the Fringe too. It was the first year of the Perrier Awards , which ran until 2005 and are now known as the Edinburgh Comedy Awards . The alternative comedy scene was also beginning to take shape. Previously, comedy at the Fringe had taken the form of student revues. Now stand-up was becoming a feature. According to Alexei Sayle , "The Fringe then was entirely University revues and plays; there

5320-586: Was attended by 400,000 people and featured performances by The Who, Jimi Hendrix, Janis Joplin, and the Grateful Dead. Probably the two oldest arts festivals are located in England. The Three Choirs Festival in the West of England was established as a "yearly musical assembly" by 1719. The other is the Norfolk and Norwich Festival which first took place in 1772. The largest arts festival in England today

5396-487: Was blamed on those who had not taken part. In 1956, the famous actor Donald Wolfit performed the solo show The Strong Are Lonely . This was not part of the International Festival, yet nor was it in the Fringe Programme, leading him to question the value of the "Fringe": "Away with the Fringe. To an artist in the theatre there is no such thing as a fringe of art." Formal organisation progressed in 1959, with

5472-435: Was finished, the Fringe came to be seen as being about revues. It was a few years before an official programme for the Fringe was created. John Menzies compiled a list of shows under the title "Other Events" in their omnibus festival brochure, but it was printer C. J. Cousland who was the first to publish a listings guide, in 1954. This was funded by participating companies and was entitled "Additional Entertainments", since

5548-494: Was not a single piece of stand-up comedy until me and Tony [Allen] arrived." Comedy began an ascent which would see it become the biggest section of the programme by 2008. Moffat resigned as the Fringe Society Administrator in 1981 and was succeeded by Michael Dale, who changed the programme layout and helped the Fringe consolidate. The following year, 1982, The Circuit became a prominent venue. Run by

5624-432: Was not until the following year, 1948, that Robert Kemp , a Scottish playwright and journalist, is credited with coining the title "Fringe" when he wrote during the second Edinburgh International Festival : Round the fringe of official Festival drama, there seems to be more private enterprise than before ... I am afraid some of us are not going to be at home during the evenings! The word "fringe" had in fact been used in

5700-536: Was not yet fully developed, much of the early years of the Fringe has gone unrecorded, except through anecdote. It did not benefit from any official organisation until 1951, when students of the University of Edinburgh set up a drop-in centre in the YMCA , where cheap food and a bed for the night were made available to participating groups. Late-night revues, which would become a feature of Fringes, began to appear in

5776-402: Was suspended along with all of the city's other major summer festivals. This came as a result of the COVID-19 outbreak in the early months of the year, with concerns of spreading the virus any further. The 2021 festival took place during 6–30 August 2021, though it was much reduced in size, with 528 shows in person and 414 online. The 2022 festival took place from 5–29 August 2022 and marked

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