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66-615: Garth Marenghi is a fictional horror author created by English comedian Matthew Holness . He is depicted as a conceited hack writer , who remains blissfully (or even wilfully) unaware of his lack of talent. The character has appeared in two stage shows, the Perrier Award -nominated Garth Marenghi's Fright Knight and Perrier Award-winning Garth Marenghi's Netherhead , and the Channel 4 TV series Garth Marenghi's Darkplace and Man to Man with Dean Learner . After winning

132-581: A character in a movie or show, the music exemplifies the emotion of the character, the viewer feels what the character feels, creating a synergy between character and viewer. The addition of music breathes more depth into emotional response that visual stimuli can not accomplish on its own. Music can subconsciously influence the viewer, further intertwining them emotionally with what they are watching forcing them to feel more deeply whatever emotion they are feeling from watching making it an important piece of psychological horror and its success in inciting emotions in

198-410: A character. He's seen the dark side. A little too much." The 2004 show Garth Marenghi's Darkplace is based on the premise that Garth Marenghi wrote and starred in a 1980s low-budget hospital-based horror show. Within this fictional context, 50 shows were created, but were never shown as they were suppressed by "MI-8" for being "too subversive, too dangerous, too damn scary." Many jokes are based on

264-451: A high degree of life," whereas horror is described as that which "freezes and nearly annihilates them." Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both Devendra Varma and S. L. Varnado make reference to the theologian Rudolf Otto , whose concept of the " numinous " was originally used to describe religious experience. A recent survey reports how often horror media

330-428: A protagonist, thus confusing or unsettling the audience and setting up an ominous or disturbing overarching tone. In other cases, the narrator or protagonist may be reliable or ostensibly mentally stable but is placed in a situation involving another character or characters who are psychologically, mentally, or emotionally disturbed. Thus, elements of psychological horror focus on mental conflicts. These become important as

396-430: A sense similar to the reason a person seeks out the controlled thrill of a roller coaster , readers in the modern era seek out feelings of horror and terror to feel a sense of excitement. However, Barrette adds that horror fiction is one of the few mediums where readers seek out a form of art that forces themselves to confront ideas and images they "might rather ignore to challenge preconceptions of all kinds." One can see

462-702: A sound is added. Additionally, the replacement of soundtracks with sound effects highlights the role of noise in the plot of movies, such as A Quiet Place , where the blind extraterrestrial monsters are programmed to attack noise sources. The novels The Golem written by Gustav Meyrink , The Silence of the Lambs written by Thomas Harris , Robert Bloch novels such as Psycho and American Gothic , Stephen King novels such as Carrie , Misery , The Girl Who Loved Tom Gordon , The Shining , and Koji Suzuki 's novel Ring are some examples of psychological horror. Shirley Jackson 's We Have Always Lived in

528-408: A story intends to shock and disgust, but the best horror intends to rattle our cages and shake us out of our complacency. It makes us think, forces us to confront ideas we might rather ignore, and challenges preconceptions of all kinds. Horror reminds us that the world is not always as safe as it seems, which exercises our mental muscles and reminds us to keep a little healthy caution close at hand. In

594-496: A subgenre of horror video games . While such games may be based on any style of gameplay , they are generally more exploratory and "seek to instigate a sense of doubt about what might really be happening" in the player. Phantasmagoria (1995), D (1995), Corpse Party (1996) and Silent Hill (1999) are considered some of the first psychological horror games. Sometimes, psychological horror games will simulate crashes, file corruptions, and various other errors, such as

660-402: A subject, he will "hire someone to go and find out about it." In both stage shows, in the official website, and in numerous interviews he claims to have written more books than he has read. Marenghi displays other traits including sexism , xenophobia , and extreme paranoia . He is depicted as married with four daughters, though disappointed at not having a son. The Darkplace episode "Skipper

726-411: A subtle escalation of suspense and horror of what can not be seen. Hitchcock's Rear Window places the main character as the primary information source for the viewer; their confusion is pervasive. The viewer lacks an omniscient understanding of events, resulting in an suspenseful and slow then explosive revelation. Shadows hide events or truths yet to be revealed, sometimes foreshadow events, and notify

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792-669: A total of 436 books, and has filmed a new movie, War of the Wasps , featuring most of the cast of Garth Marenghi's Darkplace . Marenghi has appeared in an episode of the Russell Howard Hour as part of a Christmas special to read a portion of one of his novels, Flay Bells Sting, Are You Glistening? The following titles are mentioned in TerrorTome as books written by the protagonist, Nick Steen . In The Reel Feedback Podcast #89 , Marenghi stated that readers may recognise

858-516: A trip through a cinematic dark ride." Academics and historians have stated different origin periods to the psychological horror film. Historian David J. Skal described The Black Cat (1934) as "being called the first psychological horror movie in America." Academic Susan Hayward described them as a post-World War II phenomenon and giving examples of psychological horror films as Psycho (1960) and Peeping Tom (1960). Hayward continued that

924-563: A year or more often. Unsurprisingly, there is a strong correlation between liking and frequency of use (r=.79, p<.0001). Achievements in horror fiction are recognized by numerous awards. The Horror Writers Association presents the Bram Stoker Awards for Superior Achievement, named in honor of Bram Stoker , author of the seminal horror novel Dracula . The Australian Horror Writers Association presents annual Australian Shadows Awards . The International Horror Guild Award

990-610: Is Stephen King , known for Carrie , The Shining , It , Misery , and several dozen other novels and about 200 short stories . Beginning in the 1970s, King's stories have attracted a large audience, for which he was awarded by the U.S. National Book Foundation in 2003. Other popular horror authors of the period included Anne Rice , Shaun Hutson , Brian Lumley , Graham Masterton , James Herbert , Dean Koontz , Richard Laymon , Clive Barker , Ramsey Campbell , and Peter Straub . Best-selling book series of contemporary times exist in genres related to horror fiction, such as

1056-534: Is a werewolf story titled " Bisclavret ". The Countess Yolande commissioned a werewolf story titled " Guillaume de Palerme ". Anonymous writers penned two werewolf stories, "Biclarel" and " Melion ". Much horror fiction derives from the cruellest personages of the 15th century. Dracula can be traced to the Prince of Wallachia Vlad III , whose alleged war crimes were published in German pamphlets. A 1499 pamphlet

1122-415: Is almost as old as horror fiction itself. In 1826, the gothic novelist Ann Radcliffe published an essay distinguishing two elements of horror fiction, "terror" and "horror." Whereas terror is a feeling of dread that takes place before an event happens, horror is a feeling of revulsion or disgust after an event has happened. Radcliffe describes terror as that which "expands the soul and awakens the faculties to

1188-486: Is consumed: To assess frequency of horror consumption, we asked respondents the following question: "In the past year, about how often have you used horror media (for example, horror literature, film, and video games) for entertainment?" 11.3% said "Never," 7.5% "Once," 28.9% "Several times," 14.1% "Once a month," 20.8% "Several times a month," 7.3% "Once a week," and 10.2% "Several times a week." Evidently, then, most respondents (81.3%) claimed to use horror media several times

1254-483: Is enough to inform the viewer that something or someone is there, but reveals nothing else, manipulating the viewers fears of what could be. Studies by Thayer and Ellison in the 1980 studied the effects of different types of music layered on top of stressful visual stimuli, they used dermal electromagnetic to capture information about physiological stimulation while watching and listening. They found that with stressful music and composition laid over top stressful images

1320-543: Is fear of the unknown." the first sentence from his seminal essay, " Supernatural Horror in Literature ". Science fiction historian Darrell Schweitzer has stated, "In the simplest sense, a horror story is one that scares us" and "the true horror story requires a sense of evil, not in necessarily in a theological sense; but the menaces must be truly menacing, life-destroying, and antithetical to happiness." In her essay "Elements of Aversion", Elizabeth Barrette articulates

1386-399: Is merely one of many interpretations of the metaphor of Dracula. Jack Halberstam postulates many of these in his essay Technologies of Monstrosity: Bram Stoker's Dracula . He writes: [The] image of dusty and unused gold, coins from many nations and old unworn jewels, immediately connects Dracula to the old money of a corrupt class, to a kind of piracy of nations and to the worst excesses of

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1452-695: Is referred to in analytical psychology as the archetypal shadow characteristics: suspicion , distrust , self-doubt , and paranoia of others, themselves, and the world. The genre sometimes seeks to challenge or confuse the audience's grasp of the narrative or plot by focusing on characters who are themselves unsure of or doubting their own perceptions of reality or questioning their own sanity . Characters' perceptions of their surroundings or situations may indeed be distorted or subject to delusions , outside manipulation or gaslighting by other characters; emotional disturbances or trauma; and even hallucinations or mental disorders . Additionally, restricting

1518-401: Is tends to be inconclusive on the impact that viewing such media has. One defining trait of the horror genre is that it provokes an emotional, psychological , or physical response within readers that causes them to react with fear. One of H. P. Lovecraft's most famous quotes about the genre is that: "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear

1584-485: Is unknown for sure why children enjoy these movies (as it seems counter-intuitive), it is theorized that it is, in part, grotesque monsters that fascinate kids. Tangential to this, the internalized impact of horror television programs and films on children is rather under-researched, especially when compared to the research done on the similar subject of violence in TV and film's impact on the young mind. What little research there

1650-575: The werewolf fiction urban fantasy Kitty Norville books by Carrie Vaughn (2005 onward). Horror elements continue to expand outside the genre. The alternate history of more traditional historical horror in Dan Simmons 's 2007 novel The Terror sits on bookstore shelves next to genre mash ups such as Pride and Prejudice and Zombies (2009), and historical fantasy and horror comics such as Hellblazer (1993 onward) and Mike Mignola 's Hellboy (1993 onward). Horror also serves as one of

1716-572: The 1950s satisfied readers' quests for horror imagery that the silver screen could not provide. This imagery made these comics controversial, and as a consequence, they were frequently censored. The modern zombie tale dealing with the motif of the living dead harks back to works including H. P. Lovecraft's stories " Cool Air " (1925), "In The Vault" (1926), and " The Outsider " (1926), and Dennis Wheatley 's "Strange Conflict" (1941). Richard Matheson 's novel I Am Legend (1954) influenced an entire genre of apocalyptic zombie fiction emblematized by

1782-482: The Castle is often viewed as one of the best examples of psychological horror in fiction. Bill Gibron of PopMatters declared a mixed definition of the psychological horror film, ranging from definitions of anything that created a sense of disquiet or apprehension to a film where an audience's mind makes up what was not directly displayed visually. Gibron concluded it as a "clouded gray area between all out splatter and

1848-528: The Eye Child" explains this, and references this in its plot with Marenghi's character Rick Dagless shown as having a deceased son who was half boy, half grasshopper. During the DVD feature 'Darkplace Illuminatum' Marenghi draws further comparisons with himself and Dagless. He comments "In many ways he is an extension of my own natural abilities. He's got a little more than me. He is a little more tragic than I am, as

1914-579: The Perrier Award, the creators confounded media sources by refusing to speak out of character, or give real names or backgrounds. Garth Marenghi is a spoof pulp horror author; his act and his works are considered a parody of the horror genre. The name "Garth Marenghi" is an anagram of the phrase "argh nightmare." The character is highly conceited and narcissistic, often describing himself through epithets such as "the dream weaver", "shaman", "titan of terror", "The One Man Fear Factory" and "master of

1980-596: The Ripper , and lesser so, Carl Panzram , Fritz Haarman , and Albert Fish , all perpetuated this phenomenon. The trend continued in the postwar era, partly renewed after the murders committed by Ed Gein . In 1959, Robert Bloch , inspired by the murders, wrote Psycho . The crimes committed in 1969 by the Manson Family influenced the slasher theme in horror fiction of the 1970s. In 1981, Thomas Harris wrote Red Dragon , introducing Dr. Hannibal Lecter . In 1988,

2046-881: The Wanderer (1820), Washington Irving 's " The Legend of Sleepy Hollow " (1820), Jane C. Loudon 's The Mummy!: Or a Tale of the Twenty-Second Century (1827), Victor Hugo 's The Hunchback of Notre-Dame (1831), Thomas Peckett Prest 's Varney the Vampire (1847), the works of Edgar Allan Poe , the works of Sheridan Le Fanu , Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde 's The Picture of Dorian Gray (1890), Sir Arthur Conan Doyle 's " Lot No. 249 " (1892), H. G. Wells ' The Invisible Man (1897), and Bram Stoker 's Dracula (1897). Each of these works created an enduring icon of horror seen in later re-imaginings on

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2112-422: The aristocracy. Halberstram articulates a view of Dracula as manifesting the growing perception of the aristocracy as an evil and outdated notion to be defeated. The depiction of a multinational band of protagonists using the latest technologies (such as a telegraph ) to quickly share, collate, and act upon new information is what leads to the destruction of the vampire. This is one of many interpretations of

2178-410: The author. There are many theories as to why people enjoy being scared. For example, "people who like horror films are more likely to score highly for openness to experience, a personality trait linked to intellect and imagination." It is a now commonly accepted view that the horror elements of Dracula 's portrayal of vampirism are metaphors for sexuality in a repressed Victorian era . But this

2244-589: The central genres in more complex modern works such as Mark Z. Danielewski 's House of Leaves (2000), a finalist for the National Book Award . There are many horror novels for children and teens, such as R. L. Stine 's Goosebumps series or The Monstrumologist by Rick Yancey . Additionally, many movies for young audiences, particularly animated ones, use horror aesthetics and conventions (for example, ParaNorman ). These are what can be collectively referred to as "children's horror". Although it

2310-467: The characters face perverse situations, sometimes involving the supernatural , immorality , murder , and conspiracies . While other horror media emphasize fantastical situations such as attacks by monsters , psychological horror tends to keep the monsters hidden and to involve situations more grounded on artistic realism . Plot twists are an often-used device. Characters commonly face internal battles with subconscious desires such as romantic lust and

2376-492: The characters' and audience's view of potential danger through strategic lighting and visual obstructions—like in Bird Box (film) —can heighten suspense and engage the imagination, leaving much of the threat unseen. In many cases, and in a similar way as the overlapping genre of psychological thriller , psychological horror may deploy an unreliable narrator or imply that aspects of the story are being perceived inaccurately by

2442-425: The complexities of human experiences that prompt viewers to connect with characters confronting conflict. Modern research reveals the relationship between empathy and fear or the lack thereof with interest in horror. Research shows that the effects of psychological horror affects females more than males.  A current hypothesis for this difference between the genders is that it relates to social expectations and

2508-399: The confrontation of ideas that readers and characters would "rather ignore" throughout literature in famous moments such as Hamlet 's musings about the skull of Yorick , its implications of the mortality of humanity, and the gruesome end that bodies inevitably come to. In horror fiction, the confrontation with the gruesome is often a metaphor for the problems facing the current generation of

2574-505: The desire for petty revenge. In contrast, splatter fiction and monster movies often focuses on a bizarre, alien evil to which the average viewer cannot easily relate. However, at times, the psychological horror and splatter subgenres overlap, such as in the French horror film High Tension . Fascination with horror films lies in the unreasonable, irrational, and impossible. Jung and Nietzsche 's theories exemplify humans need to escape

2640-411: The early 20th century made inroads in these mediums. Particularly, the venerated horror author H. P. Lovecraft , and his enduring Cthulhu Mythos transformed and popularized the genre of cosmic horror , and M. R. James is credited with redefining the ghost story in that era. The serial murderer became a recurring theme. Yellow journalism and sensationalism of various murderers, such as Jack

2706-405: The excitement of living on the edge, the tension between hunter and hunted. So we told each other stories through the long, dark nights. when the fires burned low, we did our best to scare the daylights out of each other. The rush of adrenaline feels good. Our hearts pound, our breath quickens, and we can imagine ourselves on the edge. Yet we also appreciate the insightful aspects of horror. Sometimes

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2772-404: The films of George A. Romero . In the late 1960s and early 1970s, the enormous commercial success of three books - Rosemary's Baby (1967) by Ira Levin , The Exorcist by William Peter Blatty , and The Other by Thomas Tryon - encouraged publishers to begin releasing numerous other horror novels, thus creating a "horror boom". One of the best-known late-20th century horror writers

2838-493: The gender roles we are exposed to during childhood. As a result of the lack of cross-cultural research on the psychological effects of horror, one hypothesis is that individual cultures develop their own unique sense of horror, based in their cultural experiences. Hitchcock 's Rear Window used light and deliberate shadows to incite suspense in the viewer. Suspense is a fundamental part of Hitchcockian horror. The use of shadows through light to cover up information results in

2904-914: The gradual development of Romanticism and the Gothic horror genre. It drew on the written and material heritage of the Late Middle Ages, finding its form with Horace Walpole 's seminal and controversial 1764 novel, The Castle of Otranto . In fact, the first edition was published disguised as an actual medieval romance from Italy, discovered and republished by a fictitious translator. Once revealed as modern, many found it anachronistic , reactionary , or simply in poor taste, but it proved immediately popular. Otranto inspired Vathek (1786) by William Beckford , A Sicilian Romance (1790), The Mysteries of Udolpho (1794), The Italian (1796) by Ann Radcliffe , and The Monk (1797) by Matthew Lewis . A significant amount of horror fiction of this era

2970-652: The house seemed inexpensive. While writing a book on philosophy, he was visited by a ghostly figure bound in chains. The figure disappeared in the courtyard; the following day, the magistrates dug in the courtyard and found an unmarked grave. Elements of the horror genre also occur in Biblical texts, notably in the Book of Revelation . The Witch of Berkeley by William of Malmesbury has been viewed as an early horror story. Werewolf stories were popular in medieval French literature . One of Marie de France 's twelve lais

3036-450: The macabre." In interviews, he compares himself positively with James Joyce , Shakespeare , Leonardo da Vinci , and Jesus . Despite this, Marenghi displays a general ignorance of many subjects of which he claims knowledge. He claims to be self-taught , having left school young ("I knew by the age of eight that my education had finished"), and despite his claims to being a literary genius he rarely reads books. When he needs to learn about

3102-449: The metaphor of only one central figure of the canon of horror fiction, as over a dozen possible metaphors are referenced in the analysis, from the religious to the antisemitic . Noël Carroll 's Philosophy of Horror postulates that a modern piece of horror fiction's " monster ", villain , or a more inclusive menace must exhibit the following two traits: In addition to those essays and articles shown above, scholarship on horror fiction

3168-560: The need by some for horror tales in a modern world: The old "fight or flight" reaction of our evolutionary heritage once played a major role in the life of every human. Our ancestors lived and died by it. Then someone invented the fascinating game of civilization, and things began to calm down. Development pushed wilderness back from settled lands. War, crime, and other forms of social violence came with civilization and humans started preying on each other, but by and large daily life calmed down. We began to feel restless, to feel something missing:

3234-424: The page, stage, and screen. A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For example, Gaston Leroux serialized his Le Fantôme de l'Opéra before it became a novel in 1910. One writer who specialized in horror fiction for mainstream pulps, such as All-Story Magazine , was Tod Robbins , whose fiction deals with themes of madness and cruelty. In Russia,

3300-437: The premise that Garth Marenghi not only created and wrote the series, but also plays the central character. As such, characters reflect Marenghi's world-view, and his own character—Doctor Rick Dagless, M.D.—exhibits many characteristics of a Mary Sue . Marenghi also guests in the first episode of Dean Learner 's talk series, Man to Man with Dean Learner , where he reveals that he lost an ear in an ambulance crash, has written

3366-499: The principle of the thing embodied in the person. These manifested in stories of beings such as demons, witches, vampires, werewolves, and ghosts. European horror-fiction became established through works of the Ancient Greeks and Ancient Romans . Mary Shelley 's well-known 1818 novel about Frankenstein was greatly influenced by the story of Hippolytus , whom Asclepius revives from death. Euripides wrote plays based on

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3432-450: The psychological horror films and slasher films are both interchangeable terms with "horror-thrillers". Hayward said the genre resembled the slasher film with both being "vicious normalizing of misogyny ". She wrote that in both film genres, the male had a dependence on the female for a sense of identity derived from his difference from her, and often killed them with items like knives or chainsaws. Psychological horror video games are

3498-402: The psychological response was greater than when watching the same visual stimuli with non stressful sound. Music with a positive tone results in viewers perceiving simultaneous visual stimuli as positive, and when negative tones are used viewers perceive visual stimuli as negative or more threatening. They made three hypotheses and were able to prove two with their research: When following

3564-409: The reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic, and

3630-419: The real world and live in a sublime space where anything is possible. Horror allows the watcher to escape mundane conventional life and express the inner workings of their irrational thoughts. H.P. Lovecraft 's explanation for the fascination of horror stems more from the lack of understanding of a humans true place and our deep inner instinct we are out of touch with, and the basic insignificance of ones life and

3696-469: The sequel to that novel, The Silence of the Lambs , was published. Early cinema was inspired by many aspects of horror literature, and started a strong tradition of horror films and subgenres that continues to this day. Up until the graphic depictions of violence and gore on the screen commonly associated with 1960s and 1970s slasher films and splatter films , comic books such as those published by EC Comics (most notably Tales From The Crypt ) in

3762-642: The story, Hippolytos Kalyptomenos and Hippolytus . In Plutarch 's The Lives of the Noble Grecians and Romans in the account of Cimon , the author describes the spirit of a murderer , Damon, who himself was murdered in a bathhouse in Chaeronea . Pliny the Younger (61 to c. 113) tells the tale of Athenodorus Cananites , who bought a haunted house in Athens . Athenodorus was cautious since

3828-461: The term, considering it too lurid. They instead use the terms dark fantasy or Gothic fantasy for supernatural horror, or " psychological thriller " for non-supernatural horror. Psychological horror Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea

3894-506: The titles being the same as his own fledgling efforts in the early eighties. Horror (genre) Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon , in 1984, defined the horror story as "a piece of fiction in prose of variable length   ... which shocks, or even frightens

3960-447: The universe at large. Horror forces us to remember. Psychological horror further forces the manifestation of each individuals own personal horror. Our unseen humanity and our most basic human impulses forces us to seek out stimuli to remind us of our true nature and potential. Psychological horror not only ilicits fear, anxiety, and disgust but it also has the capacity to foster empathy in audiences. The genre allows audiences to navigate

4026-416: The viewer to hidden truths, resulting in suspense and the self reflection of known truths by the viewer. Light is used as a metaphor for what we know and can be seen, in the light, and what we do not know and are trying to figure out, what is in the shadows. Half illumination can be used to express a duality of emotions and uncertainty. The use of a burning cigarette or cigar, a tiny light in a sea of darkness

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4092-537: The viewer. While sound design is deliberately crafted in the horror genre to evoke an emotional response, the absence of sound can be equally effective in evoking an emotional response. Soundtracks are utilized to build tension or accent a startling event, like a jump scare . However, in the film A Quiet Place , much of what builds suspense is the sparse, muted sound design. Films with minimalistic, limited soundtracks leave audiences unable to predict coming scenes and often lead to more pronounced emotional responses when

4158-473: The writer Alexander Belyaev popularized these themes in his story Professor Dowell's Head (1925), in which a mad doctor performs experimental head transplants and reanimations on bodies stolen from the morgue and which was first published as a magazine serial before being turned into a novel. Later, specialist publications emerged to give horror writers an outlet, prominent among them was Weird Tales and Unknown Worlds . Influential horror writers of

4224-545: Was presented annually to works of horror and dark fantasy from 1995 to 2008. The Shirley Jackson Awards are literary awards for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic works. Other important awards for horror literature are included as subcategories within general awards for fantasy and science fiction in such awards as the Aurealis Award . Some writers of fiction normally classified as "horror" tend to dislike

4290-464: Was published by Markus Ayrer, which is most notable for its woodcut imagery. The alleged serial-killer sprees of Gilles de Rais have been seen as the inspiration for " Bluebeard ". The motif of the vampiress is most notably derived from the real-life noblewoman and murderer, Elizabeth Bathory , and helped usher in the emergence of horror fiction in the 18th century, such as through László Turóczi's 1729 book Tragica Historia . The 18th century saw

4356-631: Was written by women and marketed towards a female audience, a typical scenario of the novels being a resourceful female menaced in a gloomy castle. The Gothic tradition blossomed into the genre that modern readers today call horror literature in the 19th century. Influential works and characters that continue resonating in fiction and film today saw their genesis in the Brothers Grimm 's " Hänsel und Gretel " (1812), Mary Shelley 's Frankenstein; or, The Modern Prometheus (1818), John Polidori 's " The Vampyre " (1819), Charles Maturin 's Melmoth

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