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59-459: The Gaslight was originally a "basket house" where unpaid performers would pass around a basket at the end of each set and hope to be paid. Opened in 1958 by John Mitchell, the Gaslight showcased beat poets Allen Ginsberg and Gregory Corso but later became a folk-music club. John Moyant bought the club in 1961. Moyant's father-in-law, Clarence Hood, and his son, Sam, managed the club through

118-485: A boxed set, The Best of Broadside 1962 - 1988: Anthems from the American Underground . Later that year, The New World Singers, which featured Traum, Bob Cohen, and Gil Turner , recorded an album for Atlantic Records , with liner notes by Dylan. The album featured the first recording of Dylan's " Don't Think Twice, It's All Right ". For several years, Traum studied blues guitar with Brownie McGhee , who

177-494: A low profile). Beyond style, there were changes in substance. The Beats tended to be essentially apolitical, but the hippies became actively engaged with the civil rights movement and the anti-war movement. Among the emerging novelists of the 1960s and 1970s, a few were closely connected with Beat writers, most notably Ken Kesey ( One Flew Over the Cuckoo's Nest ). Though they had no direct connection, other writers considered

236-402: A sense to bridge generations. Philip Lamantia , Michael McClure , Philip Whalen , Ginsberg and Gary Snyder read on October 7, 1955, before 100 people (including Kerouac, up from Mexico City). Lamantia read poems of his late friend John Hoffman. At his first public reading, Ginsberg performed the just finished first part of Howl . It was a success and the evening led to many more readings by

295-597: Is based on Gary Snyder. Kerouac was impressed with Snyder and they were close for several years. In the spring of 1955, they lived together in Snyder's cabin in Mill Valley, California . Most Beats were urbanites and they found Snyder almost exotic, with his rural background and wilderness experience, as well as his education in cultural anthropology and Oriental languages. Lawrence Ferlinghetti called him "the Thoreau of

354-456: Is not brute savagery, but a healthy balance, a self-regulating system.". Snyder attributed wild to Buddhism and Daoism , the interests of some Beats. "Snyder's synthesis uses Buddhist thought to encourage American social activism, relying on both the concept of impermanence and the classically American imperative toward freedom." While many authors claim to be directly influenced by the Beats,

413-530: The Protestant Cemetery, Rome . Ginsberg mentions Shelley's poem Adonais at the beginning of his poem Kaddish , and cites it as a major influence on the composition of one of his most important poems. Michael McClure compared Ginsberg's Howl to Shelley's breakthrough poem Queen Mab . Ginsberg's main Romantic influence was William Blake , and studied him throughout his life. Blake

472-596: The counterculture of the 1960s , accompanied by a shift in terminology from " beatnik " to " hippie ". Many of the original Beats remained active participants, notably Allen Ginsberg, who became a fixture of the anti-war movement. Notably, however, Jack Kerouac broke with Ginsberg and criticized the 1960s politically radical protest movements as an excuse to be "spiteful". There were stylistic differences between beatniks and hippies—somber colors, dark sunglasses, and goatees gave way to colorful psychedelic clothing and long hair. The Beats were known for "playing it cool" (keeping

531-407: The hippie and larger counterculture movements. Neal Cassady , as the driver for Ken Kesey 's bus Furthur , was the primary bridge between these two generations. Ginsberg's work also became an integral element of early 1960s hippie culture, in which he actively participated. The hippie culture was practiced primarily by older members of the following generation . Although Kerouac introduced

590-648: The African-American community of the period and had developed out of the image "beat to his socks", but Kerouac appropriated the image and altered the meaning to include the connotations "upbeat", "beatific", and the musical association of being "on the beat", and "the Beat to keep" from the Beat Generation poem. The origins of the Beat Generation can be traced to Columbia University and

649-609: The Beat Generation phenomenon itself has had an influence on American culture leading more broadly to the hippie movements of the 1960s. In 1982, Ginsberg published a summary of "the essential effects" of the Beat Generation: The term " beatnik " was coined by Herb Caen of the San Francisco Chronicle on April 2, 1958, blending the name of the recent Russian satellite Sputnik and Beat Generation. This suggested that beatniks were (1) "far out of

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708-424: The Beat Generation, the presence of some black writers in this movement did contribute to the movement's progression. While many of the Beats briefly discussed issues of race and sexuality, they spoke from their perspectives—most being white. However, black people added a counterbalance to this; their work supplied readers with alternative views of occurrences in the world. Beats like the poet Robert "Bob" Kaufman and

767-491: The Beat Generation." As documented in the conclusion of The Dharma Bums , Snyder moved to Japan in 1955, in large measure to intensively practice and study Zen Buddhism . He would spend most of the next 10 years there. Buddhism is one of the primary subjects of The Dharma Bums , and the book undoubtedly helped to popularize Buddhism in the West and remains one of Kerouac's most widely read books. The Beats also spent time in

826-522: The Beat movement. The Beats were inspired by early American figures such as Henry David Thoreau , Ralph Waldo Emerson , Herman Melville and especially Walt Whitman , who is addressed as the subject of one of Ginsberg's most famous poems, " A Supermarket in California ". Edgar Allan Poe was occasionally acknowledged, and Ginsberg saw Emily Dickinson as having an influence on Beat poetry. The 1926 novel You Can't Win by outlaw author Jack Black

885-515: The Beats to be a major influence, including Thomas Pynchon ( Gravity's Rainbow ) and Tom Robbins ( Even Cowgirls Get the Blues ). William S. Burroughs is considered a forefather of postmodern literature ; he also inspired the cyberpunk genre. One-time Beat writer LeRoi Jones/Amiri Baraka helped initiate the Black Arts movement. As there was a focus on live performance among

944-419: The Beats were Guillaume Apollinaire , Arthur Rimbaud and Charles Baudelaire . Gertrude Stein was the subject of a book-length study by Lew Welch . Admitted influences for Kerouac include Marcel Proust , Ernest Hemingway and Thomas Wolfe . Gary Snyder defined wild as "whose order has grown from within and is maintained by the force of consensus and custom rather than explicit legislation". "The wild

1003-410: The Beats, many Slam poets have claimed to be influenced by the Beats. Saul Williams , for example, cites Allen Ginsberg, Amiri Baraka, and Bob Kaufman as major influences. The Postbeat Poets are direct descendants of the Beat Generation. Their association with or tutelage under Ginsberg at The Naropa University's Jack Kerouac School of Disembodied Poetics and later at Brooklyn College stressed

1062-531: The Beats. Cultural critics have written about the transition of Beat culture in the Village into the Bohemian hippie culture of the 1960s. In 1960, a presidential election year, the Beats formed a political party, the "Beat Party," and held a mock nominating convention to announce a presidential candidate: the African-American street poet Big Brown , won a majority of votes on the first ballot but fell short of

1121-614: The Hippos Were Boiled in Their Tanks , concerning the murder. Beat Generation women who have been published include Edie Parker; Joyce Johnson ; Carolyn Cassady ; Hettie Jones ; Joanne Kyger ; Harriet Sohmers Zwerling ; Diane DiPrima ; Bonnie Bremser ; Lenore Kandel ; and Ruth Weiss , who also made films. Carolyn Cassady wrote her detailed account of life with her husband Neal Cassady which also included details about her affair with Jack Kerouac. She titled it Off

1180-594: The Japanese concept of yūgen . Mr. and Mrs. Jones were associated with several Beats ( Jack Kerouac , Allen Ginsberg , and Gregory Corso ). That is, until the assassination of the Civil Rights leader, Malcolm X . During this time, LeRoi Jones branched off from the other Beat writers, including his wife, to find his identity among the African-American and Islamic communities. The change in his social setting along with awakening influenced his writing and brought about

1239-819: The Northern Pacific Northwest including Washington and Oregon. Kerouac wrote about sojourns to Washington's North Cascades in The Dharma Bums and On the Road . Reed College in Portland, Oregon was also a locale for some of the Beat poets. Gary Snyder studied anthropology there, Philip Whalen attended Reed, and Allen Ginsberg held multiple readings on the campus around 1955 and 1956. Gary Snyder and Philip Whalen were students in Reed's calligraphy class taught by Lloyd J. Reynolds . Burroughs

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1298-439: The Road , and it was published in 1990. Poet Elise Cowen took her own life in 1963. Poet Anne Waldman was less influenced by the Beats than by Allen Ginsberg's later turn to Buddhism . Later, female poets emerged who claimed to be strongly influenced by the Beats, including Janine Pommy Vega in the 1960s, Patti Smith in the 1970s, and Hedwig Gorski in the 1980s. Although African Americans were not widely represented in

1357-455: The accident and left incriminating notebooks behind. He was given the option to plead insanity to avoid a jail term and was committed for 90 days to Bellevue Hospital , where he met Carl Solomon . Solomon was arguably more eccentric than psychotic. A fan of Antonin Artaud , he indulged in self-consciously "crazy" behavior, like throwing potato salad at a college lecturer on Dadaism . Solomon

1416-550: The artist Wally Hedrick to sit in the window dressed in full beard, turtleneck, and sandals, creating improvisational drawings and paintings. By 1958 tourists who came to San Francisco could take bus tours to view the North Beach Beat scene, prophetically anticipating similar tours of the Haight-Ashbury district ten years later. A variety of other small businesses also sprang up exploiting (and/or satirizing)

1475-415: The beatniks, or at least found the parodies humorous (Ginsberg, for example, appreciated the parody in the comic strip Pogo ) others criticized the beatniks as inauthentic poseurs . Jack Kerouac feared that the spiritual aspect of his message had been lost and that many were using the Beat Generation as an excuse to be senselessly wild. During the 1960s, aspects of the Beat movement metamorphosed into

1534-703: The club. Mississippi John Hurt and Jesse Fuller ("Lone Cat") played there. Jimi Hendrix and Eric Clapton sat in together for a week at the Gaslight with John Hammond Jr. An array of musicians also performed at the club in the late 1960s and early 1970s, including Odetta , Son House , Mississippi Fred McDowell , Bonnie Raitt , Reverend Gary Davis , Sonny Terry & Brownie McGhee , Big Mama Thornton , Link Wray , Mimi Fariña , jazz musician Charles Mingus , Happy Traum and Artie Traum , Doug Kershaw , Bob Neuwirth , David Bromberg , David Buskin , Janis Siegel (who later joined The Manhattan Transfer ), and others. Beat poet The Beat Generation

1593-556: The development of many of his most notable works, like Somebody Blew Up America , in which he reflected on the attacks of 9/11 and America's reaction to this incident about other occurrences in America. One of the key beliefs and practices of the Beat Generation was free love and sexual liberation, which strayed from the Christian ideals of American culture at the time. Some Beat writers were openly gay or bisexual, including two of

1652-408: The emotions they felt toward jazz. They used their pieces to discuss feelings, people, and objects they associate with jazz music, as well as life experiences that reminded them of this style of music. Kaufman's pieces listed above "were intended to be freely improvisational when read with Jazz accompaniment" (Charters 327). He and other writers found inspiration in this genre and allowed it to help fuel

1711-624: The end of 1954 and began writing Howl . Lawrence Ferlinghetti , of the new City Lights Bookstore , started to publish the City Lights Pocket Poets Series in 1955. Kenneth Rexroth 's apartment became a Friday night literary salon (Ginsberg's mentor William Carlos Williams , an old friend of Rexroth, had given him an introductory letter). When asked by Wally Hedrick To organize the Six Gallery reading , Ginsberg wanted Rexroth to serve as master of ceremonies, in

1770-617: The eventual nomination. The Associated Press reported, "Big Brown's lead startled the convention. Big, as the husky African American is called by his friends, wasn't the favorite son of any delegation, but he had one tactic that earned him votes. In a chatterbox convention, only once did he speak at length, and that was to read his poetry." Ginsberg had visited Neal and Carolyn Cassady in San Jose, California in 1954 and moved to San Francisco in August. He fell in love with Peter Orlovsky at

1829-442: The exploration of American and Eastern religions, the rejection of economic materialism , explicit portrayals of the human condition , experimentation with psychedelic drugs , and sexual liberation and exploration. Allen Ginsberg 's Howl (1956), William S. Burroughs ' Naked Lunch (1959), and Jack Kerouac 's On the Road (1957) are among the best-known examples of Beat literature. Both Howl and Naked Lunch were

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1888-645: The focus of obscenity trials that ultimately helped to liberalize publishing in the United States. The members of the Beat Generation developed a reputation as new bohemian hedonists , who celebrated non-conformity and spontaneous creativity. The core group of Beat Generation authors— Herbert Huncke , Ginsberg, Burroughs, Lucien Carr , and Kerouac—met in 1944 in and around the Columbia University campus in New York City. Later, in

1947-547: The late 1960s. Ed Simon, the owner of The Four Winds, reopened the Gaslight in 1968. The club was run by Betty Smyth, mother of Scandal lead singer Patty Smyth , and blues guitarist/performer Susan Martin until it closed in 1971. Folk musician and actor Gil Robbins worked as the club's manager in the late 1960s. The club was next door and down the stairs from the street-level bar, the Kettle of Fish , where many performers hung out between sets, including Bob Dylan . Also nearby

2006-531: The mainstream of society" and (2) "possibly pro-Communist." Caen's term stuck and became the popular label associated with a new stereotype—the man with a goatee and beret reciting nonsensical poetry and playing bongo drums while free-spirited women wearing black leotards dance. An early example of the "beatnik stereotype" occurred in Vesuvio's (a bar in North Beach , San Francisco) which employed

2065-493: The meeting of Kerouac, Ginsberg, Carr, Hal Chase and others. Kerouac attended Columbia on a football scholarship. Though the beats are usually regarded as anti-academic, many of their ideas were formed in response to professors like Lionel Trilling and Mark Van Doren . Classmates Carr and Ginsberg discussed the need for a "New Vision" (a term borrowed from W. B. Yeats ), to counteract what they perceived as their teachers' conservative, formalistic literary ideals. Ginsberg

2124-567: The mid-1950s, the central figures, except Burroughs and Carr, ended up together in San Francisco, where they met and became friends of figures associated with the San Francisco Renaissance . In the 1950s, a Beatnik subculture formed around the literary movement, although this was often viewed critically by major authors of the Beat movement. In the 1960s, elements of the expanding Beat movement were incorporated into

2183-676: The most prominent (Ginsberg and Burroughs ). However, the first novel does show Cassady as frankly promiscuous. Kerouac's novels feature an interracial love affair ( The Subterraneans ), and group sex ( The Dharma Bums ). The relationships among men in Kerouac's novels are predominately homosocial . The original members of the Beat Generation used several different drugs, including alcohol, marijuana , benzedrine , morphine , and later psychedelic drugs such as peyote , Ayahuasca , and LSD . They often approached drugs experimentally, initially being unfamiliar with their effects. Their drug use

2242-607: The new craze. In 1959, Fred McDarrah started a "Rent-a-Beatnik" service in New York, taking out ads in The Village Voice and sending Ted Joans and friends out on calls to read poetry. "Beatniks" appeared in many cartoons, movies, and TV shows of the time, perhaps the most famous being the character Maynard G. Krebs in The Many Loves of Dobie Gillis (1959–1963). While some of the original Beats embraced

2301-403: The now locally famous Six Gallery poets. It was also a marker of the beginning of the Beat movement since the 1956 publication of Howl ( City Lights Pocket Poets , no. 4), and its obscenity trial in 1957 brought it to nationwide attention. The Six Gallery reading informs the second chapter of Kerouac's 1958 novel The Dharma Bums , whose chief protagonist is "Japhy Ryder", a character who

2360-469: The phrase "Beat Generation" in 1948 to characterize a perceived underground, anti-conformist youth movement in New York, fellow poet Herbert Huncke is credited with first using the word "beat". The name arose in a conversation with writer John Clellon Holmes . Kerouac allows that it was Huncke, a street hustler, who originally used the phrase "beat", in an earlier discussion with him. The adjective "beat" could colloquially mean "tired" or "beaten down" within

2419-433: The social-activist legacy of the Beats and created its own body of literature. Known authors are Anne Waldman , Antler , Andy Clausen, David Cope, Eileen Myles , Eliot Katz, Paul Beatty , Sapphire , Lesléa Newman , Jim Cohn , Thomas R. Peters Jr. (poet and owner of beat book shop), Sharon Mesmer, Randy Roark, Josh Smith, David Evans. Happy Traum Harry Peter " Happy " Traum (May 9, 1938 – July 17, 2024)

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2478-546: The studio at Folkways Records to record an album called Broadside Ballads, Vol. 1 . With his group, The New World Singers, Traum cut the first version of " Blowin' in the Wind " to be released (early 1963). Traum also sang a duet with Dylan, who performed under the pseudonym Blind Boy Grunt, on his anti-war song " Let Me Die in My Footsteps ". These tracks were re-released in August 2000 by Smithsonian Folkways as part of

2537-466: The weapon. Carr turned himself in the following morning and later pleaded guilty to manslaughter. Kerouac was charged as an accessory, and Burroughs as a material witness, but neither were prosecuted. Kerouac wrote about this incident twice in his works: once in his first novel, The Town and the City , and again in one of his last, Vanity of Duluoz . He wrote a collaboration novel with Burroughs, And

2596-619: The writer LeRoi Jones (Amiri Baraka) provide through their work distinctly Black perspectives on the movement. Kaufman wrote about a number of his experiences with the racist institutions of the time. Following his time in the military, he had trouble with police officers and the criminal justice system. Like many of the Beats, Kaufman was also a fan of jazz and incorporated it into his work to describe relationships with others. LeRoi Jones ( Amiri Baraka ) married Beat writer, Hettie Cohen, who became Hettie Jones , in 1958. Together with Diane di Prima , they worked to develop Yūgen magazine, named for

2655-420: Was a big influence on his guitar style. He was known as one half of Happy and Artie Traum , a duo he began with his brother. They released several albums, including Happy and Artie Traum (1969, Capitol records ), Double Back (1971, Capitol), and Hard Times In The Country (1975, Rounder). He continued as a solo artist and as founder of Homespun Music Instruction . In 1971 Traum once again joined Dylan in

2714-507: Was a big part of the scene in the Village, as was Burroughs, who lived at 69 Bedford Street. Burroughs, Ginsberg, Kerouac, and other poets frequented many bars in the area, including the San Remo Cafe at 93 MacDougal Street on the northwest corner of Bleecker, Chumley's , and Minetta Tavern . Jackson Pollock , Willem de Kooning , Franz Kline , and other abstract expressionists were also frequent visitors of and collaborators with

2773-550: Was a family nickname . He attended New York City's competitive High School of Music & Art . As a teenager, Traum frequented the folk music gatherings at Washington Square Park in Greenwich Village . He received his bachelor's degree at New York University . Traum first appeared on record at a historic session in late 1962 when a group of young folk musicians, including Bob Dylan , Phil Ochs , Pete Seeger , Peter LaFarge , and The Freedom Singers , gathered in

2832-400: Was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s , better known as Beatniks . The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest,

2891-539: Was an American folk musician who started playing around Washington Square in the late 1950s. He became a stalwart of the Greenwich Village music scene of the 1960s and the Woodstock music community of the 1970s and 1980s. Traum was born on May 9, 1938 in the Bronx , New York City , to parents who were of German Jewish heritage (on his father's side) and English and Dutch heritage (on his mother's side). "Happy"

2950-481: Was arrested in 1949. The police attempted to stop Jack Melody (a.k.a. "little Jack") while he was driving a car in Queens with Priscella Arminger (alias, Vickie Russell or "Detroit Redhead") and Allen Ginsberg in the back seat. The car was filled with stolen items Little Jack planned to fence. Jack Melody crashed while trying to flee, rolled the car and the three of them escaped on foot. Allen Ginsberg lost his glasses in

3009-408: Was broadly inspired by intellectual interest, and many Beat writers thought that their drug experiences enhanced creativity, insight, or productivity. The use of drugs was a key influence on many of the social events of the time that were personal to the Beat generation. Gregory Corso considered English Romantic poet Percy Bysshe Shelley a hero, and he was buried at the foot of Shelley's grave in

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3068-419: Was cited as having a strong influence on Burroughs. In many ways, Surrealism was still considered a vital movement in the 1950s. Carl Solomon introduced the work of French author Antonin Artaud to Ginsberg, and the poetry of André Breton had direct influence on Ginsberg's poem Kaddish . Rexroth, Ferlinghetti, John Ashbery and Ron Padgett translated French poetry. Second-generation Beat Ted Joans

3127-570: Was given shock treatments at Bellevue; this became one of the main themes of Ginsberg's "Howl", which was dedicated to Solomon. Solomon later became the publishing contact who agreed to publish Burroughs' first novel, Junkie , in 1953. Beat writers and artists flocked to Greenwich Village in New York City in the late 1950s because of low rent and the "small town" element of the scene. Folksongs, readings and discussions often took place in Washington Square Park . Allen Ginsberg

3186-635: Was introduced to the group by David Kammerer . Carr had befriended Ginsberg and introduced him to Kammerer and Burroughs. Carr also knew Kerouac's girlfriend Edie Parker , through whom Burroughs met Kerouac in 1944. On August 13, 1944, Carr killed Kammerer with a Boy Scout knife in Riverside Park in what he claimed later was self-defense. He dumped the body in the Hudson River , later seeking advice from Burroughs, who suggested he turn himself in. He then went to Kerouac, who helped him dispose of

3245-591: Was named "the only Afro-American Surrealist" by Breton. Philip Lamantia introduced Surrealist poetry to the original Beats. The poetry of Gregory Corso and Bob Kaufman shows the influence of Surrealist poetry with its dream-like images and its random juxtaposition of dissociated images, and this influence can also be seen in more subtle ways in Ginsberg's poetry. As the legend goes, when meeting French Surrealist Marcel Duchamp , Ginsberg kissed his shoe and Corso cut off his tie. Other influential French poets for

3304-883: Was one of the first places that Bob Dylan had played and liked the sound of the word and the imagery it brought about. Among those who performed at the Gaslight were Bill Cosby ; Bob Dylan ; Joni Mitchell (her first ever appearance in NYC, in 1966, with Chuck Mitchell); Luke Faust , a five-string banjo player and singer who sang Appalachian ballads; Len Chandler ; Paul Clayton ; Luke Askew ; Wavy Gravy ; Joan Rivers ; Bruce Springsteen . 1964–1966 saw many early performances by Richie Havens , Jose Feliciano , Tom Paxton , Phil Ochs , Eddie Mottau , Eric Andersen , John Herald , Ralph Rinzler , The Greenbriar Boys , Ramblin' Jack Elliott , Carolyn Hester , Elizabeth Cotten and Dave Van Ronk . The first public "electric" appearance of The Blues Project (with Danny Kalb ) took place at

3363-613: Was the Folklore Center, a bookstore/record store owned by Izzy Young and notable for being a musicians' gathering place and center of the New York folk-music scene. Live at The Gaslight 1962 (2005), a single CD release including ten songs from early Dylan performances at the club, was released by Columbia Records . In the Folk Music Encyclopedia , Kristin Baggelaar and Donald Milton wrote "The Gaslight

3422-456: Was the subject of Ginsberg's self-defining auditory hallucination and revelation in 1948. Romantic poet John Keats was also cited as an influence. Writers of the Beat Generation were heavily influenced by jazz artists like Billie Holiday and the stories told through Jazz music. Writers like Jack Kerouac ( On the Road ), Bob Kaufman ("Round About Midnight," "Jazz Chick," and "O-Jazz-O"), and Frank O'Hara ("The Day Lady Died") incorporated

3481-445: Was weird then because there were air shafts up to the apartments and the windows of the Gaslight would open into the air shafts, so when people would applaud, the neighbors would get disturbed and call the police. So then the audience couldn't applaud; they had to snap their fingers instead." Brian Fallon , the lead singer and guitarist of The Gaslight Anthem , has said that the band's name came from The Gaslight Cafe as he had heard it

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