Grizedale Arts is a contemporary arts residency and commissioning agency based in Cumbria, England. Its primary artists' residency space is the former hill farm Lawson Park, sited on the edge of Grizedale Forest in the central Lake District . It also owns and runs a hybrid pub / arts centre The Farmer's Arms at Lowick, a listed building that was purchased with the support of investors and donors during the Covid19 pandemic. Grizedale Arts produces cultural projects locally, nationally and internationally with a particular focus on Japan, where a number of significant long term projects in rural communities have evolved. The focus of the organisation is on developing emerging artists and producing experimental projects that demonstrate the function of art as an everyday aspect of a worthwhile and productive life. The organisation is financially supported by Arts Council England . Adam Sutherland MBE, director since 1999, guest-curated 'The Land We Live In, The Land We Left Behind' for Hauser & Wirth Somerset in 2018, a major historic and contemporary survey of rural cultures that attracted over 40,000 visitors to the galleries in Bruton.
19-542: In 2023 Adam Sutherland received an MBE for services to the arts, and in 2024 the organisation won with Hayatsu Architects the Architects' Journal Small Project Award for a cold store built at The Farmer's Arms. The Grizedale Arts Club was launched in 2024, as a membership organisation to help support Lawson Park and the organisation's future programme. The predecessor of Grizedale Arts, the Grizedale Society,
38-632: A Master of Arts in 1994. He was a Rome Scholar at the British School at Rome (1998–1999). He is represented by at Luca Tommasi gallery in Milan and was artist in residence at the Josef and Anni Albers Foundation Bethany, Connecticut (2016) and Chinati Foundation , Marfa, Texas (2007). He had his first major solo show at Camden Arts Centre in 1997. Since then, he has shown extensively in Europe and
57-472: A retrospective (2001) a UK touring exhibition. Charlie Gere writing on Sturgis's curatorial practice, with reference to Daniel Buren Voile Toile/Toile Voile notes that: What Sturgis actually did organising this event was to revive a debate about the nature of painting that had been more or less dormant in Britain since the late 1970s, and did so in a particularly striking manner. He
76-550: A working farm until the 1950s, architects Sutherland Hussey were employed to transform the farmhouse and barns into an artists' residency base, opening in 2009 by Sir Nicholas Serota of Tate . The surrounding 12 acres of land has become a noted garden under the leadership of Head Gardener, artist and film maker Karen Guthrie . They have opened to the public under the National Garden Scheme and featured on BBC Gardener's World in 2023 (Episode 32). From 2012 - 2023
95-595: Is that they remain fundamentally open, even accommodating, when it comes to a viewer's interpretations. Sturgis has curated a number of exhibitions looking at aspects of contemporary painting and its historic legacy. These include, Bauhaus Utopia in Crisis Camberwell Space and Bauhaus-Universität Weimar (2020/21), The Indiscipline of Painting Tate St Ives and Warwick Art Centre (2011/12), Daniel Buren Voile Toile/Toile Voile Wordsworth Trust Grasmere (2005) and Jeremy Moon -
114-540: The Turner Prize in 2004 and 2007 respectively; Marcus Coates, Olivia Plender , Ryan Gander, Graham Gussin, Giorgio Sadotti and Jeremy Deller receiving Paul Hamlyn Awards; Bedwyr Williams was the Welsh artist in residence at the 2005 Venice Biennale ; Mark Wallinger representing Great Britain in the 2001 Venice Biennale; Paul Rooney (artist) winning 2009's Northern Art Prize; Karen Guthrie and Nina Pope winning
133-963: The Grizedale Arts programme include: Anna Best, Jordan Baseman, David Blandy , Kathrin Böhm , Simon Poulter, Marcus Coates, Karen Guthrie & Nina Pope , Duncan McLaren , Olivia Plender , Lorrice Douglas, Juneau/projects, Kerry Stewart, Daniel Sturgis , Emily Wardill , Graeme Roger, Rob Kesseler, Ken Russell , Kevin Reid, Jen Lui, Tim Olden, Simon & Tom Bloor, Matt Stokes , Nathaniel Mellors , Bedwyr Williams , public works, myvillages.org, Mark Wallinger , Jeremy Deller , Tim Olden, Olaf Breuning , Mark Gubb, Pablo Bronstein , Bryan & Laura Davies, Phil Collins , Spartacus Chetwynd, Harold Offeh, Jay Yung, Dorian Moore, Alex Frost , Guest Room & Barnaby Hosking. Notable successes among Grizedale alumni include Jeremy Deller and Mark Wallinger winning
152-496: The Grizedale Sculpture Trail, which became world renowned for its siting of environmental sculptures by young upcoming sculptors. Artists were given a 6-month residency in the forest to create sculptures in keeping and inspired by the location. Notable artists included David Nash , Robert Koenig and Andy Goldsworthy . Many sculptures remain and are accessible to the public. Forestry England have continued
171-612: The Library, designed by Liam Gillick. In 2020 the organisation was approached by the local community of Spark Bridge and Lowick to support the repurposing of a listed inn that was falling into disrepair, The Farmer's Arms. With a fundraising campaign that attracted the support of local and international donors and investors they purchased the pub and re-opened in 2021, offering - alongside food ands drink - arts, crafts and gardening classes as well as talks and events. Grizedale Arts' projects have included: Artists who have been involved with
190-577: The Northern Art Prize in 2008. editors Bill Grant & Paul Harris (1991). The Grizedale Experience: Sculpture, Arts & Theatre in a Lakeland Forest . Edinburgh: Canongate Press. ISBN 0-86241-354-0 . {{ cite book }} : |author= has generic name ( help ) Forestry Commission Too Many Requests If you report this error to the Wikimedia System Administrators, please include
209-467: The USA. Sturgis's paintings have been seen to be at the forefront of a contemporary critical evaluation in abstract art as shown in publications such as Painting Today , or his participation in symposia such as Contemporary Painting and History Tate 2009. Tony Godfrey writes: He belongs rather to all those artists who try to swim between high art and the popular, between art history and
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#1732790778608228-554: The board closed down The Theatre in the Forest at this time. The Gallery in the Forest was re-purposed as studio and pop-up exhibition space as the organisation re-orientated towards a younger, emergent generation of artists and their diverse and sometimes challenging ideas about the rural environment. The artworks produced at this time were not popular with visitors, some of whom sent complaint letters and even damaged Sutherland's car. The local residents of Satterthwaite, after being offered
247-414: The chance to create their own artwork for a billboard sculpture in the forest decided unanimously to burn it down instead. In 1999, Sutherland formed Grizedale Arts, merging it with the Grizedale Society to form a new organisation. In 2007, the organisation moved its base from Grizedale Forest to the historic hill farm of Lawson Park , overlooking Coniston Water. Once owned by John Ruskin and sporadically
266-615: The details below. Request from 172.68.168.226 via cp1108 cp1108, Varnish XID 240247747 Upstream caches: cp1108 int Error: 429, Too Many Requests at Thu, 28 Nov 2024 10:46:18 GMT Daniel Sturgis Daniel Sturgis (born 1966) is a British painter living and working in London , England. Daniel Sturgis was born in London , and studied art at the London College of Printing , Camberwell School of Arts and Crafts before going to Goldsmiths College , where he graduated with
285-416: The leaps of formal, spatial and representational faith that his work performs. He has thought a lot about not only the manner in which the language of abstraction has moved... from the exclusive realm of high modernism to the more inclusive space of design. Fully contributing to the current discourse in which abstraction can itself be understood as a subcategory of representation, the goal of Sturgis's paintings
304-597: The legacy of the Grizedale Society by continuing to commission artworks in the landscape . In 1990, the Society was awarded the Prudential Award for the Arts. "In tribute for a leap of imagination that has enriched our perception and understanding of art in the landscape.” Bill Grant retired in 1997. Diana Walters and David Fenn followed as directors until Adam Sutherland was appointed in 1999. For financial reasons,
323-616: The organisation had an office at The Coniston Institute, a village hub originating in Ruskin's era, which they had helped redevelop. With the Ruskin Museum and Hayatsu Architects, they led the commissioning and making of a bespoke interpretation booth for the coppermines heritage trail, sited permanently outside the Institute. They also initiated the Institute's Honest Shop, an unstaffed retail unit designed by Endless Supply, and revived
342-421: The present: Carl Ostendarp, Jonathan Lasker , David Reed , Mary Heilmann . Within Britain he feels closest to those eclectic figures who flatten things out: Peter Kinley , Patrick Caulfield . But the position he is in today, between art and design, between visual overload and reflection seems a crucial one. The critic Terry R Myers writes: I'm convinced that Sturgis has the art historical backbone to support
361-602: Was founded by Bill Grant OBE in 1968 to further the arts within the Grizedale forest. Bill worked as Head Forester for the Forestry Commission at the time. It initially concentrated on theatre and the visual arts. Bill created the Theatre in the Forest, a 230-seater venue, which attracted entertainers such as Sir Anthony Hopkins, Dame Judi Dench, Julian Lloyd Webber and Kenny Ball. In 1977, Bill also established
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