32-567: Grover is a blue Muppet character on the PBS / HBO children's television show Sesame Street . Self-described as lovable, cute, and furry, he is a blue monster who rarely uses contractions when he speaks or sings. Grover was originally performed by Frank Oz from his earliest appearances. Eric Jacobson has performed the character regularly from the year 1998 onwards. A prototype version of Grover appeared on The Ed Sullivan Show on Christmas Eve in 1967. This puppet had greenish-brown fur and
64-479: A cap and gown to provide educational context for simple, everyday things. His lessons are often wrong, leaving himself open to correction by a group of Muppets. Combined with the failings of the Super Grover character, this means that Grover can be very self-conscious and timid. He is often a source of slapstick humor and often accidentally injures himself. Early in the series, Grover would often greet Kermit
96-411: A clam with "two tickets to the thing you love" bit his nose and he rode a cow rather than a horse. Grover has a semi-secret superhero identity as the well-meaning but inept Super Grover , sometimes presented as the alter ego of Grover Kent, "ace doorknob salesman for Acme, Inc". Originally his superhero costume consisted of a pink cape and medieval knight's helmet, with a Superman -style crest on both
128-691: A comical predicament of his own. Super Grover has appeared in the Sesame Street theatrical films Follow That Bird (1985) and The Adventures of Elmo in Grouchland (1999), where it is revealed he stretches his arms out and spins into his costume in homage to Wonder Woman ), as well as the PBS special Don't Eat the Pictures (1983), where he first appears as regular Grover, but quickly changes into his costume in an attempt to make friends with
160-662: A red nose. He also had a raspier voice – somewhat like Cookie Monster's – and was played a bit more unkempt than Grover would later behave. The monster was referred to as "Gleep", a monster in Santa's workshop . He later made a cameo appearance in The Muppets on Puppets in 1968 with the Rock and Roll Monster. In 1969, clad in a necktie, he appeared in the Sesame Street Pitch Reel in the board-room sequences. During
192-460: A result of this decision, the appeal of the test episodes was lower than the target. The Street scenes were "the glue" that "pulled the show together", so producers knew they needed to make significant changes. The producers decided to reject the advisers' advice and reshot the Street segments; Henson and his coworkers created Muppets that could interact with the human actors, specifically Oscar
224-412: A rock to "The Things That Are Heavy Room", and just when he wonders whether it is possible to have a museum that holds everything in the whole wide world, he comes upon a door labeled "Everything Else", which opens to take him out into the world. As of 1996, Publishers Weekly ranked the book at 79 on their list of best-selling children's paperbacks, and Lou Harry of Indianapolis Business Journal included
256-471: A sequel to the book where Grover desperately tries to stop Elmo from reaching the end of the book, eventually directing him to leave the book and enter from the back. Therefore, when both of them reach the end, they wind up scaring each other. Another popular children's book, Would You like to Play Hide & Seek in This Book with Lovable, Furry Old Grover? , had Grover trying different ways to hide from
288-411: A speeding bullet. It's... Super Grover! With that, a fanfare sounds, Super Grover bursts through a paper wall bearing his crest, fruitlessly tries to move his helmet up off his eyes, and adds, "And I am cute, too!" Announcer: And now, on to our story. Super Grover: Yes! On to our story! From there, episodes followed a simple formula: Super Grover is flying somewhere over Metro City when he hears
320-404: A suit of armor (having no idea that there's no one inside it). For Sesame Street ' s 41st season in 2010, the character was revamped as Super Grover 2.0 , who debuted on Late Night with Jimmy Fallon , flying in and crash-landing behind the chair where he was meant to sit. His new costume consists of a Roman Centurion-style helmet with a spiked crest, a red cape, metal gauntlets and boots,
352-459: A utility belt, and a black rubber vest, most of which resembles bike racing gear. Both the cape and the vest are adorned with his crest, now with a lightning bolt added behind the "G". The helmet has a hinged visor which still tends to fall over Grover's eyes, and his tagline is: Super Grover 2.0 – He Shows Up! "Grover's Mommy" plays an integral but often unrecognized role on Sesame Street . She has been seen almost exclusively in print, including
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#1732780306953384-473: Is often renamed. [REDACTED] Media related to Grover (Muppet) at Wikimedia Commons List of Sesame Street Muppets The Sesame Street Muppets are a group of puppet characters created by Jim Henson , many for the purpose of appearing on the children's television program Sesame Street . Henson's involvement in Sesame Street began when he and Joan Ganz Cooney , one of the creators of
416-764: The Sesame Street Muppets and to split any revenue they generated with the Children's Television Workshop (renamed to the Sesame Workshop in 2000), the series' non-profit producer. The Muppets were a crucial part of the show's popularity and it brought Henson national attention. The Muppet segments of the show were popular since its premiere, and more Muppets were added during the first few seasons. The Muppets were effective teaching tools because children easily recognized them, they were predictable, and they appealed to adults and older siblings. During
448-460: The "Charlie's Restaurant" series of sketches aired for many years on Sesame Street . In the years since, new Grover-Mr. Johnson sketches have been produced, with Grover taking other customer service jobs and Mr. Johnson as his hapless customer. Every time, Mr. Johnson recognizes Grover as "that waiter from Charlie's". Grover's jobs have ranged from a taxi driver and a photographer to a flight attendant and singing telegram artist. One sketch parodied
480-584: The ABC television series Extreme Makeover: Home Edition in a segment where Grover began remodeling Mr. Johnson's home despite his express wishes. In another one, Mr. Johnson is the only patron, and Grover is the only actor, for a production of Spider-Monster: The Musical , a parody of the musical Spider-Man: Turn Off the Dark . The play is, of course, a complete calamity and finally comes crashing down on both of them. Grover also has an instructional persona who wears
512-485: The Frog by running up to him and shouting, "Hey, froggy babeee!" and then giving him a hard slap on the back, which knocked him over. "Global Grover" is a more recent series of segments, in which Grover hosts a trip to a foreign country to learn about their culture and customs. In 2010, Grover starred in a parody of an Old Spice Commercial called "Smell Like a Monster" based on " The Man Your Man Could Smell Like ", albeit
544-548: The Grouch and Big Bird , who became two of the show's most enduring characters. These test episodes were directly responsible for what writer Malcolm Gladwell called "the essence of Sesame Street —the artful blend of fluffy monsters and earnest adults". Since 2001, the full rights for the Muppets created for Sesame Street (which do not include Kermit the Frog ) have been owned by Sesame Workshop; Sesame continues to license
576-478: The book on his list of 12 examples of how Muppets have qualified as quality entertainment. The Adventures of Grover in Outer Space is a Sesame Street storybook featuring Grover that was published in 1984. When Grover Moved to Sesame Street was published in 1985. He was also featured in I Want a Hat Like That (1987, reprinted 1999). Sesame Street is modified for different national markets, and Grover
608-492: The cape and his T-shirt, bearing a letter "G" on his chest instead of "S". During the 1970s and 1980s, Sesame Street ran a series of Super Grover sketches spoofing the classic Adventures of Superman series (in the opening of these, his name was hyphenated "Super-Grover"). An announcer ( Jerry Nelson ) introduced each episode with the lines: Presenting the further adventures of everybody's favorite hero. The man who's faster than lightning, stronger than steel, and smarter than
640-442: The childhood audience basic concepts such as same and different, big and little, hot and cold, the alphabet, following directions and patience, among other things. This was even parodied in an episode of Monsterpiece Theater , where Grover had to keep rushing out of the kitchen to tell Johnson that they had run out of parts of his order. Naturally, Alistair Cookie introduced this performance as "Much Ado About Nothing". Repeats of
672-493: The children's book The Monster at the End of This Book (1971), Grover goes to great effort to keep the reader from turning the pages of the book, because there is a monster on the final page. Grover ties pages down, nails pages to the next one and builds a brick wall to block access; at the end it is discovered that the monster at the end of the book is Grover himself, who is mortified ("Oh, I am so embarrassed..."). The late 1990s saw
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#1732780306953704-422: The cries of a Muppet child in some small trouble and immediately sails in to assist. The excited child is quickly disillusioned as Super Grover crash-lands nearby. From there, Grover continues to be enthusiastic but no help whatsoever, his "dramatic" feats of strength or speed serving only to kill time while the child solves the problem on their own and wanders off. By then, Grover's efforts have usually landed him in
736-424: The early 1970s; here, Grover is employed as a waiter and Mr. Johnson is his customer. The sketches followed the same basic premise: Mr. Johnson would order a menu item, Grover would serve the customer, a disagreement results (usually) as a result of Grover's mistakes, and Grover attempting (often, more than once) to correct the mistake with varied degrees of success. Under this backdrop, the sketches served to teach
768-462: The first season of Sesame Street , the character was nicknamed "Fuzzyface" or "The Hairy One", though neither would be used for his actual name. The muppet was not yet the "cute" character he would become, and he was not all that different in personality from the other monsters with whom he interacted. In his book The Tipping Point , author Malcolm Gladwell notes that the character "was used in promotional films for IBM ". The puppet first received
800-480: The many illustrated books starring Grover. She was also occasionally seen in photographs, as a photo puppet, such as on the cover of Volume 4 of The Sesame Street Treasury . Over the course of time, her appearance has fluctuated greatly. Her earliest known appearance as a Muppet is a 1970s sketch in which Grover speaks to the audience about being afraid of the dark. At the end of the sketch, his mom ( Frank Oz ) enters his room to kiss him goodnight. In this appearance,
832-401: The more frequent sketch segments featuring Grover involves him taking a series of customer service jobs. One of his customers is always Mr. Johnson, a balding, mustachioed customer who invariably becomes frustrated at Grover's bumbling service and/or his (Grover's) insistence that he is serving him properly. The first Grover-Mr. Johnson series of sketches, set at "Charlie's Restaurant", aired in
864-478: The name "Grover" on May 1, 1970. In an appearance on The Ed Sullivan Show on May 31, 1970, the character acquired his present appearance with blue fur and a pink nose. In this appearance, Kermit the Frog tried to sing " What Kind of Fool Am I? " (accompanying himself on piano ), but Grover repeatedly interrupted him. The updated puppet was later used beginning in the second season of Sesame Street , by this point fully formed into his current identity. One of
896-520: The production of Sesame Street ' s first season, producers created five one-hour episodes to test the show's appeal to children and examine their comprehension of the material. Not intended for broadcast, they were presented to preschoolers in 60 homes throughout Philadelphia and in day care centers in New York City in July 1969. The results were "generally very positive"; children learned from
928-687: The puppet used for her is recycled from the early Grover puppet from the first season . Another early appearance (circa 1981) involves his mother ( Kathryn Mullen ) coming into the bathroom while Grover is telling the audience about how to take a bath. She has more recently appeared (performed by Stephanie D'Abruzzo ) in a brief Elmo's World sequence (from the "Families" episode), with her son as his alter-ego Super Grover, as her own alter-ego, "Super-Mommy". Grover crashlands, screaming "Moooommy!" and his mom follows shouting "Soooonny!" crashing on top of him. They recover, acknowledge each other, and almost hug, but they both fall down before they are able to. In
960-803: The reader, eventually getting upset and begging the reader to just say "no" they do not see him, even though he was just crouching down in a corner. In 1974, Grover went on a learning expedition in Grover and the Everything in the Whole Wide World Museum , written by Norman Stiles and Daniel Wilcox, and illustrated by Joe Mathieu. He tours rooms such as "The Long Thin Things You Can Write with Room", as well as "The Things That Make So Much Noise You Can't Think Room". Grover wanders through "The Things That Are Light Room", returns
992-521: The show, met in the summer of 1968, at one of the show's five three-day curriculum planning seminars in Boston . Author Christopher Finch reported that director Jon Stone , who had worked with Henson previously, felt that if they could not bring him on board, they should "make do without puppets". Henson was originally reluctant but agreed to join Sesame Street in support of its social goals. He also agreed to waive his performance fee for full ownership of
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1024-515: The shows, their appeal was high, and children's attention was sustained over the full hour. However, the researchers found that although children's attention was high during the Muppet segments, their interest wavered during the "Street" segments, when no Muppets were on screen. This was because the producers had followed the advice of child psychologists who were concerned that children would be confused if human actors and Muppets were shown together. As
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