Entwine was a Finnish gothic metal band from Lahti . Entwine played their last gig on 9 Nov 2019 at Lahti.
59-551: Entwine was originally assembled under the name Kaamos in 1995 by guitarist and vocalist Tom Mikkola, drummer Aksu Hanttu and bassist Teppo Taipale. They were originally a death metal band with harsh male vocals. In 1997 they decided to change their name to Entwine and their musical style to gothic metal/rock. Rhythm guitarist and vocalist Panu Willman was added to the band's line-up in 1997. In December of that same year, Entwine recorded its first demo entitled Divine Infinity . In February 1998 keyboard player Riitta Heikkonen joined
118-422: A recording contract . These demos are usually sent to record labels in hopes that the artist will be signed onto the label's roster and allowed to record a full-length album in a professional recording studio . However, large record labels usually ignore unsolicited demos that are sent to them by mail; artists generally must be more creative about getting the demos into the hands of the people who make decisions for
177-1144: A softsynth or virtual instrument (e.g., VSTi ) which converts the data to audio sound. Multitrack software may also provide other features that qualify it being called a digital audio workstation (DAW). These features may include various displays including showing the score of the music, as well as editing capability. There is often overlap between many of the categories of musical software. In this case, scorewriters and full-featured multitrackers such as DAWs have similar features for playback but may have less similarity for editing and recording. Multitrack recording software varies widely in price and capability. Popular multitrack recording software programs include: Reason , Ableton Live , FL Studio , Adobe Audition , Pro Tools , Digital Performer , Cakewalk Sonar , Samplitude , Nuendo , Cubase and Logic . Lower-cost alternatives include Mixcraft , REAPER and n-Track Studio . Open-source and free software programs are also available for multitrack recording. These range from very basic programs such as Jokosher to Ardour and Audacity , which are capable of performing many functions of
236-407: A submix ) onto two (or one) tracks of a multitrack recorder, allowing additional sound (tracks) to be layered on the remaining tracks. During multitracking, multiple musical instruments (and vocals) can be recorded, either one at a time or simultaneously, onto individual tracks, so that the sounds thus recorded can be accessed, processed and manipulated individually to produce the desired results. In
295-447: A band may start with just the drums is because this allows the band to pick the song's key later on. The producer and the musicians can experiment with the song's key and arrangement against the basic rhythm track. Also, though the drums might eventually be mixed down to a couple of tracks, each individual drum and percussion instrument might be initially recorded to its own individual track. The drums and percussion combined can occupy
354-402: A band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and each individual drum in the kit can all be recorded separately using a multitrack recorder. This allows each track to be fine-tuned individually, such as increasing the voice or lowering the chimes, before combining them into the final product. Prior to
413-450: A built-in feature of other audio equipment. Software for multitrack recording can record multiple tracks at once. It generally uses graphic notation for an interface and offers a number of views of the music. Most multitrackers also provide audio playback capability. Some multitrack software also provides MIDI playback functions not just for audio; during playback the MIDI data is sent to
472-538: A computer and audio recording software. Multi-track recording devices vary in their specifications, such as the number of simultaneous tracks available for recording at any one time; in the case of tape-based systems this is limited by, among other factors, the physical size of the tape employed. With the introduction of SMPTE timecode in the early 1970s, engineers began to use computers to perfectly synchronize separate audio and video playback, or multiple audio tape machines. In this system, one track of each machine carried
531-443: A full-length album. With the evolution of the access to software allowing musicians to produce high quality music on their own, the amount of music released every day has skyrocketed. With over 100,000 new songs released on Spotify every day, the level of quality required for demos to convince record labels has also increased, and the limits between demos and actual finished recordings have become blurrier. Demos are seldom heard by
590-725: A high-end laptop computer . Though magnetic tape has not been replaced as a recording medium, the advantages of non-linear editing (NLE) and recording have resulted in digital systems largely superseding tape. Even in the 2010s, with digital multitracking being the dominant technology, the original word track is still used by audio engineers. Multitracking can be achieved with analogue recording , tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk -based systems often employing
649-415: A large number of tracks utilized in a recording. This is done so that each percussion instrument can be processed individually for maximum effect. Equalization (or EQ) is often used on individual drums, to bring out each one's characteristic sound. The last tracks recorded are often the vocals (though a temporary vocal track may be recorded early on either as a reference or to guide subsequent musicians; this
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#1732780472211708-420: A lot of planning ahead of time, a lot of gear to carry and set up, a lot of waiting, and then a lot of hectic activity over the next 40 minutes or so! There is little doubt that a pseudolive studio performance can enhance certain forms of music, particularly those with a lot of intensity in the live performance, but it still lacks the atmosphere of a real gig. You may record the moment with a portable setup during
767-406: A mainstream recording technique. Since the early 1990s, many performers have recorded music using only a Mac or PC equipped with multitrack recording software as a tracking machine. The computer must have a sound card or other type of audio interface with one or more Analog-to-digital converters . Microphones are needed to record the sounds of vocalists or acoustic instruments. Depending on
826-487: A major effect on recording quality. A single studio-quality microphone can cost $ 5,000 or more, while consumer-quality recording microphones can be bought for less than $ 50 each. Microphones also need some type of microphone preamplifier to prepare the signal for use by other equipment. These preamplifiers can also have a major effect on the sound and come in different price ranges, physical configurations, and capability levels. Microphone preamplifiers may be external units or
885-402: A mistake in it, and wanted to replace it, one could do so by re-recording only the guitar part (i.e., re-recording only the track on which the guitar was recorded), rather than re-recording the entire song. If all the voices and instruments in a recording are individually recorded on distinct tracks, then the artist is able to retain complete control over the final sculpting of the song, during
944-407: A single track ('mixed down'), they were previously considered inseparable. More recent software allows sound source separation, whereby individual instruments, voices and effects can be upmixed — isolated from a single-track source — in high quality. This has permitted the production of stereophonic or surround sound mixes of recordings that were originally mastered and released in mono. The process
1003-404: A solo melody has its own microphone, the different microphones can record on multiple tracks simultaneously. After recording the orchestra, the record producer and conductor can adjust the balance and tone of the different instrument sections and solo instruments, because each section and solo instrument was recorded to its own track. With the rock or pop band example, after recording some parts of
1062-407: A song, an artist might listen to only the guitar part, by muting all the tracks except the one on which the guitar was recorded. If one then wanted to listen to the lead vocals in isolation, one would do so by muting all the tracks apart from the lead vocals track. If one wanted to listen to the entire song, one could do so by un-muting all the tracks. If one did not like the guitar part, or found
1121-478: A very low price. Amateur (and some professional) musicians may choose to make demos available to interested listeners through websites such as SoundCloud or Bandcamp in order to share new ideas, receive feedback and/or provide fans with "behind the scenes" access to the songwriting process. In 1977, punk band the Sex Pistols released an album of demos called Spunk , which has been comparared favourably to
1180-625: Is built into the computer motherboard . The most sophisticated audio interfaces are external units of professional studio quality which can cost thousands of dollars. Professional interfaces usually use one or more IEEE 1394 (commonly known as FireWire) connections. Other types of interfaces may use internal PCI cards, or external USB connections. Popular manufacturers of high-quality interfaces include Apogee Electronics , Avid Audio (formerly Digidesign), Echo Digital Audio, Focusrite , MOTU , RME Audio, M-Audio and PreSonus . Microphones are often designed for highly specific applications and have
1239-411: Is chosen as the recording method (as opposed to direct to stereo, for example), a different arrangement is used; all tracks are recorded simultaneously. Sound barriers are often placed between different groups within the orchestra, e.g. pianists, violinists, percussionists, etc. When barriers are used, these groups listen to each other via headphones . Multitrack live recording is a lot like gigging –
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#17327804722111298-409: Is satisfied with the recorded sound finished tracks can be mixed into a new stereo pair of tracks within the multitrack recording software. Finally, the final stereo recording can be written to a CD, which can be copied and distributed. In modern popular songs, drums , percussion instruments and electric bass are often among the first instruments to be recorded. These are the core instruments of
1357-500: Is sometimes called a guide vocal , ghost vocal or scratch vocal ). One reason for this is that singers will often temper their vocal expression in accordance with the accompaniment. Producers and songwriters can also use the guide/scratch vocal when they have not quite ironed out all the lyrics or for flexibility based on who sings the lead vocal (as The Alan Parsons Project 's Eric Woolfson often did). For classical and jazz recordings, particularly instrumentals where multitracking
1416-444: The rhythm section . Musicians recording later tracks use the precise attack of the drum sounds as a rhythmic guide. In some styles, the drums may be recorded for a few bars and then looped. Click ( metronome ) tracks are also often used as the first sound to be recorded, especially when the drummer is not available for the initial recording, and/or the final mix will be synchronized with motion picture and/or video images. One reason that
1475-484: The 2010s, many rock and pop bands record each part of the song one after the other. First, the bass and drums are often recorded, followed by the chordal rhythm section instruments. Then the lead vocals and guitar solos are added. As a last step, the harmony vocals are added. On the other hand, orchestras are always recorded with all 70 to 100 instrumentalists playing their parts simultaneously. If each group of instrument has its own microphone, and each instrument with
1534-576: The 3M and Mitsubishi X-800 32-track machines, and Sony DASH PCM-3324 and later the PCM-3348 machines, which allowed greater flexibility with more available tracks for recording. As well, in order to mix using automation on the console, analogue recorders generally required adjacent tracks to the time code track to be kept blank to avoid the time code signal interfering with the audio signals, which limited available tracks to 22 or 23 track at most. Digital multitrack machines had time code inserted elsewhere on
1593-623: The Beatles' self-titled ninth album . The Beach Boys ' Pet Sounds also made innovative use of multitracking with eight-track machines of the day (circa 1965). Motown also began recording with eight-track machines in 1965, before moving to 16-track machines in mid-1969. Multitrack recording also allows any recording artist to record multiple takes of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional takes of songs or instrumental tracks. A recording engineer can record only
1652-634: The Machine (" What the Water Gave Me ", among others) and Cults on the EP Sunday Jams . The event of a demo tape appearing on eBay has happened in the past, with the recordings being leaked onto the internet. In rare instances, a demo may end up as the final released recording of a song, as was the case with Foster the People 's " Pumped Up Kicks ". The version of "Pumped Up Kicks" that
1711-401: The artist could blend and alter all of the instrument and vocal sounds with complete freedom. Multitracking a song also leaves open the possibilities of remixes by the same or future artists, such as DJs . If the song was not available in a multitrack format recording, the job of the remixing artist was very difficult, or impossible, because, once the tracks had been re-recorded together onto
1770-400: The band citing personal reasons. No replacement is planned. On May 3, 2008, Entwine announced that they had begun work on their sixth studio album which was produced by Hiili Hiilesmaa ( HIM , Apocalyptica , Sentenced ). The album was set to be released on January 14, 2009, but was pushed back to the 28th. With the title Painstained. A compilation album was released on June 23, 2010, with
1829-747: The band's gothic roots and opting for a heavier style. This new style incorporated heavy, de-tuned rhythm guitars alongside more melodic vocals than in previous albums. The band's first single "Bitter Sweet" reached No. 3 on the "Finnish Single Charts" and the album itself reached No. 11 on the "Official Chart of Finland". Entwine released in August 2005 an EP containing five tracks, entitled Sliver . In August 2006 Entwine released their fifth album entitled Fatal Design and toured in Europe with German gothic rock band Zeraphine . On December 8, 2006, keyboardist Riitta Heikkonen announced her departure from
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1888-621: The band. Entwine's debut album Treasures Within Hearts was released in September 1999. In April 2000 both Willman and Taipale left the band, with the latter being replaced by Joni Miettinen. Vocalist Mika Tauriainen was added to the band in the following month. The band's next album Gone was released in April 2001. It received the award of "Album of the Month" from German magazine Hammer and
1947-460: The capabilities of the system, some instruments, such as a synthesizer or electric guitar , can also be sent to an interface directly using Line level or MIDI inputs. Direct inputs eliminate the need for microphones and can provide another range of sound control options. There are tremendous differences in computer audio interfaces. Such units vary widely in price, sound quality, and flexibility. The most basic interfaces use audio circuitry that
2006-408: The development of multitracking, the sound recording process required all of the singers, band instrumentalists, and/or orchestra accompanists to perform at the same time in the same space. Multitrack recording was a significant technical improvement as it allowed studio engineers to record all of the instruments and vocals for a piece of music separately. Multitracking allowed the engineer to adjust
2065-481: The device will be used for each instrument, voice, or other input and can even blend one track with two instruments to vary the music and sound options available. At any given point on the tape, any of the tracks on the recording device can be recording or playing back using sel-sync or Selective Synchronous recording. This allows an artist to be able to record onto track 2 and, simultaneously, listen to track 1, 3 and 7, allowing them to sing or to play an accompaniment to
2124-409: The levels and tone of each individual track, and if necessary, redo certain tracks or overdub parts of the track to correct errors or get a better take . Also, different electronic effects such as reverb could be applied to specific tracks, such as the lead vocals , while not being applied to other tracks where this effect would not be desirable (e.g., on the electric bass ). Multitrack recording
2183-556: The mid-1950s when the idea of simultaneously recording different audio channels to separate discrete tracks on the same reel-to-reel tape was developed. A track was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized . A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example,
2242-466: The mix-down (re-recording to two stereo tracks for mass distribution) phase. For example, if an artist wanted to apply one effects unit to a synthesizer part, a different effect to a guitar part, a chorused reverb effect to the lead vocals, and different effects to all the drums and percussion instruments, they could not do so if they had all been originally recorded together onto the same track. However, if they had been recorded onto separate tracks, then
2301-464: The most common being five tracks, with an additional low-frequency effects track, hence the 5.1 surround sound most commonly available on DVDs.) Most of the records, CDs and cassettes commercially available in a music store are recordings that were originally recorded on multiple tracks, and then mixed down to stereo. In some rare cases, as when an older song is technically updated , these stereo (or mono ) mixes can in turn be recorded (as if it were
2360-403: The most sophisticated programs. Instruments and voices are usually recorded as individual files on a computer hard drive. These function as tracks which can be added, removed or processed in many ways. Effects such as reverb , chorus , and delays can be applied by electronic devices or by computer software. Such effects are used to shape the sound as desired by the producer. When the producer
2419-495: The name Rough n' Stripped. The band announced in January 2014 that they had begun recording their seventh album. On December 22, 2014, the vocals were completed. On May 12, 2015, Entwine stated that they were in the final stages of programming, mixing and mastering the album. On June 25, 2015, the band announced on their official Facebook page that the album had been completed and was now ready for release. The album, Chaotic Nation
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2478-412: The original tracks erased, making more room for more tracks to be reused for fresh recording. In 1963, the Beatles were using twin track for Please Please Me . The Beatles' producer George Martin used this technique extensively to achieve multiple-track results, while still being limited to using only multiple four-track machines, until an eight-track machine became available during the recording of
2537-547: The performance already recorded on these tracks. They might then record an alternate version on track 4 while listening to the other tracks. All the tracks can then be played back in perfect synchrony, as if they had originally been played and recorded together. This can be repeated until all of the available tracks have been used, or in some cases, reused. During mixdown, a separate set of playback heads with higher fidelity are used. Before all tracks are filled, any number of existing tracks can be bounced into one or two tracks, and
2596-500: The performance. You can produce wonderful live recordings with just two microphones and a building's inherent acoustics, but that will have to wait for another day. Taking a feed from the front of house (or FOH) desk directly to tape or DAT is another technique of live recording, although this will only work in large venues where everything is run through the PA system. Even so, a loud backline will result in less guitar and bass being routed via
2655-530: The production of their only studio album Never Mind the Bollocks, Here's the Sex Pistols . Multitrack recording Multitrack recording ( MTR ), also known as multitracking , is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in
2714-526: The public, although some artists do eventually release rough demos in compilation albums or box sets , such as the album Demolicious by Green Day . Other demo versions have been unofficially released as bootleg recordings , such as the Beatles ' bootleg demos and the Beach Boys ' Sea of Tunes series. Several artists have eventually made official releases of demo versions of their songs as albums or companion pieces to albums, such as Florence and
2773-412: The record company. Many signed bands and artists record demos of new songs before recording an album. The demos may allow the artist to provide sketches for sharing ideas with bandmates, or to explore several alternate versions of a song, or to quickly record many proto-songs before deciding which ones merit further development. Demos may include as few as one or two songs or as many as would be contained on
2832-440: The section being worked on, without erasing any other section of that track. This process of turning the recording mechanism on and off is called punching in and punching out . When recording is completed, the many tracks are mixed down through a mixing console to a two-track stereo recorder in a format which can then be duplicated and distributed. (Movie and DVD soundtracks can be mixed down to four or more tracks, as needed,
2891-612: The song "New Dawn" entered the "Finnish Single Charts" in one of the top ten positions. Jaani Kähkönen joined the band as a live session guitarist in late 2001, but soon became a permanent member of Entwine. In early 2002 the band recorded their third album, Time of Despair , which was produced by Anssi Kippo . Entwine then toured Europe with Theatre of Tragedy and Ram-Zet to promote this release. In 2003 Entwine recorded their fourth album, diEversity , released in March 2004. This album showed an evolution on their sound, abandoning some of
2950-546: The songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders , small four- or eight-track machines , or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded with minimal instrumentation, usually just an acoustic guitar or piano and
3009-480: The tape, and thus did not require allocating it to an audio track, which meant all tracks were available for recording. What's more, in the case of the PCM-3348, which doubled the number of tracks from the PCM-3324, both machines could use the same ½” digital tape, and also a 24-track reel first recorded on a PCM-3324 was able to be used on a PCM-3348 and have another 24 tracks overdubbed. For computer-based systems,
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#17327804722113068-445: The timecode signal, while the remaining tracks were available for sound recording. Some large studios were able to link multiple 24-track machines together. An extreme example of this occurred in 1982, when the rock group Toto recorded parts of Toto IV on three synchronized 24-track machines. This setup theoretically provided for up to 69 audio tracks. In the late 1970s and 1980s, digital multitrack tape machines emerged, including
3127-484: The track backwards for an unusual effect. In the 1980s and 1990s, computers provided means by which both sound recording and reproduction could be digitized , revolutionizing audio recording and distribution. In the 2000s, multitracking hardware and software for computers was of sufficient quality to be widely used for high-end audio recordings by both professional sound engineers and by bands recording without studios using widely available programs, which can be used on
3186-417: The trend in the 2000s is towards unlimited numbers of record/playback tracks, although issues such as RAM memory and CPU available do limit this from machine to machine. Moreover, on computer-based systems, the number of simultaneously available recording tracks is limited by the number of sound card discrete analog or digital inputs. When recording, audio engineers can select which track (or tracks) on
3245-460: The vocals. Both Elton John and Donovan gained studio experience early in their careers by recording publishers' demos for other artists since their managers also handled music publishing, as did Garth Brooks , who was so impressed when recording the demo of " Friends in Low Places " that he asked to release the song himself. Many unsigned bands and artists record demos in order to obtain
3304-585: Was conceived and developed by Ross Snyder at Ampex in 1955 resulting in the first Sel-Sync machine, an 8-track machine which used one-inch tape. This 8-track recorder was sold to the American guitarist, songwriter, luthier, and inventor Les Paul for $ 10,000. It became known as the Octopus. Les Paul, Mary Ford and Patti Page used the technology in the late 1950s to enhance vocals and instruments . From these beginnings, it evolved in subsequent decades into
3363-655: Was eventually released on 2 October 2015. Current members Former members Timeline Demo (music) A demo (shortened from " demonstration ") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape , compact disc , or digital audio files , and to thereby pass along those ideas to record labels , producers , or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers , or simply for personal reference during
3422-401: Was much more than a technical innovation; it also enabled record producers and artists to create new sounds that would be impossible to create outside of the studio, such as a lead singer adding many harmony vocals with their own voice to their own lead vocal part, an electric guitar player playing many harmony parts along with their own guitar solo , or even recording the drums and replaying
3481-545: Was released as a single and subsequently became a hit was a demo recorded by frontman Mark Foster alone, before he had formed the group. In 1982, Bruce Springsteen recorded ten demo songs in his bedroom that he intended to later record with his E Street Band , but he subsequently decided that he preferred the acoustic demos and released them as the 1982 album Nebraska . In more underground forms of music, such as noise music , black metal or punk rock , demos are often distributed by bands to fans as self-releases or sold at
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