Eadfrith of Lindisfarne (died 721), also known as Saint Eadfrith , was Bishop of Lindisfarne , probably from 698 onwards. By the twelfth century it was believed that Eadfrith succeeded Eadberht and nothing in the surviving records contradicts this belief. Lindisfarne was among the main religious sites of the kingdom of Northumbria in the early eighth century, the resting place of Saints Aidan and Cuthbert . He is venerated as a Saint in the Roman Catholic Church , and in the Eastern Orthodox Church , as also in the Anglican Communion .
32-514: A colophon added to the Lindisfarne Gospels in the tenth century states that Eadfrith was the scribe and artist responsible for the work. The Lindisfarne Gospels were the product of a single scribe and illustrator, working full-time over a period of about two years. For this reason, many historians who accept that the work was authored by Eadfrith in person date it to the period before he became bishop. Not all historians accept that he
64-432: A directive colophon: Example of a declarative colophon: The term is also applied to clay tablet inscriptions appended by a scribe to the end of an Ancient Near East ( e.g. , Early/Middle/Late Babylonian , Assyrian , Canaanite ) text such as a chapter, book, manuscript, or record. The colophon usually contained facts relative to the text such as associated person(s) ( e.g. , the scribe, owner, or commissioner of
96-401: A colophon was after the explicit (the end of the text, often after any index or register). Colophons sometimes contained book curses , as this was the one place in a medieval manuscript where a scribe was free to write what he wished. Such curses tend to be unique to each book. After around 1500 these data were often transferred to the title page , which sometimes existed in parallel with
128-581: A colophon, so that colophons grew generally less common in the 16th century. The statements of printing which appeared, under the terms of the Unlawful Societies Act 1799 ( 39 Geo. 3 . c. 79), on the verso of the title leaf and final page of each book printed in Great Britain in the 19th century are not, strictly speaking, colophons, and are better referred to as "printers' imprints" or "printer statements". In some parts of
160-399: A later (and incorrect) chapter division makes this verse a heading for the following chapter instead of interpreting it properly as a colophon or summary for the preceding two chapters, and Genesis 37:2a, a colophon that concludes the histories ( toledot ) of Jacob . An extensive study of the eleven colophons found in the book of Genesis was done by Percy John Wiseman. Wiseman's study of
192-400: A new home at Chester-le-Street , where they remained for a century. In 995 the relics were translated to Durham Cathedral . At Durham Eadfrith, along with his predecessor Eadberht and successor Æthelwold , was commemorated on 4 June. Colophon (publishing) In publishing, a colophon ( / ˈ k ɒ l ə f ən , - f ɒ n / ) is a brief statement containing information about
224-468: A sophisticated accounting system. In this cultural region, tablets were never fired deliberately as the clay was recycled on an annual basis. However, some of the tablets were "fired" as a result of uncontrolled fires in the buildings where they were stored. The rest, remain tablets of unfired clay and are therefore extremely fragile. For this reason, some institutions are investigating the possibility of firing them now to aid in their preservation. Writing
256-569: Is known as pictograms . Pictograms are symbols that express a pictorial concept, a logogram , as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs . Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms . Text on clay tablets took
288-911: The Ancient Near East , clay tablets ( Akkadian ṭuppu(m) 𒁾 ) were used as a writing medium, especially for writing in cuneiform , throughout the Bronze Age and well into the Iron Age . Cuneiform characters were imprinted on a wet clay tablet with a stylus often made of reed ( reed pen ). Once written upon, many tablets were dried in the sun or air, remaining fragile. Later, these unfired clay tablets could be soaked in water and recycled into new clean tablets. Other tablets, once written, were either deliberately fired in hot kilns , or inadvertently fired when buildings were burnt down by accident or during conflict, making them hard and durable. Collections of these clay documents made up
320-543: The imprint page in a modern book. Examples of colophons in ancient literature may be found in the compilation The Ancient Near East: Supplementary Texts and Pictures Relating to the Old Testament (2nd ed., 1969). Colophons are also found in the Pentateuch , where an understanding of this ancient literary convention illuminates passages that are otherwise unclear or incoherent. Examples are Numbers 3:1, where
352-651: The title page or on the verso of the title leaf, which is sometimes called a biblio page or (when bearing copyright data) the copyright page . The term colophon derives from the Late Latin colophōn , from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his The General History of Printing, from Its first Invention in
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#1732775355369384-516: The City of Mentz to Its first Progress and Propagation thro' the most celebrated Cities in Europe. Thereafter, colophon has been the common designation for the final page that gives details of the physical creation of the book. The existence of colophons can be traced back to antiquity. Zetzel, for example, describes an inscription from the 2nd century A.D., preserved in humanistic manuscripts. He cites
416-522: The Genesis colophons, sometimes described as the Wiseman hypothesis , has a detailed examination of the catch phrases mentioned above that were used in literature of the second millennium B.C. and earlier in tying together the various accounts in a series of tablets. In early printed books the colophon, when present, was a brief description of the printing and publication of the book, giving some or all of
448-558: The book's designer, the software used, the printing method, the printing company, the typeface(s) used in the page design and the kind of ink, paper, and its cotton content. Book publishers Alfred A. Knopf , the Folio Society and O'Reilly Media are notable for their substantial colophons. Some web pages also have colophons, which frequently contain ( X ) HTML , CSS , or usability standards compliance information and links to website validation tests. Clay tablet In
480-407: The clay tablet. Some of the recipes were stew, which was made with goat, garlic, onions and sour milk. By the end of the 3rd Millennium BCE, (2200–2000 BCE), even the "short story" was first attempted, as independent scribes entered into the philosophical arena, with stories like: " Debate between bird and fish ", and other topics, ( List of Sumerian debates ). Communication grew faster as now there
512-428: The clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what
544-507: The colophon from Poggio's manuscript, a humanist from the 15th century: Statili(us) / maximus rursum em(en)daui ad tyrone(m) et laecanianu(m) et dom̅ & alios ueteres. III. ( ‘I, Statilius Maximus, have for the second time revised the text according to Tiro, Laecanianus, Domitius and three others.’ ) A common colophon at the end of hand copied manuscripts was simply "Finished, thank God." Colophons can be categorized into four groups. Examples of expressive colophons: Example of
576-546: The first archives. They were at the root of the first libraries . Tens of thousands of written tablets, including many fragments, have been found in the Middle East. Surviving tablet-based documents from the Minoan / Mycenaean civilizations, are mainly those which were used for accounting. Tablets serving as labels with the impression of the side of a wicker basket on the back, and tablets showing yearly summaries, suggest
608-454: The following data: the date of publication, the place of publication or printing (sometimes including the address as well as the city name), the name(s) of the printer(s), and the name(s) of the publisher(s), if different. Sometimes additional information, such as the name of a proofreader or editor, or other more-or-less relevant details, might be added. A colophon might also be emblematic or pictorial rather than in words. The normal position for
640-407: The forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals. What these clay tablets allowed was for individuals to record who and what was significant. An example of these great stories was Epic of Gilgamesh . This story would tell of the great flood that destroyed Sumer. Remedies and recipes that would have been unknown were then possible because of
672-487: The main architect of the cult of St Cuthbert. Contemporary witnesses to Eadberht's episcopacy portray him as a supporter of the cult of Saint Cuthbert . He commissioned three lives of the Saint, the first by an anonymous writer, written between 699 and 705. This Anonymous Life of Saint Cuthbert was revised on Eadfrith's orders by Bede , writing around 720, to produce both prose and verse lives. Eadfrith also oversaw
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#1732775355369704-460: The publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device ( logo ) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on
736-512: The restoration of the hermitage on Farne where Cuthbert had often lived. He is named in Æthelwulf's ninth century poem De abbatibus as having advised Eanmund, first abbot of a monastery—its name and location are unknown—founded during the reign of King Osred . When Lindisfarne was abandoned in the late ninth century, Eadfrith's remains were among those taken on the community's long wanderings through Northumbria. The relics of Saint Cuthbert, and those of Eadfrith along with them, eventually found
768-400: The rise and perpetuation of printing for Armenians. With the development of the private press movement from around 1890, colophons became conventional in private press books, and often included a good deal of additional information on the book, including statements of limitation, data on paper, ink, type, and binding, and other technical details. Some such books include a separate "Note about
800-452: The tablet were carbon dated ) to before 4000 BCE, and possibly dating from as long ago as 5500 BCE, but their interpretation remains controversial because the tablets were fired in a furnace and the properties of the carbon changed accordingly. Fragments of tablets containing the Epic of Gilgamesh dating to 1800–1600 BCE have been discovered. A full version has been found on tablets dated to
832-413: The tablet), literary contents ( e.g. , a title , "catch phrases" (repeated phrases), or number of lines), and occasion or purpose of writing. Colophons and catch phrases helped the reader organize and identify various tablets, and keep related tablets together. Positionally, colophons on ancient tablets are comparable to a signature line in modern times. Bibliographically, however, they more closely resemble
864-539: The trade of sheep, grain, and bread loaves, where transactions were recorded with clay tokens. These, initially very small clay tokens, were continually used all the way from the pre-historic Mesopotamia period, 9000 BCE, to the start of the historic period around 3000 BCE, when the use of writing for recording was widely adopted. The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on
896-433: The type", which will identify the names of the primary typefaces used, provide a brief description of the type's history, and a brief statement about its most identifiable physical characteristics. Some commercial publishers took up the use of colophons and began to include similar details in their books, either at the end of the text (the traditional position) or on the verso of the title leaf. Such colophons might identify
928-423: The world, colophons helped fledgling printers and printing companies gain social recognition. For example, in early modern Armenia printers used colophons as a way to gain "prestige power" by getting their name out into the social sphere. The use of colophons in early modern Armenian print culture is significant as well because it signaled the rate of decline in manuscript production and scriptoria use, and conversely
960-508: Was a way to get messages across just like mail. Important and private clay tablets were coated with an extra layer of clay, that no one else would read it. This means of communicating was used for over 3000 years in fifteen different languages. Sumerians, Babylonians and Eblaites all had their own clay tablet libraries. The Tărtăria tablets , the Danubian civilization , may be still older, having been dated by indirect method (bones found near
992-522: Was not as we see it today. In Mesopotamia, writing began as simple counting marks, sometimes alongside a non-arbitrary sign, in the form of a simple image, pressed into clay tokens or less commonly cut into wood, stone or pots. In that way, the exact number of goods involved in a transaction could be recorded. This convention began when people developed agriculture and settled into permanent communities that were centered on increasingly large and organized trading marketplaces. These marketplaces were purposed for
Eadfrith of Lindisfarne - Misplaced Pages Continue
1024-478: Was the scribe: some argue that he may have commissioned the work rather than creating it in person; some reject the association as an unreliable tradition. Michelle Brown, "Lindisfarne Gospels" argues for Eadfrith being the artist and scribe, working on it as eremitic devotional act in the Columban tradition from 715-722 (dated on textual grounds of the liturgies marked by initials therein and historical context), and
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