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74-465: Originally built in 1832 in Greek Revival / Italianate style, the hall was slated for demolition by the time the club's members purchased it in 1889. Since then it has served for over a century as the organization's home and performance venue. The Trustees of Eliot Hall were formed by the group in the 1980s to oversee renovations to the deteriorating building, saving it from closure, and in 1988 it

148-569: A Selinote (1851). The controversy was to inspire von Klenze's "Aegina" room at the Munich Glyptothek of 1830, the first of his many speculative reconstructions of Greek colour. Hittorff lectured in Paris in 1829–1830 that Greek temples had originally been painted ochre yellow, with the moulding and sculptural details in red, blue, green and gold. While this may or may not have been the case with older wooden or plain stone temples, it

222-587: A competition for a monument to the king that would promote "morality and patriotism." Friedrich Gilly 's unexecuted design for a temple raised above the Leipziger Platz caught the tenor of high idealism that the Germans sought in Greek architecture and was enormously influential on Karl Friedrich Schinkel and Leo von Klenze . Schinkel was in a position to stamp his mark on Berlin after the catastrophe of

296-473: A deliberate riposte to France, where it never really caught on. By comparison, Greek Revival architecture in France was never popular with either the state or the public. What little there is started with Charles de Wailly 's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux 's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to

370-680: A ring. Crown moldings soften transitions between frieze and cornice and emphasize the upper edge of the abacus , which is the upper part of the capital. Roman Doric columns also have moldings at their bases and stand on low square pads or are even raised on plinths . In the Roman Doric mode, columns are not usually fluted; indeed, fluting is rare. Since the Romans did not insist on a triglyph covered corner, now both columns and triglyphs could be arranged equidistantly again and centered together. The architrave corner needed to be left "blank", which

444-549: A triglyph form the corner, and filled it with a half ( demi -) metope, allowing triglyphs centered over columns ( illustration, right, V. ). There are many theories as to the origins of the Doric order in temples. The term Doric is believed to have originated from the Greek-speaking Dorian tribes. One belief is that the Doric order is the result of early wood prototypes of previous temples. With no hard proof and

518-535: Is a stub . You can help Misplaced Pages by expanding it . Greek Revival architecture Greek Revival architecture was a style that began in the middle of the 18th century but which particularly flourished in the late 18th and early 19th centuries, predominantly in northern Europe , the United States , and Canada , as well as in Greece itself following its independence in 1821. It revived many aspects of

592-449: Is illustrated at Vitruvian module . According to Vitruvius, the height of Doric columns is six or seven times the diameter at the base. This gives the Doric columns a shorter, thicker look than Ionic columns, which have 8:1 proportions. It is suggested that these proportions give the Doric columns a masculine appearance, whereas the more slender Ionic columns appear to represent a more feminine look. This sense of masculinity and femininity

666-681: Is sometimes referred to as a half, or demi- , metope ( illustration, V. , in Spacing the Columns above ). The Roman architect Vitruvius , following contemporary practice, outlined in his treatise the procedure for laying out constructions based on a module, which he took to be one half a column's diameter, taken at the base. An illustration of Andrea Palladio 's Doric order, as it was laid out, with modules identified, by Isaac Ware, in The Four Books of Palladio's Architecture (London, 1738)

740-792: Is tempting to see the Greek Revival as the expression of Regency authoritarianism, then the changing conditions of life in Britain made Doric the loser of the Battle of the Styles , dramatically symbolized by the selection of Charles Barry 's Gothic design for the Palace of Westminster in 1836. Nevertheless, Greek continued to be in favour in Scotland well into the 1870s in the singular figure of Alexander Thomson , known as Greek Thomson. Following

814-593: The Academy and University of Athens , the Zappeion , and the National Library of Greece . The most prominent architects in this style were northern Europeans such as Christian and Theophil Hansen and Ernst Ziller and German-trained Greeks such as Stamatios Kleanthis and Panagis Kalkos . Despite the prestige of ancient Greece among Europe's educated elite, most people had minimal direct knowledge of

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888-511: The Act of Union , the Napoleonic Wars , and the clamour for political reform. William Wilkins 's winning design for the public competition for Downing College, Cambridge announced the Greek style was to become a dominant idiom in architecture, especially for public buildings of this sort. Wilkins and Robert Smirke went on to build some of the most important buildings of the era, including

962-595: The Bank of Pennsylvania . Latrobe's design for the U.S. Capitol was an imaginative interpretation of the classical orders not constrained by historical precedent, incorporating American motifs such as corncobs and tobacco leaves. This idiosyncratic approach became typical of the American attitude to Greek detailing. His overall plan for the Capitol did not survive, though many of his interiors did. He also did notable work on

1036-652: The Greek War of Independence , Romantic Nationalist ideology encouraged the use of historically Greek architectural styles in place of Ottoman or pan-European ones. Classical architecture was used for secular public buildings, while Byzantine architecture was preferred for churches. Examples of Greek Revival architecture in Greece include the Old Royal Palace (now the home of the Parliament of Greece ),

1110-539: The Ionic and the Corinthian . The Doric is most easily recognized by the simple circular capitals at the top of the columns . Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted , and had no base, dropping straight into the stylobate or platform on which

1184-686: The Monumental Church and the Washington Monument , as well as George Hadfield and Gabriel Manigault . At the same time, the popular appetite for the Greek was sustained by architectural pattern books, the most important of which was Asher Benjamin's The Practical House Carpenter (1830). This guide helped create the proliferation of Greek homes seen especially in northern New York State and in Connecticut's former Western Reserve in northeastern Ohio . The discovery that

1258-572: The Porte , British travellers, artists and architects went to Greece and Turkey in ever larger numbers to study ancient Greek monuments and excavate or collect antiquities. The Greek War of Independence ended in 1832; Lord Byron 's participation and death during this had brought it additional prominence. The style was attractive in Russia because they shared the Eastern Orthodox faith with

1332-668: The Royal Hospital Chelsea (1682 onwards, by Christopher Wren ). The first engraved illustrations of the Greek Doric order dated to the mid-18th century. Its appearance in the new phase of Classicism brought with it new connotations of high-minded primitive simplicity, seriousness of purpose, noble sobriety. In Germany it suggested a contrast with the French, and in the United States republican virtues. In

1406-735: The Theatre Royal , Covent Garden (1808–1809), the General Post Office (1824–1829) and the British Museum (1823–1848), the Wilkins Building of University College London (1826–1830), and the National Gallery (1832–1838). One of the greatest British proponents of the style was Decimus Burton . In London , twenty three Greek Revival Commissioners' churches were built between 1817 and 1829,

1480-508: The Tuscan order , elaborated for nationalistic reasons by Italian Renaissance writers, which is in effect a simplified Doric, with un-fluted columns and a simpler entablature with no triglyphs or guttae. The Doric order was much used in Greek Revival architecture from the 18th century onwards; often earlier Greek versions were used, with wider columns and no bases to them. The ancient architect and architectural historian Vitruvius associates

1554-465: The Delians reassigned the temple to the island of Poros . It is "hexastyle", with six columns across the pedimented end and thirteen along each long face. All the columns are centered under a triglyph in the frieze , except for the corner columns. The plain, unfluted shafts on the columns stand directly on the platform (the stylobate ), without bases. The recessed "necking" in the nature of fluting at

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1628-552: The Doric with masculine proportions (the Ionic representing the feminine). It is also normally the cheapest of the orders to use. When the three orders are superposed , it is usual for the Doric to be at the bottom, with the Ionic and then the Corinthian above, and the Doric, as "strongest", is often used on the ground floor below another order in the storey above. In their original Greek version, Doric columns stood directly on

1702-585: The French occupation ended in 1813; his work on what is now the Altes Museum , Konzerthaus Berlin , and the Neue Wache transformed that city. Similarly, in Munich von Klenze's Glyptothek and Walhalla memorial were the fulfilment of Gilly's vision of an orderly and moral German world. The purity and seriousness of the style was intended as an assertion of German national values and partly intended as

1776-515: The French, due to the influence of Marc-Antoine Laugier 's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Labrouste 's Neo-Grec of the Second Empire for Greek Revival architecture to flower briefly in France. Following the travels to Greece , Nicholas Revett, a Suffolk architect, and the better remembered James Stuart in

1850-709: The Greek Revival. These houses are characterized by their symmetrical and balanced proportions, typically featuring a bold, pedimented portico with arched openings. The symmetrical façade is divided into two equal halves. Much Greek Revival architecture used the Greek Doric order in the earlier version found in buildings leading up to the Parthenon in Athens. This contrasted significantly with later Greek Hellenistic architecture and Roman architecture . Greek Doric columns are typically rather thick, often tapering towards

1924-473: The Greeks had painted their temples influenced the later development of the style. The archaeological dig at Aegina and Bassae in 1811–1812 by Cockerell, Otto Magnus von Stackelberg , and Karl Haller von Hallerstein had disinterred painted fragments of masonry daubed with impermanent colours. This revelation was a direct contradiction of Winckelmann 's notion of the Greek temple as timeless, fixed, and pure in its whiteness. In 1823, Samuel Angell discovered

1998-500: The Greeks. The historic centre of Saint Petersburg was rebuilt by Alexander I of Russia , with many buildings giving the Greek Revival a Russian debut. The Saint Petersburg Bourse on Vasilievsky Island has a temple front with 44 Doric columns. Quarenghi 's design for the Manege "mimics a 5th-century BC Athenian temple with a portico of eight Doric columns bearing a pediment and bas reliefs". Leo von Klenze 's expansion of

2072-537: The Parthenon. Pronounced features of both Greek and Roman versions of the Doric order are the alternating triglyphs and metopes . The triglyphs are decoratively grooved with two vertical grooves ("tri-glyph") and represent the original wooden end-beams, which rest on the plain architrave that occupies the lower half of the entablature. Under each triglyph are peglike "stagons" or "guttae" (literally: drops) that appear as if they were hammered in from below to stabilize

2146-1011: The Supreme Court interior (1806–1807), and his masterpiece was the Basilica of the Assumption of the Virgin Mary in Baltimore (1805–1821). Latrobe claimed, "I am a bigoted Greek in the condemnation of the Roman architecture", but he did not rigidly impose Greek forms. "Our religion," he said, "requires a church wholly different from the temple, our legislative assemblies and our courts of justice, buildings of entirely different principles from their basilicas; and our amusements could not possibly be performed in their theatres or amphitheatres." His circle of junior colleagues became an informal school of Greek revivalists, and his influence shaped

2220-704: The Temple of Apollo on the Cycladic island of Delos , in the collection of books that he (and Stuart in some cases) produced, largely funded by special subscription by the Society of Dilettanti. See more in Terry Friedman's book The Georgian Parish Church , Spire Books, 2004. Seen in its wider social context, Greek Revival architecture sounded a new note of sobriety and restraint in public buildings in Britain around 1800 as an assertion of nationalism attendant on

2294-482: The ancient Greek civilization before the middle of the 18th century. The monuments of Greek antiquity were known chiefly from Pausanias and other literary sources. Visiting Ottoman Greece was difficult and dangerous business prior to the period of stagnation beginning with the Great Turkish War . Few tourists visited Athens during the first half of the 18th century, and none made any significant study of

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2368-512: The appeal of ancient Greece rose in the 19th century along with the growing acceptance of democracy. This made Greek architecture suddenly more attractive in both the North and the South, for differing ideological purposes: for the North, Greek architecture symbolized the freedom of the Greeks; in the South it symbolized the cultural glories enabled by a slave society. Thomas Jefferson owned a copy of

2442-432: The architect. Often the last two columns were set slightly closer together ( corner contraction ), to give a subtle visual strengthening to the corners. That is called the "classic" solution of the corner conflict ( IV. ). Triglyphs could be arranged in a harmonic manner again, and the corner was terminated with a triglyph, though the final triglyph and column were often not centered. Roman aesthetics did not demand that

2516-455: The architectural ruins. It was not until the expedition to Greece funded by the Society of Dilettanti of 1751 by James Stuart and Nicholas Revett that serious archaeological inquiry began in earnest. Stuart and Revett's findings, published in 1762 (first volume) as The Antiquities of Athens , along with Julien-David Le Roy's Ruines des plus beaux monuments de la Grèce (1758) were

2590-597: The assembly of Greek buildings in Helsinki city centre is particularly notable. At the cultural edges of Europe, in the Swedish region of western Finland, Greek Revival motifs might be grafted on a purely Baroque design, as in the design for Oravais Church by Jacob Rijf, 1792. A Greek Doric order, rendered in the anomalous form of pilasters , contrasts with the hipped roof and boldly scaled cupola and lantern, of wholly traditional Baroque inspiration. In Austria , one of

2664-636: The beginning of the 19th century when the designs of Thomas Hope influenced a number of decorative styles known variously as Neoclassical , Empire , Russian Empire, and Regency architecture in Great Britain. Greek Revival architecture took a different course in a number of countries, lasting until the 1860s and the American Civil War and later in Scotland . Modern-day architects are recreating this design by building houses similar to

2738-731: The best examples of this style is the Parliament Building designed by Theophil Hansen . In Canada , Montreal architect John Ostell designed a number of prominent Greek Revival buildings, including the first building on the McGill University campus and Montreal's original Custom House, now part of the Pointe-à-Callière Museum . The Toronto Street Post Office , completed in 1853, is another Canadian example. While some 18th-century Americans had feared Greek democracy, sometimes called mobocracy ,

2812-493: The books produced by the few who had visited the sites, archaeologist–architects of the period studied the Doric and Ionic orders. Despite its universality rooted in ancient Greece, the Greek Revival idiom was considered an expression of local nationalism and civic virtue in each country that adopted it, and freedom from the lax detail and frivolity that then characterized the architecture of France and Italy , two countries where

2886-466: The city now enjoys a striking visual uniformity, and as such is sometimes whimsically referred to as "the Athens of the North". Within Regency architecture the style already competed with Gothic Revival and the continuation of the less stringent Palladian and Neoclassical styles of Georgian architecture , the other two remaining more common for houses, both in towns and English country houses . If it

2960-557: The coloured metopes of Temple C at Selinunte , Sicily and published them in 1826. The French architect Jacques Ignace Hittorff witnessed the exhibition of Angell's find and endeavoured to excavate Temple B at Selinus. His imaginative reconstructions of this temple were exhibited in Rome and Paris in 1824 and he went on to publish these as Architecture polychrome chez les Grecs (1830) and later in Restitution du Temple d'Empedocle

3034-658: The construction (1833) of the row of Greek temples at Sailors' Snug Harbor on Staten Island . These had varied functions within a home for retired sailors. From 1820 to 1850, the Greek Revival style dominated the United States, such as the Benjamin F. Clough House in Waltham, Massachusetts . It could also be found as far west as Springfield, Illinois . Examples of vernacular Greek Revival continued to be built even farther west, such as in Charles City, Iowa . This style

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3108-409: The corner triglyph should form the corner of the entablature, creating an inharmonious mismatch with the supporting column. The architecture followed rules of harmony. Since the original design probably came from wooden temples and the triglyphs were real heads of wooden beams, every column had to bear a beam which lay across the centre of the column. Triglyphs were arranged regularly; the last triglyph

3182-655: The early 1750s, intellectual curiosity quickly led to a desire among the elite to emulate the style. Stuart was commissioned after his return from Greece by George Lyttelton to produce the first Greek building in England, the garden temple at Hagley Hall (1758–59). A number of British architects in the second half of the century took up the expressive challenge of the Doric from their aristocratic patrons, including Benjamin Henry Latrobe (notably at Hammerwood Park and Ashdown House ) and Sir John Soane , but it remained

3256-426: The evolution from Doric to Corinthian was not inexorable. Both events were to cause a minor scandal. The emerging understanding that Greek art was subject to changing forces of environment and culture was a direct assault on the architectural rationalism of the day. Doric order The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were

3330-497: The first accurate surveys of ancient Greek architecture. The rediscovery of the three relatively easily accessible Greek temples at Paestum in Southern Italy created huge interest throughout Europe, and prints by Piranesi and others were widely circulated. The Napoleonic Wars denied access to France and Italy to traditional Grand Tourists, especially from Britain. Aided by close diplomatic relations between Britain and

3404-557: The first volume of The Antiquities of Athens . He never practiced in the style, but he played an important role in introducing Greek Revival architecture to the United States. In 1803, Thomas Jefferson appointed Benjamin Henry Latrobe as surveyor of public building, and Latrobe designed a number of important public buildings in Washington, D.C. and Philadelphia , including work on the United States Capitol and

3478-401: The flat pavement (the stylobate ) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves , each rising to a sharp edge called an arris . They were topped by a smooth capital that flared from the column to meet a square abacus at

3552-652: The forms and styles of ancient Greek architecture , in particular the Greek temple . A product of Hellenism , Greek Revival architecture is looked upon as the last phase in the development of Neoclassical architecture , which was drawn from Roman architecture . The term was first used by Charles Robert Cockerell in a lecture he gave as an architecture professor at the Royal Academy of Arts in London in 1842. With newfound access to Greece and Turkey , or initially to

3626-434: The full range of ornamentation, and colour, on ancient Greek temples emerged over the period. Architects were aware of the large pedimental sculptures and metope reliefs, and copied these expensive elements when funds allowed, but far less often had the full range of antefixes and akroterions . Greek temples normally had no windows except perhaps in the roof, posing a problem for modern buildings for most purposes, which

3700-410: The inspiration for the Doric came from Mycenae. At the ruins of this civilization lies architecture very similar to the Doric order. It is also in Greece, which would make it very accessible. Some of the earliest examples of the Doric order come from the 7th-century BC. These examples include the Temple of Apollo at Corinth and the Temple of Zeus at Nemea . Other examples of the Doric order include

3774-424: The intersection with the horizontal beam ( architrave ) that they carried. The Parthenon has the Doric design columns. It was most popular in the Archaic Period (750–480 BC) in mainland Greece, and also found in Magna Graecia (southern Italy), as in the three temples at Paestum . These are in the Archaic Doric, where the capitals spread wide from the column compared to later Classical forms, as exemplified in

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3848-409: The largest temple in classical Athens , is also in the Doric order, although the sculptural enrichment is more familiar in the Ionic order: the Greeks were never as doctrinaire in the use of the Classical vocabulary as Renaissance theorists or Neoclassical architects. The detail, part of the basic vocabulary of trained architects from the later 18th century onwards, shows how the width of the metopes

3922-434: The last triglyph was not centered with the corresponding column. That "archaic" manner was not regarded as a harmonious design. The resulting problem is called the doric corner conflict . Another approach was to apply a broader corner triglyph ( III. ) but was not really satisfying. Because the metopes are somewhat flexible in their proportions, the modular space between columns ("intercolumniation") can be adjusted by

3996-412: The most notable being St.Pancras church by William and Henry William Inwood . In Scotland the style was avidly adopted by William Henry Playfair , Thomas Hamilton and Charles Robert Cockerell, who severally and jointly contributed to the massive expansion of Edinburgh 's New Town , including the Calton Hill development and the Moray Estate . Such was the popularity of the Doric in Edinburgh that

4070-417: The next generation of American architects. Greek revival architecture in the United States also included attention to interior decoration. The role of American women was critical for introducing a wholistic style of Greek-inspired design to American interiors. Innovations such as the Greek-inspired "sofa" and the " klismos chair" allowed both American women and men to pose as Greeks in their homes, and also in

4144-482: The numerous portraits of the period that show them lounging in Greek-inspired furniture. The second phase in American Greek Revival saw the pupils of Latrobe create a monumental national style under the patronage of banker and philhellene Nicholas Biddle , including such works as the Second Bank of the United States by William Strickland (1824), Biddle's home "Andalusia" by Thomas U. Walter (1835–1836), and Girard College , also by Walter (1833–1847). New York saw

4218-455: The palace that is now the Hermitage Museum is another example of the style. During the late period of the Ottoman Empire, Greek Revival Architecture had its examples in the empire. The prominent examples are Istanbul Archaeology Museums (1891) The style was generally popular in northern Europe, and not in the south (except for Greece itself), at least during the main period. Examples can be found in Poland , Lithuania , and Finland , where

4292-419: The post-and-beam ( trabeated ) construction. They also served to "organize" rainwater runoff from above. The spaces between the triglyphs are the "metopes". They may be left plain, or they may be carved in low relief. The spacing of the triglyphs caused problems which took some time to resolve. A triglyph is centered above every column, with another (or sometimes two) between columns, though the Greeks felt that

4366-444: The private enthusiasm of connoisseurs up to the first decade of the 19th century. An early example of Greek Doric architecture married with a more Palladian interior, is the facade of the Revett-designed rural church of Ayot St Lawrence in Hertfordshire, commissioned in 1775 by Lord Lionel Lyde of the eponymous manor. The Doric columns of this church, with their "pie-crust crimped" details, are taken from drawings that Revett made of

4440-429: The style never really took architecturally. Greek Revival architecture was embraced in Great Britain , Germany , and the United States , where the idiom was regarded as being free from ecclesiastical and aristocratic associations and was appealed to each country's emerging embrace of classical liberalism . The taste for all things Greek in furniture and interior design, sometimes called Neo-Grec , reached its peak in

4514-411: The sudden appearance of stone temples from one period after the other, this becomes mostly speculation. Another belief is that the Doric was inspired by the architecture of Egypt . With the Greeks being present in Ancient Egypt as soon the 7th-century BC, it is possible that Greek traders were inspired by the structures they saw in what they would consider foreign land. Finally, another theory states that

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4588-703: The temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave , the complexity comes in the frieze , where the two features originally unique to the Doric, the triglyph and gutta , are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric temples. In stone they are purely ornamental . The relatively uncommon Roman and Renaissance Doric retained these, and often introduced thin layers of moulding or further ornament, as well as often using plain columns. More often they used versions of

4662-495: The three 6th-century BC temples at Paestum in southern Italy, a region called Magna Graecia , which was settled by Greek colonists. Compared to later versions, the columns are much more massive, with a strong entasis or swelling, and wider capitals. The Temple of the Delians is a " peripteral " Doric order temple, the largest of three dedicated to Apollo on the island of Delos . It was begun in 478 BC and never completely finished. During their period of independence from Athens,

4736-443: The top of the shafts and the wide cushionlike echinus may be interpreted as slightly self-conscious archaising features, for Delos is Apollo's ancient birthplace. However, the similar fluting at the base of the shafts might indicate an intention for the plain shafts to be capable of wrapping in drapery. A classic statement of the Greek Doric order is the Temple of Hephaestus in Athens, built about 447 BC. The contemporary Parthenon ,

4810-414: The top, always fluted , and have complicated rules for the entablature above the columns. Additionally, the columns go straight down to the floor ( stylobate ) with no distinct base - this last aspect was often skipped by architects who followed the other Greek conventions, for example in the Brandenburg Gate . The understanding of actual Greek architecture was based on ruined buildings, and awareness of

4884-403: Was added to the National Register of Historic Places . Currently, the hall is used as the offices and performance space of The Footlight Club, and is rented out by the club for private functions. This article about a Registered Historic Place in Boston , Massachusetts is a stub . You can help Misplaced Pages by expanding it . This article related to a building or structure in Boston

4958-419: Was centred upon the last column ( illustration, right: I. ). This was regarded as the ideal solution which had to be reached. Changing to stone cubes instead of wooden beams required full support of the architrave load at the last column. At the first temples the final triglyph was moved ( illustration, right: II. ), still terminating the sequence, but leaving a gap disturbing the regular order. Even worse,

5032-470: Was definitely not the case with the more luxurious marble temples, where colour was used sparingly to accentuate architectural highlights. Henri Labrouste also proposed a reconstruction of the temples at Paestum to the Académie des Beaux-Arts in 1829, decked out in startling colour, inverting the accepted chronology of the three Doric temples, thereby implying that the development of the Greek orders did not increase in formal complexity over time, i.e.,

5106-402: Was flexible: here they bear the famous sculptures including the battle of Lapiths and Centaurs . In the Roman Doric version, the height of the entablature has been reduced. The endmost triglyph is centered over the column rather than occupying the corner of the architrave. The columns are slightly less robust in their proportions. Below their caps, an astragal molding encircles the column like

5180-403: Was generally brushed aside. Many buildings that needed to fulfill modern functions concentrated on having an impressive temple-style front, giving the other faces of the building a more practical design up to the cornice . In Germany, Greek Revival architecture is predominantly found in two centres, Berlin and Munich . In both locales, Doric was the court style rather than a popular movement and

5254-416: Was heavily patronised by Frederick William II of Prussia and Ludwig I of Bavaria as the expression of their desires for their respective seats to become the capital of Germany. The earliest Greek building was the Brandenburg Gate (1788–91) by Carl Gotthard Langhans , who modelled it loosely on the Propylaea in Athens . Ten years after the death of Frederick the Great , the Berlin Akademie initiated

5328-492: Was in the circular Tempietto by Donato Bramante (1502 or later), in the courtyard of San Pietro in Montorio , Rome. Before Greek Revival architecture grew, initially in England, in the 18th century, the Greek or elaborated Roman Doric order had not been very widely used, though "Tuscan" types of round capitals were always popular, especially in less formal buildings. It was sometimes used in military contexts, for example

5402-478: Was often used to determine which type of column would be used for a particular structure. Later periods reviving classical architecture used the Roman Doric until Neoclassical architecture arrived in the later 18th century. This followed the first good illustrations and measured descriptions of Greek Doric buildings. The most influential, and perhaps the earliest, use of the Doric in Renaissance architecture

5476-524: Was very popular in the south of the US, where the Palladian colonnade was already popular in façades, and many mansions and houses were built for the merchants and rich plantation owners; Millford Plantation is regarded as one of the finest Greek Revival residential examples in the country. Other notable American architects to use Greek Revival designs included Latrobe's student Robert Mills , who designed

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