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Fox Bruin Theater

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A movie palace (or picture palace in the United Kingdom ) is a large, elaborately decorated movie theater built from the 1910s to the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opening every year between 1925 and 1930. With the advent of television, movie attendance dropped, while the rising popularity of large multiplex chains in the 1980s and 1990s signaled the obsolescence of single-screen theaters. Many movie palaces were razed or converted into multiple-screen venues or performing arts centers, though some have undergone restoration and reopened to the public as historic buildings.

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24-692: The Fox Bruin Theater is a 670-seat movie palace located in the Westwood neighborhood of Los Angeles, California , near University of California, Los Angeles (UCLA). It was operated by Regency Theaters until 2024 . The Bruin is located in the heart of the Mediterranean-themed Westwood Village shopping and cinema precinct, opposite the prominent white tower of the Fox Village Theater . The structure

48-456: A box by the door to service as a ticket office (literally, the "box office".) Storefront theatres, supplied with motion pictures made in Chicago and New York, spread throughout America. These theatres exhibited a motion picture at a specific time during the day. Air domes also became popular in warm climates and in the summertime in northern climates. With no roof and only side walls or fences,

72-511: A fantasy environment to attract moviegoers and involved a type of social engineering, distraction, and traffic management, meant to work on human bodies and minds in a specific way. Today, most of the surviving movie palaces operate as regular theaters, showcasing concerts, plays and operas. This is a list of selected movie palaces, with location and year of construction. See also Thomas Lincoln Tally Thomas Lincoln Tally (1861 – November 24, 1945) on or near April 16, 1902, opened

96-471: A small part of vaudeville theatres. The competitive vaudeville theatre market caused owners to constantly look for new entertainment, and the motion picture helped create demand, although the new form of entertainment was not the main draw for patrons. It was often used as a "chaser"—shown as the end of the performance to chase the audience from the theatre. These theatres were designed much like legitimate theatres. The Beaux-Arts architecture of these theatres

120-409: A variety of referenced visual styles collided wildly with one another. French Baroque, High Gothic, Moroccan, Mediterranean, Spanish Gothic, Hindu, Babylonian, Aztec, Mayan, Orientalist, Italian Renaissance, and (after the discovery of King Tut 's tomb in 1922) Egyptian Revival were all variously mixed and matched. This wealth of ornament was not merely for aesthetic effect. It was meant to create

144-653: Is a stub . You can help Misplaced Pages by expanding it . Movie palace There are three architectural design types of movie palaces: the classical-style movie palace, with opulent, luxurious architecture; the atmospheric theatre , which has an auditorium ceiling that resembles an open sky as a defining feature; and the Art Deco theaters that became popular in the 1930s. Paid exhibition of motion pictures began on April 14, 1894, at Andrew M. Holland's phonograph store, located at 1155 Broadway in New York City , with

168-562: The Chicago firm of Rapp and Rapp , which designed the Chicago , Uptown , and Oriental Theatres . S.L. "Roxy" Rothafel , originated the deluxe presentation of films with themed stage shows. Sid Grauman , built the first movie palace on the West Coast , Los Angeles' Million Dollar Theater , in 1918. Following World War II movie ticket sales began to rapidly decline due to the widespread adoption of television and mass migration of

192-577: The Kinetoscope . Dropping a nickel in a machine allowed a viewer to see a short motion picture, devoid of plot. The machines were installed in Kinetoscope parlors, hotels, department stores , bars and drugstores in large American cities. The machines were popular from 1894 to 1896, but by the turn of the century had almost disappeared as Americans rejected the solitary viewing experience and boring entertainment. Around 1900, motion pictures became

216-425: The 1900s and 1910s. As motion pictures developed as an art form, theatre infrastructure needed to change. Storefront theatres and nickelodeons catered to the busy work lives and limited budgets of the lower and middle classes. Motion pictures were generally only thought to be for the lower classes at that time as they were simple, short, and cost only five cents to attend. While the middle class regularly began to attend

240-524: The air domes allowed patrons to view motion pictures in a venue that was cooler than the stifling atmosphere of the storefront theatre. In 1905, the nickelodeon was born. Rather than exhibiting one program a night, the nickelodeon offered continuous motion picture entertainment for five cents. They were widely popular. By 1910, nickelodeons grossed $ 91 million in the United States. The nickelodeons were like simple storefront theatres, but differed in

264-474: The continuous showings and the marketing to women and families. The movie house, in a building designed specifically for motion picture exhibition, was the last step before the movie palace. Comfort was paramount, with upholstered seating and climate controls. One of the first movie houses was Tally's Broadway Theater in Los Angeles. The movie palace was developed as the step beyond the small theaters of

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288-668: The following days. The theater featured in the music video of Praise You by Fatboy Slim and was animated in Grand Theft Auto V as well, as the Tivoli Cinema. It was prominently featured in Quentin Tarantino 's film Once Upon a Time in Hollywood , in which actress Sharon Tate (portrayed by Margot Robbie in the movie) is shown watching the film The Wrecking Crew . In 1996, Regency Theatres

312-419: The highest-grossing first-run films for which they were no longer viable exhibition venues. They became second-run theaters or specialized in showing art house films . By 2004, only about a quarter of U.S. movie theaters still had only one screen, and the average number of screens per theater was 6.1. Eberson specialized in the subgenre of "atmospheric" theatres. His first, of the 500 in his career,

336-420: The major studios and were forced to close. Many were able to stay in business by converting to operate as race or pornography theaters . The death knell for single-screen movie theaters (including movie palaces) arrived with the development of the multiplex in the 1980s and the megaplex in the 1990s. Some movie palaces were able to stay in business only by getting out of the way, at least with respect to

360-407: The nickelodeons by the early 1910s the upperclass continued to attend stage theater performances such as opera and big-time vaudeville. However, as more sophisticated, complex, and longer films featuring prominent stage actors were developed, the upperclass desires to attend the movies began to increase and a demand for higher class theaters began to develop. Nickelodeons could not meet this demand as

384-408: The population from the cities, where all the movie palaces had been built, into the suburbs. The closing of most movie palaces occurred after United States v. Paramount Pictures, Inc. in 1948, which ordered all of the major film studios to sell their theaters. Most of the newly independent theaters could not continue to operate on the low admissions sales of the time without the financial support of

408-410: The upperclass feared the moral repercussions of intermingling between women and children with immigrants. There were also real concerns over the physical safety of the nickelodeon theaters themselves as they were often cramped with little ventilation and the nitrate film stock used at the time was extremely flammable. The demand for an upscale film theater, suitable to exhibit films to the upperclass,

432-519: Was designed by movie theater architect, S. Charles Lee , with a Streamline Moderne marquee, and opened in 1937. It is named after the UCLA mascot Joe Bruin . It was operated by Regency Theatres. The theater was often used for private events, such as film and television show premieres. It was designated a Los Angeles Historic-Cultural Monument (HCM #361) in 1988. On July 23, 2024 the theater announced that they would close their doors soon. They closed

456-679: Was first met when the Regent Theater, designed by Thomas Lamb , was opened in February 1913, becoming the first ever movie palace. However the theater's location in Harlem prompted many to suggest that the theater be moved to Broadway alongside the stage theaters. These desires were satisfied when Lamb built the Strand Theatre on Broadway, which was opened in 1914 by Mitchel H. Mark at the cost of one million dollars. This opening

480-403: Was formal and ornate. They were not designed for motion pictures, but rather live stage performances. In 1902, the storefront theatre was born at Thomas Lincoln Tally 's Electric Theatre in Los Angeles. These soon spread throughout the country as empty storefronts were equipped with chairs, a Vitascope projector, a muslin sheet on which the motion picture was exhibited, darkened windows, and

504-652: Was founded by Lyndon Golin and Andrew Golin, brothers, with a theater in Camarillo, California . In 2010, Mann Theatres went out of business, and Regency Theatres purchased the Fox Theater, Westwood Village and a multiplex cinema at "The Plant" in Van Nuys, California . Regency Theatres operates some former Fox Theatres and Mann Theatres . This article about a building or structure in Los Angeles

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528-401: Was initially based on the more traditional, "hardtop" form patterned on opera houses , but was no less ornate. His theaters evolved from relatively restrained neo-classic designs in the 1910s to those with elaborate baroque and Asian motifs in the late 1920s. The movie palace's signature look was one of extravagant ornamentation. The theaters were often designed with an eclectic exoticism where

552-516: Was the 1923 Majestic in Houston, Texas . The atmospherics usually conveyed the impression of sitting in an outdoor courtyard, surrounded by highly ornamented asymmetrical facades and exotic flora and fauna, underneath a dark blue canopy; when the lights went out, a specially designed projector, the Brenograph, was used to project clouds, and special celestial effects on the ceiling. Lamb's style

576-484: Was the first example of a success in drawing the upper middle class to the movies and it spurred others to follow suit. As their name implies movie palaces were advertised to, "make the average citizen feel like royalty." To accomplish this these theaters were outfitted with a plethora of amenities such as larger sitting areas, air conditioning, and even childcare services. Between 1914 and 1922 over 4,000 movie palaces were opened. Notable pioneers of movies palaces include

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