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Hotel Paradiso (film)

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Action comedy (often listed with a hyphen as action-comedy ) is a genre that combines aspects of action and comedy .

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16-644: Hotel Paradiso is a 1966 British comedy film released by Metro-Goldwyn-Mayer in Panavision . It was directed by Peter Glenville and based on the play L'Hôtel du libre échange by Maurice Desvallières and Georges Feydeau . The film allowed Alec Guinness to reprise the role he had played in the London West End theatre production of Hotel Paradiso , which opened at the Winter Garden Theatre, Drury Lane, London on 2 May 1956. In

32-723: A camp sensibility lay behind the successful Carry On films , while in America subversive independent film-maker John Waters made camp films for college audiences with his drag queen friends that eventually found a mainstream audience. The success of the American television show Saturday Night Live drove decades of cinema with racier content allowed on television drawing on the program's stars and characters, with bigger successes including Wayne's World , Mean Girls , Ghostbusters and Animal House . Parody and joke-based films continue to find audiences. While comedic films are among

48-503: A separate genre, but rather, provides a better understanding of the film. Action comedy AllMovie describes action comedy films as those with "fast and furious" action yet being "mostly lighthearted", rarely having death or serious injury. The Script Lab wrote, "[The genre] relies on the characters to bring out the humor, while the action scenes tend to be less intense than in the traditional action movie." Action comedies often have " fish out of water " themes; for example, using

64-477: A starring actor's celebrity to contrast the setting, such as how comedian and actor Eddie Murphy 's "streetwise, sarcastic persona clashes with conventional police procedures in the Beverly Hills Cop films" in the late twentieth century. The 1926 film The General starring Buster Keaton may be the first action comedy film. Other early forms of action comedy films were swashbuckler films from

80-562: Is a film genre that emphasizes humor . These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending , with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre . Some of the earliest silent films were slapstick comedies , which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music

96-428: Is severely compromised (not least by a police raid). All these events provide Feydeau with the material for his play, which becomes the succès fou of the next season. Writing for The New York Times , Thomas Lask said "essentially, 'Hotel Paradiso' is a bedroom farce in the old tradition, and the picture is based on a frothy example of the genre by a master, Georges Feydeau, who worked with Maurice Desvallieres on

112-499: The 1930s. Allmovie wrote that its "stars combined wit and one-liners with a thrilling plot and daring stunts". In the 1980s, the genre became commonplace, and buddy cop films emerged as an extension of action comedy films such as Midnight Run (1988) and the Lethal Weapon film series . Other action comedies from the decade included The Blues Brothers (1980) and the films of actor and martial artist Jackie Chan . In

128-523: The 1990s, action comedy films "became more violent, with fiery deaths and emphatic shootings increasingly used as punchlines". Rotten Tomatoes wrote that Rush Hour (1998) revitalized the genre's formula and that Lock, Stock and Two Smoking Barrels (1998) was a highlight from the decade. In the first two decades of the 21st century, the films Kung Fu Hustle (2004), Hot Fuzz (2007), Tropic Thunder (2008), 21 Jump Street (2012), and Bad Boys for Life (2020) were among numerous instances of

144-428: The beautiful but neglected wife of Henri, a building inspector. Henri is sent to the hotel to investigate rumours of ghosts (which turn out to be caused by drains). However, the hotel is the trysting place of Marcelle and Boniface, who are having an affair. In the 'by-the-hour' hotel, there are two husbands and one wife, plus Henri's nephew and Boniface's maid, who are also having an affair. Marcelle and Boniface's affair

160-515: The film industry due to their popularity. In The Screenwriters Taxonomy (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story, and therefore, the labels "drama" and "comedy" are too broad to be considered a genre. Instead, his taxonomy argues that comedy is a type of film that contains at least a dozen different sub-types. A number of hybrid genres have emerged, such as action comedy and romantic comedy . The first comedy film

176-754: The most popular with audiences at the box office, there is an 'historical bias against a close and serious consideration of comedy' when it comes to critical reception and conferring of awards, such as at the Academy Awards . Film writer Cailian Savage observes "Comedies have won Oscars, although they’ve usually been comedy-dramas, involved very depressing scenes, or appealed to stone-hearted drama lovers in some other way, such as Shakespeare in Love ." According to Williams' taxonomy , all film descriptions should contain their type (comedy or drama) combined with one (or more) sub-genres. This combination does not create

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192-565: The play, Guinness performed alongside Martita Hunt (Angelique), Irene Worth (Marcelle), Frank Pettingell (Cot), Kenneth Williams (Maxime) and Billie Whitelaw (Victoire). Douglas Byng also reprised his part from the stage play. Playwright Monsieur Feydeau is staying in the Parisian Hotel Paradiso. He needs to write a new play, but has writer's block. He takes the opportunity to observe his fellow guests: Monsieur Boniface, henpecked by his domineering wife, and Marcelle,

208-442: The play. That kind of exercise calls for a crispness, a propulsive energy that Mr. Glenville's film has only fitfully. The result is that the picture is charming when it should be brisk, amiable when it should be ridiculous." However, he praised the cast, particularly Guinness. This article related to a British comedy film of the 1960s is a stub . You can help Misplaced Pages by expanding it . Comedy film The comedy film

224-512: The use of comedy film to make social statements by building their narratives around sensitive cultural, political or social issues. Such films include Dr Strangelove, or How I Learned to Love the Bomb , Guess Who's Coming to Dinner? and The Graduate . In America, the sexual revolution drove an appetite for comedies that celebrated and parodied changing social morals, including Bob & Carol & Ted & Alice and Fanny Hill . In Britain,

240-414: Was L'Arroseur Arrosé (1895), directed and produced by film pioneer Louis Lumière . Less than a minute long, it shows a boy playing a prank on a gardener. The most notable comedy actors of the silent film era (1895–1927) were Charlie Chaplin , Harold Lloyd , and Buster Keaton , though they were able to make the transition into “ talkies ” after the 1920s. Film-makers in the 1960s skillfully employed

256-417: Was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue . Comedy, compared with other film genres , places more focus on individual star actors, with many former stand-up comics transitioning to

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