Louis Le Vau ( French pronunciation: [lwi lə vo] ; c. 1612 – 11 October 1670) was a French Baroque architect , who worked for Louis XIV of France . He was an architect that helped develop the French Classical style in the 17th century.
25-554: Born Louis Le Veau, he was the son of Louis Le Veau (died February 1661), a stonemason, who was active in Paris. His younger brother François Le Vau (born in 1624) also became an architect. The father and his two sons worked together in the 1630s and 1640s. The two brothers later changed the spelling of their surname from "Le Veau" to "Le Vau" to avoid its association with the French word veau (calf). Le Vau started his career by designing
50-535: A location under the dome, because, as he put it, "this church is not a mausoleum, like the Valois Chapel ", thus disagreeing with the premise of his brother's design and (according to the architectural historian Hilary Ballon) "giving vent to rivalrous feelings that evidently outlasted Louis's lifetime." François Le Vau died at his residence (today 49, quai de Bourbon) at the western tip of the Île-Saint-Louis in Paris. Premier Architecte du Roi Under
75-647: The Académie Royale d'Architecture (established in 1671). He is also known for being the youngest brother of the more famous French architect, Louis Le Vau . Born François Le Veau, he was the youngest son of Louis Le Veau, a mason who died in February 1661, and Étiennette Louette, who died in December 1644. In the late 1630s and early 1640s, François trained with his older brother Louis , and both brothers worked together with their father, building houses on
100-779: The Ancien Régime , the First Architect to the King ( French : Premier Architecte du Roi , pronounced [pʁəmje aʁʃitɛktə dy ʁwa] ) was the direct assistant to the general director of the building industries, arts and manufactures of France and, consequently, number 2 of the Bâtiments du Roi , forming part of the Secretary of State of the Maison du Roi . The Premier Architecte du Roi was, in theory, in charge of
125-602: The Arsenal de Paris [ fr ] , begun 1654; destroyed). He also designed for high-level government officials: for Jérôme de Nouveau, Grand Maître des Postes, he rebuilt the Château de Lignières (Cher) (1654–1660); for Charles-Henry de Malon, he designed the Château de Bercy (after 1658–c. 1668; destroyed during the Second Empire ); for Charles de Sainte-Maure, Duke of Montausier , he made modifications to
150-575: The Château de Rambouillet (begun 1659); and for Louis de Rochechouart , he created the Montpipaux project. He has also been credited with the design of the Château de Sucy-en-Brie (begun 1660) for Nicolas Lambert (who in 1644 had inherited from his brother Jean-Baptiste the Hôtel Lambert , built by Louis Le Vau in 1640–1644). At some point in this part of his career, François Le Vau visited Rome , probably before 1662–1663, when he joined
175-567: The Collège des Quatre-Nations (now housing the Institut de France ) were completed after his death by his assistant François d' Orbay and showed unlikely rapport with Italian baroque techniques. Louis Le Vau died in Paris . Fran%C3%A7ois Le Vau François Le Vau ( French pronunciation: [fʁɑ̃swa lə vo] ; 1624 – 4 July 1676) was a French architect and a founding member of
200-550: The Palais du Luxembourg (1662; destroyed). He also worked for other Frondeurs, "supporters of the losing side who were slipping into political obscurity." He designed and added apartments for the townhouses of Maximilien de Béthune, Duke of Sully ( Hôtel de Sully ; 1651); Louis de La Rivière ( Hôtel de La Rivière [ fr ] on the Place Royale ; 1652); and Armand-Charles de la Porte, Duke of La Meilleraye (in
225-467: The Église Saint-Louis-en-l'Île , formerly attributed to Louis Le Vau. Begun in 1664, only the sanctuary and part of the choir had been completed at the time of François's death in 1676. Further construction was carried out by Gabriel Le Duc [ fr ] . In 1667 François created a project for the south portal of the transept of the Cathédrale d'Orléans . In 1664–1665, according to
250-577: The Île Saint-Louis . In 1638 his brother Louis changed the spelling of his surname to Le Vau to avoid the lower-class stigma of "Le Veau" ("the calf"). François followed suit several years later. All his life François worked in the shadow of his brother Louis, who was very successful, becoming Premier Architecte du Roi after the death of Jacques Lemercier in 1654. François Le Vau is described as "architecq Ingenieur du Roy" in 1648, suggesting he may also have been involved in designing fortifications. He began working more independently of his brother around
275-506: The Château de Livry ( c. 1640–1645 ), later known as the Château du Raincy . In 1654, his career was advanced through his appointment as the first architect to the king, succeeding Jacques Lemercier . He was commissioned by Jules Cardinal Mazarin to help rebuild part of the medieval Château de Vincennes . Shortly after, in 1656 he was given the important commission to build the chateau of Nicolas Fouquet, Vaux-le-Vicomte with
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#1732766136774300-609: The Comptes des Bâtiments, François Le Vau received an "exceptional" salary of 3,467 livres , as well as 1,000 livres per year as an architect in the Bâtiments du Roi. In 1671, he became one of the eight founding members of the Académie Royale d'Architecture (created by Louis XIV ), for which he was paid an additional 500 livres per year. On 15 July 1675 the members of the Académie Royale d'Architecture gathered in
325-462: The Hotel de Bautru in 1634. By 1639, he was developing town houses ( hôtels particuliers ) for rich citizens such as Sainctot, Hesselin , Gillier, Gruyn des Bordes, and Jean Baptiste Lambert in the île Saint-Louis , which was being developed as a residential area. His most notable work during this period is the Hôtel Lambert ( c. 1638–1653 ). Le Vau also designed country houses, including
350-467: The church of the Collège des Quatre-Nations to consider three alternative locations for Cardinal Mazarin 's tomb: centered under the dome (as originally intended by Louis Le Vau, the architect of the Collège); in the altar on the right side; or in a niche in the far (west) wall, opposite the courtyard entrance. In March 1676 they submitted their opinions ( avis ). François was one of the majority opposing
375-634: The facade of the Tuileries Palace . From 1661 to 1664 Le Vau worked on rebuilding the Galerie d'Apollon in the Louvre after it burned in a fire. Claude Perrault and Charles Le Brun were also involved in creating the famous façade for the east front of the Louvre from 1665 to 1674, which acted as a prelude for Classical Architecture in the 18th century. The most notable work of Le Vau's career
400-468: The help of André Le Nôtre and Charles Le Brun . Le Vau's most notable work in the Vaux-le-Vicomte is the oval salon facing the garden. This design, an example of a salon à l'italienne (vaulted, two-storied room), develops the idea that a simple form governs the shape of the main section of the building. In the 1660s Le Vau helped on royal projects, such as the hospital of La Salpêtrière and
425-413: The most beautiful verses, Since the profound wisdom of the great Colbert Destines you to be a masterpiece of the world, And since according to the designs of the famous Le Vau , I have engraved your marvelous picture on copper ; I want to portray you anew in this book, Since my hand knows the arts of engraving and writing. It is now thought that François Le Vau created the initial designs for
450-719: The office of Bridges and Roads. In 1662, François Le Vau began to work in the royal office of the Ponts et Chaussées (Bridges and Roads) under Louis XIV's minister Jean-Baptiste Colbert . This work continued until 1673. Around the end of 1662, Colbert asked François Le Vau to prepare a design for the east facade of the Louvre , which François offered to present to Colbert in a letter of 4 December 1664. A large presentation drawing ( Nationalmuseum, Stockholm ; undated) and several engravings of designs by François, one by Isaac Durant and several by Claude Olry de Loriande, have been identified by several architectural historians as belonging to
475-440: The project described in the letter of December 1664. The design is similar to the scheme that was eventually adopted in many important respects, in particular a trabeated, free-standing colonnade of coupled columns raised above the ground floor. The drawing shows two alternatives for an attic story (omitted as executed), with arched windows on the left (matching those of Pierre Lescot 's Pavillon du Roi ) and rectangular windows on
500-445: The responsibilities of arranging the construction contracts for the contractors and the craftsmen, of supervising the management of supply stores (marbles, leads, etc.), of inspecting the building sites, of proceeding the reception of the works, etc. The Premier architecte du Roi was assisted by general intendants and controllers, draughtsmen, a general inspector – all selected among the most distinguished architects, generally members of
525-488: The right. The dating of François Le Vau's Louvre project to 1662–1664 has been disputed by some authors, who suggest it was actually created sometime after 14 May 1667, when Louis XIV selected the colonnaded design proposed to him by the Petit Conseil, but before the decision to double the width of the south wing in the spring of 1668. Claude Perrault 's brother Charles Perrault claimed in his memoirs that Claude
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#1732766136774550-585: The time of the Fronde (1648–1653), when he became an architect in the Bâtiments du Roi and the architect of a participant in the Fronde, Anne Marie Louise d'Orléans, Duchess of Montpensier . He designed her apartments in the Tuileries Palace (before 1652; destroyed); remodeled the interior courtyard and her apartment in her Château de Saint-Fargeau (1652–1657; restored after a fire in 1752), where she resided during her exile; and later remodeled her apartments in
575-465: The works of maîtrise d'œuvre on behalf of the building industries of King. Hence, Ange-Jacques Gabriel was in charge of the design of the Place de la Concorde chosen from the best ideas submitted to the contest by the participants. But this position entailed especially important administrative responsibilities, in this capacity of master builder of the projects ordered by the Bâtiments du Roi : it had
600-468: Was at the Palace of Versailles with which he was involved for the remainder of his life. He added service wings to the forecourts and, after 1668, had rebuilt the garden façade to be totally classical. Le Vau was assisted by François d'Orbay , who completed the work after Le Vau's death. Le Vau and d'Orbay's work at Versailles was later modified and extended by Jules Hardouin-Mansart . Le Vau's designs for
625-407: Was the sole author of the colonnade design. In 1670, when much of the facade was substantially completed, Olry de Loriande published a poem, Le superbe dessein du Louvre , in which, according to the architectural historian Robert W. Berger, he credits François Le Vau with the design. It begins with the following lines: O Palace, the most attractive in the universe, True miracle of art, worthy of
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