The Kerch style / ˈ k ɜːr tʃ / , also referred to as Kerch vases , is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC. The style is characterized by slender mannered figures and a polychromatism given to it by the use of white paint and gilding.
14-518: (Redirected from Lucchese School ) [REDACTED] This article includes a list of references , related reading , or external links , but its sources remain unclear because it lacks inline citations . Please help improve this article by introducing more precise citations. ( February 2022 ) ( Learn how and when to remove this message ) [REDACTED] 'Madonna and Child', tempera and gold on wood panel by an anonymous painter of
28-2984: A New History of Early Lucchese Painting , The Art Bulletin, Vol. 33, No. 1 (Mar., 1951), 11-31. Lasareff, Victor, Two Newly-Discovered Pictures of the Lucca School , The Burlington Magazine for Connoisseurs, Vol. 51, No. 293 (Aug., 1927), 56-67. Sturgis, Russell, A dictionary of architecture and building, biographical, historical, and descriptive , Vol. 2, New York, The Macmillan company, 1901, 565. v t e Premodern , Modern and Contemporary art movements List of art movements / periods Premodern (Western) Ancient Thracian Dacian Nuragic Aegean Cycladic Minoan Minyan ware Mycenaean Greek Sub-Mycenaean Protogeometric Geometric Orientalizing Archaic Black-figure Red-figure Severe style Classical Kerch style Hellenistic "Baroque" Indo-Greek Greco-Buddhist Neo-Attic Etruscan Scythian Iberian Gaulish Roman Republican Gallo-Roman Julio-Claudian Pompeian Styles Trajanic Severan Medieval Late antique Early Christian Coptic Ethiopian Migration Period Anglo-Saxon Hunnic Insular Lombard Visigothic Donor portrait Pictish Mozarabic Repoblación Viking Byzantine Iconoclast Macedonian Palaeologan Italo-Byzantine Frankish Merovingian Carolingian Pre-Romanesque Ottonian Romanesque Mosan Spanish Norman Norman-Sicilian Opus Anglicanum Gothic Gothic art in Milan International Gothic International Gothic art in Italy Lucchese school Crusades Novgorod school Duecento Sienese school Mudéjar Medieval cartography Italian school Majorcan school Mappa mundi Renaissance Italian Renaissance Trecento Proto-Renaissance Florentine school Pittura infamante Quattrocento Ferrarese school Forlivese school Venetian school Cinquecento High Renaissance Bolognese school Mannerism Counter- Maniera Northern Renaissance Early Netherlandish World landscape Ghent–Bruges school Northern Mannerism German Renaissance Cologne school Danube school Dutch and Flemish Renaissance Antwerp Mannerism Romanism Still life English Renaissance Tudor court Cretan school Turquerie Fontainebleau school Art of
42-452: A number of workshops. Their end is also that of the Attic red-figure tradition. Recent research has thrown new light on this long-neglected field. The vases were first studied systematically by Karl Schefold . The most important scholar of Attic vase painting, John D. Beazley , only developed an interest in them late in his career; he did not agree with all of Schefold's views. In recent years,
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70-650: The Hermitage Museum , St. Petersburg . It is not possible to set formal criteria which separate them stylistically from the contemporary plain style of late classical vase painting around painters like the Jena Painter or the Meleager Painter . The end of the Kerch style coincides with the end of red-figure painting as a whole. The identification of individual painters is often difficult. At
84-990: The Lucchese school, ca. 1200, El Paso Museum of Art The Lucchese school , also known as the school of Lucca and as the Pisan-Lucchese school , was a school of painting and sculpture that flourished in the 11th and 12th centuries in Pisa and Lucca in Tuscany with affinities to painters in Volterra . The art is mostly anonymous. Although not as elegant or delicate as the Florentine school , Lucchese works are remarkable for their monumentality. See also [ edit ] Bolognese school Florentine school School of Ferrara Sienese school References [ edit ] Garrison, Edward B., Toward
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126-581: The Wikimedia System Administrators, please include the details below. Request from 172.68.168.133 via cp1102 cp1102, Varnish XID 541654654 Upstream caches: cp1102 int Error: 429, Too Many Requests at Thu, 28 Nov 2024 05:35:31 GMT Kerch style The vases are thus named because a large quantity of them were found at Kerch (ancient Pantikapaion ) on the Black Sea coast of Crimea . The majority of these are now in
140-602: The analysis of fourth-century BC Panathenaic amphorae from Eretria has provided new results. Additionally, it has been demonstrated that Kerch style vases were also produced outside Attica, for example in Chalkidiki . Generally, the South Italian red-figure vase production of the time was superior to the Attic Kerch Style. The South Italian production also continued somewhat longer. Representatives of
154-601: The fifth century BC. White, yellow and red were often used as additional colours. The casual painting of the backs of vases is another typical feature. The Marsyas Painter , the Eleusinian Painter and the Painter of Athens 12592 mark a short and final flourish in the quality of Attic vase painting. Shortly afterwards, the activities of the YZ Group painters produced a multitude of vases of inferior quality in
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182-407: The life of women (often exaggeratedly idyllic), dionysiac themes and subjects to do with Artemis and Demeter . Fighting griffins are another common subject. The figures are often elegant and highly decorated, and in some cases painters have emphasized certain stylistic qualities at the expense of naturalism. Details and ornamentation played an important role, the best works resemble examples from
196-531: The time of their production, Kerch style vases were exported to all of the Mediterranean region, but unlike earlier phases, the Black Sea area was the main market for this late phase of Attic pottery export. Most of the previously current vase shapes were still painted, but kraters , lekanes (see Typology of Greek Vase Shapes ) and pelikes were especially popular. The motifs are mostly scenes from
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