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A protagonist (from Ancient Greek πρωταγωνιστής prōtagōnistḗs  'one who plays the first part, chief actor') is the main character of a story. The protagonist makes key decisions that affect the plot , primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot , or is a narrative made up of several stories, then each subplot may have its own protagonist.

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32-458: Moneychangers may refer to : The Moneychangers , a 1975 novel by Arthur Hailey Money changer , a person or organization that exchanges the currency of one country for that of another The Money Changers , a 1920 American silent film The Moneychanger , a 2019 Uruguayan film Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with

64-507: A Limited Series (Susan Flannery) and Outstanding Cinematography in Entertainment Programming for a Series ( Joseph Biroc ). Protagonist The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist . The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of

96-480: A criminal organization, he tries going back to his former employer to ask for some kind of job. Nolan Wainwright, the bank's Head of Security, obviously won't hire him to work directly for the bank, but with the approval of higher management, is allowed to pay Eastin to go undercover as an affiliate of the forgers and secretly report back details of their operation to Juanita Nunez, who had forgiven him after he came to see her and apologize for what he did. She agrees to be

128-507: A financial newsletter. As readers increasingly appreciate Vandervoort, the protagonist , they learn of his troubled personal life. His advancement in banking circles has come as his marriage is failing; his wife Celia is confined to an inpatient psychiatric facility . Vandervoort is shown as having developed a relationship with Margot Bracken, who is depicted as a radical attorney and political activist many years his junior; her attitudes sometime conflicts with Vandervoort's role at FMA. She

160-520: A prize'). The earliest known examples of a protagonist are found in Ancient Greece . At first, dramatic performances involved merely dancing and recitation by the chorus. Then in Poetics , Aristotle describes how a poet named Thespis introduced the idea of one actor stepping out and engaging in a dialogue with the chorus. This was the invention of tragedy, and occurred about 536 B.C. Then

192-431: A suburban shopping plaza where the bank had installed the first two stainless-steel Docutel automatic tellers. Vandervoort, whose clothes looked like they were from the "fashion section of Esquire " and who had the "mannerisms a la Johnny Carson", was not at all like the classical solemn, cautious banker in a double-breasted, dark blue suit. Peacock compared him to the new ATMs which embodied modern banking. The history of

224-467: A war. Though many people equate protagonists with the term hero and possessing heroic qualities, it is not necessary, as even villainous characters can be protagonists. For example Michael Corleone from The Godfather (1972–1990) film series (1978–1983). In some cases, the protagonist is not a human: in Richard Adams ' novel Watership Down , a group of anthropomorphised rabbits, led by

256-425: Is a 1975 novel written by Arthur Hailey . The plot revolves around the politics inside a major bank. As the novel begins, the position of CEO of one of America's largest banks, First Mercantile American , is about to become vacant due to the terminal illness of Ben Roselli, the incumbent chief, whose grandfather founded the bank. Two high-ranking executives groomed for the succession begin their personal combat for

288-430: Is also a claim that the poet did not assign or create the protagonist as well as other terms for actors such as deuteragonist and tritagonist primarily because he only gave actors their appropriate part. However, these actors were assigned their specific areas at the stage with the protagonist always entering from the middle door or that the dwelling of the deuteragonist (second most important character) should be on

320-557: Is also related to Edwina D'Orsey, as she is her first cousin. Meanwhile, Vandervoort's antagonist , Heyward, is depicted as a devout Episcopalian who strives to maintain an air of personal integrity and morality, only to slowly sacrifice them both in his pursuit of the presidency of FMA. As these men pursue their battle for the soon-to-be-vacant position of CEO, various issues involving the banking industry, such as credit card fraud , embezzlement , inflation, subprime lending , and insider trading are discussed. First Mercantile American

352-447: Is discovered to be defrauding the bank whilst casting guilt on another teller, a young single mother named Juanita Nunez. He is dismissed, arrested, and convicted. While in prison, he is gang-raped by a gang of fellow inmates. In prison, his knowledge of counterfeiting brings him to the attention of a gang of credit card forgers, who offer him a job on his release. Owing money to loan sharks , and desperate not to have to go to work for

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384-448: Is eventually revealed to have a doppelganger in the form of an organized crime family. The fight for control of the bank continues under the darkening clouds of an approaching economic recession . Heyward is manipulated into making a large, illegal and toxic loan to Supranational Corporation (SuNatCo), a multinational conglomerate (loosely based on International Telephone and Telegraph , with certain elements of Penn Central ) run by

416-411: The " cut-out " whom Eastin will contact, and she will report back what he tells her to Wainwright. Eastin is discovered to be a planted spy by the criminal organization and tortured, only to be rescued in the nick of time as a result of Juanita being captured by the forgers and forced to identify Eastin. She is released, but uses her photographic memory to count the amount of time she spent blindfolded in

448-486: The "good guys" of the narrative. Examples include DC Comics' Superman (hero) and Katniss Everdeen from The Hunger Games (heroine). An antihero (sometimes spelled as anti-hero) or antiheroine is a main character in a story who lacks conventional heroic qualities and attributes such as idealism, courage, and morality. Examples include Holden Caulfield from The Catcher in the Rye , Scarlett O'Hara from Gone With

480-480: The Wind , Jay Gatsby from The Great Gatsby , and Walter White from Breaking Bad . A tragic hero is the protagonist of a tragedy. Examples include Oedipus from Oedipus Rex and Prince Hamlet from Shakespeare's Hamlet . The protagonist is not always conventionally good. Contrasting the hero protagonist, a villain protagonist is a protagonist who is a villain , driving the story forward regardless of

512-433: The audience is invested in that story. Tybalt, as an antagonist, opposes Romeo and attempts to thwart the relationship. In Shakespeare's play Hamlet , Prince Hamlet, who seeks revenge for the murder of his father, is the protagonist. The antagonist is the character who most opposes Hamlet, Claudius (though, in many ways, Hamlet is his own antagonist). Sometimes, a work will have a false protagonist , who may seem to be

544-420: The car and the movements it made, and as a result is able to lead police to the safe house where Eastin was being held and tortured. At the end, Eastin, Juanita and her daughter, Estella, move out of the state where both get new jobs. Also featured is Edwina D'Orsey, the head of FMA's flagship downtown branch, through whom a reader gains much insight into day-to-day branch banking, and her husband, Lewis, who writes

576-490: The events of the story and are not as involved within the "main action" of the plot. The supporting protagonist may be telling the story while viewing another character as the main influence of the plot. One example is Nick in The Great Gatsby . Euripides ' play Hippolytus may be considered to have two protagonists, though one at a time. Phaedra is the protagonist of the first half, who dies partway through

608-471: The evil qualities the main character has. These traits can include being cruel, malicious, and wicked. Examples include Humbert Humbert in Vladimir Nabokov's Lolita and Richard III in the eponymous play by William Shakespeare . When a supporting protagonist appears, the story is told from the perspective of a character who appears to be minor. This character may be more peripheral from

640-436: The play. Her stepson, the titular Hippolytus, assumes the dominant role in the second half of the play. In Henrik Ibsen 's play The Master Builder , the protagonist is the architect Halvard Solness. The young woman, Hilda Wangel, whose actions lead to the death of Solness, is the antagonist. In Shakespeare's play Romeo and Juliet , Romeo is the protagonist. He is actively in pursuit of his relationship with Juliet, and

672-434: The poet Aeschylus , in his plays, introduced a second actor, inventing the idea of dialogue between two characters. Sophocles then wrote plays that included a third actor. A description of the protagonist's origin cited that during the early period of Greek drama, the protagonist served as the author, the director, and the actor and that these roles were only separated and allocated to different individuals later. There

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704-469: The position. One, Alex Vandervoort, is honest, hard-charging, and focused on growing FMA through retail banking and embracing emerging technology; the other, Roscoe Heyward, is suave, hypocritical, and skilled in boardroom politics, and favors catering more to business than to consumers. Heyward lives in a "rambling, three-story house in the suburb of Shaker Heights ," Cleveland, Ohio. Many characters and plot lines interweave. Senior bank teller Miles Eastin

736-484: The powerful, unscrupulous CEO, G. G. Quartermain. It turns out that SuNatCo is on the verge of bankruptcy, using the bank's loan in a vain attempt to keep afloat. The ensuing scandal causes a bank run and panic among depositors, shareholders, and employees. An investigative reporter discovers that Heyward was not only the key facilitator of the toxic loan, but he had accepted bribes (securities and in-kind) to do so. Facing arrest and possible prison, he commits suicide. By

768-427: The protagonist's character, and having the protagonist develop as a result. The term protagonist comes from Ancient Greek πρωταγωνιστής ( prōtagōnistḗs )  'actor who plays the chief or first part', combined of πρῶτος ( prôtos , 'first') and ἀγωνιστής ( agōnistḗs , 'actor, competitor'), which stems from ἀγών ( agṓn , 'contest') via ἀγωνίζομαι ( agōnízomai , 'I contend for

800-510: The protagonist, but then may disappear unexpectedly. The character Marion in Alfred Hitchcock 's film Psycho (1960) is an example. A novel may contain a number of narratives, each with its own protagonist. Alexander Solzhenitsyn 's The First Circle , for example, depicts a variety of characters imprisoned and living in a gulag camp. Leo Tolstoy 's War and Peace depicts fifteen major characters involved in or affected by

832-578: The prototype and the first working Docutel ABM was installed at Chemical Bank in New York. The bank is very loosely based on the Bank of America , although it is located in a Midwestern American city loosely drawing mostly from Cincinnati, Ohio . During the first 5 chapters of the book, it only describes the bank's location as a state in "the Midwest" and the state itself is never identified. The novel

864-553: The real Docutel was traced in a New York Times magazine article. The breakthrough came when Don Wetzel, Vice President of Product Planning at Docutel, was waiting in a long line for a teller at a bank in Dallas, Texas in 1968. Wetzel had seen cash dispensing machines in Europe and was inspired to adapt Docutel technology, which was originally used in airport baggage handling, to create Docuteller, an American version. By 1969 work began on

896-480: The right hand, and the tritagonist (third most important character), the left. In Ancient Greece, the protagonist is distinguished from the term "hero", which was used to refer to a human who became a semi-divine being in the narrative. In literary terms, a hero (masculine) or heroine (feminine) protagonist is typically admired for their achievements and noble qualities. Heroes are lauded for their strength, courage, virtuousness, and honor, and are considered to be

928-482: The title Moneychangers . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Moneychangers&oldid=1140752940 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages The Moneychangers The Moneychangers

960-505: The violence portrayed in the miniseries. He described the scene that concluded Part 1 involving the rape of embezzler Miles Eastin by fellow inmates as "one of the most explicity [ sic ] sexual-assault scenes devised without benefit of outright hardcore pornography." Christopher Plummer received a Primetime Emmy Award for Outstanding Lead Actor in a Limited Series in 1977 . Three additional Primetime Emmy Award nominations were for Limited or Anthology Series , Lead Actress in

992-562: The vote of the board of directors, Vandervoort assumes the position of CEO of the half-ruined bank. One of the banking innovations that Hailey mentioned in The Moneychangers is Docutel , an automated teller machine , based on real technology that was issued a patent in 1974 in the United States. In the novel, Jill Peacock, a journalist, interviewed First Mercantile American Bank executive VP, Alexander Vandervoort, in

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1024-496: Was adapted for television as a 6 + 1 ⁄ 2 -hour NBC miniseries titled Arthur Hailey's the Moneychangers of which its four parts aired on December 4, 1976, and each of the subsequent three Sunday evenings through December 19 as part of the network's “Big Event” format. Ross Hunter and Jacque Mapes were the producers and Boris Sagal directed. John J. O'Connor of The New York Times raised concerns about

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