A monopod , also called a unipod , is a single staff or pole used to help support cameras , binoculars , rifles or other precision instruments in the field.
62-443: The monopod allows a still camera to be held steadier, allowing the photographer to take sharp pictures at slower shutter speeds , and/or with longer focal length lenses . In the case of video, it reduces camera shake, and therefore most of the resulting small random movements. Monopods are easier to transport and quicker to set up than conventional tripods, making them preferable for on-the-go (OTG) photography. An OTG photographer
124-477: A 1/4"-20 threaded stud on the top of the handle, usually covered by a cap when not in use, allowing them to double as a camera monopod. The user would usually need to carry a ball swivel adapter separately and mount it as needed. Monopods used with a smartphone or camera to take selfie photographs beyond the normal reach of the arm are known as selfie sticks , and (depending on the model) may have Bluetooth connectivity. There are two ways to attach your camera to
186-452: A 120 roll, and twice that number of a 220 film. These correspond to 6x9, 6x7, 6x6, and 6x4.5 respectively (all dimensions in cm). Notable manufacturers of large format and roll film SLR cameras include Bronica , Graflex , Hasselblad , Seagull , Mamiya and Pentax . However, the most common format of SLR cameras has been 35 mm and subsequently the migration to digital SLR cameras, using almost identical sized bodies and sometimes using
248-410: A bipod is formed; this can also eliminate horizontal motion. Unlike a tripod , monopods cannot support a camera independently. In the case of still cameras, this limits the shutter speed that can be used. They still allow longer exposures than hand holding, and are easier to carry and use than a tripod. Because it confers less stability than a tripod, monopods may present difficulties when trying to get
310-417: A certain range, providing the convenience of adjusting the scene capture without moving the camera or changing the lens. A prime lens, in contrast, has a fixed focal length. While less flexible, prime lenses often provide superior image quality, are typically lighter, and perform better in low light. Focus involves adjusting the lens elements to sharpen the image of the subject at various distances. The focus
372-454: A commonplace activity. The century also marked the rise of computational photography , using algorithms and AI to enhance image quality. Features like low-light and HDR photography , optical image stabilization, and depth-sensing became common in smartphone cameras. Most cameras capture light from the visible spectrum , while specialized cameras capture other portions of the electromagnetic spectrum , such as infrared . All cameras use
434-440: A compass or transit , the monopod is referred to as a jacob staff . Mounting the compass atop the jacob staff eliminates reading errors introduced by body movements, and permits the taking of more precise bearings to targets. Monopods known as finnsticks are also used to steady high-power (typically, 10× or more) binoculars to permit a clear view without shake or wobble introduced by the user's hand and body movements. With
496-521: A critical role as it determines how much of the scene the camera can capture and how large the objects appear. Wide-angle lenses provide a broad view of the scene, while telephoto lenses capture a narrower view but magnify the objects. The focal length also influences the ease of taking clear pictures handheld, with longer lengths making it more challenging to avoid blur from small camera movements. Two primary types of lenses include zoom and prime lenses. A zoom lens allows for changing its focal length within
558-402: A good image with very low light photography, i.e. night time, and shots where you need a 100% stable camera for example shooting light trails or landscapes with extreme depth of field . Many monopods can also be used as a "beltpod," meaning that the foot of the monopod can rest on the belt or hip of the photographer. This is usually used in selfies for clearer shots by ensuring that the camera
620-400: A magnifier loupe, view finder, angle finder, and focusing rail/truck. Some professional SLRs can be provided with interchangeable finders for eye-level or waist-level focusing, focusing screens , eyecup, data backs, motor-drives for film transportation or external battery packs. In photography, the single-lens reflex camera (SLR) is provided with a mirror to redirect light from the lens to
682-399: A mechanical or electronic shutter, the latter of which is common in smartphone cameras. Electronic shutters either record data from the entire sensor simultaneously (a global shutter) or record the data line by line across the sensor (a rolling shutter). In movie cameras, a rotary shutter opens and closes in sync with the advancement of each frame of film. The duration for which the shutter
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#1732772004293744-494: A monopod. The first is to screw the monopod's screw thread directly into the camera body. This is fine if you're using a fairly small, light lens. If you're shooting using a long, heavy telephoto lens, it's better to use a tripod mount ring. This fixes the monopod to the lens rather than the camera body, giving better balance and stopping the monopod from rotating in your hands as you try to position it. There are various different types of monopod head available, and ball heads offer
806-409: A short burst of bright light during exposure and is a commonly used artificial light source in photography. Most modern flash systems use a battery-powered high-voltage discharge through a gas-filled tube to generate bright light for a very short time (1/1,000 of a second or less). Many flash units measure the light reflected from the flash to help determine the appropriate duration of the flash. When
868-432: A significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century. Cameras function through a combination of multiple mechanical components and principles. These include exposure control, which regulates
930-429: A small display, offering a wider range of information such as live exposure previews and histograms, albeit at the cost of potential lag and higher battery consumption. Specialized viewfinder systems exist for specific applications, like subminiature cameras for spying or underwater photography . Parallax error , resulting from misalignment between the viewfinder and lens axes, can cause inaccurate representations of
992-405: A specialized trade in the 1850s, designs and sizes were standardized. The latter half of the century witnessed the advent of dry plates and roll-film , prompting a shift towards smaller and more cost-effective cameras, epitomized by the original Kodak camera, first produced in 1888. This period also saw significant advancements in lens technology and the emergence of color photography, leading to
1054-563: A surge in camera ownership. The first half of the 20th century saw continued miniaturization and the integration of new manufacturing materials. After World War I, Germany took the lead in camera development, spearheading industry consolidation and producing precision-made cameras. The industry saw significant product launches such as the Leica camera and the Contax , which were enabled by advancements in film and lens designs. Additionally, there
1116-475: Is adjusted through the focus ring on the lens, which moves the lens elements closer or further from the sensor. Autofocus is a feature included in many lenses, which uses a motor within the lens to adjust the focus quickly and precisely based on the lens's detection of contrast or phase differences. This feature can be enabled or disabled using switches on the lens body. Advanced lenses may include mechanical image stabilization systems that move lens elements or
1178-416: Is adjusted, the opening expands and contracts in increments called f-stops . The smaller the f-stop, the more light is allowed to enter the lens, increasing the exposure. Typically, f-stops range from f / 1.4 to f / 32 in standard increments: 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, and 32. The light entering the camera is halved with each increasing increment. The wider opening at lower f-stops narrows
1240-462: Is an assembly of multiple optical elements, typically made from high-quality glass. Its primary function is to focus light onto a camera's film or digital sensor, thereby producing an image. This process significantly influences image quality, the overall appearance of the photo, and which parts of the scene are brought into focus. A camera lens is constructed from a series of lens elements, small pieces of glass arranged to form an image accurately on
1302-433: Is correctly placed. The photographer then winds the film, either manually or automatically depending on the camera, to position a blank portion of the film in the path of the light. Each time a photo is taken, the film advance mechanism moves the exposed film out of the way, bringing a new, unexposed section of film into position for the next shot. The film must be advanced after each shot to prevent double exposure — where
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#17327720042931364-464: Is dictated by the sensor's size and properties, necessitating storage media such as Compact Flash , Memory Sticks , and SD (Secure Digital) cards . Modern digital cameras typically feature a built-in monitor for immediate image review and adjustments. Digital images are also more readily handled and manipulated by computers, offering a significant advantage in terms of flexibility and post-processing potential over traditional film. A flash provides
1426-487: Is measured using a built-in light meter or exposure meter. Taken through the lens (called TTL metering ), these readings are taken using a panel of light-sensitive semiconductors . They are used to calculate optimal exposure settings. These settings are typically determined automatically as the reading is used by the camera's microprocessor . The reading from the light meter is incorporated with aperture settings, exposure times, and film or sensor sensitivity to calculate
1488-401: Is not able to carry a heavy, bulky tripod around, and when they see a potential shot, there is no time to bother with setting up a complicated tripod. A simple monopod is easy to carry, easy to set up, and enables the photographer to take advantage of the situation they are presented with, all while providing camera support to capture a clear, sharp image. Examples of situations in which a monopod
1550-413: Is not in motion relative to the body. With a special adapter, monopods can be used as a "chestpod", meaning that the foot rests now on the chest of the photographer. The result is that the camera is held more steadily than by hand alone (though not as steadily as when the foot is planted on the ground), and the camera/monopod is completely mobile, travelling with the photographer's movements. This technique
1612-400: Is open is called the shutter speed or exposure time . Typical exposure times can range from one second to 1/1,000 of a second, though longer and shorter durations are not uncommon. In the early stages of photography, exposures were often several minutes long. These long exposure times often resulted in blurry images, as a single object is recorded in multiple places across a single image for
1674-402: Is preferable include wildlife and sports photography where you can dramatically increase the stability of long lenses, travel photography, particularly around the golden hours and of course outdoor macro photography, especially when trying to photograph insects etc. When used by itself, it eliminates camera shake in the vertical axis. When used in combination with leaning against a large object,
1736-465: Is pulled across the film plane during exposure. The focal-plane shutter is typically used in single-lens reflex (SLR) cameras, since covering the film (rather than blocking the light passing through the lens) allows the photographer to view the image through the lens at all times, except during the exposure itself. Covering the film also facilitates removing the lens from a loaded camera, as many SLRs have interchangeable lenses. A digital camera may use
1798-547: Is replaced by the film to make the exposure; they are suitable for static subjects only and are slow to use. The earliest cameras produced in significant numbers were plate cameras , using sensitized glass plates. Light entered a lens mounted on a lens board which was separated from the plate by extendible bellows. There were simple box cameras for glass plates but also single-lens reflex cameras with interchangeable lenses and even for color photography ( Autochrome Lumière ). Many of these cameras had controls to raise, lower, and tilt
1860-478: Is widely used in videography in which the photographer has to move with the subject e.g. first-person scenes, and is also especially useful for disabled photographers. Generally, in terms of mobility versus stability, if mobility increases, stability decreases as follows: Monopods are often equipped with a ball swivel, allowing some freedom to pan and tilt the camera while the monopod remains relatively stationary. Walking sticks or " trekking poles " exist that have
1922-526: The Canon Pellix and others with a small periscope such as in the Corfield Periflex series. The large-format camera, taking sheet film, is a direct successor of the early plate cameras and remained in use for high-quality photography and technical, architectural, and industrial photography. There are three common types: the view camera, with its monorail and field camera variants, and
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1984-412: The press camera . They have extensible bellows with the lens and shutter mounted on a lens plate at the front. Backs taking roll film and later digital backs are available in addition to the standard dark slide back. These cameras have a wide range of movements allowing very close control of focus and perspective. Composition and focusing are done on view cameras by viewing a ground-glass screen which
2046-673: The United States by 2003. In contrast, the film camera industry in the UK, Western Europe, and the USA declined during this period, while manufacturing continued in the USSR, German Democratic Republic, and China, often mimicking Western designs. The 21st century witnessed the mass adoption of digital cameras and significant improvements in sensor technology. A major revolution came with the incorporation of cameras into smartphones, making photography
2108-847: The amount of light reaching the sensor or film; the lens, which focuses the light; the viewfinder, which allows the user to preview the scene; and the film or sensor, which captures the image. Several types of cameras exist, each suited to specific uses and offering unique capabilities. Single-lens reflex (SLR) cameras provide real-time, exact imaging through the lens. Large-format and medium-format cameras offer higher image resolution and are often used in professional and artistic photography. Compact cameras, known for their portability and simplicity, are popular in consumer photography. Rangefinder cameras , with separate viewing and imaging systems, were historically widely used in photojournalism. Motion picture cameras are specialized for filming cinematic content, while digital cameras , which became prevalent in
2170-410: The camera through an aperture, an opening adjusted by overlapping plates called the aperture ring. Typically located in the lens, this opening can be widened or narrowed to alter the amount of light that strikes the film or sensor. The size of the aperture can be set manually, by rotating the lens or adjusting a dial or automatically based on readings from an internal light meter. As the aperture
2232-533: The composition, lighting, and exposure of their shots, enhancing the accuracy of the final image. Viewfinders fall into two primary categories: optical and electronic. Optical viewfinders, commonly found in Single-Lens Reflex (SLR) cameras, use a system of mirrors or prisms to reflect light from the lens to the viewfinder, providing a clear, real-time view of the scene. Electronic viewfinders, typical in mirrorless cameras, project an electronic image onto
2294-422: The degree of magnification expected of the final image. The shutter, along with the aperture, is one of two ways to control the amount of light entering the camera. The shutter determines the duration that the light-sensitive surface is exposed to light. The shutter opens, light enters the camera and exposes the film or sensor to light, and then the shutter closes. There are two types of mechanical shutters:
2356-410: The duration of the exposure. To prevent this, shorter exposure times can be used. Very short exposure times can capture fast-moving action and eliminate motion blur. However, shorter exposure times require more light to produce a properly exposed image, so shortening the exposure time is not always possible. Like aperture settings, exposure times increment in powers of two. The two settings determine
2418-528: The evolution of the technology in the 19th century was driven by pioneers like Thomas Wedgwood , Nicéphore Niépce , and Henry Fox Talbot . First using the camera obscura for chemical experiments, they ultimately created cameras specifically for chemical photography, and later reduced the camera's size and optimized lens configurations. The introduction of the daguerreotype process in 1839 facilitated commercial camera manufacturing, with various producers contributing diverse designs. As camera manufacturing became
2480-408: The exposure value (EV), a measure of how much light is recorded during the exposure. There is a direct relationship between the exposure times and aperture settings so that if the exposure time is lengthened one step, but the aperture opening is also narrowed one step, then the amount of light that contacts the film or sensor is the same. In most modern cameras, the amount of light entering the camera
2542-543: The finger pressure was released. The Asahiflex II , released by Japanese company Asahi (Pentax) in 1954, was the world's first SLR camera with an instant return mirror. In the single-lens reflex camera, the photographer sees the scene through the camera lens. This avoids the problem of parallax which occurs when the viewfinder or viewing lens is separated from the taking lens. Single-lens reflex cameras have been made in several formats including sheet film 5x7" and 4x5", roll film 220/120 taking 8,10, 12, or 16 photographs on
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2604-556: The flash is attached directly to the camera—typically in a slot at the top of the camera (the flash shoe or hot shoe) or through a cable—activating the shutter on the camera triggers the flash, and the camera's internal light meter can help determine the duration of the flash. Additional flash equipment can include a light diffuser , mount and stand, reflector, soft box , trigger and cord. Accessories for cameras are mainly used for care, protection, special effects, and functions. Large format cameras use special equipment that includes
2666-513: The horizon may be scanned literally for hours to find migrant birds. As the name implies the stick was invented by the Finns but is now also used in other countries, mainly in Europe. Alternative strategies for steadying the binoculars include supporting the arms against the body. Some birdwatchers have extended the idea by using a telescoping stick either as a finnstick or a monopod , depending on
2728-438: The image sensor itself to counteract camera shake, especially beneficial in low-light conditions or at slow shutter speeds. Lens hoods, filters, and caps are accessories used alongside a lens to enhance image quality, protect the lens, or achieve specific effects. The camera's viewfinder provides a real-time approximation of what will be captured by the sensor or film. It assists photographers in aligning, focusing, and adjusting
2790-467: The image steady which allows for finer details of the object to be discerned, the use of the stick reduces muscle strain thus enabling longer viewing with less sore muscles afterwards. Some birdwatchers feel that the use of a finnstick does not markedly improve the viewer's ability to resolve detail, but rather improves viewing comfort and prevents premature fatigue. The finnstick is especially useful when watching migration (e.g. seabirds , raptors ) when
2852-451: The introduction of gyroscopically stabilized binoculars, the use of stabilizing supports for binoculars have declined in recent years. Still camera A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor , or chemically via a light-sensitive material such as photographic film . As a pivotal technology in the fields of photography and videography, cameras have played
2914-498: The introduction of the affordable Ricohflex III TLR in 1952 to the first 35mm SLR with automatic exposure, the Olympus AutoEye in 1960, new designs and features continuously emerged. Electronics became integral to camera design in the 1970s, evident in models like Polaroid's SX-70 and Canon's AE-1 . Transition to digital photography marked the late 20th century, culminating in digital camera sales surpassing film cameras in
2976-426: The late 20th and early 21st century, use electronic sensors to capture and store images. The rapid development of smartphone camera technology in the 21st century has blurred the lines between dedicated cameras and multifunctional devices, profoundly influencing how society creates, shares, and consumes visual content. Beginning with the use of the camera obscura and transitioning to complex photographic cameras,
3038-467: The leaf-type shutter and the focal-plane shutter. The leaf-type uses a circular iris diaphragm maintained under spring tension inside or just behind the lens that rapidly opens and closes when the shutter is released. More commonly, a focal-plane shutter is used. This shutter operates close to the film plane and employs metal plates or cloth curtains with an opening that passes across the light-sensitive surface. The curtains or plates have an opening that
3100-399: The lens forwards or backward to control perspective. Finnstick A finnstick is the name given by birdwatchers to a stick used to support a binoculars . The one end of the stick is steadily attached to the binocular while the other end rests against the belly. Finnsticks help to keep the binoculars steady especially when they are used for a prolonged time. In addition to keeping
3162-437: The light-sensitive surface. Each element is designed to reduce optical aberrations , or distortions, such as chromatic aberration (a failure of the lens to focus all colors at the same point), vignetting (darkening of image corners), and distortion (bending or warping of the image). The degree of these distortions can vary depending on the subject of the photo. The focal length of the lens, measured in millimeters, plays
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#17327720042933224-412: The most flexibility. They allow you to shoot in portrait or landscape orientation, and angle your camera to adjust for any sloping of the monopod. A monopod can be used for firearms. They have the advantage of being light and compact, although when used in firing mode they can only be used with small firearms. They are also used as "butt spikes" as a rear support on precision rifles. When used to support
3286-429: The optimal exposure. Light meters typically average the light in a scene to 18% middle gray. More advanced cameras are more nuanced in their metering—weighing the center of the frame more heavily (center-weighted metering), considering the differences in light across the image (matrix metering), or allowing the photographer to take a light reading at a specific point within the image (spot metering). A camera lens
3348-407: The range of focus so the background is blurry while the foreground is in focus. This depth of field increases as the aperture closes. A narrow aperture results in a high depth of field, meaning that objects at many different distances from the camera will appear to be in focus. What is acceptably in focus is determined by the circle of confusion , the photographic technique, the equipment in use and
3410-408: The same basic design: light enters an enclosed box through a converging or convex lens and an image is recorded on a light-sensitive medium. A shutter mechanism controls the length of time that light enters the camera. Most cameras also have a viewfinder, which shows the scene to be recorded, along with means to adjust various combinations of focus , aperture and shutter speed . Light enters
3472-429: The same lens systems. Almost all SLR cameras use a front-surfaced mirror in the optical path to direct the light from the lens via a viewing screen and pentaprism to the eyepiece. At the time of exposure, the mirror is flipped up out of the light path before the shutter opens. Some early cameras experimented with other methods of providing through-the-lens viewing, including the use of a semi-transparent pellicle as in
3534-873: The same section of film is exposed to light twice, resulting in overlapped images. Once all frames on the film roll have been exposed, the film is rewound back into the cartridge, ready to be removed from the camera for developing. In digital cameras, sensors typically comprise Charge-Coupled Devices (CCDs) or Complementary Metal-Oxide-Semiconductor (CMOS) chips, both of which convert incoming light into electrical charges to form digital images. CCD sensors, though power-intensive, are recognized for their excellent light sensitivity and image quality. Conversely, CMOS sensors offer individual pixel readouts, leading to less power consumption and faster frame rates, with their image quality having improved significantly over time. Digital cameras convert light into electronic data that can be directly processed and stored. The volume of data generated
3596-404: The shutter is briefly opened to allow light to pass during the exposure. Loading film into a film camera is a manual process. The film, typically housed in a cartridge, is loaded into a designated slot in the camera. One end of the film strip, the film leader, is manually threaded onto a take-up spool. Once the back of the camera is closed, the film advance lever or knob is used to ensure the film
3658-429: The situation. A simple finnstick can be made from a piece of wood such as an old hockey stick , or from the leg of an old tripod. The upper end of the stick needs to be adjusted to each binocular model. In the cold Finnish climate it is common to cover finnsticks made of metal with an insulator to keep the hands warmer. Finnsticks are also commercially available and some binocular manufacturers provide an attachment for
3720-402: The subject's position. While negligible with distant subjects, this error becomes prominent with closer ones. Some viewfinders incorporate parallax-compensating devices to mitigate that issue. Image capture in a camera occurs when light strikes a light-sensitive surface: photographic film or a digital sensor . Housed within the camera body, the film or sensor records the light's pattern when
3782-428: The viewfinder prior to releasing the shutter for composing and focusing an image. When the shutter is released, the mirror swings up and away, allowing the exposure of the photographic medium , and instantly returns after the exposure is finished. No SLR camera before 1954 had this feature, although the mirror on some early SLR cameras was entirely operated by the force exerted on the shutter release and only returned when
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#17327720042933844-455: Was a marked increase in accessibility to cinematography for amateurs with Eastman Kodak's production of the first 16-mm and 8-mm reversal safety films. The World War II era saw a focus on the development of specialized aerial reconnaissance and instrument-recording equipment, even as the overall pace of non-military camera innovation slowed. In the second half of the century, Japanese manufacturers in particular advanced camera technology. From
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