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Montreal International Film Festival

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The Montreal International Film Festival was an annual Canadian film festival , which took place in Montreal , Quebec from 1960 to 1967.

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19-445: A primarily non-competitive festival, it was led throughout its history by Pierre Juneau as president, with Robert Daudelin as a manager and programmer. At the fourth festival in 1963, the festival also introduced a competitive parallel Festival of Canadian Films , with a prize presented to the film judged as the best film in the program. The overall festival developed a positive international reputation, culminating in its hosting

38-479: A joint decision to share their prize money equally with the other two feature films in competition, Pierre Perrault 's The Times That Are (Le Règne du jour) and Michel Brault 's Between Salt and Sweet Water (Entre la mer et l'eau douce) . The 1967 jury's choices of Jacques Leduc 's Chantal en vrac as the medium-length prize winner and Pierre Hébert 's Op Hop - Hop Op as the short prize winner were also criticized, as both films had been heavily booed by

57-458: A manager and programmer. At the fourth festival in 1963, the festival also introduced a competitive parallel Festival of Canadian Films , with a prize presented to the film judged as the best film in the program. The overall festival developed a positive international reputation, culminating in its hosting the world premiere of the film Bonnie and Clyde in 1967, but the Canadian stream

76-607: A seat in the House of Commons of Canada , he attempted to enter parliament through a by-election , but was defeated in the Montreal riding of Hochelaga by the Progressive Conservative candidate, Jacques Lavoie . Following constitutional convention which requires that a cabinet minister have or obtain a seat in parliament shortly after his appointment, he resigned from cabinet. He was subsequently appointed to

95-527: Is credited with creating a domestic market for Canadian music and the subsequent boom in music production. The music industry's Juno Awards are named after Juneau, and in 1971 he received a special Juno award for "Canadian music industry Man of the Year". In 1975, Juneau left the CRTC to accept an appointment by Prime Minister Pierre Trudeau to the cabinet as Minister of Communications . Since Juneau did not have

114-750: The Canadian Broadcasting Corporation . He is credited with the creation, promotion, and championing of Canadian content requirements for radio and television. Juneau is the namesake of the Juno Awards . He was born in Verdun , now part of Montreal , to a working-class family. After graduating from the Université de Montréal , he studied at the University of Paris where he met Pierre Trudeau , with whom he co-founded

133-592: The National Film Board of Canada in 1949. Hired as the NFB's French Advisor by commissioner Albert Trueman to see how the NFB could better meet the needs of francophone filmmakers and contemporary Quebec society, Juneau was one of the original proponents for the creation of a French-language production branch at the NFB. In the 1950s, he was the NFB's assistant regional supervisor in Quebec , and then became

152-545: The civil service by Trudeau as undersecretary of state, and then, in 1980, as deputy minister of communications. In 1982, he became president of the Canadian Broadcasting Corporation . As Juneau was closely identified with the Liberal Party, he was viewed with hostility by the Progressive Conservative government of Brian Mulroney that came to power in the 1984 election . He clashed with

171-493: The "concepts and standards of execution that Canadian film-makers have set themselves", and in 1967, when feature co-winners Allan King and Jean Pierre Lefebvre announced a joint decision to share their prize money equally with the other two feature films in competition, Pierre Perrault 's The Times That Are (Le Règne du jour) and Michel Brault 's Between Salt and Sweet Water (Entre la mer et l'eau douce) . The 1967 jury's choices of Jacques Leduc 's Chantal en vrac as

190-597: The BBG became the Canadian Radio and Television Commission (CRTC) in 1968, Juneau became the body's first chairman. In the early 1970s, he was the architect of the CRTC's Canadian content regulations that require a certain percentage of radio and television time to be devoted to programming (or music in the case of radio) produced in Canada. Canadian content, by requiring radio stations to give air play to Canadian artists,

209-570: The Mulroney government over budget cuts and its reorganization of the CBC but nevertheless completed his seven-year term. Despite financial pressures, during his term as CBC president, Juneau inaugurated a new cable service, CBC Newsworld , and increased Canadian content on the CBC to 95% of programming. Under Juneau, CBC Television increased its level of Canadian content and moved towards commissioning independently produced drama helping to stimulate

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228-680: The chief of international distribution, the assistant head of the European office, and the NFB's secretary. In 1964, he became the board's Director of French-language production. In 1959, Juneau was a co-founder of the Montreal International Film Festival , and served as its president until 1968. In 1966, Juneau was appointed vice-chairman of the Bureau of Broadcast Governors and the last Chairman in March 1968. When

247-578: The dissident political magazine Cité Libre upon returning to Montreal. He was the Jeunesse Étudiante Chrétienne (JEC) Canadian representative at the International Young Catholic Students (IYCS) Centre for International Documentation and Information (CIDI) in 1947–49. He is considered as one of the key men behind the creation of IYCS which today is present in over 80 countries with millions of members. Juneau joined

266-491: The medium-length prize winner and Pierre Hébert 's Op Hop - Hop Op as the short prize winner were also criticized, as both films had been heavily booed by the audiences at their screenings, and the festival that year had also been impacted by the Quebec Censor Board's banning of Larry Kent 's film High . The festival was cancelled in 1968. The new Montreal World Film Festival was launched in 1977, and

285-797: The production industry where previously it had produced most drama in-house. After retiring from the CBC, he founded the World Radio and Television Council, a non-government organization supported by UNESCO . He also taught in the communications department of the Université de Montréal . In 1975, he was made an officer of the Order of Canada and was elected a member of the Royal Society of Canada . He received honorary doctorates from York University , Ryerson Polytechnic University , Trent University and Université de Moncton . Juneau died in Montreal from heart failure on February 21, 2012. He

304-408: The world premiere of the film Bonnie and Clyde in 1967, but the Canadian stream was controversial, with filmmakers often expressing their opposition to the competitive nature of the program. The controversy was most pronounced in 1966, when the jury gave out numerous honorable mentions but declined to name any feature or short winners on the grounds that the films in competition did not measure up to

323-520: Was 89. He was entombed at the Notre Dame des Neiges Cemetery in Montreal. Montreal International Film Festival The Montreal International Film Festival was an annual Canadian film festival , which took place in Montreal , Quebec from 1960 to 1967. A primarily non-competitive festival, it was led throughout its history by Pierre Juneau as president, with Robert Daudelin as

342-660: Was also sometimes informally referred to as the Montreal International Film Festival. Pierre Juneau Pierre Juneau PC OC MSRC (October 17, 1922 – February 21, 2012) was a Canadian film and broadcast executive, a one-time member of the Canadian Cabinet , the first chairman of the Canadian Radio-television and Telecommunications Commission (CRTC) and subsequently president of

361-501: Was controversial, with filmmakers often expressing their opposition to the competitive nature of the program. The controversy was most pronounced in 1966, when the jury gave out numerous honorable mentions but declined to name any feature or short winners on the grounds that the films in competition did not measure up to the "concepts and standards of execution that Canadian film-makers have set themselves", and in 1967, when feature co-winners Allan King and Jean Pierre Lefebvre announced

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