Alfred Machin (20 April 1877 – 16 June 1929) was a French actor and film director. He is remembered to have been one of the few French film directors whose films expressed progressive tendencies before World War I . He was also a pioneer of aerial filming. After 1920 Alfred Machin devoted himself to films of animals.
60-1120: Machin may refer to: People [ edit ] Alfred Machin (director) (1877–1929), French film director Alfred Machin (writer) (born 1888), British writer on social evolution Antonio Machín (1903–1977), Cuban singer and musician Arnold Machin (1911–1999), British artist Ernie Machin (1944–2012), British football player Henry Machin (1832–1918), Quebec bureaucrat John Machin (1680–1751), British mathematician Mel Machin (born 1945), British football player and manager Pablo Machín (born 1975), Spanish football player and manager Peter Machin (footballer) (born 1883), English football player Peter Machin (darts player) (born 1973), Australian darts player Stuart Machin , CEO of Marks & Spencer Tim N. Machin (died 1915), Lieutenant Governor of California, 1863-67 Timothy Machin (born 1948), British cricketer Vimael Machín (born 1993), Puerto Rican baseball player W. H. Machin (fl. 1900–1905), British football player Characters [ edit ] Henry "Denry" Machin,
120-535: A Film studio in Nice, to which a small zoo was attached where he kept wild animals used in his productions. He died in 1929 as a result of an injury inflicted by a panther during the shooting of a film. Machin directed 156 films, of which 32 are preserved. Press photographer Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism . Photojournalism
180-412: A United Press International (UPI) or Associated Press (AP) photo that had been first reproduced in newspapers, but the quality magazine version appeared to be a different photo altogether. In large part because their pictures were clear enough to be appreciated, and because their name always appeared with their work, magazine photographers achieved near-celebrity status. Life became a standard by which
240-594: A Middle Eastern grocery store, near a town where the FBI raided an alleged Al Qaeda cell. Other photographers at the scene claimed that Keating pointed with his own arm to show the boy which way to look and aim the gun. After the Columbia Journalism Review reported the incident, Keating was forced to leave the paper. As early as the Crimean War in the mid-19th century, photographers were using
300-418: A creative manner that is both informative and entertaining. Similar to a writer, a photojournalist is a reporter , but they must often make decisions instantly and carry photographic equipment , often while exposed to significant obstacles, among them immediate physical danger, bad weather, large crowds, and limited physical access to their subjects. The practice of illustrating news stories with photographs
360-857: A degree that it is unrecognizable as image-capturing technology naturally progresses. Staff photojournalism jobs continued to dwindle in the 2010s and some of the largest news media outlets in the U.S. now rely on freelancers for the majority of their needs. For example, in 2016, the New York Times employed 52 photo editors and relied on freelancers to provide 50 percent or more of its visuals; The Wall Street Journal employed 24 photo editors and relied on freelancers for 66 percent of its features imagery and 33 percent of its news imagery; The Washington Post employed 19 photo editors and relied on freelancers for 80 percent of its international news imagery, 50 percent of its political news imagery, and between 60 and 80 percent of its national news imagery. The age of
420-423: A digital camera, a mobile phone and a laptop computer, a photojournalist can send a high-quality image in minutes, even seconds after an event occurs. Camera phones and portable satellite links increasingly allow for the mobile transmission of images from almost any point on the earth. There is some concern by news photographers that the profession of photojournalism as it is known today could change to such
480-459: A form of photojournalism. Instead of the images acting as a supplement to the text, he pioneered the use of printed photographs as the predominant medium for the imparting of information , successfully combining photography with the printed word . On March 4, 1880, The Daily Graphic (New York) published the first halftone (rather than engraved) reproduction of a news photograph. In March 1886, when General George Crook received word that
540-526: A mentor program. News organizations and journalism schools run many different awards for photojournalists. Since 1968, Pulitzer Prizes have been awarded for the following categories of photojournalism: 'Feature Photography', 'Spot News Photography'. Other awards are World Press Photo, Best of Photojournalism, and Pictures of the Year as well as the UK based The Press Photographer's Year. Photojournalism works within
600-586: A newspaper story was a depiction of barricades in Paris during the June Days uprising taken on 25 June 1848; the photo was published as an engraving in L'Illustration of 1–8 July 1848. During the Crimean War , the ILN pioneered the birth of early photojournalism by printing pictures of the war that had been taken by Roger Fenton . Fenton was the first official war photographer and his work included documenting
660-450: A picture." Meadows was suspended without pay for a week and picture was withdrawn from any prize competitions – the Times called it a "fabrication" and the paper's photography director, Larry Armstrong, said "when you manipulate the situation, you manipulate the news." Edward Keating, a Pulitzer Prize winner from The New York Times , photographed a young boy pointing a toy gun outside
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#1732776678779720-570: A place in art galleries alongside fine art photography . Luc Delahaye , Manuel Rivera-Ortiz and the members of VII Photo Agency are among many who regularly exhibit in galleries and museums. The Danish Union of Press Photographers (Pressefotografforbundet) was the first national organization for newspaper photographers in the world. It was founded in 1912 in Copenhagen , Denmark by six press photographers. Today it has over 800 members. The National Press Photographers Association (NPPA)
780-409: A pocket, and the immediacy in taking pictures can reduce the intervention of the scene and subjects to a minimum. With the assistance of abundant applications, photographers can achieve a highly aesthetic way of conveying messages. Once the pictures are uploaded onto social media, photographers can immediately expose their work to a wide range of audiences and receive real-time feedback from them. With
840-516: A police dog and the resulting image brought the gory side of the movement to everyone's attention. The photo was seen above the fold in the May 1963 New York Times . In the case of this particular photograph, it helped change the path of the civil rights movement and gained it even more attention. Other issues involving photojournalism include the right to privacy , negotiating how the subject desires to be depicted, and questions of whether compensation
900-676: A series of British stamps Cerro Machín , a volcano in Colombia Machon (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Machin . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Machin&oldid=1133534024 " Categories : Disambiguation pages Disambiguation pages with surname-holder lists Occupational surnames Hidden categories: Short description
960-411: A target of the enemy. These technological barriers are why he was unable to obtain any direct images of the action. The use of photography as a way of reporting news did not become widespread until the advent of smaller, more portable cameras that used an enlargeable film negative to record images. The introduction of the 35 mm Leica camera in 1925 made it possible for photographers to move with
1020-446: Is a notable example of some of these issue, and see photo manipulation: use in journalism for other examples. The emergence of digital photography offers new realms of opportunity for the manipulation, reproduction, and transmission of images. It has inevitably complicated many of the ethical issues involved. Often, ethical conflicts can be mitigated or enhanced by the actions of a sub-editor or picture editor, who takes control of
1080-437: Is a relatively new and even controversial means of photojournalism, which involves the use of pictures taken and edited on phones by professional or non-professional photographers. In recent years, as social media has become the major platform on which people receive news and share events, phone photography is gaining popularity as the primary tool for online visual communication. A phone is easy to carry and always accessible in
1140-411: Is different from Wikidata All article disambiguation pages All disambiguation pages Alfred Machin (director) Machin started his career as a press photographer for the magazine L'illustration . He was then recruited by the film production company Pathé which sent him in 1907 to Africa where he realised in particular a large number of short films on wild animals. Machin
1200-504: Is distinguished from other close branches of photography (such as documentary photography , social documentary photography , war photography , street photography and celebrity photography ) by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media , and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in
1260-595: Is held by some to be the father of modern photojournalism, although this appellation has been applied to various other photographers, such as Erich Salomon , whose candid pictures of political figures were novel in the 1930s. The photojournalism of, for example, Agustí Centelles played an important role in the propaganda efforts of the Republican side in the Spanish Civil War in the late 1930s. American journalist Julien Bryan photographed and filmed
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#17327766787791320-470: Is warranted. Especially regarding pictures of violence, photojournalists face the ethical dilemma of whether or not to publish images of the victims. The victim's right to privacy is sometimes not addressed or the picture is printed without their knowledge or consent. Another major issue of photojournalism is photo manipulation – what degree is acceptable? Some pictures are simply manipulated for color enhancement, whereas others are manipulated to
1380-517: The anti-war movement in the United States " and impacted many people's perception of the war. Being exposed to such violence can have physiological and psychological effects on those who document it and is but one of many different forms of emotional labor that photojournalists report experiencing. In this case, the photographer Eddie Adams was quoted saying "I was getting money for showing one man killing another. Two lives were destroyed, and I
1440-539: The 1970s when many photo-magazines ceased publication, most prominently, Life , which ended weekly publication in December 1972. They found that they could not compete with other media for advertising revenue to sustain their large circulations and high costs. Still, those magazines taught journalism much about the photographic essay and the power of still images. However, since the late 1970s, photojournalism and documentary photography have increasingly been accorded
1500-402: The 1980s did a majority of newspapers switch to "offset" presses that reproduce photos with fidelity on better, whiter paper. By contrast Life , one of America's most popular weekly magazines from 1936 through the early 1970s, was filled with photographs reproduced beautifully on oversize 11×14-inch pages, using fine engraving screens, high-quality inks, and glossy paper. Life often published
1560-486: The Apache leader Geronimo would negotiate surrender terms, photographer C. S. Fly took his equipment and attached himself to the military column. During the three days of negotiations, Fly took about 15 exposures on 8 by 10 inches (200 by 250 mm) glass negatives. His photos of Geronimo and the other free Apaches, taken on March 25 and 26, are the only known photographs taken of American Indians while still at war with
1620-485: The Associated Press and other companies to reach out to the citizen journalist who holds ownership of the photos and get permission to use those photos in news outlets. The content of photos tends to outweigh their quality when it comes to news value. On February 18, 2004, The New York Times published on their front page a photo of AT&T CEO John Zeglis which was taken with a camera phone. Content remains
1680-488: The Other Half Lives . By 1897, it became possible to reproduce halftone photographs on printing presses running at full speed. In France, agencies such as Rol, Branger and Chusseau-Flaviens (ca. 1880–1910) syndicated photographs from around the world to meet the need for timely new illustration. Despite these innovations, limitations remained, and many of the sensational newspaper and magazine stories in
1740-711: The Photographic Service of the French Army while continuing working for Pathé which produced films for this service. He shot some scenes of the French trenches which were used by D.W. Griffith in Hearts of the World He only directed one horror film, The Manor House of Fear in 1927, which is thought to have been theatrically shown in the United States by Universal Pictures. After the war, Machin created
1800-399: The United States. Fly coolly posed his subjects, asking them to move and turn their heads and faces, to improve his composition. The popular publication Harper's Weekly published six of his images in their April 24, 1886 issue. In 1887, flash powder was invented, enabling journalists such as Jacob Riis to photograph informal subjects indoors, which led to the landmark 1890 book How
1860-401: The action, take multiple shots of events as they were unfolding, as well as be more able to create a narrative through their photographs alone. Since the 1960s, motor drives, electronic flash, auto-focus, better lenses and other camera enhancements have made picture-taking easier. New digital cameras free photojournalists from the limitation of film roll length. Although the number depends on
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1920-472: The amount of megapixels the camera contains, whether one's shooting mode is JPEG or raw , and what size of memory card one is using, it is possible to store thousands of images on a single memory card . Social media are playing a big part in revealing world events to a vast audience. Whenever there is a major event in the world, there are usually people with camera phones ready to capture photos and post them on various social networks. Such convenience allows
1980-790: The beginning of the Second World War being under heavy German bombardment in September 1939 in Poland. He was pioneer worker in color photography, Kodachrome . William Vandivert photographed in color the German bombardment of London called the Blitz in 1940. Soldier Tony Vaccaro is also recognized as one of the pre-eminent photographers of World War II . His images taken with the modest Argus C3 captured horrific moments in war, similar to Capa's Spanish soldier being shot. Capa himself
2040-561: The citizen journalist and the providing of news photos by amateur bystanders have contributed to the art of photojournalism. Paul Levinson attributes this shift to the Kodak camera, one of the first cheap and accessible photo technologies that "put a piece of visual reality into every person's potential grasp." The empowered news audience with the advent of the Internet sparked the creation of blogs , podcasts and online news, independent of
2100-583: The effects of the war on the troops, panoramas of the landscapes where the battles took place, model representations of the action, and portraits of commanders, which laid the groundwork for modern photojournalism. Other photographers of the war included William Simpson and Carol Szathmari . Similarly, the American Civil War photographs of Mathew Brady were engraved before publication in Harper's Weekly . The technology had not yet developed to
2160-481: The extent where people are edited in or out of the picture. War photography has always been a genre of photojournalism that is frequently staged. Due to the bulkiness and types of cameras present during past wars in history, it was rare when a photograph could capture a spontaneous news event. Subjects were carefully composed and staged in order to capture better images. Another ethical issue is false or misleading captioning. The 2006 Lebanon War photographs controversies
2220-430: The founders of photojournalism. Other magazines included, Arbeiter-Illustrierte-Zeitung (Berlin), Vu (France), Life (USA), Look (USA), Picture Post (London)); and newspapers, The Daily Mirror (London) and The New York Daily News . Famous photographers of the era included Robert Capa , Romano Cagnoni , Alfred Eisenstaedt , Margaret Bourke-White and W. Eugene Smith . Henri Cartier-Bresson
2280-545: The history of photojournalism of photographers purposefully deceiving their audience by doing so. Mike Meadows, a veteran photographer of the Los Angeles Times , was covering a major wild fire sweeping southern California on 27 October 1993. His picture of a Los Angeles County firefighter, Mike Alves cooling himself off with water in a pool in Altadena ran both in the Times and nationally. Prior to submitting
2340-497: The images once they have been delivered to the news organization. The photojournalist often has no control as to how images are ultimately used. The National Press Photographers Association (NPPA) is an American professional society that emphasizes photojournalism. Members of the NPPA accept the following code of ethics Most photojournalists consider stage-managed shots presented as candid to be unethical. There have been examples in
2400-408: The journalist true flexibility in taking pictures. A new style of magazine and newspaper appeared that used photography more than text to tell stories. The Berliner Illustrirte Zeitung was the first to pioneer the format of the illustrated news magazine. Beginning in 1901, it began to print photographs inside the magazine, a revolutionary innovation. In the successive decades, it was developed into
2460-614: The main character in the 1911 novel The Card by Arnold Bennett Lonnie Machin, the secret identity of the DC Comics character Anarky Places [ edit ] Machin, Ontario , a township in Ontario, Canada See also [ edit ] [REDACTED] Look up machin in Wiktionary, the free dictionary. Machen (disambiguation) Machin-like formula , a class of mathematical identities Machin series ,
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2520-554: The most important element of photojournalism, but the ability to extend deadlines with rapid gathering and editing of images has brought significant changes. Even by the end of the 1990s – when digital cameras such as the Nikon D1 and the Canon EOS D30 were still in their infancy – nearly 30 minutes were needed to scan and transmit a single color photograph from a remote location to a news office for printing. Now, equipped with
2580-466: The name of person depicted in the photograph is not given in the caption. The photograph of the street execution of a Viet Cong soldier during the Vietnam War provoked a lot of interest because it captured the exact moment of death. The victim's wife learned about her husband's death when she was given a newspaper with the photo on the front page. This photo has claimed a reputation of "galvanizing
2640-420: The novel technology of the glass plate camera to record images of British soldiers in the field. As a result, they had to deal with not only war conditions, but their pictures often required long shutter speeds , and they had to prepare each plate before taking the shot and develop it immediately after. This led to, for example, Roger Fenton traveling around in a transportable dark room, which at times made him
2700-436: The period from 1897 to 1927 were illustrated with engravings. In 1921, the wirephoto made it possible to transmit pictures almost as quickly as news itself could travel. The "Golden Age of Photojournalism" is often considered to be roughly the 1930s through the 1950s. It was made possible by the development of the compact commercial 35mm Leica camera in 1925, and the first flash bulbs between 1927 and 1930, which allowed
2760-446: The photoengraving dots that formed pictures often bled or smeared and became fuzzy and indistinct. In this way, even when newspapers used photographs well — a good crop, a respectable size — murky reproduction often left readers re-reading the caption to see what the photo was all about. The Wall Street Journal adopted stippled hedcuts in 1979 to publish portraits and avoid the limitations of letterpress printing. Not until
2820-476: The photograph for a Pulitzer Prize , Meadows' assignment editor, Fred Sweets, contacted the firefighter, who reportedly said he had been asked by Meadows to go to the pool and splash water on his head. Meadows denied the accusation, claiming "I may have been guilty of saying this would make a nice shot, but to the best of my recollection, I did not directly ask him to do that. ... I've been doing breaking news stories for years and years and I've never in my life set up
2880-493: The point of being able to print photographs in newspapers, which greatly restricted the audience of Brady's photographs. However, it was still common for photographs to be engraved and subsequently printed in newspapers or periodicals throughout the war. Disaster, including train wrecks and city fires, was also a popular subject for illustrated newspapers in the early days. The printing of images in newspapers remained an isolated occurrence in this period. Photos were used to enhance
2940-506: The prototype of the modern news magazine. It pioneered the photo-essay, had a specialised staff and production unit for pictures and maintained a photo library. It also introduced the use of candid photographs taken with the new smaller cameras. The magazine sought out reporters who could tell a story using photographs, notably the pioneer sports photographer Martin Munkácsi , the first staff photographer, and Erich Salomon , one of
3000-483: The public judged photography, and many of today's photo books celebrate "photojournalism" as if it had been the exclusive province of near-celebrity magazine photographers. In 1947, a few famous photographers founded the international photographic cooperative Magnum Photos . In 1989, Corbis Corporation and in 1995 Getty Images were founded. These powerful image libraries sell the rights to photographs and other still images. The Golden Age of Photojournalism ended in
3060-491: The public. For example, photographs of violence and tragedy are prevalent in American journalism because, as an understated rule of thumb, " if it bleeds, it leads ". The public may be attracted to the spectacle of gruesome photographs and dramatic stories. Controversy may arise when deciding which photographs are too violent to show the public. Photographs of the dead or injured arouse controversy because, more often than not,
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#17327766787793120-424: The same ethical approaches to objectivity that are applied by other journalists. What to photograph, what to include in the frame, how to curate, and how to edit are constant considerations. Photographing news for an assignment or to illustrate a story can present many possible ethical problems. Photojournalists have a moral responsibility to decide what pictures to take, what picture to stage, and what pictures to show
3180-526: The text rather than to act as a medium of information in its own right. This began to change with the work of one of the pioneers of photojournalism, John Thomson , in the late 1870s. In collaboration with the radical journalist Adolphe Smith, he began publishing a monthly magazine, Street Life in London , from 1876 to 1877. The project documented in photographs and text, the lives of the street people of London and established social documentary photography as
3240-402: The traditional outlets, and "for the first time in our history, the news increasingly is produced by companies outside journalism". Dan Chung, a former photojournalist for The Guardian and Reuters , believes that professional photojournalists will have to adapt to video to make a living. Most digital single lens reflex bodies are being equipped with video capabilities. Phone journalism
3300-532: Was founded in 1946 in the U.S., and has about 10,000 members. Others around the world include the British Press Photographers Association (BPPA) founded in 1984, then relaunched in 2003, and now has around 450 members. Hong Kong Press Photographers Association (1989), Northern Ireland Press Photographers Association (2000), Pressfotografernas Klubb (Sweden, 1930), and PK — Pressefotografenes Klubb (Norway). Magnum Photos
3360-597: Was founded in 1947 by Robert Capa , David "Chim" Seymour , Henri Cartier-Bresson , George Rodger , William Vandivert , Rita Vandivert and Maria Eisner , being one of the first photographic cooperatives, owned and administered entirely by its members worldwide. VII Photo Agency was founded in September 2001 and got its name from the original seven founders, Alexandra Boulat , Ron Haviv , Gary Knight , Antonin Kratochvil , Christopher Morris , James Nachtwey and John Stanmeyer . Today it has 30 members, along with
3420-577: Was getting paid for it. I was a hero." He expressed how this photo haunted him due to its impact on the world. A key example of how impactful photography can be is found during documentation of the Civil Rights Movement. Bill Hudson was in Birmingham, Alabama on a quest to document the peaceful protests of the movement when he took a photo of high school student Walter Gadsden. In this photograph Gadsden appeared to be attacked by
3480-585: Was made possible by printing and photography innovations that occurred in the mid 19th century. Although early illustrations had appeared in newspapers, such as an illustration of the funeral of Lord Horatio Nelson in The Times (1806), the first weekly illustrated newspaper was the Illustrated London News , first printed in 1842. The illustrations were printed with the use of engravings . The first photograph to be used in illustration of
3540-495: Was on Omaha Beach on D-Day and captured pivotal images of the conflict on that occasion. Vaccaro is also known for having developed his own images in soldier's helmets, and using chemicals found in the ruins of a camera store in 1944. Until the 1980s, most large newspapers were printed with turn-of-the-century "letterpress" technology using easily smudged oil-based ink, off-white, low-quality "newsprint" paper, and coarse engraving screens. While letterpresses produced legible text,
3600-403: Was sent in 1909 by Pathé to The Netherlands to film scenes of Dutch life. In 1912, he was sent to Belgium where he took part in the creation of Pathé foreign subsidiary Belge Cinéma Film and directed a number of films including Belgium's first feature film Le Diamant noir ( :fr ) and the anti-war film Maudite soit la guerre . During World War I, Machin took part in the foundation of
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