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73-424: Mastering , a form of audio post production , is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master ), the source from which all copies will be produced (via methods such as pressing, duplication or replication ). In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by

146-493: A CD . Vinyl LP and cassettes have their own pre-duplication requirements for a finished master. Subsequently, it is rendered either to a physical medium, such as a CD-R or DVD-R, or to computer files, such as a Disc Description Protocol (DDP) file set or an ISO image . Regardless of what delivery method is chosen, the replicator factory will transfer the audio to a glass master that will generate metal stampers for replication. The process of audio mastering varies depending on

219-724: A Sony/ATV consortium for around $ 2.2 billion. Other members of the Sony consortium include the estate of Michael Jackson , the Blackstone Group , and the Abu Dhabi –owned Mubadala Development Company . EMI's locations in the United Kingdom, the United States, and Canada were all disassembled to repay debt, but the primary head office located outside those countries is still functional. EMI Music Publishing

292-454: A deal licensing EMI's catalogue in a digital format for their online streaming music service. This was the first time EMI had licensed any of its catalogue to a streaming music website. Pop star Robbie Williams signed a six-album deal in 2002 paying him over £80 million ($ 157 million), which was not only the biggest recording contract in British music history at the time, but also

365-415: A final master. Mastering engineers recommend leaving enough headroom on the mix to avoid distortion. The reduction of dynamics by the mix or mastering engineer has resulted in a loudness war in commercial recordings. The source material, ideally at the original resolution , is processed using equalization , compression , limiting and other processes. Additional operations, such as editing , specifying

438-717: A loss of £260 million in 2006/2007, in August 2007 EMI was acquired by Terra Firma Capital Partners for £4.2 billion. Following the transition, several artists including Radiohead left EMI, while other artists such as Paul McCartney had left ahead of the takeover. At the same time, the Rolling Stones signed a one-album deal with Interscope Records / Universal Music Group outside its contract with EMI, which expired in February 2008, and then in July 2008 signed

511-427: A mastering context, though without the same degree of signal degradation as those introduced from processors within the analog domain. The quality of the results varies according to the algorithms used within these processors, which in some cases, can introduce distortions entirely exclusive to the digital domain. Real-time analyzers , phase oscilloscopes , and also peak, RMS, VU and K meters are frequently used within

584-442: A new long-term deal with Universal Music Group . The Terra Firma takeover was also reported to have been the catalyst behind a lawsuit filed by Pink Floyd over unpaid royalties. In January 2011 Pink Floyd signed a new global agreement with EMI. Around the same time, Guy Hands , CEO of Terra Firma Capital Partners, came to EMI with restructuring plans to cut between 1,500 and 2,000 jobs and to reduce costs by £200 million

657-477: A punitive harassment meant to scare other musicians. The band's troubles with the label resonate through their third studio album This Is War (2009) and were the subject of the 2012 documentary Artifact . In 2008, EMI withdrew from the South-East Asian market entirely, forcing its large roster of acts to search out contracts with other unaffiliated labels. As a result, the South-East Asian market

730-499: A record. After the introduction of the microphone and electronic amplifier in the mid-1920s, the mastering process became electro-mechanical, and electrically driven mastering lathes came into use for cutting master discs (the cylinder format by then having been superseded). Until the introduction of tape recording, master recordings were almost always cut direct-to-disc . Only a small minority of recordings were mastered using previously recorded material sourced from other discs. In

803-474: A single-track mono or two-track stereo tape. Prior to the cutting of the master disc, the master tape was often subjected to further electronic treatment by a specialist mastering engineer. After the advent of tape it was found that, especially for pop recordings, master recordings could be made so that the resulting record would sound better. This was done by making fine adjustments to the amplitude of sound at different frequency bands ( equalization ) prior to

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876-537: A year. As a result, the UK chief executive Tony Wadsworth left EMI after 25 years in January 2008. The cuts were planned to take effect over the year 2008, and would affect up to a third of EMI's 5,500 staff. Thirty Seconds to Mars tried to exit their contract with EMI following the layoff of its staff and due to unpaid royalties, prompting the label to file a lawsuit for $ 30 million citing breach of contract. The suit

949-876: Is a person skilled in the practice of taking audio (typically musical content) that has been previously mixed in either the analogue or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution , whether by physical media such as a CD, vinyl record, or as some method of streaming audio. The mastering engineer is responsible for a final edit of a product and preparation for manufacturing copies. Although there are no official requirements to work as an audio mastering engineer, practitioners often have comprehensive domain knowledge of audio engineering, and in many cases, may hold an audio or acoustic engineering degree . Most audio engineers master music or speech audio material. The best mastering engineers might possess arrangement and production skills, allowing them to troubleshoot mix issues and improve

1022-428: Is destined for vinyl release, additional processing, such as dynamic range reduction or frequency-dependent stereo–to–mono fold-down and equalization may be applied to compensate for the limitations of that medium. For compact disc release, start of track , end of track , and indexes are defined for playback navigation along with International Standard Recording Code (ISRC) and other information necessary to replicate

1095-534: Is now operated exclusively throughout the world by Sony Music Entertainment; except in Japan where the trade mark is owned by Columbia Music Entertainment . EMI released its first LPs in 1952 and its first stereophonic recordings in 1955 (first on reel-to-reel tape and then LPs, beginning in 1958). In 1957, to replace the loss of its long-established licensing arrangements with RCA Victor and Columbia Records (Columbia USA cut its ties with EMI in 1951), EMI entered

1168-1109: Is now owned by Sony Music Publishing , the music publishing division of Sony Music which bought another 70% stake in EMI Music Publishing. Electric and Musical Industries Ltd was formed in March 1931 by the merger of the Columbia Graphophone Company and the Gramophone Company , with its " His Master's Voice " record label, firms that have a history extending back to the origins of recorded sound . The new vertically integrated company produced sound recordings as well as recording and playback equipment. The company's gramophone manufacturing led to 40 years of success with larger-scale electronics and electrical engineering . In October 1979, EMI merged with Thorn Electrical Industries to create Thorn EMI . On 16 August 1996, Thorn EMI shareholders voted in favour of demerging Thorn from EMI again:

1241-645: Is prevalent in the form of noise reduction and volume normalization. With the emergence of podcasts , audio post-production with a focus on vocals has become more common. Sound recording devices with different characteristics and capabilities such as dynamic range have led to increased demand for consistent sound. With many techniques being adjusted specifically for vocal audio, the field is becoming more understood as unique to music production. EMI EMI Group Limited (formerly EMI Group plc until 2007; originally an initialism for Electric and Musical Industries , also referred to as EMI Records or simply EMI )

1314-414: Is standard practice to make a copy of a master recording—known as a safety copy—in case the master is lost, damaged or stolen. In the earliest days of the recording industry, all phases of the recording and mastering process were entirely achieved by mechanical processes. Performers sang or played into a large acoustic horn and the master recording was created by the direct transfer of acoustic energy from

1387-400: Is the audio recorded as filming occurs. Most other aspects of audio for moving pictures occur during the post-production phase, everything is done after filming. This also may include sound design or the creation of sound effects , which can occur during pre-production, production, or post-production. This applies to television, cinema and commercials. One major aspect of audio post-production

1460-555: Is the use of automatic dialogue replacement (ADR). Sometimes the original production audio lacks in performance or quality, and one or more actors work in a sound studio to record some or all of their dialogue from the project. Other elements such as Foley , music and voiceover are also added during post-production. In music, audio post-production includes processes such as mixing and mastering . The audio engineering community more commonly refers to these processes as music production . Reworking and enhancing voice-based media

1533-424: Is to make a sonic impact. Prolonged periods of listening to improperly mastered recordings usually leads to hearing fatigue that ultimately takes the pleasure out of the listening experience. Audio post production In filmmaking, audio post-production is the creation and manipulation of audio that is synchronized with a moving picture. This includes, but is often distinguished from production audio , which

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1606-549: The BBC 's second television transmitter at Sutton Coldfield. It also manufactured broadcast television cameras for British television production companies as well as for the BBC. The commercial television ITV companies also used them alongside cameras made by Pye and Marconi . Their best-remembered piece of broadcast television equipment was the EMI 2001 colour television camera, which became

1679-551: The Choir of King's College, Cambridge . During the era of the long-playing record (LP), very few American and Canadian orchestras had their principal recording contracts with EMI, one notable exception being that of the Pittsburgh Symphony Orchestra , especially during the tenure of William Steinberg . From the late 1950s to the early 1970s, the company enjoyed huge success in the popular music field under

1752-805: The EMI Laboratories in Hayes, Hillingdon developed radar equipment (including the receiver section of the British Army's GL-II anti-aircraft fire-control radar), microwave devices such as the reflex klystron oscillator (having played a crucial role in the development of early production types following on from the British Admiralty Signal School's pioneering NR89, the so-called "Sutton tube"), electro-optic devices such as infra-red image converters, and eventually guided missiles employing analogue computers. The company

1825-630: The OKeh label. RCA sold its stake in EMI in 1935, but due to its 1929 takeover of Victor, RCA retained the North and South American rights to the " His Master's Voice " trademark. In other countries, the Nipper logo was used by the EMI subsidiary label HMV, even though the "His Master's Voice" slogan itself would be retained by RCA along with the logo. In 1938 ARC-Brunswick was taken over by CBS , which then sold

1898-401: The diaphragm of the recording horn to the mastering lathe , typically located in an adjoining room. The cutting head, driven by the energy transferred from the horn, inscribed a modulated groove into the surface of a rotating cylinder or disc. These masters were usually made from either a soft metal alloy or from wax ; this gave rise to the colloquial term waxing , referring to the cutting of

1971-547: The American Brunswick label to American Decca Records , which along with its other properties, Vocalion Records and Aeolian Vocalion Records, used it as a subsidiary budget label afterward. CBS then operated Columbia as its flagship label in both the United States and Canada. EMI retained the rights to the Columbia name in most other territories including the UK, Australia and New Zealand. It continued to operate

2044-589: The American market by acquiring 96% of the stock for Capitol Records USA. From 1960 to 1995 their "EMI House" corporate headquarters was located at 20 Manchester Square London, England, the stairwell from which was featured on the cover of the Beatles' Please Please Me album. In addition, an unused shot from the Please Please Me photo session, featuring the boys in short hair and cleancut attire,

2117-667: The Beatles into the EMI fold. When the Gramophone Company merged with the Columbia Graphophone Company (including Columbia's subsidiary label Parlophone ) in 1931, the new Anglo-American group was incorporated as Electric & Musical Industries Limited. At this point, the Radio Corporation of America had a majority shareholding in the new company due to RCA purchasing the Victor Talking Machine Company in 1929. Victor owned 50% of

2190-516: The British affiliated Gramophone Company, giving RCA chairman David Sarnoff a seat on the EMI board. However, EMI was subsequently forced to sell Columbia USA due to anti-trust action taken by its American competitors. By this time the record industry had been hit hard by the Depression and in 1934 a much-diminished Columbia USA was purchased for just US$ 70,500 by ARC-BRC ( American Record Corporation –Brunswick Record Company), which also acquired

2263-601: The Christian music market by acquiring Sparrow Records . Due to the increasing divergence of business models, Thorn EMI shareholders voted in favour of demerger proposals on 16 August 1996. The resulting media company was now known as EMI Group PLC. In 1997, EMI Records USA was folded into both Virgin and Capitol. Since the 1930s, the Pathé Records label headquartered in Shanghai , China had been published under

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2336-518: The EMI banner and since then, EMI had also been the dominant label in the cantopop market throughout Greater China until the genre's decline in the mid-1980s. Between the years 2004–2006, EMI then completely and totally divested itself from the c-pop market, and after that, all Hong Kong music artists previously associated with EMI had their music published by Gold Label , a concern unaffiliated with EMI and with which EMI did not yet hold any interest. On 21 November 2000, Streamwaves and EMI signed

2409-563: The EMI imprint. On 1 July 1973 the Gramophone Company subsidiary (The Gramophone Co. Ltd.) was renamed EMI Records Ltd as well, and in 1978, EMI launched EMI America Records as its second label in the United States after Capitol. EMI Music Worldwide was also formed in 1978 with Bhaskar Menon as chairman and CEO. In February 1979, EMI Ltd acquired United Artists Records and with it their subsidiary labels Liberty Records and Imperial Records . Eight months later, Thorn Electrical Industries merged with EMI Ltd. to form Thorn EMI . Sometime in

2482-519: The Japanese EMI branch, remains unchanged from the reflection of Toshiba 's divestiture to the business by EMI buying the whole branch way back July 2007, making it a full subsidiary. In July 2009, there were reports that EMI would not sell CDs to independent album retailers in a bid to cut costs, but in fact only a handful of small physical retailers were affected. In February 2010, EMI Group reported pre-tax losses of £1.75 billion for

2555-630: The Middle East and Africa as well as in Canada , Russia , India , China , Japan , Australia and New Zealand . Gramophone's (later EMI's) Australian and New Zealand subsidiaries dominated the popular music industries in those countries across the Asia-Pacific region from the 1920s until the 1960s, when other locally owned labels (such as Festival Records ) began to challenge the near monopoly of EMI. Over 150,000 78-rpm recordings from around

2628-562: The UK's first commercially available all- transistor computer, was developed at EMI's Central Research Laboratories in Hayes under the leadership of Godfrey Hounsfield , an electrical engineer at EMI. In the early 1970s, with financial support by the UK Department of Health and Social Security as well as EMI research investment, Hounsfield developed the first CT scanner , a device which revolutionised medical imaging . In 1973 EMI

2701-404: The actual recording process. Although tape and other technical advances dramatically improved the audio quality of commercial recordings in the post-war years, the basic constraints of the electro-mechanical mastering process remained, and the inherent physical limitations of the main commercial recording media—the 78 rpm disc and later the 7-inch 45 rpm single and 33-1/3 rpm LP record —meant that

2774-423: The audio analysis stage of the process as a means of rendering a visual representation of the audio, or signal, being analyzed. Most mastering engineer accolades are given for their ability to make a mix consistent with respect to subjective factors based on the perception of listeners, regardless of their playback systems and the environment. This is a difficult task due to the varieties of systems now available and

2847-412: The audio quality, dynamic range , and running time of master discs were still limited compared to later media such as the compact disc . From the 1950s until the advent of digital recording in the late 1970s, the mastering process typically went through several stages. Once the studio recording on multi-track tape was complete, a final mix was prepared and dubbed down to the master tape, usually either

2920-548: The company became EMI Group plc, and the electronics and rentals divisions were divested as Thorn plc . The company broke up in 2012. In 1934, an EMI research team led by Sir Isaac Shoenberg developed the electronic Marconi-EMI system for television broadcasting, which quickly replaced Baird's electro-mechanical system following its introduction in 1936. After the Second World War , EMI resumed its involvement in making broadcasting equipment, notably providing

2993-460: The cutting of the master disc. In large recording companies such as EMI , the mastering process was usually controlled by specialist staff technicians who were conservative in their work practices. These big companies were often reluctant to make changes to their recording and production processes. For example, EMI was very slow in taking up innovations in multi-track recording and did not install 8-track recorders in their Abbey Road Studios until

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3066-416: The effect it has on the apparent qualitative attributes of the recording . For instance, a recording that sounds great on one speaker / amplifier combination playing CD audio, may sound drastically different on a computer-based system playing back a low- bitrate MP3 . Some engineers maintain that the main mastering engineer's task is to improve upon playback systems translations while the position of others

3139-668: The exception of Parlophone, as it is now owned by Warner Music . EMI was listed on the London Stock Exchange , and was also once a constituent of the FTSE 100 Index , but faced financial problems and US$ 4 billion in debt, leading to its acquisition by Citigroup in February 2011. Citigroup's ownership was temporary, as EMI announced in November 2011 that it would sell its music arm to Vivendi 's Universal Music Group for $ 1.9 billion and its publishing business to

3212-407: The field of audio mastering, the debate is usually over the use of digital versus analog signal processing rather than the use of digital technology for storage of audio. Digital systems have higher performance and allow mixing to be performed at lower maximum levels. When mixing to 24-bits with peaks between −3 and −10 dBFS on a mix, the mastering engineer has enough headroom to process and produce

3285-420: The field of mastering are almost entirely dedicated to the purpose; engineered to a high standard, often possessing low signal-to-noise ratios [at nominal operating levels] and in many cases, the incorporation of parameter-recall, such as indented potentiometers, or in some more-sophisticated designs, via a digital-controller. Some advocates for digital software claim that plug-ins are capable of processing audio in

3358-410: The final sound. Generally, good mastering skills are based on experience, resulting from many years of practice. Generally, mastering engineers use a combination of specialized audio-signal processors, low-distortion-high-bandwidth loudspeakers (and corresponding amplifiers with which to drive them), within a dedicated, acoustically-optimized playback environment. The equipment and processors used within

3431-399: The gaps between tracks, adjusting level, fading in and out, noise reduction and other signal restoration and enhancement processes can also be applied as part of the mastering stage. The source material is put in the proper order, commonly referred to as assembly (or 'track') sequencing. These operations prepare the music for either digital or analog, e.g. vinyl, replication. If the material

3504-725: The iTunes Plus category). Tracks were to cost $ 1.29/€1.29/£0.99. Legacy tracks with FairPlay DRM would still be available for $ 0.99/€0.99/£0.79 – albeit with lower quality sound and DRM restrictions still in place. Users would be able to 'upgrade' the EMI tracks that they had already bought for $ 0.30/€0.30/£0.20. Albums were also to be available at the same price as their lower quality, DRM counterparts and music videos from EMI would also be DRM-free. The higher-quality, DRM-free files became available worldwide on iTunes on 30 May 2007, and were expected to appear on other music download services soon thereafter. Following this decision, Universal Music Group also announced sales of DRM-free music (which

3577-596: The label with moderate success until 1973, when it was retired and replaced by the EMI Records imprint, making records with the Columbia Records label manufactured outside North America between 1972 and 1992 rare. In 1990, following a series of major takeovers that saw CBS Records acquired by the Sony Corporation of Japan, EMI sold its remaining rights to the Columbia name to Sony and the label

3650-523: The label, but that these audits rarely result in legal action. A legal settlement was announced on 12 April 2007 and terms were undisclosed. On 2 April 2007, EMI announced it would be releasing its music in DRM -free formats. These were to be issued in AAC format, which gave higher quality for the same bitrate compared with the ubiquitous MP3 format. The music would be distributed via Apple's iTunes Store (under

3723-514: The late 1940s, the recording industry was revolutionized by the introduction of magnetic tape . Magnetic tape was invented for recording sound by Fritz Pfleumer in 1928 in Germany, based on the invention of magnetic wire recording by Valdemar Poulsen in 1898. Not until the end of World War II could the technology be found outside Europe. The introduction of magnetic tape recording enabled master discs to be cut separately in time and space from

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3796-403: The late 1960s, more than a decade after the first commercial 8-track recorders were installed by American independent studios. In the 1990s, electro-mechanical processes were largely superseded by digital technology, with digital recordings stored on hard disk drives or digital tape and mastered to CD . The digital audio workstation (DAW) became common in many mastering facilities, allowing

3869-628: The late 1980s, EMI America merged with sister label Manhattan Records , founded in 1984, becoming EMI Manhattan and eventually EMI USA when Capitol absorbed it in 1989. Also in 1989, Thorn EMI bought a 50% interest in Chrysalis Records , completing the buyout two years later. Six months after completing the buyout of Chrysalis, Thorn EMI bought Virgin Records from Richard Branson in one of its highest-profile and most expensive acquisitions in record music history. In 1992, Thorn EMI entered

3942-431: The mainstay of much of the British television industry from the end of the 1960s until the early 1990s. Exports of this piece of equipment were low, however, and EMI left this area of product manufacture. EMI engineer Alan Blumlein received a patent for the invention of stereophonic sound in 1931. He was killed in 1942 whilst conducting flight trials on an experimental H2S radar set. During and after World War II ,

4015-601: The management of Sir Joseph Lockwood . The strong combination of EMI and its subsidiary labels (including Parlophone , HMV , Columbia and Capitol Records ) along with a roster of stellar groups such as the Hollies , the Shadows , the Beach Boys and the Beatles along with hit solo performers such as Frank Sinatra , Cliff Richard , and Nat 'King' Cole , made EMI the best-known and most successful recording company in

4088-472: The manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, their skills, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It

4161-402: The off-line manipulation of recorded audio via a graphical user interface (GUI). Although many digital processing tools are common during mastering, it is also very common to use analog media and processing equipment for the mastering stage. Just as in other areas of audio, the benefits and drawbacks of digital technology compared to analog technology are still a matter for debate. However, in

4234-437: The second biggest in music history behind that of Michael Jackson. Apple Records , the record label representing The Beatles , launched a suit against EMI for non-payment of royalties on 15 December 2005. The suit alleged that EMI had withheld $ 50 million from the record label; however, an EMI spokesman noted that audits of record label accounts are not that unusual, confirming at least two hundred such audits performed on

4307-416: The specific needs of the audio to be processed. Mastering engineers need to examine the types of input media, the expectations of the source producer or recipient, the limitations of the end medium and process the subject accordingly. General rules of thumb can rarely be applied. Steps of the process typically include the following: Examples of possible actions taken during mastering: A mastering engineer

4380-513: The world are held in EMI's temperature-controlled archive in Hayes, some of which have been released on CD since 2008 by Honest Jon's Records . In 1931, the year the company was formed, it opened the legendary recording studios at London 's Abbey Road . During the 1930s and 1940s, its roster of artists included Arturo Toscanini , Sir Edward Elgar , and Otto Klemperer , among many others. During this time EMI appointed its first A&R managers. These included George Martin , who later brought

4453-519: The world at that time. In 1967, while shifting their focus on pop and rock music roster to Columbia and Parlophone, EMI converted HMV solely to a classical music label exclusively. For the emerging progressive rock genre including Pink Floyd , who had debuted on Columbia, EMI established a new subsidiary label, Harvest Records , two years later. In 1971, Electric & Musical Industries changed its name to EMI Ltd. and on 1 January 1973 EMI phased out most of its heritage labels and replacing them with

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4526-442: The year ended March 2009, including write-downs on the value of its music catalogue. In addition, KPMG issued a going concern warning on the holding company's accounts regarding an ability to remain solvent. Citigroup (which held $ 4 billion in debt) took 100% ownership of EMI Group from Terra Firma Capital Partners on 1 February 2011, writing off £2.2 billion of debt and reducing EMI's debt load by 65%. The group

4599-532: Was a British transnational conglomerate founded in March 1931 in London. At the time of its acquisition by Universal Music in 2012, it was the fourth largest business group and record label conglomerate in the music industry , and was one of the "Big Four" record companies (now the " Big Three "). Its labels included EMI Records , Parlophone , Virgin Records , and Capitol Records , which are now referenced under Universal Music due to their acquisition with

4672-688: Was a joint venture between EMI itself and Pied Piper Records Corporation. The physical audio and video products of the label have been distributed in South-East Asia by Warner Music Group since December 2008, while new EMI releases in China and Taiwan, were distributed under Gold Typhoon which was previously known as EMI Music China and EMI Music Taiwan, respectively. Meanwhile, the Korean branch of EMI (known as EMI Korea Limited) had its physical releases distributed by Warner Music Korea. EMI Music Japan ,

4745-545: Was also for many years an internationally respected manufacturer of photomultipliers . This part of the business was transferred to Thorn as part of Thorn-EMI, then later became the independent concern Electron Tubes Ltd. The EMI Electronic Business Machine, a valve and magnetic drum memory computer, was built in the 1950s to process the British Motor Corporation payroll. In 1958 the EMIDEC 1100 ,

4818-668: Was awarded a prestigious Queen's Award for Technological Innovation for what was then called the EMI scanner , and in 1979 Hounsfield won the Nobel Prize for his accomplishment. After brief, but brilliant, success in the medical imaging field, EMI's manufacturing activities were sold off to other companies, notably Thorn (see Thorn EMI ). Subsequently, development and manufacturing activities were sold off to other companies and work moved to other towns such as Crawley and Wells. Emihus Electronics, based in Glenrothes , Scotland,

4891-426: Was described as an experiment). In May 2006, EMI attempted to buy Warner Music Group , which would have reduced the world's four largest record companies ( Big Four ) to three; however, the bid was rejected. Warner Music Group launched a Pac-Man defense , offering to buy EMI. EMI rejected the $ 4.6 billion offer. After a decline in the British market share from 16% to 9%, and the announcement that it had sustained

4964-500: Was entitled Let It Be . The photo was used instead for the cover of the Beatles' second greatest-hits double-disc compilation entitled 1967–1970 (also known as "The Blue Album"). (The two compilations were released in 1973.) EMI's classical artists of the period were largely limited to the prestigious British and European orchestras, such as the Philharmonia Orchestra and London Symphony Orchestra as well as

5037-526: Was later settled following a defence based on a contract case involving actress Olivia de Havilland decades before. Jared Leto explained, "The California Appeals Court ruled that no service contract in California is valid after seven years, and it became known as the De Havilland Law after she used it to get out of her contract with Warner Bros. " Many industry watchers viewed the suit as

5110-553: Was owned 51% by Hughes Aircraft , of California, US, and 49% by EMI. It manufactured integrated circuits , electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. Early in its life, the Gramophone Company established its subsidiary operations and branch offices in a number of many other countries inside and outside of the British Commonwealth , including Europe,

5183-426: Was put up for sale and final bids were due by 5 October 2011. On 12 November 2011, it was announced that EMI would sell its recorded music operations to Universal Music Group (UMG) for £1.2 billion ($ 1.9 billion) and its music publishing operations to Sony/ATV Music Publishing -for $ 2.2 billion. Among the other companies that had competed for the recorded music business was Warner Music Group which

5256-457: Was the only region in the world where EMI was not in operation, although the record label continued to operate in Hong Kong and Indonesia (which was named Arka Music Indonesia). The Chinese and Taiwanese operation of EMI as well as the Hong Kong branch of Gold Label, was sold to Typhoon Group and reformed as Gold Typhoon . The Philippine branch of EMI changed its name to PolyEast Records , and

5329-483: Was used for the cover of the Beatles' first double-disc greatest-hits compilation entitled 1962–1966 (also known as "The Red Album"). In 1969, Angus McBean took a matching group photograph featuring the boys in long hair and beards to contrast with the earlier cleancut image to show that the boys could have appeal across a wide range of audiences. This photo was originally intended for the Get Back album which later

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