20-510: [REDACTED] Look up megillah in Wiktionary, the free dictionary. Megillah (Hebrew: מגילה , scroll) may refer to: Bible [ edit ] The Book of Esther ( Megillat Esther ), read on the Jewish holiday of Purim The Five Megillot Megillat Antiochus Rabbinic literature [ edit ] Tractate Megillah in
40-646: A collection of Manger's poems into a two-act stage piece, Mangheriada , which premiered 6 April 1968 at the Romanian State Jewish Theater in Bucharest. Manger's poem "Oyfn veg shteyt a boym" ("On the Road Stands a Tree") has been set to music and has entered the repertoire of Yiddish song, for example as a 1951 hit for Leo Fuld . Hertz Grosbard recited many of his works in so called "word concerts". Shortly before his death,
60-578: A highly popular production of Manger's Songs of the Megillah . The musical was a great success, setting a new record in Israeli theatre with its more than 400 performances. Prominent members of Israeli society, including politicians Levi Eshkol , Golda Meir , and Teddy Kollek , made highly publicised appearances at the performances. When he died in 1969, Manger was mourned as an Israeli national poet. Romanian Jewish playwright Israil Bercovici adapted
80-504: A new character into the narrative: Fastrigosso, Esther's jilted lover and a member of the Needles and Thread Tailors' Union, who conspires to assassinate King Ahashverosh to win back Esther's affections. Combined with his 1937 play Hotzmakh's Shpiel , these three revival texts secured Manger his international reputation as "the master recloaker of the oldest and the newest literary traditions." Manger never acquired Polish citizenship and
100-445: A tannaitic document listing Jewish days of celebration. Other [ edit ] The Megillah [ he ] , a musical by Itzik Manger in the style of Purim spiel See also [ edit ] Magilla (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Megillah . If an internal link led you here, you may wish to change
120-489: A voice. In Songs of the Megillah , Manger uses a similar technique to politicise and de-sacralise the Biblical text read aloud on Purim. Once again, Manger's introduction classifies the book as "a kind of mischief-making on the model of Purim players in every age." Like Itzik's Midrash , Songs of the Megillah is a modern, radical retelling of the story of Esther set in contemporary Eastern Europe. Manger even introduces
140-647: The Yiddish theatre . In 1921, Manger began publishing his early poems and ballads in several new literary journals founded in the aftermath of World War I . Soon afterwards, he settled in Bucharest and wrote for the local Yiddish newspapers while giving occasional lectures on Spanish, Romanian, and Romani folklore . In 1927, Manger came to Warsaw , the spiritual and intellectual center of Ashkenazi Jewry and "the most inspiring city in Poland ." Manger lived in
160-532: The Talmud. Megillat Taanit , a tannaitic document listing Jewish days of celebration. Other [ edit ] The Megillah [ he ] , a musical by Itzik Manger in the style of Purim spiel See also [ edit ] Magilla (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Megillah . If an internal link led you here, you may wish to change
180-676: The United States, where he met his future wife, Ghenya Nadir, the widow of writer Moyshe Nadir . The two lived in the Sea Gate neighbourhood of Brooklyn. Manger made a visit to Israel in 1958, and then a series of short visits there every few years in 1961, 1963, and 1965. An ailing Manger returned to Israel in 1966, where he remained in a sanatorium in Gedera until his death. Manger achieved significant success in Israeli literary and theatrical circles when, in 1965, Dov Seltzer directed
200-659: The Wind , 1933; Velvl Zbarzher Writes Letters to Malkele the Beautiful , 1937; and Twilight in the Mirror , 1937). Manger's Itzik's Midrash and Songs of the Megillah deserve special mention, as they represent his first attempts to re-write old, familiar material through a modernist lens. In Itzik's Midrash , Manger presents a modern commentary on the classic Bible stories by anachronistically placing his characters in contemporary Eastern Europe . Manger's playful attitude towards
220-584: The capital of the Yiddish cultural world for the next decade, which became the most productive years of his entire career. In 1929, Manger published his first book of poetry, Shtern afn dakh (Stars on the Roof), in Warsaw to critical acclaim. By the following year, Manger was so well known that he was admitted to the Yiddish P.E.N. club, along with Isaac Bashevis , Israel Rabon , and Joseph Papiernikov . Under
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#1732765033293240-416: The 💕 [REDACTED] Look up megillah in Wiktionary, the free dictionary. Megillah (Hebrew: מגילה , scroll) may refer to: Bible [ edit ] The Book of Esther ( Megillat Esther ), read on the Jewish holiday of Purim The Five Megillot Megillat Antiochus Rabbinic literature [ edit ] Tractate Megillah in the Talmud. Megillat Taanit ,
260-419: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Megillah&oldid=1254568442 " Category : Disambiguation pages Hidden categories: Articles containing Hebrew-language text Short description is different from Wikidata All article disambiguation pages All disambiguation pages megillah From Misplaced Pages,
280-550: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Megillah&oldid=1254568442 " Category : Disambiguation pages Hidden categories: Articles containing Hebrew-language text Short description is different from Wikidata All article disambiguation pages All disambiguation pages Itzik Manger Itzik Manger (30 May 1901, Czernowitz , then Austrian-Hungarian Empire – 21 February 1969, Gedera , Israel ; Yiddish : איציק מאַנגער )
300-756: The original text is self-evident; in the introduction he writes, "As I wrote this book, the rogue's cap of the Yiddish Purim play hovered always before my eyes." Inspired by the Purimshpiel genre, which used a traditional story to mock the norms and expectations of Jewish religious life in previous centuries, Manger's Midrash radically revises traditional portrayals of Biblical characters by requiring them to justify their actions according to modern norms and values. Traditionally valued characters such as Abraham and Sarah are harshly critiqued, while under-represented characters like Hagar and Ishmael are given
320-571: The ruins of Poland a golden head lies both the head and the destruction are very true. Between 1929 and 1938, Manger took the Warsaw literary world by storm. He gave frequent readings of his own poetry at the Writers' Club, was interviewed by all the major Warsaw Yiddish papers, published articles in the prestigious journal Literarishe Bleter [ he ] (Literary Pages), issued his own literary journal called Chosen Words filled with his poetry, fiction, and artistic manifestos. At
340-647: The same time, Manger continued to publish his own works, including a series of modernist poems inspired by the Oral Torah ( Itzik's Midrash , 1935), a dramatic rewriting of the Purim story from the Book of Esther ( Songs of the Megillah , 1936), a loose adaptation of Abraham Goldfaden 's The Witch of Botoşani ( Hotzmakh's Shpiel , 1937), a series of vignettes on the history of Yiddish literature ( Familiar Portraits , 1938), and three more volumes of poetry ( Lantern in
360-607: Was a prominent Yiddish poet and playwright, a self-proclaimed folk bard, visionary, and 'master tailor' of the written word. A Jew from Bucovina , Manger lived in Romania , Poland , France , England , the US (New York), Canada (Montreal) and finally Israel . Manger was born to a Jewish family in Czernowitz , Austria-Hungary (later Cernăuți , Romania and now Chernivtsi , Ukraine ) in 1901. His father, Hillel Helfer-Manger,
380-547: Was a skilled tailor in love with literature, which he referred to as 'literatoyreh' (a portmanteau of the Yiddish words literatura and Toyreh ). As a teenager, Manger attended the Kaiserlich-Königliches III. Staatsgymnasium in Czernowitz, where he studied German literature until he was expelled for pranks and bad behaviour. He exchanged this traditional education for the backstage atmosphere of
400-437: Was forced to leave the country in the light of legal difficulties, having been stripped of his Romanian citizenship and becoming stateless . Manger left for Paris in 1938, an exile from his creative homeland. However, Paris was not safe for long. In 1940, Manger fled to Marseilles , Tunis , Liverpool , and finally London , where he became a British citizen and remained unhappily for the next eleven years. In 1951 he arrived in
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