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50-459: Michael Clayton Hutton was a British author and playwright notable for several plays that appeared in the West End during the post- Second World War era. He died in 1953 at the age of thirty three. He was reportedly suffering from depression when he committed suicide . Several of his plays were adapted for film and television including The Happy Family that was turned into a 1952 film of

100-482: A murder mystery play which is the longest-running West End show , it has by far the longest run of any play in the world, with its 29,500th performance having taken place as of February 2024. Contemporary playwrights in the United States are affected by recent declines in theatre attendance. No longer the only outlet for serious drama or entertaining comedies, theatrical productions must use ticket sales as

150-548: A 1984 Hindi movie Utsav , directed by Girish Karnad . The Indian play depicted in the 2001 film Moulin Rouge! may have been based on The Little Clay Cart . The plays written by Bhāsa were known to historians only through the references of later writers, as the manuscripts themselves were lost. Manuscripts of 13 plays written by him were discovered in an old library in Thiruvananthapuram (Trivandrum) in 1913 by

200-654: A playwright, winning awards for his play The Phoenix at both the New York International Fringe Festival in 1999 and the Route 66 American Playwriting Competition in 2000. Today, theatre companies have new play development programs meant to develop new American voices in playwriting. Many regional theatres have hired dramaturges and literary managers in an effort to showcase various festivals for new work, or bring in playwrights for residencies. Funding through national organizations, such as

250-547: A poet, not a playwright, since plays during that time were written in meter and so were regarded as the province of poets. This view was held as late as the early 19th century. The term "playwright" later again lost this negative connotation. The earliest playwrights in Western literature with surviving works are the Ancient Greeks . These early plays were for annual Athenian competitions among play writers held around

300-408: A reaction to the decadence of Charles II era productions, sentimental comedy grew in popularity. Playwrights like Colley Cibber and Richard Steele believed that humans were inherently good but capable of being led astray. The Italian Renaissance brought about a stricter interpretation of Aristotle, as this long-lost work came to light in the late 15th century. The neoclassical ideal, which

350-411: A scholarly debate about how much influence Ancient Greek drama had upon the development of Indian theatre. A major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is the most complete work of dramaturgy in

400-525: A source of income, which has caused many of them to reduce the number of new works being produced. For example, Playwrights Horizons produced only six plays in the 2002–03 seasons, compared with thirty-one in 1973–74. Playwrights commonly encounter difficulties in getting their shows produced and often cannot earn a living through their plays alone, leading them to take up other jobs to supplement their incomes. Many playwrights are also film makers . For instance, filmmaker Morgan Spurlock began his career as

450-844: Is a critically acclaimed play and it is being subjected to lot of experimentation by the modern theatre groups in India . Bhāsa is considered to be one of the best Sanskrit playwrights, second only to Kalidasa . He is earlier than Kalidasa and is dated to the 3rd or 4th century CE. Kālidāsa (4th-5th century CE ) is easily the greatest poet and playwright in Sanskrit, and occupies the same position in Sanskrit literature that Shakespeare occupies in English literature . He deals primarily with famous Hindu legends and themes; three famous plays by Kālidāsa are Vikramōrvaśīyam ("Vikrama and Urvashi"), Mālavikāgnimitram ("Malavika and Agnimitra"), and

500-467: Is about a young man named Charudatta, and his love for Vasantasena, a rich courtesan or nagarvadhu . The love affair is complicated by a royal courtier, who is also attracted to Vasantasena. The plot is further complicated by thieves and mistaken identities, and thus making it a greatly hilarious and entertaining play. It invited widespread admiration when staged in New York in 1924. The play was made into

550-423: Is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston or Thomas Dekker : Jonson described himself as

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600-774: Is full of life, action and sustained interest. The time period of composition is prior to 800 C.E. In the play, Chandragupta Maurya is ruling from Pataliputra, having deposed the last of the Nanda kings. Rakshasa the minister of Nanda, attempts to avenge his late master. Chanakya , the minister of Chandragupta succeeds in winning over Rakshasa to his master's side. Other great plays include Ratnavali , Nagananda and Priyadarsika by Sri Harsha (7th century CE), Mahendra Vikram Varman Mattavilasa Prahasana , Shakti Bhadra's Āścaryacūḍāmaṇi , Kulasekhara's Subhadra Dhananjaya and Tapatisamvarana , Neelakanta's Kalyana Saugandhika and Sri Krishna Charita . Bhavabhuti (8th century)

650-504: Is known about the authors themselves. The roots of Indian drama go back to the Rigveda, which contains a number of dialogues, acts and scenes, as well as literary devices such as animal fables and riddles. In many Vedic rituals, musical instruments like the flute and lyre are invariably used Shatapatha Brahmana (~800–700 BCE) has verses in chapter 13.2 written in the form of a play between two actors. Early Buddhist literature provides

700-545: Is one of the great playwrights after Kalidasa. Other major Sanskrit playwrights include Visakhadatta , Bhaṭṭa Nārāyaṇa , Murari, Rajasekhara , Kshemisvara, Damodaramishra, and Krishnamishra. Sanskrit plays were very popular and were staged in ancient times all over India. Now the only surviving ancient Sanskrit drama theatre is Koodiyattam , which is preserved in Kerala by the Chakyar community. This form of Sanskrit drama

750-542: Is still useful to playwrights today is the " French scene ", which is a scene in a play where the beginning and end are marked by a change in the makeup of the group of characters onstage rather than by the lights going up or down or the set being changed. Notable playwrights: Greek theater was alive and flourishing on the island of Crete. During the Cretan Renaissance two notable Greek playwrights Georgios Chortatzis and Vitsentzos Kornaros were present in

800-516: Is thought to be at least 2000 years old and is one of the oldest living theatrical traditions in the world. All major Sanskrit plays such as that of Bhasa, Sri Harsha, Shakti Bhadra etc. are performed in Koodiyattam. Guru Nātyāchārya Vidūshakaratnam Padma Shri Māni Mādhava Chākyār choreographed and directed plays like Kalidasa's Abhijñānaśākuntala , Vikramorvaśīya and Mālavikāgnimitra ; Bhasa's Swapnavāsadatta and Pancharātra for

850-461: The City Dionysia's competition (the most prestigious of the festivals to stage drama), playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. For the ancient Greeks, playwriting involved poïesis , "the act of making". This is the source of

900-624: The National Endowment for the Arts and the Theatre Communications Group , encouraged the partnerships of professional theatre companies and emerging playwrights. Playwrights will often have a cold reading of a script in an informal sitdown setting, which allows them to evaluate their own plays and the actors performing them. Cold reading means that the actors haven't rehearsed the work, or may be seeing it for

950-459: The interregnum , and Restoration of the monarchy in 1660, there was a move toward neoclassical dramaturgy. Between the Restoration of the monarchy in 1660 and the end of the 17th century, classical ideas were in vogue. As a result, critics of the time mostly rated Shakespeare below John Fletcher and Ben Jonson. This period saw the first professional woman playwright, Aphra Behn . As

1000-523: The 13th century. The majority of these plays come from France and Germany and are similar in tone and form, emphasizing sex and bodily excretions. The best known playwright of farces is Hans Sachs (1494–1576) who wrote 198 dramatic works. In England, The Second Shepherds' Play of the Wakefield Cycle is the best known early farce. However, farce did not appear independently in England until

1050-584: The 16th century with the work of John Heywood (1497–1580). Playwright William Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Most playwrights of the period typically collaborated with others at some point, as critics agree Shakespeare did, mostly early and late in his career. His plays have been translated into every major living language and are performed more often than those of any other playwright. In England, after

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1100-473: The 5th century BC. Such notables as Aeschylus , Sophocles , Euripides , and Aristophanes established forms still relied on by their modern counterparts. We have complete texts extant by Aeschylus, Sophocles, and Euripides . The origins of Athenian tragedy remain obscure, though by the 5th century it was institutionalised in competitions ( agon ) held as part of festivities celebrating Dionysos (the god of wine and fertility ). As contestants in

1150-424: The English word poet . Despite Chinese Theatre having performers dated back to the 6th century BC with You Meng , their perspective of theatre was such that plays had no other role than "performer" or "actor", but given that the performers were also the ones who invented their performances, they could be considered a form of playwright. Outside of the Western world there is Indian classical drama , with one of

1200-423: The ancient world . It addresses acting , dance , music , dramatic construction , architecture, costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in

1250-525: The composition of the Nātyaśāstra ( lit. The Science of Drama ). Indian classical drama is regarded as the highest achievement of Sanskrit literature . The Buddhist playwright, poet and philosopher Asvaghosa , who composed the Buddhacarita , is considered to have been one of the first Sanskrit dramatists along with Bhāsa , who likely lived in the 2nd century BCE, and is famous for writing two of

1300-411: The earliest evidence for the existence of Indian theatre. The Pali suttas (ranging in date from the 5th to 3rd centuries BCE) refer to the existence of troupes of actors (led by a chief actor), who performed dramas on a stage. It is indicated that these dramas incorporated dance, but were listed as a distinct form of performance, alongside dancing, singing, and story recitations. A terracota mask that

1350-609: The earliest-surviving fragments of Sanskrit drama date from c.200 BCE. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been the seeds of classical Sanskrit drama. This treatise on grammar from the 2nd century BCE provides a feasible date for the beginnings of theatre in India . Since the time of Alexander the Great , the Indian subcontinent came into direct contact with Greek culture . This has led to

1400-405: The earth and heaven itself in one sole name combine? I name thee, O Sakuntala! and all at once is said. Kālidāsa also wrote two large epic poems, Raghuvaṃśa ("The Genealogy of Raghu") and Kumārasambhava ("Birth of Kumara"), and two smaller epics, Ṛitusaṃhāra ("Medley of Seasons") and Meghadūta (The Cloud Messenger) , another 'perfect' work. Kālidāsa's writing is characterized by

1450-497: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. One of the earliest known Sanskrit plays, this play was composed by Śudraka in the 2nd century BC. Rife with romance, sex, royal intrigue and comedy, the juicy plot of the play has numerous twists and turns. The main story

1500-814: The first time in the history of Koodiyattam. He popularised Koodiyattam and rejuvenated the only surviving Sanskrit drama theatre in India. One of the hypotheses (as yet without consensus) of the origins of the "Trivandrum plays" of Bhasa is that these 13 plays were adapted from their original sources and brought to Kerala for choreography in the Koodiyattam tradition. Manmohan Acharya , a modern Sanskrit playwright has written many plays and dance dramas. Some worth-mentioning plays are Arjuna-Pratijnaa, Shrita-kamalam, Pada-pallavam, Divya-Jayadevam, Pingalaa, Mrtyuh, Sthitaprajnah, Tantra-mahasaktih, Purva-sakuntalam, Uttara-sakuntalam and Raavanah . Vidyadhar Shastri wrote three Sanskrit plays viz. Purnanandam , Kalidainyam and Durbala Balam . Prafulla Kumar Mishra has written

1550-521: The first time, and usually, the technical requirements are minimal. The O'Neill Festival offers summer retreats for young playwrights to develop their work with directors and actors. Playwriting collectives like 13P and Orbiter 3 gather members together to produce, rather than develop, new works. The idea of the playwriting collective is in response to plays being stuck in the development process and never advancing to production. Indian classical drama The term Indian classical drama refers to

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1600-455: The last two cover between them the entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . Other famous Sanskrit dramatists include Śhudraka , Bhasa , and Asvaghosa . Though numerous plays written by these playwrights are still available, little

1650-490: The latter part of the 16th century. The plays of Gotthold Ephraim Lessing , Johann Wolfgang von Goethe , Friedrich Schiller , and other Sturm und Drang playwrights inspired a growing faith in feeling and instinct as guides to moral behavior and were part of the German romanticism movement. Aleksandr Ostrovsky was Russia's first professional playwright). Author and playwright Agatha Christie wrote The Moustrap ,

1700-409: The necessary skills (dance, music, and recitation) in an hereditary process. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of

1750-433: The oldest known playwrights being Śudraka , whose attributed plays can be dated to the second century BC. The Nāṭya Shāstra , a text on the performing arts from between 500BC-500AD, categorizes playwrights as being among the members of a theatre company, although playwrights were generally the highest in social status, with some being kings. In the 4th century BCE, Aristotle wrote his Poetics , in which he analyzed

1800-418: The only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages giving it a bilingual nature. Sanskrit drama utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialised in a particular type. Mahābhāṣya by Patañjali contains the earliest reference to what may have been

1850-429: The play that he is most known for: Abhijñānaśākuntalam ("The Recognition of Shakuntala"). The last named play is considered to be greatest play in Sanskrit. More than a millennium later, it would so powerfully impress the famous German writer Goethe that he would write: Wouldst thou the young year's blossoms and the fruits of its decline And all by which the soul is charmed, enraptured, feasted, fed, Wouldst thou

1900-435: The principle of action or praxis as the basis for tragedy. He then considered elements of drama: plot ( μύθος mythos ), character ( ἔθος ethos ), thought ( dianoia ), diction ( lexis ), music ( melodia ), and spectacle ( opsis ). Since the myths on which Greek tragedy were based were widely known, plot had to do with the arrangement and selection of existing material. Character

1950-618: The same title . He had a posthumous success in the West End with his comedy Silver Wedding in 1957. This article about a writer or poet from the United Kingdom is a stub . You can help Misplaced Pages by expanding it . Playwright The earliest playwrights in Western literature with surviving works are the Ancient Greeks . William Shakespeare is amongst the most famous playwrights in literature, both in England and across

2000-472: The scholar Ganapati Sastri . A 14th play was later discovered and attributed to Bhāsa, but its authorship is disputed. Bhāsa's most famous plays are Svapnavasavadattam (Swapnavāsadatta) ("Vasavadatta's dream"), Pancharātra , and Pratijna Yaugandharayaanam ("The vows of Yaugandharayana"). Some other plays being Pratimanātaka, Abhishekanātaka, Bālacharita, Dūtavākya, Karnabhāra, Dūtaghatotkacha, Chārudatta, Madhyamavyāyoga and Ūrubhaṅga . Karnabharam

2050-527: The seeds of Sanskrit drama. This treatise on grammar provides a feasible date for the beginnings of theatre in India . Kālidāsa in the 4th-5th century CE, was arguably one of ancient India 's greatest Sanskrit dramatists. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramōrvaśīyam ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntalam ( The Recognition of Shakuntala ). The last

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2100-448: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played characters younger or older than themselves. Of all

2150-458: The tradition of dramatic literature and performance in ancient India . The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the classical period with

2200-485: The unities. Decorum fitted proper protocols for behavior and language on stage. In France, contained too many events and actions, thus, violating the 24-hour restriction of the unity of time. Neoclassicism never had as much traction in England, and Shakespeare 's plays are directly opposed to these models, while in Italy, improvised and bawdy commedia dell'arte and opera were more popular forms. One structural unit that

2250-425: The usage of simple but beautiful Sanskrit, and by his extensive use of similes . His similes have earned him the saying, Upama Kalidasasya (Kālidāsa owns simile). The full śloka reads: "upamā Kālidāsasya, Bhāraver artha gauravam | Daṇḍinah padalālityam, Māghe shanti trayoguṇah ||" Amongst Sanskrit plays, the historical play Mudrarakshasa by Vishakhadatta is unique because it contains political intrigue and

2300-426: The world. The word "play" is from Middle English pleye , from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word wright is an archaic English term for a craftsperson or builder (as in a wheelwright or cartwright ). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write"

2350-714: Was determined by choice and by action. Tragedy is mimesis —"the imitation of an action that is serious". He developed his notion of hamartia , or tragic flaw, an error in judgment by the main character or protagonist , which provides the basis for the "conflict-driven" play. There were also a number of secular performances staged in the Middle Ages, the earliest of which is The Play of the Greenwood by Adam de la Halle in 1276. It contains satirical scenes and folk material such as faeries and other supernatural occurrences. Farces also rose dramatically in popularity after

2400-478: Was inspired by a story in the Mahabharata and is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti (c. 7th century CE). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttararamacarita . Among these three,

2450-574: Was likely used in theatrical performances was excavated in Chirand, Bihar. Stratiagraphical analysis dates the find to the 3rd or 4th century BCE, thus making it likely that theatre in India was fairly developed during this time. It is broad enough to have been worn comfortably on the nose, and the actor can easily see through the perforated nose. Bharatamuni mentions Pratishirsha in his Natyashastra, and these masks were likely full-headed masks with diadems and appropriate hair style appendages. Some of

2500-499: Was to reach its apogee in France during the 17th century, dwelled upon the unities , of action, place, and time. This meant that the playwright had to construct the play so that its "virtual" time would not exceed 24 hours, that it would be restricted to a single setting, and that there would be no subplots. Other terms, such as verisimilitude and decorum, circumscribed the subject matter significantly. For example, verisimilitude limits of

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