The New Orleans Film Festival is an annual film festival organized by the nonprofit organization New Orleans Film Society , a film society founded in 1989. The festival has been held since the society's inception. The festival takes place in mid-October. The festival, nicknamed "Cannes on the Mississippi", features national and international feature films and short films. The festival had one off-year when New Orleans suffered the effects of Hurricane Katrina in 2005.
11-615: As of 2018 the festival had grown into an internationally respected annual event that attracts 20–25,000 people, 400+ filmmakers, and 240 films. It is one of the few film festivals that is Oscar-qualifying in all three Academy-accredited categories: Narrative Short, Documentary Short, and Animated Short—and it's been recognized by MovieMaker Magazine as one of the “Top 50 Film Festivals Worth the Entry Fee” every year since 2012 (one of only two festivals to receive that recognition for six straight years). Listed as “Top 25 Coolest Film Festivals in
22-802: A cash prize. The winner and top three finalists in all categories receive an All-Access Pass to attend the New Orleans Film Festival. The writers are invited to all panels, roundtables, receptions, networking events, and screenings over the course of the nine-day event. 2020 – Inspector Ike (dir. Graham Mason) 2019 – TEST PATTERN (dir. Shatara Michelle Ford ) 2018 – Chained for Life (dir. by Aaron Schimberg) 2017 – Victor’s History (dir. Nicolas Chevaillier) 2016 – The Other Kids (dir. Chris Brown) 2015 – Embers (dir . Claire Carré) 2014 – Proud Citizen (dir. by Thom Southerland) 2020 – Two Gods (dir. Zeshawn Ali ) 2019 – Pier Kids (dir. Elegance Bratton ) 2018 – For
33-467: Is a stub . You can help Misplaced Pages by expanding it . MovieMaker MovieMaker is a magazine, website and podcast network focused on the art and business of filmmaking with a special emphasis on independent film. The magazine is published on a quarterly basis. This trade magazine–related article is a stub . You can help Misplaced Pages by expanding it . See tips for writing articles about magazines . Further suggestions might be found on
44-891: The Birds (dir. Richard Miron) 2017 – Ask the Sexpert (dir. Vaishali Sinha) 2016 – Jackson (dir. Maisie Crow) 2015 – Hotel Nueva Isla (dir. Irene Gutierrez) 2014 – When the Bell Rings (dir. by Brad Bores) 2019 – Mossville: When Great Trees Fall (dir. Alexander Glustrom ) 2018 – This Taco Truck Kills Fascists (dir. Rodrigo Dorfman ) 2017 – Do U Want It? (dir. Josh Freund + Sam Radutzky) 2015 – Delta Justice: The Isleños Trappers War (dir. David DuBos) 2014 – Big Charity (dir. Alexander Glustrom ) 2019 – Straight Up (dir. James Sweeney ) 2018 – Solace (dir Tchaiko Omewale ) 2017 – Sambá (dir. Laura Amelia Guzman + Israel Cardenas) 2016 – My First Kiss and
55-672: The People Involved (dir. Luigi Campi) 2015 – Driving While Black (dir. Paul Sapiano) 2020 – To Decadence with Love, Thanks for Everything! (dir. Stuart Sox) 2019 – The Long Shadow (dir. Daniel Lafrentz ) 2018 – The True Don Quixote (dir. Chris Poché) 2017 – Buckjumping (dir. Lily Keber) tied with A Tuba to Cuba (dir. T.G. Herrington & Danny Clinch) 2016 – Five Awake (dir. Donna Dees, Susan Willis) 2015 – Consequence (dir. Jonathan Nguyen, Ashley George) 2014 – Big Charity (dir. Alexander Glustrom ) This article about an American film festival
66-519: The World” by MovieMaker Magazine in 2016 and 2017. Films shown at the 2022 event included Causeway , Fingers in the Wind , Empire of Light , and Street Punx . Paste Magazine praised the festival for offering “a platform to voices that still fight to be heard.” We honor three vital commitments to filmmakers and to audiences hungry for fresh work with perspectives less often represented on
77-484: The article's talk page . A Tuba to Cuba A Tuba to Cuba is a 2018 American documentary film about the Preservation Hall Jazz Band . The leader of New Orleans' famed Preservation Hall Jazz Band seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates
88-488: The development/pre-production stage. Once selected, during the annual New Orleans Film Festival, selected filmmakers are paired with a Film Industry leader who acts as a mentor through one-on-one meetings. Mentees also participate in short intensive meetings with other industry professionals during the NOFF Industry Exchange to pitch their projects and build further connections. The program works to empower
99-577: The local community as well as to promote the unique perspectives and cultures created in Louisiana to the rest of the country, and the world. In an effort to expand its offerings and services to support diverse makers, the New Orleans Film Festival launched its first Screenplay Competition to coincide with the 2018 New Orleans Film Festival. The competition is open to short, episodic and feature-length screenplays. Winners of each category as well as one screenwriter from Louisiana (from any category) receives
110-499: The silver screen: The Emerging Voices Mentorship program, an initiative of the New Orleans Film Society, was created in 2014 and founded on the principle that to create a more diverse storytelling landscape, filmmakers of color in Louisiana need greater access to gatekeepers. Applicants include filmmakers with narrative or documentary projects (shorts, features or web-based), experimental films and music videos in
121-536: The triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls. The film was directed by T. G. Herrington and Danny Clinch and narrated by Ben Jaffe whose parents founded Preservation Hall in a segregated 1961 New Orleans . The documentary had its world premiere at the SXSW Film Festival in Austin, Texas, where Michael King of
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