11-502: The New York Independent Theater Awards (also known as NYIT Awards and IT Awards ) are accolades given annually by The League of Independent Theater to honor individuals and organizations who have achieved artistic excellence in Off-Off-Broadway theatre. The awards - created by The New York Innovative Theatre Foundation in 2004 - were formerly known as “The New York Innovative Theatre Awards”. They were renamed in 2022 upon
22-434: A response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. Over time, some off-off-Broadway productions have moved away from the movement's early experimental spirit. The off-off-Broadway movement began in 1958 as a "complete rejection of commercial theatre". Michael Smith gives credit for the term's coinage to Jerry Tallmer in 1960. Among
33-542: A speech at the 2005 New York Innovative Theatre Awards . New York Innovative Theatre Awards The New York Independent Theater Awards (also known as NYIT Awards and IT Awards ) are accolades given annually by The League of Independent Theater to honor individuals and organizations who have achieved artistic excellence in Off-Off-Broadway theatre. The awards - created by The New York Innovative Theatre Foundation in 2004 - were formerly known as “The New York Innovative Theatre Awards”. They were renamed in 2022 upon
44-634: The Drama Desk Awards began evaluating such productions with the same criteria as it used for Broadway and off-Broadway productions. Since 2005, the New York Innovative Theatre Awards (NYIT Awards or IT Awards) have annually honored individuals and organizations that have achieved artistic excellence in off-off-Broadway theatre. The term indie theatre , or independent theatre, was suggested as an alternative for "off-off Broadway" by playwright Kirk Bromley during
55-546: The "characteristics of off-Broadway, which had gradually moved toward reshaping itself in the image of Broadway, though often producing works that were unsuitable for commercial theatre." An off-off-Broadway production that features members of the Actors' Equity Association may be an Equity Showcase production intended to allow actors to be seen by potential future employers. Equity maintains union rules about working in such productions, including restrictions on price of tickets,
66-527: The Foundation's merger with The League of Independent Theater, who now administer the awards. The New York Innovative Theatre Foundation was created in 2004 by Jason Bowcutt, Shay Gines and Nick Micozzi to bring recognition to artistic output and heritage of New York City's Off-Off-Broadway community. The organization advocated for Off-Off-Broadway and recognized the unique and essential role it plays in contributing to American and global culture. In 2022,
77-466: The Foundation's merger with The League of Independent Theater, who now administer the awards. The New York Innovative Theatre Foundation was created in 2004 by Jason Bowcutt, Shay Gines and Nick Micozzi to bring recognition to artistic output and heritage of New York City's Off-Off-Broadway community. The organization advocated for Off-Off-Broadway and recognized the unique and essential role it plays in contributing to American and global culture. In 2022,
88-698: The first venues for what would soon be called "off-off-Broadway" theatre were coffeehouses in Greenwich Village , particularly the Caffe Cino at 31 Cornelia Street, operated by the eccentric Joe Cino , who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much about the content. This DIY aesthetic also led to creative acts of object repurposing by playwrights and directors, who cobbled together sets from materials scavenged from local streets. Also integral to
99-400: The foundation merged with The League of Independent Theater, with the awards renamed The New York Independent Theater Awards. Competitive Awards Honorary Awards Off-Off-Broadway Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of
110-529: The length of the run, and rehearsal times. Professional actors' participation in showcase productions is frequent and comprises the bulk of stage work for the majority of New York actors. There has been an ongoing movement to revise the Equity Showcase Code, which many in the community find overly restrictive and detrimental to the creation of New York theatre. In 1964, off-off-Broadway productions were made eligible for Obie Awards , and in 1974,
121-611: The rise of off-off-Broadway were Ellen Stewart at La MaMa , and Al Carmines at Judson Poets Theatre , located at Judson Memorial Church . Other theaters of note that presented many plays were Theatre Genesis , New York Theatre Ensemble, The Old Reliable, The Dove Company, The Playwrights Workshop, and Workshop of the Players Art. At its coalescence, off-off-Broadway was known for its experimental nature. Brooks McNamara wrote that over time, off-off-Broadway work lost some of its experimental spirit, instead beginning to imitate
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