104-412: Nicholas Broomfield (born 1948) is an English documentary film director. His self-reflective style has been regarded as influential to many later filmmakers. In the early 21st century, he began to use non-actors in scripted works, which he calls "Direct Cinema". His output ranges from studies of entertainers to political works such as examinations of South Africa before and after the end of apartheid and
208-448: A "safety net" guaranteed minimum income should the revenue fall too low, funded by large insurance payments made to the ITV companies. Such a subsidy was never required, however, and these premiums were phased out by the government in 1998. After the link with ITV was cut, the cross-promotion which had existed between ITV and Channel 4 also ended. In 2007, owing to severe funding difficulties,
312-591: A Metropolis (dir. Walter Ruttmann , 1927); Man with a Movie Camera (dir. Dziga Vertov , 1929); Douro, Faina Fluvial (dir. Manoel de Oliveira , 1931); and Rhapsody in Two Languages (dir. Gordon Sparling , 1934). A city symphony film, as the name suggests, is most often based around a major metropolitan city area and seeks to capture the life, events and activities of the city. It can use abstract cinematography (Walter Ruttman's Berlin ) or may use Soviet montage theory (Dziga Vertov's, Man with
416-421: A Movie Camera ). Most importantly, a city symphony film is a form of cinepoetry , shot and edited in the style of a " symphony ". The European continental tradition ( See: Realism ) focused on humans within human-made environments, and included the so-called city symphony films such as Walter Ruttmann's, Berlin: Symphony of a Metropolis (of which Grierson noted in an article that Berlin, represented what
520-429: A Summer ( Jean Rouch ), Dont Look Back ( D. A. Pennebaker ), Grey Gardens ( Albert and David Maysles ), Titicut Follies ( Frederick Wiseman ), Primary and Crisis: Behind a Presidential Commitment (both produced by Robert Drew ), Harlan County, USA (directed by Barbara Kopple ), Lonely Boy ( Wolf Koenig and Roman Kroitor ) are all frequently deemed cinéma vérité films. The fundamentals of
624-527: A broader perspective, as a reaction against studio-based film production constraints. Shooting on location, with smaller crews, would also happen in the French New Wave , the filmmakers taking advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfolded. Although the terms are sometimes used interchangeably, there are important differences between cinéma vérité ( Jean Rouch ) and
728-468: A detailed script, Broomfield allowed the actors to improvise and add dialogue. Broomfield based his script on research with the Marines of Kilo Company who took part in the fighting on that day, the survivors of the massacre, and the six-thousand page NCIS government report. Battle for Haditha won two international awards. The first of the two Juvenile Liaison films was withdrawn from circulation by
832-630: A documentary should not be); Alberto Cavalcanti's, Rien que les heures; and Dziga Vertov's Man with a Movie Camera . These films tend to feature people as products of their environment, and lean towards the avant-garde. Dziga Vertov was central to the Soviet Kino-Pravda (literally, "cinematic truth") newsreel series of the 1920s. Vertov believed the camera – with its varied lenses, shot-counter shot editing, time-lapse, ability to slow motion, stop motion and fast-motion – could render reality more accurately than
936-437: A form of journalism, advocacy, or personal expression. Early film (pre-1900) was dominated by the novelty of showing an event. Single-shot moments were captured on film, such as a train entering a station, a boat docking, or factory workers leaving work. These short films were called "actuality" films; the term "documentary" was not coined until 1926. Many of the first films, such as those made by Auguste and Louis Lumière , were
1040-559: A lexicographer only ever identified as Mary. Whiteley opened the show with the words: "As the countdown to a brand new channel ends, a brand new countdown begins." On its first day, Channel 4 also broadcast the soap opera Brookside , which often ran storylines thought to be controversial; this ran until 2003. After three days, ITV chiefs called for founding chief executive Jeremy Isaacs to resign due to poor ratings. Critics called it "Channel Bore" and "Channel Snore". At its launch, Channel 4 committed itself to providing an alternative to
1144-515: A major battle and re-enact scenes to film them. The propagandist tradition consists of films made with the explicit purpose of persuading an audience of a point. One of the most celebrated and controversial propaganda films is Leni Riefenstahl 's film Triumph of the Will (1935), which chronicled the 1934 Nazi Party Congress and was commissioned by Adolf Hitler . Leftist filmmakers Joris Ivens and Henri Storck directed Borinage (1931) about
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#17327717727941248-437: A minute or less in length, due to technological limitations. Examples can be viewed on YouTube. Films showing many people (for example, leaving a factory) were often made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and a half, The Corbett-Fitzsimmons Fight . Using pioneering film-looping technology, Enoch J. Rector presented
1352-506: A more poetic aesthetic approach to documentary. Examples of their work include Drifters (John Grierson), Song of Ceylon (Basil Wright), Fires Were Started , and A Diary for Timothy (Humphrey Jennings). Their work involved poets such as W. H. Auden , composers such as Benjamin Britten , and writers such as J. B. Priestley . Among the best known films of the movement are Night Mail and Coal Face . Calling Mr. Smith (1943)
1456-479: A nationwide television channel for the first time. Since then, carriage on digital cable , satellite and digital terrestrial has introduced Channel 4 to Welsh homes where it is now universally available. After some months of test broadcasts, the new broadcaster began scheduled transmissions on 2 November 1982 from Scala House, the former site of the Scala Theatre . Its initial broadcasts reached 87% of
1560-571: A nationwide television channel. The network's headquarters are in London and Leeds , with creative hubs in Glasgow and Bristol . Before Channel 4 and S4C, Britain had three terrestrial television services: BBC1 , BBC2 , and ITV , with BBC2 the last to launch in 1964. The Broadcasting Act 1980 began the process of adding a fourth; Channel 4 was formally created, along with its Welsh counterpart , by an act of Parliament in 1982. The notion of
1664-577: A new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts for interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance; however, this position is at variance with Soviet film-maker Dziga Vertov 's credos of provocation to present "life as it is" (that is, life filmed surreptitiously), and "life caught unawares" (life provoked or surprised by
1768-418: A non-acting role for Tom Keating in his series On Painters . Channel 4 co-commissioned Robert Ashley 's television opera Perfect Lives , which it premiered over several episodes in 1984. The channel often did not receive mass audiences for much of this period, as might be expected for a station focusing on minority interests. During this time, Channel 4 also began the funding of independent films, such as
1872-873: A public service broadcaster with a specific remit, it is afforded free carriage on the terrestrial platforms, in contrast with other broadcasters such as ITV. Channel 4 is available outside the United Kingdom; it is widely available in the Republic of Ireland , the Netherlands , Belgium and Switzerland . The channel is registered to broadcast within the European Union/EEA through the Luxembourg Broadcasting Regulator (ALIA). Since 2019, it has been offered by British Forces Broadcasting Service (BFBS) to members of
1976-566: A remit of public service obligations which it must fulfil. The remit changes periodically, as dictated by various broadcasting and communications acts, and is regulated by the various authorities Channel 4 has been answerable to; originally the IBA, then the ITC and now Ofcom . The preamble of the remit as per the Communications Act 2003 states that: The public service remit for Channel 4
2080-428: A resource to teach various principles . Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platforms (such as YouTube ) have provided an avenue for the growth of the documentary- film genre . These platforms have increased the distribution area and ease-of-accessibility. Polish writer and filmmaker Bolesław Matuszewski
2184-432: A second commercial broadcaster in the United Kingdom had been around since the inception of ITV in 1954 and its subsequent launch in 1955; the idea of an "ITV2" was long expected and pushed for. Indeed, television sets sold throughout the 1970s and early 1980s often had a spare tuning button labelled "ITV 2" or "IBA 2". Throughout ITV's history and until Channel 4 finally became a reality, a perennial dialogue existed between
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#17327717727942288-514: A wordless meditation on wartime Britain. From 1982, the Qatsi trilogy and the similar Baraka could be described as visual tone poems, with music related to the images, but no spoken content. Koyaanisqatsi (part of the Qatsi trilogy ) consists primarily of slow motion and time-lapse photography of cities and many natural landscapes across the United States. Baraka tries to capture
2392-683: Is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record ". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called " actuality films ", briefly lasted for one minute or less. Over time, documentaries have evolved to become longer in length and to include more categories. Some examples are educational , observational and docufiction . Documentaries are very informative , and are often used within schools as
2496-474: Is a separate area. Pathé was the best-known global manufacturer of such films in the early 20th century. A vivid example is Moscow Clad in Snow (1909). Biographical documentaries appeared during this time, such as the feature Eminescu-Veronica-Creangă (1914) on the relationship between the writers Mihai Eminescu , Veronica Micle and Ion Creangă (all deceased at the time of the production), released by
2600-419: Is an anti-Nazi color film created by Stefan Themerson which is both a documentary and an avant-garde film against war. It was one of the first anti-Nazi films in history. Cinéma vérité (or the closely related direct cinema ) was dependent on some technical advances to exist: light, quiet and reliable cameras, and portable sync sound. Cinéma vérité and similar documentary traditions can thus be seen, in
2704-492: Is funded entirely by its commercial activities, including advertising . It began its transmission in 1982 and was established to provide a fourth television service in the United Kingdom. At the time, the only other channels were the licence -funded BBC1 and BBC2 , and a single commercial broadcasting network, ITV . Originally a subsidiary of the Independent Broadcasting Authority (IBA),
2808-440: Is the provision of a broad range of high quality and diverse programming which, in particular: The remit also involves an obligation to provide programming for schools, and a substantial amount of programming produced outside of Greater London . Channel 4 was carried from its beginning on analogue terrestrial, the standard means of television broadcast in the United Kingdom. It continued to be broadcast through these means until
2912-532: The British Armed Forces and their families around the world, BFBS Extra having previously carried a selection of Channel 4 programmes. The Channel 4 website allows people in the United Kingdom to watch Channel 4 live. Previously, some programmes (mostly international imports) were not shown. Channel 4 is also provided by Virgin Mobile 's DAB mobile TV service, which has the same restrictions as
3016-670: The Bucharest chapter of Pathé . Early color motion picture processes such as Kinemacolor (known for the feature With Our King and Queen Through India (1912)) and Prizma Color (known for Everywhere With Prizma (1919) and the five-reel feature Bali the Unknown (1921)) used travelogues to promote the new color processes. In contrast, Technicolor concentrated primarily on getting their process adopted by Hollywood studios for fiction feature films. Also during this period, Frank Hurley 's feature documentary film, South (1919) about
3120-478: The GPO , the government , the ITV companies and other interested parties, concerning the form such an expansion of commercial broadcasting would take. Most likely, politics had the biggest impact leading to a delay of almost three decades before the second commercial channel became a reality. One benefit of the late arrival of the channel was that its frequency allocations at each transmitter had already been arranged in
3224-472: The Gonzo journalism of American Hunter S. Thompson . Kurt & Courtney , about American musicians Kurt Cobain and Courtney Love , was selected for the 1998 Sundance Film Festival . Its screening was cancelled by the festival after Love threatened to sue, as the film was released after Cobain's death. A previous film, Soldier Girls , which Broomfield co-directed with Joan Churchill, won first prize at
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3328-666: The Imperial Trans-Antarctic Expedition was released. The film documented the failed Antarctic expedition led by Ernest Shackleton in 1914. With Robert J. Flaherty 's Nanook of the North in 1922, documentary film embraced romanticism . Flaherty filmed a number of heavily staged romantic documentary films during this time period, often showing how his subjects would have lived 100 years earlier and not how they lived right then. For instance, in Nanook of
3432-599: The Merchant Ivory docudrama The Courtesans of Bombay . In 1987, Richard Attenborough replaced Edmund Dell as chairman. In 1988, Michael Grade became CEO. In 1992, Channel 4 faced its first libel case which was brought by Jani Allan , a South African journalist, who objected to her representation in Nick Broomfield 's documentary The Leader, His Driver and the Driver's Wife . After control of
3536-526: The National Film and Television School in London. Broomfield's early style was conventional cinéma vérité : the juxtaposition of observed scenes, with little use of voice-over or text. After more than a decade of working as a filmmaker, Broomfield altered his film style, appearing on-screen for the first time in Chicken Ranch (1983). After several arguments regarding the budget and nature of
3640-884: The 1920s and 1930s. These films were particularly influenced by modern art , namely Cubism , Constructivism , and Impressionism . According to art historian and author Scott MacDonald , city symphony films can be described as, "An intersection between documentary and avant-garde film: an avant-doc "; however, A.L. Rees suggests regarding them as avant-garde films. Early titles produced within this genre include: Manhatta (New York; dir. Paul Strand , 1921); Rien que les heures /Nothing But The Hours ( France ; dir. Alberto Cavalcanti , 1926); Twenty Four Dollar Island (dir. Robert J. Flaherty , 1927); Moscow (dir. Mikhail Kaufman , 1927); Études sur Paris (dir. André Sauvage , 1928); The Bridge (1928) and Rain (1929), both by Joris Ivens ; São Paulo, Sinfonia da Metrópole (dir. Adalberto Kemeny , 1929), Berlin: Symphony of
3744-476: The BAFTA Film Awards a few years previously. In 2006, Broomfield changed his style again, adopting techniques of what he calls 'Direct Cinema': using non-actors to play themselves in dramas with a screenplay. He completed a drama called Ghosts for Channel 4 ; this was inspired by the 2004 Morecambe Bay cockling disaster , when 23 Chinese immigrant cockle pickers drowned after being cut off by
3848-691: The BBC and independent companies. Initially, limited frequency space meant that Channel 4 could not be broadcast alongside S4C, though some Channel 4 programmes would be aired at less popular times on the Welsh variant; this practice continued until the closure of S4C's analogue transmissions in 2010, at which time S4C became a fully Welsh channel. With this conversion of the Wenvoe transmitter group in Wales to digital terrestrial broadcasting on 31 March 2010, Channel 4 became
3952-656: The BFI executive. Broomfield explains in Juvenile Liaison 2 , shot fifteen years after the original, that many of the original film's participants withdrew their consent following an early screening in Blackburn library. In interviews, some of the original participants claim to have been persuaded to withdraw their consent by Blackburn police. This lack of consent resulted in the BFI (the film's financial backers) withdrawing
4056-553: The Belgian coal mining region. Luis Buñuel directed a " surrealist " documentary Las Hurdes (1933). Pare Lorentz 's The Plow That Broke the Plains (1936) and The River (1938) and Willard Van Dyke 's The City (1939) are notable New Deal productions, each presenting complex combinations of social and ecological awareness, government propaganda, and leftist viewpoints. Frank Capra 's Why We Fight (1942–1944) series
4160-810: The Furnaces , from 1968), directed by Octavio Getino and Fernando Solanas , influenced a whole generation of filmmakers. Among the many political documentaries produced in the early 1970s was "Chile: A Special Report", public television's first in-depth expository look at the September 1973 overthrow of the Salvador Allende government in Chile by military leaders under Augusto Pinochet , produced by documentarians Ari Martinez and José Garcia. A June 2020 article in The New York Times reviewed
4264-525: The IBA from the ITV regional companies, in return for which each company had the right to sell advertisements on the fourth channel in its own region and keep the proceeds. This meant that ITV and Channel 4 were not in competition with each other, and often promoted each other's programmes. A change in funding came about under the Broadcasting Act 1990 when the new corporation was afforded the ability to fund itself. Originally this arrangement left
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4368-571: The Internet live stream. Channel 4 is also carried by the Internet TV service TVCatchup and was previously carried by Zattoo until the operator removed the channel from its platform. Channel 4 also makes some of its programming available "on demand" via cable and the internet through the Channel 4 VoD service. During its first decade, Channel 4 was funded by subscriptions collected by
4472-574: The North , Flaherty did not allow his subjects to shoot a walrus with a nearby shotgun, but had them use a harpoon instead. Some of Flaherty's staging, such as building a roofless igloo for interior shots, was done to accommodate the filming technology of the time. Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass (1925) and Chang (1927), both directed by Merian C. Cooper and Ernest Schoedsack . The " city symphony " sub film genre consisted of avant-garde films during
4576-680: The North American " direct cinema " (or more accurately " cinéma direct "), pioneered by, among others, Canadians Michel Brault , Pierre Perrault and Allan King , and Americans Robert Drew , Richard Leacock , Frederick Wiseman and Albert and David Maysles . The directors of the movement take different viewpoints on their degree of involvement with their subjects. Kopple and Pennebaker, for instance, choose non-involvement (or at least no overt involvement), and Perrault, Rouch, Koenig, and Kroitor favor direct involvement or even provocation when they deem it necessary. The films Chronicle of
4680-465: The Penguins , and An Inconvenient Truth among the most prominent examples. Compared to dramatic narrative films, documentaries typically have far lower budgets which makes them attractive to film companies because even a limited theatrical release can be highly profitable. The nature of documentary films has expanded in the past 30 years from the cinéma vérité style introduced in the 1960s in which
4784-480: The Races , E4 and More4 . Partially in reaction to its new "populist" direction, the Communications Act 2003 directed the channel to demonstrate innovation, experimentation, and creativity, appeal to the tastes and interests of a culturally diverse society, and include programmes of an educational nature which exhibit a distinctive character. On 31 December 2004, Channel 4 launched a new visual identity in which
4888-581: The Romanian professor Gheorghe Marinescu made several science films in his neurology clinic in Bucharest : Walking Troubles of Organic Hemiplegy (1898), The Walking Troubles of Organic Paraplegies (1899), A Case of Hysteric Hemiplegy Healed Through Hypnosis (1899), The Walking Troubles of Progressive Locomotion Ataxy (1900), and Illnesses of the Muscles (1901). All these short films have been preserved. The professor called his works "studies with
4992-492: The Street , Without A Trace , Home Improvement , Frasier , Lost , Nip/Tuck , Ally McBeal , Dawson's Creek , Oz , Sex and The City , The Sopranos , Scrubs , King of The Hill , Babylon 5 , Stargate SG-1 , Star Trek: Enterprise , Andromeda , Family Guy , South Park and Futurama . In the early 2000s, Channel 4 began broadcasting reality formats such as Big Brother and obtained
5096-413: The United Kingdom. The first voice heard on Channel 4's opening day of 2 November 1982 was that of continuity announcer Paul Coia who said: "Good afternoon. It's a pleasure to be able to say to you, welcome to Channel Four." Following the announcement, the channel played a montage of clips from its programmes set to the station's signature tune, "Fourscore", written by David Dundas , which would form
5200-470: The Universe . Tomlin claimed the film was a spoiler for her show and filed suit for $ 7 million in damages. The documentary was shown on public television but not widely released. Eventually Broomfield's documentary was incorporated into the video release of the one-woman show. Broomfield became known for this self-reflective film-making style: making films that were also about the making itself as well as
5304-419: The ability to subsidise the main network through any profits made on the corporation's other endeavours, which have in the past included subscription fees from stations such as E4 and Film4 (now no longer subscription services) and its "video-on-demand" sales. In practice, however, these other activities are loss-making, and are subsidised by the main network. According to Channel 4's published accounts, for 2005
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#17327717727945408-485: The advantage of documentaries lies in introducing new perspectives which may not be prevalent in traditional media such as written publications and school curricula. Documentary practice is the complex process of creating documentary projects. It refers to what people do with media devices, content, form, and production strategies to address the creative, ethical, and conceptual problems and choices that arise as they make documentaries. Documentary filmmaking can be used as
5512-407: The basis of the station's jingles for its first decade. The first programme to air on the channel was the teatime game show Countdown , produced by Yorkshire Television , at 16:45. The first person to be seen on Channel 4 was Richard Whiteley , with Ted Moult being the second. The first woman on the channel, contrary to popular belief, was not Whiteley's Countdown co-host Carol Vorderman , but
5616-474: The camera). The American film critic Pare Lorentz defines a documentary film as "a factual film which is dramatic." Others further state that a documentary stands out from the other types of non-fiction films for providing an opinion, and a specific message, along with the facts it presents. Scholar Betsy McLane asserted that documentaries are for filmmakers to convey their views about historical events, people, and places which they find significant. Therefore,
5720-558: The changeover to digital terrestrial television in the United Kingdom was complete. Since 1998, it has been universally available on digital terrestrial, and the Sky platform (initially encrypted, though encryption was dropped on 14 April 2008 and is now free of charge and available on the Freesat platform) as well as having been available from various times in various areas, on analogue and digital cable networks. Due to its special status as
5824-643: The channel broadcast the direct-to-TV documentary film Beyond Citizen Kane , in which it displayed the dominant position of the Rede Globo (now TV Globo ) television network, and discussed its influence, power, and political connections in Brazil. Throughout the 1990s and 2000s, Channel 4 gave many popular and influential American comedy and drama series their first exposure on British television, such as Friends , Cheers , Will & Grace , NYPD Blue , ER , Desperate Housewives , Homicide: Life on
5928-481: The channel sought government help and was granted a payment of £14 million over a six-year period. The money was to have come from the television licence fee, and would have been the first time that money from the licence fee had been given to any broadcaster other than the BBC. However, the plan was scrapped by the Secretary of State for Culture, Media and Sport , Andy Burnham , ahead of "broader decisions about
6032-624: The corporation but the sale was blocked by the Liberal Democrat Business Secretary Vince Cable . In 2016, the future of the channel was again being looked into by the government, with analysts suggesting several options for its future. In June 2021, the government of Boris Johnson was considering selling the channel. In April 2022, the Department for Culture, Media and Sport acknowledged that ministerial discussions were taking place regarding
6136-498: The creation of a Film Archive to collect and keep safe visual materials. The word "documentary" was coined by Scottish documentary filmmaker John Grierson in his review of Robert Flaherty 's film Moana (1926), published in the New York Sun on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson). Grierson's principles of documentary were that cinema's potential for observing life could be exploited in
6240-410: The day. In November 2009, Channel 4 launched a week of 3D television , broadcasting selected programmes each night using stereoscopic ColorCode 3D technology. The accompanying 3D glasses were distributed through Sainsbury's supermarkets. On 29 September 2015, Channel 4 revamped its presentation for a fifth time; the new branding downplayed the "4" logo from most on-air usage, in favour of using
6344-429: The development of "reality television" that occasionally verges on the documentary but more often veers to the fictional or staged. The "making-of" documentary shows how a movie or a computer game was produced. Usually made for promotional purposes, it is closer to an advertisement than a classic documentary. Modern lightweight digital video cameras and computer-based editing have greatly aided documentary makers, as has
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#17327717727946448-407: The director. The commercial success of these documentaries may derive from this narrative shift in the documentary form, leading some critics to question whether such films can truly be called documentaries; critics sometimes refer to these works as " mondo films " or "docu-ganda." However, directorial manipulation of documentary subjects has been noted since the work of Flaherty, and may be endemic to
6552-452: The dramatic drop in equipment prices. The first film to take full advantage of this change was Martin Kunert and Eric Manes ' Voices of Iraq , where 150 DV cameras were sent to Iraq during the war and passed out to Iraqis to record themselves. Films in the documentary form without words have been made. Listen to Britain , directed by Humphrey Jennings and Stuart McAllister in 1942, is
6656-578: The early 1960s when the launch of an "ITV2" was anticipated. This led to good coverage across most of the country and few problems of interference with other UK-based transmissions; a stark contrast to the difficulties associated with Channel 5 's launch almost 15 years later. At the time the fourth service was being considered, a movement in Wales lobbied for the creation of dedicated service that would air Welsh language programmes, then only catered for at off-peak times on BBC Wales and HTV . The campaign
6760-536: The early part of the 20th century. They were often referred to by distributors as "scenics". Scenics were among the most popular sort of films at the time. An important early film which moved beyond the concept of the scenic was In the Land of the Head Hunters (1914), which embraced primitivism and exoticism in a staged story presented as truthful re-enactments of the life of Native Americans . Contemplation
6864-527: The entirety of a famous 1897 prize-fight on cinema screens across the United States. In May 1896, Bolesław Matuszewski recorded on film a few surgical operations in Warsaw and Saint Petersburg hospitals. In 1898, French surgeon Eugène-Louis Doyen invited Matuszewski and Clément Maurice to record his surgical operations. They started in Paris a series of surgical films sometime before July 1898. Until 1906,
6968-723: The existing channels, an agenda in part set out by its remit which required the provision of programming to minority groups. In step with its remit, the channel became well received both by minority groups and the arts and cultural worlds during this period under Isaacs, during which the channel gained a reputation for programmes on the contemporary arts. Two programmes captured awards from the Broadcasting Press Guild in March 1983: best comedy for The Comic Strip Presents …Five Go Mad in Dorset, and best on-screen performance in
7072-425: The film from circulation. Both films have been widely available since at least 1990, including via mainstream streaming services. The BFI production board who originally voted to finance the film, all resigned in disgust at the BFI executive taking the decision to effectively ban the film except for screenings for specialized groups, such as social workers. Broomfield (and Joan Churchill)'s next film, Tattooed Tears ,
7176-503: The film, he decided that he would make the documentary only if he could experiment by filming the very process of making the film—the arguments, the failed interviews and the dead-ends. This shift in film-making style was strongly influenced by Broomfield's struggles in trying to gain distribution for his earlier documentary, Lily Tomlin , which chronicled the American comedian's one-woman show The Search for Signs of Intelligent Life in
7280-520: The films was so vital that they were often given co-director credits. Famous cinéma vérité/direct cinema films include Les Raquetteurs , Showman , Salesman , Near Death , and The Children Were Watching . In the 1960s and 1970s, documentary film was often regarded as a political weapon against neocolonialism and capitalism in general, especially in Latin America, but also in a changing society. La Hora de los hornos ( The Hour of
7384-533: The form due to problematic ontological foundations. Documentary filmmakers are increasingly using social impact campaigns with their films. Social impact campaigns seek to leverage media projects by converting public awareness of social issues and causes into engagement and action, largely by offering the audience a way to get involved. Examples of such documentaries include Kony 2012 , Salam Neighbor , Gasland , Living on One Dollar , and Girl Rising . Although documentaries are financially more viable with
7488-705: The future framework of public service broadcasting". The broadcasting regulator Ofcom released its review in January 2009 in which it suggested that Channel 4 would preferably be funded by "partnerships, joint ventures or mergers". As of 2022 , it breaks even in much the same way as most privately run commercial stations through the sale of on-air advertising, programme sponsorship, and the sale of any programme content and merchandising rights it owns, such as overseas broadcasting rights and domestic video sales. For example, as of 2012 its total revenues were £925 million with 91% derived from sale of advertising. It also has
7592-489: The great pulse of humanity as it flocks and swarms in daily activity and religious ceremonies. Bodysong was made in 2003 and won a British Independent Film Award for "Best British Documentary." Channel 4 Channel 4 is a British free-to-air public broadcast television channel owned and operated by Channel Four Television Corporation . It is publicly owned but, unlike the BBC , it receives no public funding and
7696-694: The help of the cinematograph," and published the results, along with several consecutive frames, in issues of La Semaine Médicale magazine from Paris, between 1899 and 1902. In 1924, Auguste Lumière recognized the merits of Marinescu's science films: "I've seen your scientific reports about the usage of the cinematograph in studies of nervous illnesses, when I was still receiving La Semaine Médicale , but back then I had other concerns, which left me no spare time to begin biological studies. I must say I forgot those works and I am thankful to you that you reminded them to me. Unfortunately, not many scientists have followed your way." Travelogue films were very popular in
7800-428: The human eye, and created a film philosophy from it. The newsreel tradition is important in documentary film. Newsreels at this time were sometimes staged but were usually re-enactments of events that had already happened, not attempts to steer events as they were in the process of happening. For instance, much of the battle footage from the early 20th century was staged; the cameramen would usually arrive on site after
7904-471: The increasing popularity of the genre and the advent of the DVD, funding for documentary film production remains elusive. Within the past decade, the largest exhibition opportunities have emerged from within the broadcast market, making filmmakers beholden to the tastes and influences of the broadcasters who have become their largest funding source. Modern documentaries have some overlap with television forms, with
8008-665: The landmark 14-hour Eyes on the Prize : America's Civil Rights Years (1986 – Part 1 and 1989 – Part 2) by Henry Hampton, 4 Little Girls (1997) by Spike Lee , The Civil War by Ken Burns , and UNESCO-awarded independent film on slavery 500 Years Later , express not only a distinctive voice but also a perspective and point of views. Some films such as The Thin Blue Line by Errol Morris incorporate stylized re-enactments, and Michael Moore 's Roger & Me place far more interpretive control with
8112-523: The last time, after 32 years as a main presenter on the programme, making Snow one of the UK's longest-serving presenters on a national news programme. Channel 4's parent company, Channel Four Television Corporation , was considered for privatisation by the governments of Margaret Thatcher , John Major and Tony Blair . In 2014, the Cameron-Clegg coalition government drew up proposals to privatise
8216-463: The launch of Channel 4 HD, but the fourth HD slot was given to Channel 5 instead. On 2 November 2007, the station celebrated its 25th birthday. It showed the first episode of Countdown , an anniversary Countdown special, as well as a special edition of The Big Fat Quiz . It use the original multicoloured 1982–1996 blocks logo on presentation, and idents using the Fourscore jingle throughout
8320-641: The logo is disguised as different objects and the "4" can be seen from an angle. Under the leadership of Freeview founder Andy Duncan , 2005 saw a change of direction for Channel 4's digital channels. The company made E4 free-to-air on digital terrestrial television , and launched a new free-to-air digital channel called More4 . By October, Channel 4 had joined the Freeview consortium. By July 2006, Film4 had likewise become free-to-air and restarted broadcasting on digital terrestrial. Venturing into radio broadcasting, 2005 saw Channel 4 purchase 51% of shares in
8424-512: The now defunct Oneword radio station, with UBC Media holding on to the remaining shares. New programmes such as the weekly, half-hour The Morning Report news programme were among some of the new content Channel 4 provided for the station, with the name 4Radio being used. As of early 2009, however, Channel 4's future involvement in radio remained uncertain. Before the digital switchover , Channel 4 raised concerns over how it might finance its public service obligations afterward. In April 2006, it
8528-403: The ostensible subject. His influence on documentary could be seen in the work of younger filmmakers of the first decade of the 21st century: according to The Guardian , Michael Moore , Louis Theroux and Morgan Spurlock each demonstrated similar styles in their recent box-office hits. Such filmmakers have been classified as Les Nouvelles Egotistes ; others have likened Broomfield's work to
8632-513: The political documentary And She Could Be Next , directed by Grace Lee and Marjan Safinia. The Times described the documentary not only as focusing on women in politics, but more specifically on women of color, their communities, and the significant changes they have wrought upon America. Box office analysts have noted that the documentary film genre has become increasingly successful in theatrical release with films such as Fahrenheit 9/11 , Super Size Me , Food, Inc. , Earth , March of
8736-455: The rights to broadcast mass appeal sporting events like cricket and horse racing . This new direction increased ratings and revenues. The popularity of Big Brother led to the launches of other, shorter-lived new reality shows to chase the populist audience, such as The Salon , Shattered and Space Cadets . In addition, the corporation launched several new television channels through its new 4Ventures offshoot, including Film4 , At
8840-603: The rise of the black-majority government of Nelson Mandela and the African National Congress party. Broomfield generally works with a minimal crew, recording sound himself and using one or two camera operators. He is often seen in the finished film, usually holding the sound boom and wearing the Nagra tape recorder. Nicholas Broomfield was born in 1948. He is the son of photographer Maurice Broomfield (1916-2010) and Sonja Lagusova (1922-1982). His mother
8944-434: The sale of Channel Four Television Corporation. The channel's chief executive, Alex Mahon, expressed disappointment at this, saying that its vision for the future was "rooted in continued public ownership". In January 2023, Michelle Donelan confirmed that the plans to sell Channel 4 were scrapped and that it would remain in public ownership for the foreseeable future. Channel 4 was established with, and continues to hold,
9048-530: The shapes from the logo in various forms. Four new idents were filmed by Jonathan Glazer , which featured the shapes in various real-world scenes depicting the "discovery" and "origins" of the shapes. The full logo was still occasionally used, but primarily for off-air marketing. Channel 4 also commissioned two new corporate typefaces, "Chadwick", and "Horseferry" (a variation of Chadwick with the aforementioned shapes incorporated into its letter forms), for use across promotional material and on-air. In June 2017, it
9152-399: The soon-to-be released Volkswagen Passat . He has two sons: Barney and Charlie Broomfield. Broomfield told the BBC that he professes irreligion . He said, "I believe that there's a goodness out there, and I think there's goodness in everybody. We should probably all try and have a good dig around and find out where it is." Documentary film A documentary film or documentary
9256-466: The station is now owned and operated by Channel Four Television Corporation, a public corporation of the Department for Culture, Media and Sport , which was established in 1990 and came into operation in 1993. Until 2010, Channel 4 did not broadcast in Wales , but many of its programmes were re-broadcast there by the Welsh fourth channel S4C . In 2010, Channel 4 extended service into Wales and became
9360-589: The station passed from the Channel Four Television Company to the Channel Four Television Corporation in 1993, a shift in broadcasting style took place. Instead of aiming for minority tastes, it began to focus on the edges of the mainstream, and the centre of the mass market itself. It began to show many American programmes in peak viewing time, far more than it had previously done. In September 1993,
9464-530: The style include following a person during a crisis with a moving, often handheld, camera to capture more personal reactions. There are no sit-down interviews, and the shooting ratio (the amount of film shot to the finished product) is very high, often reaching 80 to one. From there, editors find and sculpt the work into a film. The editors of the movement – such as Werner Nold , Charlotte Zwerin , Muffie Meyer , Susan Froemke , and Ellen Hovde – are often overlooked, but their input to
9568-409: The tides. Ghosts won an award and helped raise nearly £500,000 to help the victims' families. In Battle for Haditha (2007), Broomfield worked with ex-Marines and Iraqi refugees, as well as known actors. The film was shot sequentially, enabling the cast to build their characters as the story progressed. It also used real locations, and a very small documentary-style film crew. Although working from
9672-432: The use of portable camera and sound equipment allowed an intimate relationship between filmmaker and subject. The line blurs between documentary and narrative and some works are very personal, such as Marlon Riggs 's Tongues Untied (1989) and Black Is...Black Ain't (1995), which mix expressive, poetic, and rhetorical elements and stresses subjectivities rather than historical materials. Historical documentaries, such as
9776-494: The year of his last film, Doyen recorded more than 60 operations. Doyen said that his first films taught him how to correct professional errors he had been unaware of. For scientific purposes, after 1906, Doyen combined 15 of his films into three compilations, two of which survive, the six-film series Extirpation des tumeurs encapsulées (1906), and the four-film Les Opérations sur la cavité crânienne (1911). These and five other of Doyen's films survive. Between July 1898 and 1901,
9880-567: Was a Czech Jew . From 1959 to 1965, Broomfield was educated at Sidcot School , a Quaker boarding independent school for boys (now co-educational), near the village of Winscombe in Somerset in south west England. He gained higher-level education at University College Cardiff (which became Cardiff University in 1999), where he studied law, and the University of Essex , where he studied political science. Subsequently, he studied film at
9984-687: Was a newsreel series in the United States, commissioned by the government to convince the U.S. public that it was time to go to war. Constance Bennett and her husband Henri de la Falaise produced two feature-length documentaries, Legong: Dance of the Virgins (1935) filmed in Bali , and Kilou the Killer Tiger (1936) filmed in Indochina . In Canada, the Film Board , set up by John Grierson,
10088-479: Was among those who identified the mode of documentary film. He wrote two of the earliest texts on cinema, Une nouvelle source de l'histoire ("A New Source of History") and La photographie animée ("Animated photography"). Both were published in 1898 in French and were among the earliest written works to consider the historical and documentary value of the film. Matuszewski is also among the first filmmakers to propose
10192-662: Was announced that Alex Mahon would be the next chief executive, and would take over from David Abraham , who left in November 2017. On 31 October 2017, Channel 4 introduced a new series of idents continuing the theme, this time depicting the logo shapes as having formed into an anthropomorphic "giant" character. On 25 September 2021, Channel 4 and several of its sub-channels went off air after an incident at Red Bee Media's playout centre in west London. Channel 4, More4 , Film4 , E4 , 4Music , The Box , Box Hits , Kiss , Magic and Kerrang! stopped transmitting, but 4seven
10296-469: Was announced that Channel 4's digital switch-over costs would be paid for by licence fee revenues. In July 2007, Channel 4 paid £28 million for a 50% stake in the TV business of British media company EMAP , which had seven music video channels. On 15 August 2008, 4Music was launched across the UK. Channel 4 announced interest in launching a high-definition version of Film4 on Freeview, to coincide with
10400-645: Was criticised by the National Deaf Children's Society, which complained to the broadcasting watchdog. A new subtitling, signing and audio description system had to be built from scratch. The service eventually began to return at the end of October. In June 2022 after a six-month long investigation, Ofcom found that Channel 4 had breached its broadcast licence conditions on two grounds: Missing its subtitles quota on Freesat for 2021 and failure to effectively communicate with affected audiences. On 23 December 2021, Jon Snow presented Channel 4 News for
10504-517: Was not impacted. The incident still affected a number of the channels by 30 September. The London Fire Brigade confirmed that a gas fire prevention system at the site had been activated, but firefighters found no sign of fire. Activation of the fire suppression system caused catastrophic damage to some systems, such as Channel 4's subtitles, signing, and audio description system. An emergency backup subtitling system also failed, leaving Channel 4 unable to provide access services to viewers. This situation
10608-610: Was set up for the same propaganda reasons. It also created newsreels that were seen by their national governments as legitimate counter-propaganda to the psychological warfare of Nazi Germany orchestrated by Joseph Goebbels . In Britain, a number of different filmmakers came together under John Grierson. They became known as the Documentary Film Movement . Grierson, Alberto Cavalcanti , Harry Watt , Basil Wright , and Humphrey Jennings amongst others succeeded in blending propaganda, information, and education with
10712-556: Was shot in California in 1978. It won the California State Bar Award among other awards for promoting justice. Broomfield and Churchill continued the struggle to get Juvenile Liaison released, which is why they made Juvenile Liaison II in 1990. In 1999, Broomfield made a series of five commercials for Volkswagen . Each of these featured Broomfield with his trademark sound boom "investigating" rumours about
10816-482: Was taken so seriously by Gwynfor Evans , former president of Plaid Cymru , that he threatened the government with a hunger strike were it not to honour the plans. The result was that Channel 4 as seen by the rest of the United Kingdom would be replaced in Wales by S4C (Sianel Pedwar Cymru, meaning "Channel Four Wales" in Welsh). Operated by a specially created authority , S4C would air programmes in Welsh made by HTV,
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