The Nikon F3 is Nikon 's third professional single-lens reflex camera body, preceded by the F and F2 . Introduced in March 1980, it has manual and semi-automatic exposure control whereby the camera would select the correct shutter speed (aperture priority automation). The Nikon F3 series cameras has the most model variations of any Nikon F camera. It is also the first of numerous Nikon F-series cameras to be styled by Italian designer Giorgetto Giugiaro , and to include a red stripe on the handgrip – a feature that would later become (with variants of stripes and various other shapes) a signature feature of many Nikon cameras.
37-559: The F2AS was a current model when the F3 was introduced, and for a while both were sold concurrently. The earlier Nikons had developed such a sterling reputation for extreme ruggedness and durability that many Nikon F and F2 owners were initially reluctant to transition to the new F3 from the F2 series, particularly due to the new camera needing batteries to operate. The F3 was superseded by the F4 in 1988 and
74-452: A digital camera back with a monochrome CCD image sensor with 1024 x 1024 pixels on an area of 15 x 15mm. [REDACTED] Media related to Nikon F4 at Wikimedia Commons Nikkorex F / Nikkor J Autofocus Camera | APS-format | Nikkorex with Leaf Shutter | Nikomat/Nikkormat | All Other Cameras | Manual Focus with electronic features (A mode) See also: Nikon DSLR cameras Nikon D6 The Nikon D6
111-570: A modified lockout and no cable release threads, a round frame counter window with white numerals (some have been seen with blue numerals), and an extended shutter speed operating knob for easier operation in cold or wet environments. The F3P lacked a film door release lock, self-timer and multiple-exposure lever. A variant of the F3P called the 'F3 Limited' was also sold just in Japan, starting in 1994. The Limited had special badging, regular film back without
148-439: A more natural titanium finish or 'champagne' coloring, and later in a less conspicuous black. It weighs 20 grams less than the comparable F3. The champagne offering was introduced in 1982 and was quickly discontinued around 1985, making it the rarer (and costlier on the used market) of the two titanium models. The F3/T featured titanium clad viewfinders (DE-4), titanium back, titanium top and bottom plates. It also benefited from
185-465: A number of years. Fortunately, unlike modern autofocus cameras with LCD 'Command Center' panels, malfunction of the F3's LCD viewfinder display does not prevent full operation of the camera, since this is accomplished with manual dials and indicators. Many F3 cameras built in the 1980s were never used professionally, and therefore are still in perfect working order, including the LCD. On early production models
222-471: A record for a high-volume professional camera. Its successor – the F4 – along with operating the two F3AF lens, featured auto-focus and new optional metering and modes, but retained the ability to mount older manual-focus lenses. The F3 was also the last F-Series camera to be offered without an integrated motor drive, making the camera smaller overall than its successors in the F-Series. The lasting appeal of
259-405: A reflex mirror. The camera is highly collectable, with limited numbers being produced and being the final in a line of the high speed cameras starting with the legendary Nikon S3M. Finally there was the rarely seen 'F3AF', a model which included an autofocus (AF) pentaprism finder (DX-1) capable of autofocusing with two special AF Nikkor lenses—the first of their kind, which included focus motors in
296-468: A reliable and long-lived professional SLR. The F4 will accept all autofocus lenses made for the F mount, as well all manual focus F mount lenses including very early invasive fisheye lenses. The meter coupling cam can be moved out of the way for use with lenses manufactured prior to 1977 (non-AI lenses). The F4 is one of the three film based Nikon cameras offering full Matrix metering with AI manual focus lenses. Its lack of electronic aperture control limits
333-498: A vertical-travel metal-blade shutter (with shutter balancer to minimize noise and camera bounce). The shutter was a further developed Copal Square . As a fully electronic camera with motorized film transport (up to 5.7 frames per second), it required one of three available bottom-mounted battery packs to operate, using standard AA or rechargeable cells. For the first time on a Nikon SLR, two of those battery packs also offered an additional vertical shutter release button and grip for using
370-681: A white film take up spool. Like the F3P, the DX-1 viewfinder could not be used on it. When fitted with the MD-4H it is also incompatible with the Magazine Back MF-4 250, Firing Rate Converter MK-1 and Data Back MF-14. It was the last specialized high speed film Nikon camera made and amazingly it remained the highest frame rate SLR (including digital) that Nikon made until the introduction of the Nikon D6 , which achieves 14 frames per second with
407-1194: Is a full frame professional DSLR camera announced by Nikon Corporation on February 11, 2020, to succeed the D5 as its flagship DSLR. It has a resolution of 20.8 MP, like the D5. The D6 has a newer Expeed 6 processor that supports burst shooting at up to 14 fps. It has 105 cross type focus points. While the D6 retains many features of the Nikon D5 , it offers the following new features and improvements: Nikon Z cameras >> PROCESSOR : Pre-EXPEED | EXPEED | EXPEED 2 | EXPEED 3 | EXPEED 4 | EXPEED 5 | EXPEED 6 VIDEO: HD video / Video AF / Uncompressed / 4k video ⋅ SCREEN: Articulating , Touchscreen ⋅ BODY FEATURE: Weather Sealed Without full AF-P lens support ⋅ Without AF-P and without E-type lens support ⋅ Without an AF motor (needs lenses with integrated motor , except D50 ) This camera-related article
SECTION 10
#1732786770461444-506: Is a 35 mm autofocus (AF) single lens reflex (SLR) film camera, introduced in 1988 as the next generation in Nikon 's line of F series professional cameras. With industrial design by Giorgetto Giugiaro , the F4 was the first professional Nikon to feature a practical autofocus system. The F4 is able to accept any of Nikon's manual focus (MF) or AF lenses from 1959 to the present day, including
481-433: Is so low when operating the film advance that it is difficult to tell if there is film in the camera. For the first time, shutter information was displayed via an internal liquid crystal display (LCD) inside the viewfinder. Aperture information was relayed through Nikon's "ADR" (Aperture Direct Readout) which was a window at the top center of the viewfinder that got its information from a micro-prism that read small numbers at
518-455: The F5 in 1996. Despite being superseded by the newer cameras, it remained in production through to 2001, with over 751,000 F3s produced through September 1992. It continues to be the longest running professional grade Nikon SLR. Long after production ceased, new bodies in boxes were available throughout the world, so an exact production number is not readily available. Initially, the F3 model with
555-497: The Copal shutter. This decision forced many disappointed press photographers to use Nikon's semi-pro bodies (FM, FE, FM2, FE2, etc.) instead when higher sync speeds were needed, usually for fill flash in daylight situations. The F4 finally solved this sync speed deficiency with Nikon's pro-grade SLR offerings with its 250th sync. In contrast to the manually operated F2, the F3's electronic shutter required battery power to operate, although
592-571: The DE-2 eye-level finder was introduced, soon followed by the popular F3HP, or High Point camera, with the DE-3 High Eyepoint prism/finder. The major advantage of this finder was that the entire viewfinder image could be seen from a distance of 2.5 cm from the viewfinder. This made the F3 more usable by those who wear glasses when shooting, or were forced to shoot in high-glare situations while wearing sunglasses. The only down-side to this
629-522: The F3 remains the same as it was at its inception – a precision tool for those who prefer a less complex, extremely well made camera for continual use in extreme environments. The optional motor drive for the F3, known as the MD-4, contained either 8 AA batteries or a special NiCd battery pack that would be recharged. Its performance surpassed that of past Nikon models, with a capability of 4 frames per second with uninterrupted reflex viewing, or 6 frame/s with
666-559: The F4's functionality with G type lenses, which do not have an aperture ring. With these lenses, exposure control is limited to program and shutter-priority modes. In addition, DX lenses are not designed to cover the full 35mm frame and will vignette when used with the F4 (or any other 35mm camera). The F4 also provides no support for Nikon's later VR ( Vibration Reduction ) system; VR-equipped lenses will mount and function, but without image stabilization. Eventually Nikon had three F4 models that were distinguished by which integrated battery pack
703-599: The Nikon F High Speed and the F2H, it featured a fixed pellicle semi-transparent mirror, diverting 30% of the light through to the view finder, allowing the camera and the specially produced MD-4H motor drive to achieve up to 13 frames per second, when the MN-2 nicad battery is used (as opposed to 7.5 frames per second with eight AA alkaline batteries). The F3H had the appearance of an F3P modified for high-speed photography; however, under
740-527: The auto-stop feature of the MF-6/6B back, and was otherwise identical to the F3P. It also came in a wooden presentation box. Neither camera could use the DX-1 viewfinder of the F3AF body. Contacts in mirror housing were configured differently than a regular F3 series camera. On an F3P and F3 Limited, they were used for flash synch and ready light purposes. On an F3, F3/T, and F3AF, they were used to communicate
777-434: The autoexposure lock button, originally a simple push-in part, is often missing; Nikon later redesigned this part so it was securely attached from inside the body. The later part can be fitted to early bodies but a partial stripdown is required. The Nikon F3 was the last in the Nikon series of manual-focus, professional level 35mm SLR cameras. Its production cycle is generally accepted to be from 1980 to 2000 or 2002, close to
SECTION 20
#1732786770461814-408: The camera included a small backup mechanical release lever that tripped the shutter at 1/60 sec. The F3 continued the high quality of its predecessors, in some ways surpassing it. Tolerances were exacting, and typically Nikon – just enough for operation of the camera (with a small allowance for debris), yet not enough to inhibit cold-weather operation at temperatures where lubricants begin to gel. Only
851-401: The camera vertically. Its controls were transitional between those of mechanical SLRs and future professional film and digital SLRs: the F4's electronics, LCD viewfinder display, autofocus, programmed auto-exposure, and matrix meter looked to the future, but it also retained classic dedicated analog dials for shutter speed, lens aperture, metering pattern, and exposure compensation. The F4 was
888-592: The conformal coating of the internal circuit board. The mechanical specifications between the black finished F3/T and the natural finish F3/T were identical. Next to be introduced was the F3P in 1983. Built primarily for use by photojournalists ("P"ress), the F3P included additional weathersealing, O-ring gaskets, the MF-6 Auto Film-Stop Back, Type-B Matte focusing screen, a modified Titanium DE-5 pentaprism with ISO-type accessory shoe and no eyepiece blind, rubber-covered waterproof shutter release with
925-470: The exposure meter display information to the LCD inside the DX-1 viewfinder. The F3H, a high-speed camera, was introduced for press, sports photography and for the 1998 Nagano Olympics in Japan. However, Nikon recently stated its true motivation on its website in that it "represented Nikon's reaction to the fact that, the previous year, a competitor had released a camera for high-speed continuous shooting that could shoot 10 fps". Following previous practice with
962-411: The finest quality mechanical and electronic parts were selected, and Nikon insisted that all electronic components be sourced with a guarantee of 20 years of continued supply. Not only did the F3 use ball-bearings to mount its shutter and film transport mechanisms, but additional clusters of bearings were added to the film advance to make one of the smoothest operating cameras ever built. Indeed, resistance
999-463: The first Nikon F-series lacking a manual film-advance lever, though it offered both motor-driven and manual film rewinding. Like previous F-series cameras, the F4 featured a high degree of customization to specific tasks, with various remote controls, film backs, and viewfinders available. While it was a complex camera with over 1700 parts, the F4's high-quality mechanical and electronic components, as well as weather sealing and tough construction, made for
1036-485: The future, such as Canon 's USM and Nikon's own Silent Wave Motor (SWM) lenses. Nikon abandoned the earlier mechanically operated shutter of the F2 for a modern, electronically controlled, horizontally traveled metal curtain design. The new shutter proved to be equally reliable and less maintenance-intensive overall, though the decision to retain the horizontal-travel design significantly limited its top flash sync speed (1/80 sec.) compared to other Nikons, some of which used
1073-434: The high 800's have been noted . Serial numbers on the camera body begin with H9600..., and the front features the signature F3 logo with a H added. Instead of the depth-of-field preview button, it had an extended version of the button which became an aperture opening button for composing purposes. Metering was done at working aperture, instead of wide-open, as on other F3 bodies. The camera is also unique among all F3's in having
1110-542: The lens bodies. Those lenses were the AF-80mm f/2.8 Nikkor and the AF-200mm f/3.5 Nikkor. It was the first autofocus camera to be produced by Nikon, in 1983. However, even while the more successful subsequent Nikon AF design for the F4 and other models put the focus motor in the camera body, the F3AF's in-lens approach foreshadowed in-lens autofocus designs that would later come to dominate the market more than 15 years in
1147-649: The reflex mirror locked up. The integral seamless design of the MD-4 motor drive made it an extremely popular option for many F3 users. A bulk film back could be fitted in lieu of the normal back to the F3. This film back, known as the MF-4, was capable of handling up to 10 meters (33 ft) of 35mm film, or 250 exposures. Nikkorex F / Nikkor J Autofocus Camera | APS-format | Nikkorex with Leaf Shutter | Nikomat/Nikkormat | All Other Cameras | Manual Focus with electronic features (A mode) See also: Nikon DSLR cameras Nikon F4 The Nikon F4
Nikon F3 - Misplaced Pages Continue
1184-431: The rewind spigot, that joins with the electrical connection on the base of the camera. The front face of the drive features a slightly extended area with a switch that enables the option of using the drive at a constant 6 frames per second. Production was short, official reports from Nikon claiming only around 100 such cameras made, however it is likely that the real number exceeds that by many hundreds, as serial numbers in
1221-425: The skin were some advanced techniques to achieve the speeds required, including something Nikon have described as "the camera and the motor drive predict and control each other's operations, so that certain operations overlap". The MD-4H was essentially a speeded-up MD4, with the gearing increased by 1.5 and the voltage raised to the standard, already capable, motor. There is one additional gold contact pin surrounding
1258-468: The top of the mounted lens, of which type 'AI' (Aperture Indexing) or 'AIS' (Aperture Indexing Shutter Priority) lenses had printed behind the normal aperture numbers. Though widely used today, LCDs were very hi-tech at the time. They proved somewhat difficult to see at night, so Nikon installed a button-operated light for use at night. The LCD is one of the few problem areas of the F3 design, since with age, LCDs lose contrast, blur, and become inoperative after
1295-568: The two F3AF lenses (in Autofocus mode). The F4 succeeded the F3 , a manual focus camera introduced in 1980 but outlasting the F4 as it stayed in production until 2001. Nikon introduced its next flagship model, the F5 , in 1996. All F4 models were discontinued soon after, in May 1997. The F4 introduced many Nikon owners to autofocus (as well as focus tracking), and was the first professional Nikon to utilize
1332-459: Was a smaller image through the viewfinder compared to the standard prism. With the exception of the "P" spec camera, all viewfinders are completely interchangeable. The F3 and F3HP retained the flash mount on the rewind dial, which (with flash mounted) obstructed that area of the camera. A significantly more durable, robust titanium version of the F3HP was also offered, called the "F3/T", initially in
1369-490: Was attached. All F4 bodies are interchangeable with all battery packs. Therefore, none of the cameras includes a label for its particular model name—all use a simple "F4" nameplate: The Nikon NASA F4 Electronic Still Camera was one of the first and rarest fully digital cameras. Constructed for NASA , it was used since 1991 on board the Space Shuttle . The camera was based on a modified F4 with standard F-mount and had
#460539