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131-510: Seven Gothic Tales (translated by the author into Danish as: Syv Fantastiske Fortællinger ) is a collection of short stories by the Danish author Karen Blixen (under the pen name Isak Dinesen), first published in 1934, three years before her memoir Out of Africa . The collection, consisting of stories set mostly in the nineteenth century, contains her tales "The Deluge at Norderney" and "The Supper at Elsinore". In 1933, Blixen had completed

262-542: A bodegón is a still-life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but significant still-life elements, typically set in a kitchen or tavern. Starting in the Baroque period, such paintings became popular in Spain in the second quarter of the 17th century. The tradition of still-life painting appears to have started and

393-674: A still life of a young woman's skull—a skull which bears remarkable physical similarity to Nathalie's face. Danish language Nordic Council Danish ( / ˈ d eɪ n ɪ ʃ / , DAY -nish ; endonym : dansk pronounced [ˈtænˀsk] , dansk sprog [ˈtænˀsk ˈspʁɔwˀ] ) is a North Germanic language from the Indo-European language family spoken by about six million people, principally in and around Denmark . Communities of Danish speakers are also found in Greenland ,

524-429: A "difficult language to learn, acquire and understand", and some evidence shows that children are slower to acquire the phonological distinctions of Danish compared with other languages. The grammar is moderately inflective with strong (irregular) and weak (regular) conjugations and inflections. Nouns, adjectives, and demonstrative pronouns distinguish common and neutral gender. Like English, Danish only has remnants of

655-556: A Stand by Gustave Caillebotte , a painting which was mocked at the time as a "display of fruit in a bird's-eye view." Vincent van Gogh 's "Sunflowers" paintings are some of the best-known 19th-century still-life paintings. Van Gogh uses mostly tones of yellow and rather flat rendering to make a memorable contribution to still-life history. His Still Life with Drawing Board (1889) is a self-portrait in still-life form, with Van Gogh depicting many items of his personal life, including his pipe, simple food (onions), an inspirational book, and

786-548: A book about the Holy Ghost , is rescued from his cottage by a group of fishermen (Kasparson is killed in the building's collapse). The Cardinal works to rescue the island's peasants, and offers to sail out to the bath to rescue patrons trapped there. Upon arriving, he finds four people: the elderly and somewhat delusional Miss Malin Nat-og-Dag and her maid; Nat-ot-Dag's companion, the teenage Countess Calypso von Platen; and

917-404: A bride and groom visiting a goldsmith is a typical example of a transitional still life depicting both religious and secular content. Though mostly allegorical in message, the figures of the couple are realistic and the objects shown (coins, vessels, etc.) are accurately painted but the goldsmith is actually a depiction of St. Eligius and the objects heavily symbolic. Another similar type of painting

1048-689: A contrast. One change was a new enthusiasm among French painters, who now form a large proportion of the most notable artists, while the English remained content to import. Jean-Baptiste Chardin painted small and simple assemblies of food and objects in a most subtle style that both built on the Dutch Golden Age masters, and was to be very influential on 19th-century compositions. Dead game subjects continued to be popular, especially for hunting lodges; most specialists also painted live animal subjects. Jean-Baptiste Oudry combined superb renderings of

1179-556: A diversity of objects, fruits, flowers and dead game, often together with living people and animals. The style was soon adopted by artists from the Dutch Republic . Especially popular in this period were vanitas paintings, in which sumptuous arrangements of fruit and flowers, books, statuettes, vases, coins, jewelry, paintings, musical and scientific instruments, military insignia, fine silver and crystal, were accompanied by symbolic reminders of life's impermanence. Additionally,

1310-507: A few objects of food and tableware laid on a table. Still-life painting in Spain, also called bodegones , was austere. It differed from Dutch still life, which often contained rich banquets surrounded by ornate and luxurious items of fabric or glass. The game in Spanish paintings is often plain dead animals still waiting to be skinned. The fruits and vegetables are uncooked. The backgrounds are bleak or plain wood geometric blocks, often creating

1441-577: A former case system , particularly in the pronouns. Unlike English, it has lost all person marking on verbs. Its word order is V2 , with the finite verb always occupying the second slot in the sentence. Danish is a Germanic language of the North Germanic branch . Other names for this group are the Nordic or Scandinavian languages. Along with Swedish, Danish descends from the Eastern dialects of

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1572-737: A given profession, as with the Cornelis Norbertus Gysbrecht's painting "Painter's Easel with Fruit Piece", which displays all the tools of a painter's craft. Also popular in the first half of the 17th century was the painting of a large assortment of specimens in allegorical form, such as the "five senses", "four continents", or "the four seasons", showing a goddess or allegorical figure surrounded by appropriate natural and human-made objects. The popularity of vanitas paintings, and these other forms of still life, soon spread from Holland to Flanders and Germany, and also to Spain and France. The Netherlandish production of still lifes

1703-506: A letter from his brother, all laid out on his table, without his own image present. He also painted his own version of a vanitas painting Still Life with Open Bible, Candle, and Book (1885). In the United States during Revolutionary times, American artists trained abroad applied European styles to American portrait painting and still life. Charles Willson Peale founded a family of prominent American painters, and as major leader in

1834-473: A literary language. Also in this period, Danish began to take on the linguistic traits that differentiate it from Swedish and Norwegian, such as the stød , the voicing of many stop consonants, and the weakening of many final vowels to /e/. The first printed book in Danish dates from 1495, the Rimkrøniken ( Rhyming Chronicle ), a history book told in rhymed verses. The first complete translation of

1965-597: A manuscript of Seven Gothic Tales, which was rejected by several publishers in Great Britain. With the help of her brother Thomas , Blixen brought Seven Gothic Tales to the attention of Book of the Month Club selection committee member Dorothy Canfield , who convinced Random House to publish the book. In the British and Danish editions, "The Roads Round Pisa" is the first tale and "The Deluge at Norderney"

2096-427: A multitude of still-life elements ostensibly to reproduce a 'slice of life ' ". The trompe-l'œil painting, which intends to deceive the viewer into thinking the scene is real, is a specialized type of still life, usually showing inanimate and relatively flat objects. Still-life paintings often adorn the interior of ancient Egyptian tombs. It was believed that food objects and other items depicted there would, in

2227-707: A number of Danes remained as a minority within German territories . After the occupation of Denmark by Germany in World War II, the 1948 orthography reform dropped the German-influenced rule of capitalizing nouns, and introduced the letter ⟨å⟩ . Three 20th-century Danish authors have become Nobel Prize laureates in Literature : Karl Gjellerup and Henrik Pontoppidan (joint recipients in 1917) and Johannes V. Jensen (awarded 1944). With

2358-532: A painting's artistic merit was based primarily on its subject. In the Academic system, the highest form of painting consisted of images of historical , Biblical or mythological significance, with still-life subjects relegated to the very lowest order of artistic recognition. Instead of using still life to glorify nature, some artists, such as John Constable and Camille Corot , chose landscapes to serve that end. When Neoclassicism started to go into decline by

2489-503: A prominent Parisian statesman. The Baron and the girl, who tells him her name is Nathalie, go back to the Baron's home, he not realizing that she is a prostitute. Throughout his account, the Baron frequently digresses to discuss the changing nature of women over time, concluding, to the younger narrator: "Where we talked of woman—pretty cynically, we liked to think—you talk of women, and all the difference lies there." The Baron and Nathalie do

2620-419: A similar sympathetic female portrait with images of game birds. In Catholic Italy and Spain, the pure vanitas painting was rare, and there were far fewer still-life specialists. In Southern Europe there is more employment of the soft naturalism of Caravaggio and less emphasis on hyper-realism in comparison with Northern European styles. In France, painters of still lifes ( nature morte ) were influenced by both

2751-482: A similarity in pronunciation, combined with the long tradition of having Danish as a written language, which has led to similarities in vocabulary. Among younger Danes, Copenhageners are worse at understanding Swedish than Danes from the provinces. In general, younger Danes are not as good at understanding the neighboring languages as the young in Norway and Sweden. The Danish philologist Johannes Brøndum-Nielsen divided

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2882-426: A skull, an hourglass or pocket watch, a candle burning down or a book with pages turning, would serve as a moralizing message on the ephemerality of sensory pleasures. Often some of the fruits and flowers themselves would be shown starting to spoil or fade to emphasize the same point. Another type of still life, known as ontbijtjes or "breakfast paintings", represent both a literal presentation of delicacies that

3013-586: A so-called multiethnolect in the urban areas, an immigrant Danish variety (also known as Perkerdansk ), combining elements of different immigrant languages such as Arabic, Turkish, and Kurdish, as well as English and Danish. Within the Danish Realm , Danish is the national language of Denmark and one of two official languages of the Faroe Islands (alongside Faroese ). There is a Faroese variant of Danish known as Gøtudanskt . Until 2009, Danish

3144-507: A surrealist air. Even while both Dutch and Spanish still life often had an embedded moral purpose, the austerity, which some find akin to the bleakness of some of the Spanish plateaus, appears to reject the sensual pleasures, plenitude, and luxury of Dutch still-life paintings. Even though Italian still-life painting (in Italian referred to as natura morta , "dead nature") was gaining in popularity, it remained historically less respected than

3275-522: A teenager, he traveled from the small town of Assens to Copenhagen, where he befriended the wealthy Baron von Gersdorff over their mutual love of botany. He becomes a successful court singer, but eventually learns that he is the Baron's son. Maersk is disillusioned, and repeatedly rejects the Baron's offers to legitimize him so that he can inherit the Baron's enormous estate. Suicidal, Maersk is visited by his mother's husband, who convinces him to travel to Norderney for his health. Miss Nat-og-Dag then relates

3406-625: A variant of Standard Danish, Southern Schleswig Danish , is spoken in the area. Since 2015, Schleswig-Holstein has officially recognized Danish as a regional language , just as German is north of the border. Furthermore, Danish is one of the official languages of the European Union and one of the working languages of the Nordic Council . Under the Nordic Language Convention , Danish-speaking citizens of

3537-407: A very large vowel inventory consisting of 27 phonemically distinctive vowels , and its prosody is characterized by the distinctive phenomenon stød , a kind of laryngeal phonation type . Due to the many pronunciation differences that set Danish apart from its neighboring languages, particularly the vowels, difficult prosody and "weakly" pronounced consonants, it is sometimes considered to be

3668-700: Is a West Germanic language descended from Old English. Old Norse exerted a strong influence on Old English in the early medieval period. The shared Germanic heritage of Danish and English is demonstrated with many common words that are very similar in the two languages. For example, when written, commonly used Danish verbs, nouns, and prepositions such as have , over , under , for , give , flag , salt , and arm are easily recognizable to English speakers. Similarly, some other words are almost identical to their Scots equivalents, e.g. kirke (Scots kirk , i.e., 'church') or barn (Scots and northern English bairn , i.e. 'child'). In addition,

3799-411: Is above another who only produces fruit, flowers or seafood. He who paints living animals is more estimable than those who only represent dead things without movement, and as man is the most perfect work of God on the earth, it is also certain that he who becomes an imitator of God in representing human figures, is much more excellent than all the others ...". Still life developed as a separate category in

3930-590: Is added to elevate the subject. This sort of large-scale still life continued to develop in Flemish painting after the separation of the North and South, but is rare in Dutch painting, although other works in this tradition anticipate the " merry company " type of genre painting . Gradually, religious content diminished in size and placement in this type of painting, though moral lessons continued as sub-contexts. One of

4061-544: Is completely absent, as is meticulously detailed brushwork. Impressionists instead focused on experimentation in broad, dabbing brush strokes, tonal values, and colour placement. The Impressionists and Post-Impressionists were inspired by nature's colour schemes but reinterpreted nature with their own colour harmonies, which sometimes proved startlingly unnaturalistic. As Gauguin stated, "Colours have their own meanings." Variations in perspective are also tried, such as using tight cropping and high angles, as with Fruit Displayed on

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4192-430: Is its closest relative. East Germanic languages West Germanic languages Icelandic Faroese Norwegian Danish Swedish Approximately 2,000 uncompounded Danish words are derived from Old Norse and ultimately from Proto Indo-European . Of these 2,000, 1,200 are nouns, 500 are verbs and 180 are adjectives. Danish has also absorbed many loanwords , most of which were borrowed from Low German of

4323-432: Is one of the first examples of pure still life, precisely rendered and set at eye level. Though not overtly symbolic, this painting was owned by Cardinal Federico Borromeo and may have been appreciated for both religious and aesthetic reasons. Jan Bruegel painted his Large Milan Bouquet (1606) for the cardinal, as well, claiming that he painted it 'fatta tutti del natturel' (made all from nature) and he charged extra for

4454-463: Is one of the outstanding examples of this trend, with borders featuring an extraordinary range of objects, including coins and fishing-nets, chosen to complement the text or main image at that particular point. Flemish workshops later in the century took the naturalism of border elements even further. Gothic millefleur tapestries are another example of the general increasing interest in accurate depictions of plants and animals. The set of The Lady and

4585-402: Is surpassed by only a very few...He painted barbershops and shoemakers' stalls, donkeys, vegetables, and such, and for that reason came to be called the 'painter of vulgar subjects'; yet these works are altogether delightful, and they were sold at higher prices than the greatest [paintings] of many other artists." By 1300, starting with Giotto and his pupils, still-life painting was revived in

4716-401: Is the family portrait combining figures with a well-set table of food, which symbolizes both the piety of the human subjects and their thanks for God's abundance. Around this time, simple still-life depictions divorced of figures (but not allegorical meaning) were beginning to be painted on the outside of shutters of private devotional paintings. Another step toward the autonomous still life was

4847-550: Is the fourth, which was the author's intended order. The order was reversed in the American edition because "The Deluge at Norderney" was the publisher's favorite story. In the summer of 1835, a massive storm floods the North Sea island of Norderney , which is home to a bath popular among Northern European nobility. The elderly Cardinal Hamilcar von Sehestedt, who is living on the island with his valet Kasparson while working on

4978-436: The skarre-R , the uvular R sound ( [ʁ] ), began spreading through Denmark, likely through influence from Parisian French and German. It affected all of the areas where Danish had been influential, including all of Denmark, Southern Sweden, and coastal southern Norway. In the 18th century, Danish philology was advanced by Rasmus Rask , who pioneered the disciplines of comparative and historical linguistics, and wrote

5109-623: The Bible in Danish, the Bible of Christian II translated by Christiern Pedersen , was published in 1550. Pedersen's orthographic choices set the de facto standard for subsequent writing in Danish. From around 1500, several printing presses were in operation in Denmark publishing in Danish and other languages. In the period after 1550, presses in Copenhagen dominated the publication of material in

5240-523: The Emperor Rudolf II , and there were many engraved illustrations for books (often then hand-coloured), such as Hans Collaert 's Florilegium , published by Plantin in 1600. Around 1600 flower paintings in oils became something of a craze; Karel van Mander painted some works himself, and records that other Northern Mannerist artists such as Cornelis van Haarlem also did so. No surviving flower-pieces by them are known, but many survive by

5371-570: The Late Middle Ages . Out of the 500 most frequently used Danish words, 100 are loans from Middle Low German; this is because Low German was the second official language of Denmark–Norway. In the 17th and 18th centuries, standard German and French superseded Low German influence, and in the 20th century, English became the main supplier of loanwords, especially after World War II . Although many old Nordic words remain, some were replaced with borrowed synonyms, for example æde (to eat)

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5502-512: The Low Countries in the last quarter of the 16th century. The English term still life derives from the Dutch word stilleven while Romance languages (as well as Greek, Polish, Russian and Turkish) tend to use terms meaning dead nature . 15th-century Early Netherlandish painting had developed highly illusionistic techniques in both panel painting and illuminated manuscripts , where

5633-523: The Old Norse language ; Danish and Swedish are also classified as East Scandinavian or East Nordic languages. Scandinavian languages are often considered a dialect continuum , where no sharp dividing lines are seen between the different vernacular languages. Like Norwegian and Swedish, Danish was significantly influenced by Low German in the Middle Ages, and has been influenced by English since

5764-517: The Roman wall paintings and floor mosaics unearthed at Pompeii, Herculaneum and the Villa Boscoreale , including the later familiar motif of a glass bowl of fruit. Decorative mosaics termed "emblema", found in the homes of rich Romans, demonstrated the range of food enjoyed by the upper classes, and also functioned as signs of hospitality and as celebrations of the seasons and of life. By

5895-623: The Surrealists placed recognizable still-life objects in their dreamscapes. In Joan Miró 's still-life paintings, objects appear weightless and float in lightly suggested two-dimensional space, and even mountains are drawn as simple lines. In Italy during this time, Giorgio Morandi was the foremost still-life painter, exploring a wide variety of approaches to depicting everyday bottles and kitchen implements. Dutch artist M. C. Escher , best known for his detailed yet ambiguous graphics, created Still life and Street (1937), his updated version of

6026-688: The Viking Era . Danish, together with Swedish, derives from the East Norse dialect group , while the Middle Norwegian language (before the influence of Danish) and Norwegian Bokmål are classified as West Norse along with Faroese and Icelandic . A more recent classification based on mutual intelligibility separates modern spoken Danish, Norwegian , and Swedish as "mainland (or continental ) Scandinavian", while Icelandic and Faroese are classified as "insular Scandinavian". Although

6157-544: The Zealand dialect Introductio ad lingvam Danicam puta selandicam ; and in 1685 the first Danish grammar written in Danish, Den Danske Sprog-Kunst ("The Art of the Danish Language") by Peder Syv . Major authors from this period are Thomas Kingo , poet and psalmist, and Leonora Christina Ulfeldt , whose novel Jammersminde ( Remembered Woes ) is considered a literary masterpiece by scholars. Orthography

6288-402: The introduction of the printing press , a standard language was developed which was based on the educated dialect of Copenhagen and Malmö . It spread through use in the education system and administration, though German and Latin continued to be the most important written languages well into the 17th century. Following the loss of territory to Germany and Sweden, a nationalist movement adopted

6419-594: The tulip (imported to Europe from Turkey), were celebrated in still-life paintings. The horticultural explosion was of widespread interest in Europe and artist capitalized on that to produce thousands of still-life paintings. Some regions and courts had particular interests. The depiction of citrus, for example, was a particular passion of the Medici court in Florence, Italy. This great diffusion of natural specimens and

6550-609: The "grand manner" painting of historical, religious, and mythic subjects. On the other hand, successful Italian still-life artists found ample patronage in their day. Furthermore, women painters, few as they were, commonly chose or were restricted to painting still life; Giovanna Garzoni , Laura Bernasconi , Maria Theresa van Thielen , and Fede Galizia are notable examples. Many leading Italian artists in other genre, also produced some still-life paintings. In particular, Caravaggio applied his influential form of naturalism to still life. His Basket of Fruit ( c.  1595 –1600)

6681-529: The 16th century, food and flowers would again appear as symbols of the seasons and of the five senses. Also starting in Roman times is the tradition of the use of the skull in paintings as a symbol of mortality and earthly remains, often with the accompanying phrase Omnia mors aequat (Death makes all equal). These vanitas images have been re-interpreted through the last 400 years of art history, starting with Dutch painters around 1600. The popular appreciation of

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6812-457: The 1830s, genre and portrait painting became the focus for the Realist and Romantic artistic revolutions. Many of the great artists of that period included still life in their body of work. The still-life paintings of Francisco Goya , Gustave Courbet , and Eugène Delacroix convey a strong emotional current, and are less concerned with exactitude and more interested in mood. Though patterned on

6943-579: The 9th century with the younger futhark . Possibly as far back as the seventh century, the common Norse language began to undergo changes that did not spread to all of Scandinavia, resulting in the appearance of two dialect areas, Old West Norse ( Norway and Iceland ) and Old East Norse ( Denmark and Sweden ). Most of the changes separating East Norse from West Norse started as innovations in Denmark, that spread through Scania into Sweden and by maritime contact to southern Norway. A change that separated Old East Norse (Runic Swedish/Danish) from Old West Norse

7074-722: The American art community, also founded a society for the training of artists and a famous museum of natural curiosities. His son Raphaelle Peale was one of a group of early American still-life artists, which also included John F. Francis , Charles Bird King , and John Johnston. By the second half of the 19th century, Martin Johnson Heade introduced the American version of the habitat or biotope picture, which placed flowers and birds in simulated outdoor environments. The American trompe-l'œil paintings also flourished during this period, created by John Haberle , William Michael Harnett , and John Frederick Peto . Peto specialized in

7205-814: The Cardinal reveals to Miss Nat-og-Dag that he is not, in fact, the Cardinal Hamilcar von Sehestedt, but his valet, Kasparson. Kasparson relates his life story to Nat-og-Dag, describing his time as an actor, a barber in Seville , a revolutionary in Paris, and a slave trader in Algiers . According to Kasparson, he is also the bastard older brother of Louis Philippe I , and killed the real Cardinal in order to take on another "role" in life. The story ends with Kasparson and Miss Nat-og-Dag kissing as water begins to enter

7336-550: The Catholic Southern Netherlands the genre of garland paintings was developed. Around 1607–1608, Antwerp artists Jan Brueghel the Elder and Hendrick van Balen started creating these pictures which consist of an image (usually devotional) which is encircled by a lush still life wreath. The paintings were collaborations between two specialists: a still life and a figure painter. Daniel Seghers developed

7467-531: The Danish language, and also started a period of homogenization, whereby the Copenhagen standard language gradually displaced the regional vernacular languages. Throughout the 19th century, Danes emigrated, establishing small expatriate communities in the Americas, particularly in the United States, Canada, and Argentina, where memory and some use of Danish remains today. After the Schleswig referendum in 1920 ,

7598-517: The Danish language. Herrer og Narre have frit Sprog . "Lords and jesters have free speech." Peder Syv , proverbs Following the first Bible translation, the development of Danish as a written language , as a language of religion, administration, and public discourse accelerated. In the second half of the 17th century, grammarians elaborated grammars of Danish, first among them Rasmus Bartholin 's 1657 Latin grammar De studio lingvæ danicæ ; then Laurids Olufsen Kock 's 1660 grammar of

7729-407: The Danish tongue." Heimskringla by Snorri Sturluson By the eighth century, the common Germanic language of Scandinavia, Proto-Norse , had undergone some changes and evolved into Old Norse . This language was generally called the "Danish tongue" ( Dǫnsk tunga ), or "Norse language" ( Norrœnt mál ). Norse was written in the runic alphabet , first with the elder futhark and from

7860-647: The Faroe Islands , and the northern German region of Southern Schleswig , where it has minority language status. Minor Danish-speaking communities are also found in Norway , Sweden , the United States , Canada , Brazil , and Argentina . Along with the other North Germanic languages, Danish is a descendant of Old Norse , the common language of the Germanic peoples who lived in Scandinavia during

7991-591: The Nordic countries have the opportunity to use their native language when interacting with official bodies in other Nordic countries without being liable for any interpretation or translation costs. Still life With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of

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8122-602: The Northern and Southern schools, borrowing from the vanitas paintings of the Netherlands and the spare arrangements of Spain. The 18th century to a large extent continued to refine 17th-century formulae, and levels of production decreased. In the Rococo style floral decoration became far more common on porcelain , wallpaper , fabrics and carved wood furnishings, so that buyers preferred their paintings to have figures for

8253-710: The Old Norse word for "island". This monophthongization started in Jutland and spread eastward, having spread throughout Denmark and most of Sweden by 1100. Through Danish conquest, Old East Norse was once widely spoken in the northeast counties of England . Many words derived from Norse, such as "gate" ( gade ) for street, still survive in Yorkshire , the East Midlands and East Anglia, and parts of eastern England colonized by Danish Vikings . The city of York

8384-757: The Unicorn is the best-known example, designed in Paris around 1500 and then woven in Flanders . The development of oil painting technique by Jan van Eyck and other Northern European artists made it possible to paint everyday objects in this hyper-realistic fashion, owing to the slow drying, mixing, and layering qualities of oil colours. Among the first to break free of religious meaning were Leonardo da Vinci , who created watercolour studies of fruit (around 1495) as part of his restless examination of nature, and Albrecht Dürer who also made precise coloured drawings of flora and fauna. Petrus Christus ' portrait of

8515-518: The afterlife, become real and available for use by the deceased. Ancient Greek vase paintings also demonstrate great skill in depicting everyday objects and animals. Peiraikos is mentioned by Pliny the Elder as a panel painter of "low" subjects, such as survive in mosaic versions and provincial wall-paintings at Pompeii : "barbers' shops, cobblers' stalls, asses, eatables and similar subjects". Similar still life, more simply decorative in intent, but with realistic perspective, have also been found in

8646-600: The area, eventually outnumbering the Danish speakers. The political loss of territory sparked a period of intense nationalism in Denmark, coinciding with the so-called " Golden Age " of Danish culture. Authors such as N.F.S. Grundtvig emphasized the role of language in creating national belonging. Some of the most cherished Danish-language authors of this period are existential philosopher Søren Kierkegaard and prolific fairy tale author Hans Christian Andersen . The influence of popular literary role models, together with increased requirements of education did much to strengthen

8777-471: The attention of the Royal Académie and the numerous collectors who purchased her paintings. This interaction between art and nature was quite common in Dutch , Flemish and French still lifes. Her work reveals the clear influence of Jean-Baptiste-Siméon Chardin , as well as 17th-century Dutch masters, whose work has been far more highly valued, but what made Vallayer-Coster's style stand out against

8908-613: The borders often featured elaborate displays of flowers, insects and, in a work like the Hours of Catherine of Cleves , a great variety of objects. When the illuminated manuscript was displaced by the printed book, the same skills were later deployed in scientific botanical illustration; the Low Countries led Europe in both botany and its depiction in art. The Flemish artist Joris Hoefnagel (1542–1601) made watercolour and gouache paintings of flowers and other still-life subjects for

9039-434: The burgeoning interest in natural illustration throughout Europe, resulted in the nearly simultaneous creation of modern still-life paintings around 1600. At the turn of the century the Spanish painter Juan Sánchez Cotán pioneered the Spanish still life with austerely tranquil paintings of vegetables, before entering a monastery in his forties in 1603, after which he painted religious subjects. Prominent Academicians of

9170-600: The butterfly represents transformation and resurrection while the dragonfly symbolizes transience and the ant hard work and attention to the harvest. Flemish and Dutch artists also branched out and revived the ancient Greek still life tradition of trompe-l'œil , particularly the imitation of nature or mimesis , which they termed bedriegertje ("little deception"). In addition to these types of still life, Dutch artists identified and separately developed "kitchen and market" paintings, breakfast and food table still life, vanitas paintings, and allegorical collection paintings. In

9301-599: The classification of specimens. Natural objects began to be appreciated as individual objects of study apart from any religious or mythological associations. The early science of herbal remedies began at this time as well, which was a practical extension of this new knowledge. In addition, wealthy patrons began to underwrite the collection of animal and mineral specimens, creating extensive cabinets of curiosities . These specimens served as models for painters who sought realism and novelty. Shells, insects, exotic fruits and flowers began to be collected and traded, and new plants such as

9432-467: The course of the seventeenth and eighteenth centuries. During these centuries, the genre of still life was placed lowest on the hierarchical ladder. Vallayer-Coster had a way about her paintings that resulted in their attractiveness. It was the "bold, decorative lines of her compositions, the richness of her colours and simulated textures, and the feats of illusionism she achieved in depicting wide variety of objects, both natural and artificial" which drew in

9563-412: The earlier still-life subjects of Chardin , Édouard Manet 's still-life paintings are strongly tonal and clearly headed toward Impressionism. Henri Fantin-Latour , using a more traditional technique, was famous for his exquisite flower paintings and made his living almost exclusively painting still life for collectors. However, it was not until the final decline of the Academic hierarchy in Europe, and

9694-908: The early 17th century, such as Andrea Sacchi , felt that genre and still-life painting did not carry the "gravitas" merited for painting to be considered great. An influential formulation of 1667 by André Félibien , a historiographer, architect and theoretician of French classicism became the classic statement of the theory of the hierarchy of genres for the 18th century: Celui qui fait parfaitement des païsages est au-dessus d'un autre qui ne fait que des fruits, des fleurs ou des coquilles. Celui qui peint des animaux vivants est plus estimable que ceux qui ne représentent que des choses mortes & sans mouvement ; & comme la figure de l'homme est le plus parfait ouvrage de Dieu sur la Terre, il est certain aussi que celui qui se rend l'imitateur de Dieu en peignant des figures humaines, est beaucoup plus excellent que tous les autres ... He who produces perfect landscapes

9825-514: The early 20th century. Adapting Cézanne's shifting of planes and axes, the Cubists subdued the colour palette of the Fauves and focused instead on deconstructing objects into pure geometrical forms and planes. Between 1910 and 1920, Cubist artists like Pablo Picasso , Georges Braque , and Juan Gris painted many still-life compositions, often including musical instruments, bringing still life to

9956-508: The exclusive use of rigsdansk , the High Copenhagen Standard, in national broadcasting, the traditional dialects came under increased pressure. In the 20th century, they have all but disappeared, and the standard language has extended throughout the country. Minor regional pronunciation variation of the standard language, sometimes called regionssprog ("regional languages") remain, and are in some cases vital. Today,

10087-435: The extra effort. These were among many still-life paintings in the cardinal's collection, in addition to his large collection of curios. Among other Italian still life, Bernardo Strozzi 's The Cook is a "kitchen scene" in the Dutch manner, which is both a detailed portrait of a cook and the game birds she is preparing. In a similar manner, one of Rembrandt's rare still-life paintings, Little Girl with Dead Peacocks combines

10218-451: The first English-language grammar of Danish. Literary Danish continued to develop with the works of Ludvig Holberg , whose plays and historical and scientific works laid the foundation for the Danish literary canon. With the Danish colonization of Greenland by Hans Egede , Danish became the administrative and religious language there, while Iceland and the Faroe Islands had the status of Danish colonies with Danish as an official language until

10349-597: The flower paintings were futile to her career. Nevertheless, this collection contained floral studies in oil, watercolour and gouache . With the rise of the European Academies, most notably the Académie française which held a central role in Academic art , still life began to fall from favor. The Academies taught the doctrine of the " Hierarchy of genres " (or "Hierarchy of Subject Matter"), which held that

10480-503: The forefront of artistic innovation, almost for the first time. Still life was also the subject matter in the first Synthetic Cubist collage works, such as Picasso's oval "Still Life with Chair Caning" (1912). In these works, still-life objects overlap and intermingle, barely maintaining identifiable two-dimensional forms, losing individual surface texture, and merging into the background—achieving goals nearly opposite to those of traditional still life. Fernand Léger 's still life introduced

10611-461: The foreground, while a background scene conveys the dangers of drunkenness and lechery. The type of very large kitchen or market scene developed by Pieter Aertsen and his nephew Joachim Beuckelaer typically depicts an abundance of food with a kitchenware still life and burly Flemish kitchen-maids. A small religious scene can often be made out in the distance, or a theme such as the Four Seasons

10742-705: The form of fictional niches on religious wall paintings which depicted everyday objects. Through the Middle Ages and the Renaissance , still life in Western art remained primarily an adjunct to Christian religious subjects, and convened religious and allegorical meaning. This was particularly true in the work of Northern European artists, whose fascination with highly detailed optical realism and symbolism led them to lavish great attention on their paintings' overall message. Painters like Jan van Eyck often used still-life elements as part of an iconographic program. In

10873-525: The genre further. Originally serving a devotional function, garland paintings became extremely popular and were widely used as decoration of homes. A special genre of still life was the so-called pronkstilleven (Dutch for 'ostentatious still life'). This style of ornate still-life painting was developed in the 1640s in Antwerp by Flemish artists such as Frans Snyders and Adriaen van Utrecht . They painted still lifes that emphasized abundance by depicting

11004-595: The genre was the tradition, mostly centred on Antwerp , of the "monumental still life", which were large paintings that included great spreads of still-life material with figures and often animals. This was a development by Pieter Aertsen , whose A Meat Stall with the Holy Family Giving Alms (1551, now Uppsala ) introduced the type with a painting that still startles. Another example is "The Butcher Shop" by Aertsen's nephew Joachim Beuckelaer (1568), with its realistic depiction of raw meats dominating

11135-405: The granary. The story, at nearly eighty pages, is close to novella-length. The narrator listens to his father's friend Baron von Brackel tell a convoluted story about an encounter with a prostitute he had in his younger years: In 1870s Paris, the Baron is approached by a drunken girl on a rainy night, having just survived an attempt on his life through poison by his mistress, the jealous wife of

11266-519: The growing Dutch middle classes, who were replacing Church and State as the principal patrons of art in the Netherlands. Added to this was the Dutch mania for horticulture, particularly the tulip . These two views of flowers—as aesthetic objects and as religious symbols— merged to create a very strong market for this type of still life. Still life, like most Dutch art work, was generally sold in open markets or by dealers, or by artists at their studios, and rarely commissioned; therefore, artists usually chose

11397-426: The history of Danish into a period from 800 AD to 1525 to be "Old Danish", which he subdivided into "Runic Danish" (800–1100), Early Middle Danish (1100–1350) and Late Middle Danish (1350–1525). Móðir Dyggva var Drótt, dóttir Danps konungs, sonar Rígs er fyrstr var konungr kallaðr á danska tungu . " Dyggvi 's mother was Drott, the daughter of king Danp, Ríg 's son, who was the first to be called king in

11528-424: The language as a token of Danish identity, and the language experienced a strong surge in use and popularity, with major works of literature produced in the 18th and 19th centuries. Today, traditional Danish dialects have all but disappeared, though regional variants of the standard language exist. The main differences in language are between generations, with youth language being particularly innovative. Danish has

11659-547: The language of the courts. Since 1997, public authorities have been obliged to follow the official spelling system laid out in the Orthography Law. In the 21st century, discussions have been held with a view to create a law that would make Danish the official language of Denmark. In addition, a noticeable community of Danish speakers is in Southern Schleswig , the portion of Germany bordering Denmark, and

11790-633: The late Middle Ages, still-life elements, mostly flowers but also animals and sometimes inanimate objects, were painted with increasing realism in the borders of illuminated manuscripts , developing models and technical advances that were used by painters of larger images. There was considerable overlap between the artists making miniatures for manuscripts and those painting panels, especially in Early Netherlandish painting . The Hours of Catherine of Cleves , probably made in Utrecht around 1440,

11921-574: The leading specialists, Jan Brueghel the Elder and Ambrosius Bosschaert , both active in the Southern Netherlands. While artists in the North found limited opportunity to produce the religious iconography which had long been their staple—images of religious subjects were forbidden in the Dutch Reformed Protestant Church —the continuing Northern tradition of detailed realism and hidden symbols appealed to

12052-407: The major varieties of Standard Danish are High Copenhagen Standard, associated with elderly, well to-do, and well educated people of the capital, and low Copenhagen speech traditionally associated with the working class, but today adopted as the prestige variety of the younger generations. Also, in the 21st century, the influence of immigration has had linguistic consequences, such as the emergence of

12183-412: The melancholic Jonathan Maersk. The group boards the ship and begins to sail back, but encounter a group of peasants trapped in a granary on their way back. Because the boat is too small to carry them all, all but Nat-og-Dag's maid agree to trade places with the peasants and wait for help to arrive. While stuck in the granary, the group exchanges stories. Maersk describes how he came to be at Norderney: as

12314-422: The mid-20th century. Moders navn er vort Hjertesprog, kun løs er al fremmed Tale. Det alene i mund og bog, kan vække et folk af dvale. "Mother's name is our hearts' tongue, only idle is all foreign speech It alone, in mouth or in book, can rouse a people from sleep." N.F.S. Grundtvig , "Modersmaalet" Following the loss of Schleswig to Germany, a sharp influx of German speakers moved into

12445-478: The moralistic vanitas message of their Dutch predecessors. The Rococo love of artifice led to a rise in appreciation in France for trompe-l'œil (French: "trick the eye") painting. Jean-Baptiste Chardin 's still-life paintings employ a variety of techniques from Dutch-style realism to softer harmonies. The bulk of Anne Vallayer-Coster 's work was devoted to the language of still life as it had been developed in

12576-405: The night, happening upon the house of Miss Nat-og-Dag, who is on her way to Norderney. At this point, Miss Nat-og-Dag convinces the young duo to marry. With the help of the Cardinal, they complete the ceremony in the granary. The Cardinal then tells a group a parable about an encounter between Saint Peter and Barabbas in a Jerusalem inn, and the newly married couple falls asleep. At this point,

12707-1106: The nostalgic wall-rack painting while Harnett achieved the highest level of hyper-realism in his pictorial celebrations of American life through familiar objects. The first four decades of the 20th century formed an exceptional artistic ferment and revolution period. Avant-garde movements rapidly evolved and overlapped in a march towards nonfigurative, total abstraction. The still life and other representational art continued to evolve and adjust until mid-century when total abstraction, as exemplified by Jackson Pollock 's drip paintings, eliminated all recognizable content. The century began with several trends taking hold in art. In 1901, Paul Gauguin painted Still Life with Sunflowers , his homage to his friend Van Gogh who had died eleven years earlier. The group known as Les Nabis , including Pierre Bonnard and Édouard Vuillard , took up Gauguin's harmonic theories and added elements inspired by Japanese woodcuts to their still-life paintings. French artist Odilon Redon also painted notable still life during this period, especially flowers. Henri Matisse reduced

12838-406: The objects depicted. Later still-life works are produced with a variety of media and technology, such as found objects, photography, computer graphics , as well as video and sound. The term includes the painting of dead animals, especially game. Live ones are considered animal art , although in practice they were often painted from dead models. Because of the use of plants and animals as a subject,

12969-493: The other still-life painters was her unique way of coalescing representational illusionism with decorative compositional structures. The end of the eighteenth century and the fall of the French monarchy closed the doors on Vallayer-Coster's still-life 'era' and opened them to her new style of florals. It has been argued that this was the highlight of her career and what she is best known for. However, it has also been argued that

13100-414: The painting of symbolic flowers in vases on the back of secular portraits around 1475. Jacopo de' Barbari went a step further with his Still Life with Partridge and Gauntlets (1504), among the earliest signed and dated trompe-l'œil still-life paintings, which contains minimal religious content. Though most still lifes after 1600 were relatively small paintings, a crucial stage in the development of

13231-423: The perfect vehicle for his revolutionary explorations in geometric spatial organization. For Cézanne, still life was a primary means of taking painting away from an illustrative or mimetic function to one demonstrating independently the elements of colour, form, and line, a major step towards Abstract art . Additionally, Cézanne's experiments can be seen as leading directly to the development of Cubist still life in

13362-461: The realism of still-life painting is related in the ancient Greek legend of Zeuxis and Parrhasius , who are said to have once competed to create the most lifelike objects, history's earliest descriptions of trompe-l'œil painting. As Pliny the Elder recorded in ancient Roman times, Greek artists centuries earlier were already advanced in the arts of portrait painting , genre painting and still life. He singled out Peiraikos , "whose artistry

13493-474: The relatively few Italian works in the style, Annibale Carracci 's treatment of the same subject in 1583, Butcher's Shop , begins to remove the moral messages, as did other "kitchen and market" still-life paintings of this period. Vincenzo Campi probably introduced the Antwerp style to Italy in the 1570s. The tradition continued into the next century, with several works by Rubens , who mostly sub-contracted

13624-550: The rendering of still-life objects even further to little more than bold, flat outlines filled with bright colours. He also simplified perspective and introduced multi-colour backgrounds. In some of his still-life paintings, such as Still Life with Eggplants , his table of objects is nearly lost amidst the other colourful patterns filling the rest of the room. Other exponents of Fauvism , such as Maurice de Vlaminck and André Derain , further explored pure colour and abstraction in their still life. Paul Cézanne found in still life

13755-656: The rise of the Impressionist and Post-Impressionist painters, that technique and colour harmony triumphed over subject matter, and that still life was once again avidly practiced by artists. In his early still life, Claude Monet shows the influence of Fantin-Latour, but is one of the first to break the tradition of the dark background, which Pierre-Auguste Renoir also discards in Still Life with Bouquet and Fan (1871), with its bright orange background. With Impressionist still life, allegorical and mythological content

13886-472: The shared written standard language remained). With the introduction of absolutism in 1660, the Danish state was further integrated, and the language of the Danish chancellery, a Zealandic variety with German and French influence, became the de facto official standard language , especially in writing—this was the original so-called rigsdansk ("Danish of the Realm"). Also, beginning in the mid-18th century,

14017-480: The still-life and animal elements to specialist masters such as Frans Snyders and his pupil Jan Fyt . By the second half of the 16th century, the autonomous still life evolved. The 16th century witnessed an explosion of interest in the natural world and the creation of lavish botanical encyclopædias recording the discoveries of the New World and Asia. It also prompted the beginning of scientific illustration and

14148-443: The still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term still life derives from the Dutch word stilleven . Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to

14279-504: The still-life category also shares commonalities with zoological and especially botanical illustration . However, with visual or fine art, the work is not intended merely to illustrate the subject correctly. Still life occupied the lowest rung of the hierarchy of genres , but has been extremely popular with buyers. As well as the independent still-life subject, still-life painting encompasses other types of painting with prominent still-life elements, usually symbolic, and "images that rely on

14410-468: The story of the Countess Calypso: the daughter of the poet Count Seraphina, who disliked femininity, she was brought up in an abbey entirely among men, where she was ignored by everyone around her. At sixteen, she decides to chop off her own breasts, but stops herself at the last second upon seeing a painting of nymphs in the reflection of a mirror. Calypso escapes from the abbey and walks through

14541-831: The subject matter and arrangement. So popular was this type of still-life painting, that much of the technique of Dutch flower painting was codified in the 1740 treatise Groot Schilderboeck by Gerard de Lairesse, which gave wide-ranging advice on colour, arranging, brushwork, preparation of specimens, harmony, composition, perspective, etc. The symbolism of flowers had evolved since early Christian days. The most common flowers and their symbolic meanings include: rose (Virgin Mary, transience, Venus, love); lily (Virgin Mary, virginity, female breast, purity of mind or justice); tulip (showiness, nobility); sunflower (faithfulness, divine love, devotion); violet (modesty, reserve, humility); columbine (melancholy); poppy (power, sleep, death). As for insects,

14672-534: The textures of fur and feather with simple backgrounds, often the plain white of a lime-washed larder wall, that showed them off to advantage. By the 18th century, in many cases, the religious and allegorical connotations of still-life paintings were dropped and kitchen table paintings evolved into calculated depictions of varied colour and form, displaying everyday foods. The French aristocracy employed artists to execute paintings of bounteous and extravagant still-life subjects that graced their dining table, also without

14803-486: The three languages can often understand the others fairly well, though studies have shown that the mutual intelligibility is asymmetric: Norwegian speakers generally understand both Danish and Swedish far better than Swedes or Danes understand each other. Concomitantly, Swedes and Danes understand Norwegian better than they understand each other's languages. Norwegian occupies the middle position in terms of intelligibility because of its shared border with Sweden, resulting in

14934-445: The turn of the 20th century. Danish itself can be divided into three main dialect areas: Jutlandic (West Danish), Insular Danish (including the standard variety), and East Danish (including Bornholmian and Scanian ). According to the view that Scandinavian is a dialect continuum, East Danish can be considered intermediary between Danish and Swedish, while Scanian can be considered a Swedified East Danish dialect, and Bornholmian

15065-437: The upper class might enjoy and a religious reminder to avoid gluttony. Around 1650 Samuel van Hoogstraten painted one of the first wall-rack pictures, trompe-l'œil still-life paintings which feature objects tied, tacked or attached in some other fashion to a wall board, a type of still life very popular in the United States in the 19th century. Another variation was the trompe-l'œil still life depicted objects associated with

15196-512: The use of abundant white space and coloured, sharply defined, overlapping geometrical shapes to produce a more mechanical effect. Rejecting the flattening of space by Cubists, Marcel Duchamp and other members of the Dada movement, went in a radically different direction, creating 3-D "ready-made" still-life sculptures. As part of restoring some symbolic meaning to still life, the Futurists and

15327-432: The usual, though with great reverence on his part, and fall asleep, after which she wakes him in the small hours, asks for twenty francs, and leaves. Too late, the Baron realizes that he loves Nathalie and chases after her, but cannot find her. The narrator asks the Baron whether he ever found her, to which he responds with a brief anecdote about visiting an artist friend nearly a decade and a half later and seeing him painting

15458-411: The vernacular language to be accessible also to those who were not Latinate. The Jutlandic Law and Scanian Law were written in vernacular Danish in the early 13th century. Beginning in 1350, Danish began to be used as a language of administration, and new types of literature began to be written in the language, such as royal letters and testaments. The orthography in this period was not standardized nor

15589-469: The vernacular, such as the plural form of verbs, should be conserved in writing (i.e. han er "he is" vs. de ere "they are"). The East Danish provinces were lost to Sweden after the Second Treaty of Brömsebro (1645) after which they were gradually Swedified; just as Norway was politically severed from Denmark, beginning also a gradual end of Danish influence on Norwegian (influence through

15720-516: The whore-bed with another man's wife and he comes away alive..." Jutlandic Law, 1241 In the medieval period, Danish emerged as a separate language from Swedish. The main written language was Latin, and the few Danish-language texts preserved from this period are written in the Latin alphabet, although the runic alphabet seems to have lingered in popular usage in some areas. The main text types written in this period are laws, which were formulated in

15851-492: The word by , meaning ‘village’ or ‘town’, occurs in many English place-names, such as Whitby and Selby , as remnants of the Viking occupation . During that period English adopted ‘are’, the third person plural form of the verb ‘to be’, as well as the personal pronouns ‘they’, ‘them’ and ‘their’ from contemporary Old Norse. Danish is largely mutually intelligible with Norwegian and Swedish . A proficient speaker of any of

15982-489: The written languages are compatible, spoken Danish is distinctly different from Norwegian and Swedish and thus the degree of mutual intelligibility with either is variable between regions and speakers . Until the 16th century, Danish was a continuum of dialects spoken from Southern Jutland and Schleswig to Scania with no standard variety or spelling conventions. With the Protestant Reformation and

16113-492: Was a territory ruled by Denmark–Norway , one of whose official languages was Danish. Though Danish ceased to be an official language in Iceland in 1944, it is still widely used and is a mandatory subject in school, taught as a second foreign language after English. No law stipulates an official language for Denmark, making Danish the de facto official language only. The Code of Civil Procedure does, however, lay down Danish as

16244-457: Was also one of two official languages of Greenland (alongside Greenlandic ). Danish now acts as a lingua franca in Greenland, with a large percentage of native Greenlanders able to speak Danish as a second language (it was introduced into the education system as a compulsory language in 1928). About 10% of the population speaks Danish as their first language , due to immigration. Iceland

16375-410: Was enormous, and they were very widely exported, especially to northern Europe; Britain hardly produced any itself. German still life followed closely the Dutch models; Georg Flegel was a pioneer in pure still life without figures and created the compositional innovation of placing detailed objects in cabinets, cupboards, and display cases, and producing simultaneous multiple views. In Spanish art ,

16506-437: Was far more popular in the contemporary Low Countries , today Belgium and Netherlands (then Flemish and Dutch artists), than it ever was in southern Europe. Northern still lifes had many subgenres; the breakfast piece was augmented by the trompe-l'œil , the flower bouquet , and the vanitas . In Spain there were much fewer patrons for this sort of thing, but a type of breakfast piece did become popular, featuring

16637-488: Was mostly supplanted by the Low German spise . As well as loanwords, new words can be freely formed by compounding existing words. In standard texts of contemporary Danish, Middle Low German loans account for about 16–17% of the vocabulary, Graeco-Latin loans 4–8%, French 2–4% and English about 1%. Danish and English are both Germanic languages. Danish is a North Germanic language descended from Old Norse, and English

16768-627: Was once the Viking settlement of Jorvik. Several other English words derive from Old East Norse, for example "knife" ( kniv ), "husband" ( husbond ), and "egg" ( æg ). The suffix "-by" for 'town' is common in place names in Yorkshire and the east Midlands, for example Selby, Whitby, Derby, and Grimsby. The word "dale" meaning valley is common in Yorkshire and Derbyshire placenames. Fangær man saar i hor seng mæth annæns mansz kunæ. oc kumær han burt liuænd... . "If one catches someone in

16899-463: Was still not standardized and the principles for doing so were vigorously discussed among Danish philologists. The grammar of Jens Pedersen Høysgaard was the first to give a detailed analysis of Danish phonology and prosody, including a description of the stød . In this period, scholars were also discussing whether it was best to "write as one speaks" or to "speak as one writes", including whether archaic grammatical forms that had fallen out of use in

17030-469: Was the change of the diphthong æi (Old West Norse ei ) to the monophthong e , as in stæin to sten . This is reflected in runic inscriptions where the older read stain and the later stin . Also, a change of au as in dauðr into ø as in døðr occurred. This change is shown in runic inscriptions as a change from tauþr into tuþr . Moreover, the øy (Old West Norse ey ) diphthong changed into ø , as well, as in

17161-474: Was the spoken language, and the regional laws demonstrate the dialectal differences between the regions in which they were written. Throughout this period, Danish was in contact with Low German , and many Low German loan words were introduced in this period. With the Protestant Reformation in 1536, Danish also became the language of religion, which sparked a new interest in using Danish as

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