Necil Kazım Akses (6 May 1908 – 16 February 1999) was a Turkish classical composer .
16-1673: (Redirected from Second Symphony ) Symphony No. 2 may refer to: Symphony No. 2 (Akses) by Necil Kazım Akses , 1978 Symphony No. 2 (Albert) by Stephen Albert, completed by Sebastian Currier Symphony No. 2 (Alwyn) by William Alwyn , 1953 Symphony No. 2 (Arel) by Bülent Arel , 1952 Symphony No. 2 (Arnold) (Op. 40) by Malcolm Arnold, 1953 Symphony No. 2 (Balakirev) in D minor by Mily Balakirev, 1900–08 Symphony No. 2 (Asia) ( Celebration ) by Daniel Asia , 1988–90 Symphony No. 2 (Balakirev) by Mily Balakirev, 1900–1908 Symphony No. 2 (Barber) (Op. 19) by Samuel Barber, 1944 Symphony No. 2 (Bax) in E minor and C major by Arnold Bax, 1924–26 Symphony No. 2 (Beethoven) in D major (Op. 36) by Ludwig van Beethoven, 1801–02 Symphony No. 2 (Berkeley) by Lennox Berkeley, 1958 Symphony No. 2 (Bernstein) ( The Age of Anxiety ) by Leonard Bernstein, 1948–49, revised 1965 Symphony No. 2 (Berwald) in D major ( Capricieuse ) by Franz Berwald, 1842 Symphony No. 2 (Borodin) in B minor by Alexander Borodin, 1869–76 Symphony No. 2 (Brahms) in D major (Op. 73) by Johannes Brahms, 1877 Symphony No. 2 (Brian) in E minor ( Man in his Cosmic Loneliness or Götz von Berlichingen ) by Havergal Brian , 1930–31 Symphony No. 2 (Bruch) in F minor (Op. 36) by Max Bruch , 1870 Symphony No. 2 (Bruckner) in C minor ( Symphony of Pauses ) by Anton Bruckner, 1872 Symphony No. 2 (Brustad) by Bjarne Brustad , 1951 Symphony No. 2 (Chávez) ( Sinfonía india ) by Carlos Chávez, 1935–36 Symphony No. 2 (Ching) ( The Imp of
32-455: A complete performance, a work which occupied him between the years 1894–1899 but whose conception reaches back to the 1860s. According to some , Draeseke's Symphonia Tragica (Symphony No. 3 in C major, Op. 40) deserves a place alongside the symphonies of Brahms and Bruckner . Other orchestral works by Draeseke include the Serenade in D major (1888) and its companion of the same year,
48-596: Is buried in the Tolkewitz cemetery in Dresden. During his career Draeseke divided his efforts almost equally among compositional genres and composed in most of them, including symphonies , concertos , opera , chamber music , and works for solo piano . With his early Piano Sonata in C-sharp minor Sonata quasi Fantasia of 1862–1867 he aroused major interest, winning Liszt's unreserved admiration of it as one of
64-729: Is different from Wikidata All article disambiguation pages All disambiguation pages Necil Kaz%C4%B1m Akses Akses studied music and composition at the Musikakademie in Vienna with Joseph Marx and at the Prague Conservatory in Prague with Josef Suk and Alois Hába . He helped co-found the Ankara State Conservatory with the composer Paul Hindemith and served as director of
80-7356: The Perverse ) by Jeffrey Ching, 1992 Symphony No. 2 (Clementi) in D major (WoO 33) by Muzio Clementi Symphony No. 2 (Copland) ( Short Symphony ) by Aaron Copland , 1933 Symphony No. 2 (Corigliano) by John Corigliano, 2000 Symphony No. 2 (Cowell) ( Anthropos ) by Henry Cowell , 1938 Symphony No. 2 (Davies) in B minor by Peter Maxwell Davies, 1980 Symphony No. 2 (Diamond) by David Diamond , 1942–43 Symphony No. 2 (d'Indy) in B-flat (Op. 57) by Vincent d'Indy , 1902–03 Symphony No. 2 (Dohnányi) in E (Op. 40) by Ernő Dohnányi, 1944 Symphony No. 2 (Draeseke) in F major (Op. 25) by Felix Draeseke , 1876 Symphony No. 2 (Dutilleux) ( Le double ) by Henri Dutilleux, 1959 Symphony No. 2 (Dvořák) in B flat major (Op. 4, B. 12) by Antonín Dvořák, 1865 Symphony No. 2 (Elgar) in E-flat major (Op. 63) by Edward Elgar, 1911 Symphony No. 2 (Enescu) in A major (Op. 17) by George Enescu, 1912–14 Symphony No. 2 (English) in D minor (Op. 5) by George English, 1933 Symphony No. 2 (Ficher) (Op. 24) by Jacobo Ficher , 1933 Symphony No. 2 (Furtwängler) in E minor by Wilhelm Furtwängler, 1945–46 Symphony No. 2 (Geißler) by Fritz Geißler , 1962–64 Symphony No. 2 (in One Movement)(Gipps) , Op. 30 by Ruth Gipps 1945 Symphony No. 2 (Glass) by Philip Glass, 1994 Symphony No. 2 (Glazunov) in F-sharp minor (Op. 16) by Alexander Glazunov, 1884–86 Symphony No. 2 (Glière) in C minor (Op. 25) by Reinhold Glière , 1907 Symphony No. 2 (Goldmark) in E-flat (Op. 35) by Karl Goldmark Symphony No. 2 (Górecki) (Op. 31, Copernican ) by Henryk Górecki, 1972 Symphony No. 2 (Hanson) in D-flat major (Opus 30, W45, Romantic ) by Howard Hanson, 1930 Symphony No. 2 (Harbison) by John Harbison, 1987 Symphony No. 2 (Hartmann) by Karl Amadeus Hartmann , 1946 Symphony No. 2 (Haydn) in C major (Hoboken I/2) by Joseph Haydn, 1757–61 Symphony No. 2 (Michael Haydn) in C major (MH 37, Perger 2, Sherman 2) by Michael Haydn, 1761 Symphony No. 2 (Henze) by Hans Werner Henze, 1949 Symphony No. 2 (Honegger) in D ( Symphony for strings ) by Arthur Honegger, 1937–42 Symphony No. 2 (Hovhaness) (Op. 132, Mysterious Mountain ) by Alan Hovhaness Symphony No. 2 (Ivanovs) in D minor by Jānis Ivanovs , 1937 Symphony No. 2 (Ives) by Charles Ives, 1897–1902 Symphony No. 2 (Khachaturian) in E minor ( The Bell ) by Aram Khachaturian, 1943–44 Symphony No. 2 (Liebermann) (Op. 67) by Lowell Liebermann, 1999 Symphony No. 2 (Lilburn) by Douglas Lilburn, 1951 Symphony No. 2 (Lutosławski) by Witold Lutosławski, 1965–67 Symphony No. 2 (MacMillan) by James MacMillan, 1999 Symphony No. 2 (Madetoja) in E-flat major (Op. 35) by Leevi Madetoja, 1916–18 Symphony No. 2 (Magnard) in E (Op. 6) by Albéric Magnard , 1893 Symphony No. 2 (Mahler) ( Resurrection ) by Gustav Mahler, 1888–94 Symphony No. 2 (Marco) ( Espacio cerrado ) by Tomás Marco 1985 Symphony No. 2 (Martinů) (H. 295) by Bohuslav Martinů, 1943 Symphony No. 2 (Méhul) in D major by Étienne Méhul , 1808–09 Symphony No. 2 (Melartin) in E minor (Op. 30 No. 2) by Erkki Melartin , 1904 Symphony No. 2 (Mendelssohn) in B-flat major (Op. 52, MWV A 18, Lobgesang ) by Felix Mendelssohn, 1840 Symphony No. 2 (Milhaud) (Op. 247) by Darius Milhaud, 1944 Symphony No. 2 (Moore) in A major by Douglas Moore, 1945 Symphony No. 2 (Mozart) in B-flat major, KV 17, possibly by Leopold Mozart Symphony No. 2 (Myaskovsky) in C-sharp minor (Op. 11) by Nikolai Myaskovsky , 1911 Symphony No. 2 (Natra) ( Symphony for String Orchestra No. 2 ) by Sergiu Natra , 1959 Symphony No. 2 (Nielsen) (Op. 16, FS 29, The Four Temperaments ) by Carl Nielsen, 1901–02 Symphony No. 2 (Paine) in A major (Op. 34, In Spring ) by John Knowles Paine , 1879 Symphony No. 2 (Pärt) by Arvo Pärt, 1966 Symphony No. 2 (Penderecki) ( Christmas ) by Krzysztof Penderecki, 1979–80 Symphony No. 2 (Piston) by Walter Piston, 1943 Symphony No. 2 (Prokofiev) in D minor (Op. 40) by Sergei Prokofiev, 1924–25 Symphony No. 2 (Rachmaninoff) in E minor (Op. 27) by Sergei Rachmaninoff, 1906–07 Symphony No. 2 (Raff) in C major (Op. 140) by Joachim Raff, 1866 Symphony No. 2 (Rautavaara) by Einojuhani Rautavaara , 1957/1984 Symphony No. 2 (Rimsky-Korsakov) (Op. 9, Antar ) by Nikolai Rimsky-Korsakov, 1868 Symphony No. 2 (Rochberg) by George Rochberg , 1955–56 Symphony No. 2 (Rouse) by Christopher Rouse, 1994 Symphony No. 2 (Roussel) in B-flat major (Op. 23) by Albert Roussel , 1919–21 Symphony No. 2 (Rubbra) in D (Op. 45) by Edmund Rubbra Symphony No. 2 (Saygun) (Op. 30) by Ahmed Adnan Saygun , 1958 Symphony No. 2 (Say) (Op. 38, Mesopotamia ) by Fazıl Say , 2011 Symphony No. 2 (Scherber) in F minor by Martin Scherber , 1951–52 Symphony No. 2 (Schmidt) in E flat major by Franz Schmidt , 1911–13 Symphony No. 2 (Schnittke) ( St. Florian , Invisible Mass ) by Alfred Schnittke, 1979 Symphony No. 2 (Schubert) in B-flat major (D. 125) by Franz Schubert, 1814–15 Symphony No. 2 (Schumann) in C major (Op. 61) by Robert Schumann, 1845–47 Symphony No. 2 (Scriabin) in C minor (Op. 29) by Alexander Scriabin, 1901 Symphony No. 2 (Sessions) by Roger Sessions, 1944–46 Symphony No. 2 (Shostakovich) in B major ( To October ) by Dmitri Shostakovich, 1927 Symphony No. 2 (Sibelius) in D major (Op. 43) by Jean Sibelius, 1901–02 Symphony No. 2 (Simpson) by Robert Simpson, 1956 Symphony No. 2 (Strauss) in F minor (Op. 12, TrV 126) by Richard Strauss, 1883–84 Symphony No. 2 (Suk) in C minor (Op. 27, Asrael ) by Josef Suk, 1905–06 Symphony No. 2 (Svendsen) in B-flat major (Op. 15) by Johan Svendsen , 1874 Symphony No. 2 (Szymanowski) in B-flat major (Op. 19) by Karol Szymanowski, 1909–10 Symphony No. 2 (Tchaikovsky) , in C minor (Op. 17, Little Russian ) by Pyotr Ilyich Tchaikovsky, 1872 Symphony No. 2 (Tippett) by Michael Tippett, 1956–57 Symphony No. 2 (Ustvolskaya) ( True and Eternal Bliss ) by Galina Ustvolskaya, 1979 Symphony No. 2 (Vaughan Williams) ( A London Symphony ) by Ralph Vaughan Williams, 1913, rev. 1920 Symphony No. 2 (Villa-Lobos) ( Ascensão ) by Heitor Villa-Lobos, 1917–44 Symphony No. 2 (Walton) by William Walton, 1957 Symphony No. 2 (Weill) by Kurt Weill , 1934 Symphony No. 2 (Wellesz) (Op. 65 The English ) by Egon Wellesz , 1947–48 Symphony No. 2 (Wetz) in A major (Op. 47) by Richard Wetz , 1921 Symphony No. 2 (Williamson) ( Pilgrim på Havet ) by Malcolm Williamson , 1968 Symphony No. 2 (Wingate) ( Kleetüden ) by Jason Wright Wingate, 2009 Symphony No. 2 (Zemlinsky) in B-flat major by Alexander von Zemlinsky , 1897 Topics referred to by
96-762: The Turkish state. He worked as the Turkish cultural attaché in Bern and Bonn , among other posts. Akses composed orchestral works, chamber music , and pieces for piano . His most famous work is his Violin Concerto (1969). Notes Further Reading Felix Draeseke Felix August Bernhard Draeseke (7 October 1835 – 26 February 1913) was a composer of the " New German School " admiring Franz Liszt and Richard Wagner . He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music. Felix Draeseke
112-462: The institution for a while. Together with Cemal Reşit Rey , Ulvi Cemal Erkin , Ahmet Adnan Saygun , and Hasan Ferit Alnar , Akses belonged to a group called The Turkish Five , who were the first Turkish composers to adapt their homeland's musical tradition to the techniques of Western classical composition. (Their name alluded to the Russian Five .) In 1949, Akses entered the service of
128-546: The most important piano sonatas after Beethoven . His operas Herrat (1879, originally Dietrich von Bern ) and Gudrun (1884, after the medieval epic of the same name) met with some success, but were subsequently neglected. Draeseke keenly followed new developments in all facets of music. His chamber music compositions make use of newly developed instruments, among them the violotta , an instrument developed by Alfred Stelzner as an intermediary between viola and cello, which Draeseke used in his A major String Quintet, and also
144-443: The same term [REDACTED] This disambiguation page lists articles associated with the title Symphony No. 2 . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Symphony_No._2&oldid=1096484879 " Categories : Disambiguation pages Symphonies Hidden categories: Short description
160-522: The symphonic prelude after Kleist's Penthesilea . Draeseke also composed a quantity of chamber music. During his life, and the period shortly following his death, the music of Draeseke was held in high regard, even among his musical opponents. His compositions were performed frequently in Germany by the leading artists of the day, including Hans von Bülow , Arthur Nikisch , Fritz Reiner , and Karl Böhm . However, as von Bülow once remarked to him, he
176-448: The viola alta, an instrument developed during the 1870s by Hermann Ritter and the prototype of viola expressly endorsed by Richard Wagner for his Bayreuth Orchestra. A heavily contrapuntal composer, Draeseke reveled in writing choral music, achieving major success with his B minor Requiem of 1877–1880. His most contrapuntal work is called Christus. Mysterium in a Prelude and Three Oratorios , which requires three days for
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#1732765145295192-399: Was a "harte Nuß" ("a hard nut to crack") and despite the quality of his works, he would "never be popular among the ordinary". Draeseke could be sharply critical and this sometimes led to strained relations, the most notorious instance being with Richard Strauss , when Draeseke attacked Strauss’s Salome in his 1905 pamphlet Die Konfusion in der Musik — rather surprising, as Draeseke
208-598: Was a clear influence on the young Strauss. Draeseke's music was promoted during the Third Reich . After the Second World War, changes in fashion and political climates allowed his name and music to slip into obscurity. But as the 20th century ended, new recordings spurred a renewed interest in his music. An early symphony in C major, completed in 1856 and premiered that year, was still lost as of 1966. Portions of this page are reprinted by permission of
224-557: Was born in the Franconian ducal town of Coburg , Germany . He was attracted to music early in life and wrote his first composition at age 8. He encountered no opposition from his family when, in his mid-teens, he declared his intention of becoming a professional musician. A few years at the Leipzig Conservatory did not seem to benefit his development, but after one of the early performances of Wagner's Lohengrin he
240-620: Was only in 1884 that he received an official appointment to the Dresden Conservatory and, with it, some financial security. In 1894, two years after his promotion to a professorship at the Royal Saxon Conservatory, at the age of 58, he married his former pupil Frida Neuhaus. In 1912 he completed his final orchestral work, the Fourth Symphony. On 26 February 1913 Draeseke suffered a stroke and died; he
256-568: Was won to the camp of the New German School centered on Franz Liszt at Weimar , where he stayed from 1856 (arriving just after Joachim Raff 's departure) to 1861. In 1862 Draeseke left Germany and made his way to Switzerland, teaching in the Suisse Romande in the area around Lausanne . Upon his return to Germany in 1876, Draeseke chose Dresden as his place of residence. Though he continued having success in composition, it
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