The adventure film is a broad genre of film . Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting . The genre is closely associated with the action film , and is sometimes used interchangeably or in tandem with that genre.
88-451: Shanghai Surprise is a 1986 adventure comedy film directed by Jim Goddard and starring then-newlyweds Sean Penn and Madonna . The screenplay was adapted by John Kohn and Robert Bentley from Tony Kenrick's 1978 novel Faraday's Flowers . Produced by George Harrison 's HandMade Films and distributed by Metro-Goldwyn-Mayer , Harrison himself appears in the film as a night club singer, and he wrote and recorded five original songs for
176-411: A "Tomatometer" of 75% or better and at least 80 reviews (40 for limited release movies) from "Tomatometer" critics (including 5 Top Critics). Films earning this status will keep it unless the positive critical percentage drops below 70%. Films with 100% positive ratings that lack the required number of reviews may not receive the "Certified Fresh" seal. When a film or TV show reaches the requirements for
264-478: A "landmark of effects-led adventure cinema." Outside technical effects, adventure films of Douglas Fairbanks such as Robin Hood (1922) with its scenes of battles and recreations of castles cost a record-setting $ 1.5 million to produce also provided a variant of adventure spectacle to audiences. Tasker stated that The Lost World (1925) arguably initiated a jungle adventure film cycle that would be expanded on in
352-460: A 20% rating on Rotten Tomatoes based on 10 reviews, indicating generally negative responses. Bill Cosford of The Miami Herald , granting it 1 star out of 4, wrote, "In Shanghai Surprise , as you may have heard, almost everything is just a bit off. Though widely anticipated as a musical, Shanghai Surprise is actually a kind of miniaturization of Raiders of the Lost Ark / Indiana Jones and
440-488: A bad score, as this only reflects a poor reception among film critics. As one independent film distributor marketing executive noted, "To me, it's a ridiculous argument that Rotten Tomatoes is the problem ... make a good movie!". ComScore 's Paul Dergarabedian had similar comments, saying: "The best way for studios to combat the 'Rotten Tomatoes Effect' is to make better movies, plain and simple". Some studios have suggested embargoing or cancelling early critic screenings in
528-492: A brothel, will save the day. But the film was conceived and executed as a star vehicle. Wrong stars, wrong roles, not much happening here. And for George Harrison and his Handmade Films, the first big bust." The Philadelphia Inquirer also gave it only 1 star: " Shanghai Surprise is so dismally scripted and directed that no one could redeem it... an atmospheric, handsomely shot and, sadly, utterly empty piece of work." The Lexington Herald-Leader called it "a turkey": "This film
616-468: A continuing trend for Hollywood adventure films. The other major Hollywood style was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp , special effects -driven adventure films began to dominate
704-423: A critic on the website, a critic's original reviews must garner a specific number of "likes" from users. Those classified as "Top Critics" generally write for major newspapers. The critics upload their reviews to the movie page on the website, and need to mark their review "fresh" if it is generally favorable or "rotten" otherwise. It is necessary for the critic to do so as some reviews are qualitative and do not grant
792-612: A cutoff date at which new reviews are not counted toward the Golden Tomato awards is initiated each year, usually the first of the new year. Reviews without ratings are not counted toward the results of the Golden Tomato Awards. Each movie features a "user average", which calculates the percentage of registered users who have rated the film positively on a 5-star scale, similar to calculation of recognized critics' reviews. On May 24, 2019, Rotten Tomatoes introduced
880-474: A dedicated team who monitors our platforms regularly and thoroughly investigates and resolves any suspicious activity." WIRED published an article in February 2024 written by Christopher Null, a former film critic, that argued such methods are standard activities performed by all PR agencies. In particular, Null points out that sponsoring legitimate, honest reviews has a long history in other industries and
968-413: A fresh vs. rotten dichotomy. It has also been criticized for being easy for studios to manipulate by limiting early screenings to critics inclined to be favorable, among other tactics. Rotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong. His objective in creating Rotten Tomatoes was "to create a site where people can get access to reviews from a variety of critics in
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#17328023659311056-587: A low critical status, with a few exceptions. Historically, the genre has not been seen as authored cinema. The genre's cinematic traditions were effectively absent from debates on genre cinema since the 1960s. Chapman echoed this statement. He argued that with only a handful of exceptions, adventure films have not won much favour with film critics: "In traditional film criticism there are few 'good' adventure films; those that have won critical acclaim have usually done so on grounds other than their status as genre films." When action and adventure cinema secure awards, it
1144-502: A movie, so go and f*ck yourselves. Do as I say or I'm out of here. Boy, did he know how to manipulate that situation with Madonna ." George Harrison even reluctantly flew to Hong Kong to try and smooth things over between the cast and press. Jim Goddard's initial cut of the film was rejected by executives at MGM , and Goddard’s attempts to find alternative distribution were fruitless resulting in his return to MGM. Prior to release both Madonna and Penn attempted to distance themselves from
1232-416: A new "Audience Says" blurbs within it, to give users an at-a-glance summary of the general sentiments of a film as experienced by critics and audiences. Prior to February 2021, only the "Critics Consensus" blurb was posted for each entry, after enough certified critics had submitted reviews. When the "Audience Says" blurbs were added, Rotten Tomatoes initially included them only for newer films and those with
1320-415: A numeric score, making it impossible for the system to be automatic. The website keeps track of all the reviews counted for each film and calculates the percentage of positive reviews. If the positive reviews make up 60% or more, the film is considered "fresh". If the positive reviews are less than 60%, the film is considered "rotten". An average score on a 0 to 10 scale is also calculated. With each review,
1408-456: A quest narrative, where characters seek mythical objects or fabulous treasure as seen in films like King Solomon's Mines (1950) or Raiders of the Lost Ark (1981). Tasker opted for a broader sense of genre, and commented on Taves limits, stating it was an understandable impulse to place generic limits on potentially diverse bodies of texts, while included films like Raiders of the Lost Ark which she described as feeling "like an adventure in
1496-522: A response to poor reviews prior to a film's release affecting pre-sales and opening weekend numbers. In July 2017, Sony embargoed critic reviews for The Emoji Movie until mid-day the Thursday before its release. The film ended up with a 9% rating (including 0% after the first 25 reviews), but still opened to $ 24 million, on par with projections. Josh Greenstein, Sony Pictures President of Worldwide Marketing and Distribution, said, " The Emoji Movie
1584-590: A setting that was both remote in time and space to its audience. While Cameron refuted the idea of a clearly defined adventure genre, he said films described the "positive feeling for adventure" evoked from the scenes of action in the film and the identification with the main character. Taves echoed this, exemplifying the character of Robin Hood who deals with a valiant fight for just government in an exotic past. Taves wrote in The Romance of Adventure: The Genre of Historical Adventure Movies (1993) that defining
1672-436: A short excerpt of the review is quoted that also serves a hyperlink to the complete review essay for anyone interested to read the critic's full thoughts on the subject. "Top Critics", such as Roger Ebert , Desson Thomson , Stephen Hunter , Owen Gleiberman , Lisa Schwarzbaum , Peter Travers and Michael Phillips are identified in a sub-listing that calculates their reviews separately. Their opinions are also included in
1760-401: A significant audience rating, but suggested that they may later add them for older films as well. Each movie features a brief blurb summary of the critics' reviews, called the "Critical Consensus", used in that entry's Tomatometer aggregate score. These are written by Jeff Giles, a longtime author for the site. In February 2021, Rotten Tomatoes added an "Audience Says" section; similar to
1848-641: A subsection of the website. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango Media. Warner Bros retained a minority stake in the merged entities, including Fandango. In December 2016, Fandango and all its various websites moved to Fox Interactive Media's former headquarters in Beverly Hills, California . In July 2017, the website's editor-in-chief since 2007, Matt Atchity, left to join The Young Turks YouTube channel. On November 1, 2017,
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#17328023659311936-625: A substitute for assessment". Landon Palmer, a film and media historian and an assistant professor in the Department of Journalism and Creative Media director in the College of Communication and Information Sciences at the University of Alabama agreed with White, stating that "[Rotten Tomatoes applies a] problematic algorithm to pretty much all avenues of modern media art and entertainment". Director and producer Brett Ratner has criticized
2024-552: A supply of opium to ease the suffering of her patients, he decides to help her get hold of a stolen supply of the valuable drug. The only problem is that a lot of other people want to secure the stolen opium as well—gangsters, smugglers, thugs and a host of upstanding air force recruits. In November 1985 it was announced Madonna and then newlywed husband Sean Penn had signed to do Shanghai Surprise with principal photography set to begin in Macau and Hong Kong by January 1986. Due to
2112-429: A verified rating system that would replace the earlier system where users were merely required to register to submit a rating. So, in addition to creating an account, users will have to verify their ticket purchase through ticketing company Fandango Media, parent company of Rotten Tomatoes. While users can still leave reviews without verifying, those reviews will not account for the average audience score displayed next to
2200-725: Is a "common tactic employed by indie titles to get visibility." American director Martin Scorsese wrote a column in The Hollywood Reporter criticizing both Rotten Tomatoes and CinemaScore for promoting the idea that films like Mother! had to be "instantly liked" to be successful. Scorsese, in a dedication for the Roger Ebert Center for Film Studies at the University of Illinois later continued his criticism, voicing that Rotten Tomatoes and other review services "devalue cinema on streaming platforms to
2288-521: Is bad. The acting is terrible. The hackneyed screenplay traffics in stereotype and yuk-yuk jokes. And the point is non-existent." The San Diego Union said, "In its campy nostalgia for old adventure films, Shanghai Surprise is cloddish. There's something rotten at the core about a movie that would recycle lines like "That's mighty white of you." Even sadder is the realization that some of the old cornball movies are still fresher, more alive, than this regurgitation." The Philadelphia Daily News faulted
2376-402: Is considered wide release. There are also two categories purely for British and Australian films. The "User"-category represents the highest rated film among users, and the "Mouldy"-award represents the worst-reviewed films of the year. A movie must have 40 (originally 20) or more rated reviews to be considered for domestic categories. It must have 500 or more user ratings to be considered for
2464-790: Is intended for use in the US only; permission is required for use elsewhere. As of 2022, API access is restricted to approved developers that must go through an application process. Major Hollywood studios have come to see Rotten Tomatoes as a potential threat to their marketing . In 2017, several blockbuster films like Pirates of the Caribbean: Dead Men Tell No Tales , Baywatch and The Mummy were projected to open with gross receipts of $ 90 million, $ 50 million and $ 45 million, respectively, but ended up debuting with $ 62.6 million, $ 23.1 million and $ 31.6 million. Rotten Tomatoes, which scored
2552-474: Is often in categories such as visual effects and sound editing. Tasker found this reflected Richards comments on the creative labor as being the primary appeal on work in the genre. Rotten Tomatoes This is an accepted version of this page Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at
2640-472: Is to include other services in the future for users who do not use Fandango. Upon its creation, the "Verified Hot" badge was installed retroactively on over 200 films which achieved a verified audience score of 90% or higher since the launch of Rotten Tomatoes' verified audience ratings in May 2019. In February 2021, a new "What to Know" section was created for each film entry, combining the "Critics Consensus" and
2728-469: Is unlikely to change". Other studios have commissioned a number of studies on the subject, with them finding that 7/10 people said they would be less interested in seeing a film if the Rotten Tomatoes score was below 25%, and that the site has the most influence on people 25 and younger. The scores have reached a level of online ubiquity which film companies have found threatening. For instance,
Shanghai Surprise - Misplaced Pages Continue
2816-472: The U.S ". As a fan of Jackie Chan , Duong was inspired to create the website after collecting all the reviews of Chan's Hong Kong action movies as they were being released in the United States. The catalyst for the creation of the website was Rush Hour (1998), Chan's first major Hollywood crossover, which was originally planned to release in August 1998. Duong coded the website in two weeks and
2904-440: The University of California, Berkeley : Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance , the direct inspiration for the name from Duong, Lee, and Wang came from an equivalent scene in the 1992 Canadian film Léolo . Since January 2010, Rotten Tomatoes has been owned by Flixster , which
2992-488: The silent films of the 1910s and 1920s. These films required elaborate visual effects that were important to displaying menacing or fantastic worlds. These films often took narratives from novels, such as films like 20,000 Leagues Under the Sea (1916) and The Lost World (1925). Beyond being adaptations of famous books, Tasker said that the appeal of these films was also in their effects laden scene, finding The Lost World
3080-516: The "Certified Fresh", it is not automatically granted the seal; "the Tomatometer score must be consistent and unlikely to deviate significantly" before it is thus marked. Once certified, if a film's score drops and remains consistently below 70%, it loses its Certified Fresh designation. In 2000, Rotten Tomatoes announced the RT Awards honoring the best-reviewed films of the year according to
3168-406: The "Critics Consensus", it summarizes the reviews noted by registered users into a concise blurb. The Rotten Tomatoes staff noted that for any given film, if there were any external factors such as controversies or issues affecting the sentiments of a film, they may address it in the "Audience Says" section to give users the most relevant info regarding their viewing choices. Localized versions of
3256-467: The "User"-category. Films are further classified based on film genre . Each movie is eligible in only one genre, aside from non-English-language films, which can be included in both their genre and the respective "Foreign" category. Once a film is considered eligible, its "votes" are counted. Each critic from the website's list gets one vote (as determined by their review), all weighted equally. Because reviews are continually added, manually and otherwise,
3344-473: The Light Brigade (1936) and The Adventures of Robin Hood (1938). The historical adventure film continued to be a popular Hollywood genre into the mid-1950s featuring various male stars such as Tyrone Power , Douglas Fairbanks Jr. , Burt Lancaster , and Stewart Granger . Imperialism -themed adventure films continued in the 1950s with a greater emphasis on location shooting . Examples include
3432-576: The Lost Ark (1981), The Mummy (1999), and Pirates of the Caribbean: The Curse of the Black Pearl (2003). Few other films embarked on more serious tones, such as Ridley Scott 's Gladiator and Kingdom of Heaven (2005). Since the late 1970s, both action and adventure films have become synonymous with the high-budgeted and profitable Hollywood films and franchises. While both genres took on challenging material, towards
3520-537: The Movies (1973) stated that adventure "is not confined to a particular genre [...] it is a quality which turns up in almost every sort of story film; indeed the most obvious adventures movies, the sword-and-bosom epics, are usually among the least interesting." American historian Brian Taves wrote in 1993 that having such wide-ranging application of the genre would render it meaningless. Despite their different definitions, both Taves and Cameron stated that genre required
3608-567: The Northeast and Midwest) that MGM has made severe cuts in its marketing budget. One MGM exec was quoted in the trades as saying this was necessary because 'the interest in the film has been non-existent.'" While an official soundtrack album for the film was never released, the title track was issued as a promotional single in 1986, new versions of both "Breath Away from Heaven" and "Someplace Else" were recorded for inclusion on Harrison's 1987 album Cloud Nine , an alternate mix of "Zig Zag" (with
Shanghai Surprise - Misplaced Pages Continue
3696-610: The Temple of Doom , with a feisty heroine (Madonna) in the vain [sic] of Rita Hayworth in The Lady From Shanghai , and a roguish adventure hero (Sean Penn) as well as a pop-sprinkled score (partly the work of George Harrison)... There's a plot here, involving Madonna's quest to find a load of hijacked opium for conversion to morphine to help the troops fighting the Japanese. Penn, though he spends his big scene panting in
3784-475: The Tomatometer. On August 21, 2024, Rotten Tomatoes rebranded its audience score as the Popcornmeter and introduced a new "Verified Hot" badge. The designation is only given to films which have reached an audience score of 90 percent or higher among users whom Rotten Tomatoes has verified as having purchased a ticket to the film through Fandango. A representative for Rotten Tomatoes stated that their goal
3872-501: The adventure film was defined from a fictional narrative and excluded films based on historical events and people such as Zulu (1964) and Lawrence of Arabia (1962), finding they belonged to other types of narratives such as the historical film and the war film . Chapman summarized the complicated nature of the genre, stating that the "Adventure film is a less clearly defined than most: indeed, this might be one reason why film historians have left it pretty much alone." He described
3960-415: The art director, costume designer, fencing master, stunt arranger, cinematographer and actor just much as the writer and director. For the swashbuckler is truly the sum of all their work." Both action and adventure are often used together as film genres, and are even used interchangeably. For Taves, he compared the styles saying that adventure films were "something beyond action" and were elevated "beyond
4048-402: The better-known Academy Awards or Golden Globes . When Flixster bought the company, they disbanded the groups. As of February 2011, new community features have been added and others removed. For example, users can no longer sort films by Fresh Ratings from Rotten Ratings, and vice versa. On September 17, 2013, a section devoted to scripted television series, called TV Zone, was created as
4136-593: The box office hit King Solomon's Mines (1950) which was shot in Africa. 1960s fantasy films such as Jason and the Argonauts (1963) combined the set-pieces and fantastic locations of historical adventures with renewed emphasis on special effects. By the 1970s, The Three Musketeers (1973) marked a point where the historical adventure has been firmly associated with what Tasker described as "comic - even camp - tone" that would inform later films such as Raiders of
4224-445: The broadest sense of the term." Tasker noted this specifically, that even when disregarding its historical setting, the film concerned a quest, with travel and developing moral sense of the hero's place in the world. Tasker wrote that these films films have no consistent iconography, their set design and special effects, ranging from stop-motion, to digital imagery and 3D are given a privileged place in these genres. Chapman also noted
4312-427: The casting as well as the script: "The ever-important spirit is missing as Mr. and Mrs. Penn wrestle with old gags that are beyond their ken. It's not entirely their fault though: They've been given no characters to play. Much of Shanghai Surprise might have worked if they at least were permitted to play themselves — a punk rocker and punk actor at large in an alien movie world." The Chicago Sun-Times , awarding
4400-473: The decade. Erb found that the jungle imagery of these films of the 1930s frequently showcased the jungle world as frequently alternating between "demonic and edenic " images, while Tasker said the jungle films and other adventure films of the period would establish a travelogue allure of these settings as romantic spaces. Within the Classical Hollywood cinema , one of the major other styles
4488-491: The ease at which large companies are able to manipulate reviewer ratings. The article cited publicity company Bunker 15 as an example of how scores can be boosted by recruiting obscure, often self-published reviewers, using the example of 2018's Ophelia . Rotten Tomatoes responded by delisting several Bunker 15 films, including Ophelia . It told Vulture in a statement, "We take the integrity of our scores seriously and do not tolerate any attempts to manipulate them. We have
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#17328023659314576-608: The film with the two insisting their likenesses be removed from the tie-in novel from Viking Press a few days before it was set to hit printers. Shanghai Surprise debuted following a "great deal of hype and promotion" in the United Kingdom, including being hyped on the music television programme The Tube . In the United States, however, as The Atlanta Journal-Constitution reported in October 1986, "The movie opened so poorly in its first wave of playdates (late August in
4664-433: The films at 30%, 19% and 16%, respectively, was blamed for undermining them. That same summer, films like Wonder Woman and Spider-Man: Homecoming (both 92%) received high scores and opened at or exceeded expectations with their $ 100+ million trackings. As a result of this concern, 20th Century Fox commissioned a 2015 study, titled "Rotten Tomatoes and Box Office", that stated the website combined with social media
4752-551: The first time and has songs by George Harrison. That is the most positive sentence that can be written about the film, now playing locally. MGM must have suspected – the company tried to open the film in places like Iowa to avoid getting slaughtered. Nice try... The film is supposed to be a shaggy dog adventure... Shaggy, no. Dog, yes." The home video was released by Vestron Video . The company paid $ 5 million for distribution rights. The VHS debuted on Billboard ' s Top Videocassette Sales at number 28 and peaked at number 25 in
4840-543: The first week of its launch; it attracted "600–1,000 daily unique visitors" as a result. Duong teamed up with University of California , Berkeley classmates Patrick Y. Lee and Stephen Wang, his former partners at the Berkeley, California -based web design firm Design Reactor, to pursue Rotten Tomatoes on a full-time basis. They officially launched it on April 1, 2000. In June 2004, IGN Entertainment acquired Rotten Tomatoes for an undisclosed sum. In September 2005, IGN
4928-407: The general rating. When there are sufficient reviews, the staff creates and posts a consensus statement to express the general reasons for the collective opinion of the film. This rating is indicated by an equivalent icon at the film listing, to give the reader a one-glance look at the general critical opinion about the work. The "Certified Fresh" seal is reserved for movies that satisfy two criteria:
5016-431: The genre in context with the historical adventure, and said explicitly excluding films with fantasy settings such as Raiders of the Lost Ark (1981) as they involved the supernatural over human agency. Taves wrote that "unlike adventure, fantasy presents a netherworld where events violate physical reality and the bounds of human possibility." Comparatively, in his overview of British adventure cinema, James Chapman said
5104-776: The genre that would continue into the 21st century with film series like The Lord of the Rings , Harry Potter , and Pirates of the Caribbean . In their analysis of the genre in 2018, Johan Höglund and Agnieszka Soltysik Monnet found that the contemporary adventure form often appears in trans-genre work where the adventure component is perceived as secondary. They exemplified that in films such ranging from Top Gun (1986), Godzilla (2014), to Lone Survivor (2013), which range from fantasy film to science fiction film to war film genres, all adhere to traditional adventure narratives. Adventure films are generally perceived with
5192-415: The high profile status of the stars real life relationship, by the second day of filming the production of the film was often inundated with photographers to the point Penn demanded the film's publicist be fired and replaced. According to co-star Richard Griffiths , " Sean Penn always had an ace of trumps up his sleeve. He'd play his ace of trumps, win the trick and then put it back up his sleeve and then when
5280-452: The issue dated April 4, 1987. With a retail price of $ 79.98, the videocassette sold only 100,000 copies in the United States as of 1987, causing Vestron a $ 1 million loss. Adventure film Adventure films boast their setting and visuals as key elements. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be
5368-521: The late 1970s of an adventure style geared towards more family-oriented audiences with films like Star Wars (1977) and Raiders of the Lost Ark (1981). Star Wars exemplifies a resurgent adventure strand of the 1970s cinema with characters like the Jedi Knights who swing from ropes and wield light sabers recall sword-fighting and swashbuckling films. Tasker commented that this led to a commercially lucrative and culturally conservative version of
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#17328023659315456-445: The level of content". In 2015, while promoting the film Suffragette (which has a 73% approval rating) actress Meryl Streep accused Rotten Tomatoes of disproportionately representing the opinions of male film critics, resulting in a skewed ratio that adversely affected the commercial performances of female-driven films. "I submit to you that men and women are not the same, they like different things," she said. "Sometimes they like
5544-536: The market towards the late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century. Adventure is a broad film genre. Early writing on the genre had wide categorizations. Critic André Bazin went as far to say in the 1950s that "there is not difference between Hopalong Cassidy and Tarzan except for their costumes and the arena in which they demonstrate their prowess." Ian Cameron in Adventure in
5632-566: The movie half a star, complained of its "warped attitudes toward women," adding, "It's hard to know for whom this wretch of a film was made. Idiotic dialogue should turn off the adults, teens will be disappointed by their rock heroine and kids shouldn't even be watching." Film professor Michal Conford, of Ryerson University , reviewed the film for the San Jose Mercury News with another half-star rating, saying sardonically, " Shanghai Surprise stars Madonna and Sean Penn together for
5720-536: The next drama was played, he'd pull out his ace of trumps again. And the ace of trumps was this: in Madonna's contract, and Penn was very sore about this because he saw himself as the star of the movie, there was a clause and it said Madonna shall have the casting approval of her leading man. In other words, if you don't do what I say , says Sean Penn , I quit and, if I quit, she won't agree with any other guy playing my part because, hey, she's my wife, and you don't have
5808-615: The notable addition of backing vocals) was released as the B-side of Harrison's " When We Was Fab " single in early 1988, and "Hottest Gong in Town" was included on the EP that came with the 1992 book Songs by George Harrison 2 . The title song and the single mix of "Zig Zag" were also added to the 2004 re-release of Cloud Nine as "additional tracks". The film received mixed critical response during its pre-release. Shanghai Surprise currently holds
5896-581: The occasion of the 75th anniversary of the New York Film Critics Circle , its chairman Armond White cited Rotten Tomatoes in particular and film review aggregators in general as examples of how "the Internet takes revenge on individual expression". He said they work by "dumping reviewers onto one website and assigning spurious percentage-enthusiasm points to the discrete reviews". According to White, such websites "offer consensus as
5984-1126: The physical challenge" and by "its moral and intellectual flavour." Forms of filmmaking that would become film genres were mostly defined in other media before Thomas Edison devised the Kinetograph in the late 1890s. Genres, such as adventure fiction were developed as written fiction. In the early Hollywood cinema, early adventure cinema were both original stories as well as adaptations of popular media such as adventure stories, magazines, and folk tales. Films were adapted from adventure stories such as King Solomon's Mines (1885), She (1887), and Treasure Island (1883). Tasker described both action and adventure cinema are resistant to any historical evolutionary chronology. Both genres are self-reflexive and draw from conventions of other genres ranging from horror to historical imperial adventure. Taves found that that films that were swashbucklers or pirate-themed adventures were often humorous, and that they retained viability even when parodied. Many silent films with action and adventure scenarios flourished in
6072-550: The scores are regularly posted in Google search results for films so reviewed. Furthermore, the scores are prominently featured in Fandango's popular ticket purchasing website, on its mobile app, on popular streaming services like Peacock , and on Flixster, which led to complaints that "rotten" scores damaged films' performances. Others have argued that filmmakers and studios have only themselves to blame if Rotten Tomatoes produces
6160-432: The similarly effects driven sound film King Kong (1933). In her study of King Kong , Cynthia Erb noted a conventions of both travel documentary and jungle adventure traditions. Tasker wrote that the best known displays of these films were those that focused on the character of Tarzan which found more significantly commercial success with the success of Metro-Goldwyn-Mayer films featuring Johnny Weissmuller during
6248-516: The site announced that user reviews would no longer be accepted until a film is publicly released. The site also announced plans to introduce a system for "verified" reviews, and that the "Want to See" statistic would now be expressed as a number so that it would not be confused with the audience score. Despite arguments on how Rotten Tomatoes scores impact the box office, academic researchers so far have not found evidence that Rotten Tomatoes ratings affect box office performance. In January 2010, on
6336-410: The site available in the United Kingdom, India, and Australia were discontinued following the acquisition of Rotten Tomatoes by Fandango. The Mexican version of the site, Tomatazos [ es ] , remains active. The Rotten Tomatoes API provides limited access to critic and audience ratings and reviews, allowing developers to incorporate Rotten Tomatoes data on other websites. The free service
6424-523: The site launched a new web series on Facebook, See It/Skip It , hosted by Jacqueline Coley and Segun Oduolowu. In March 2018, the site announced its new design, icons and logo for the first time in 19 years at South by Southwest . On May 19, 2020, Rotten Tomatoes won the 2020 Webby People's Voice Award for Entertainment in the Web category. In February 2021, the Rotten Tomatoes staff made an entry on their Product Blog, announcing several design changes to
6512-454: The site went live the same month, but the release of Rush Hour was delayed until September 1998. Besides Jackie Chan films , he began including other films on Rotten Tomatoes, extending it beyond Chan's fandom . The first non-Chan Hollywood movie whose reviews were featured on Rotten Tomatoes was Your Friends & Neighbors (1998). The website was an immediate success, receiving mentions by Netscape , Yahoo! , and USA Today within
6600-539: The site: Each film's 'Score Box' at the top of the page would now also include its release year, genre, and runtimes, with an MPAA rating to be soon added; the number of ratings would be shown in groupings – from 50+ up to 250,000+ ratings, for easier visualization. Links to critics and viewers are included underneath the ratings. By clicking on either the Tomatometer Score or the Audience Score,
6688-480: The soundtrack: "Shanghai Surprise", "Someplace Else", "Breath Away from Heaven", "Zig Zag", and "Hottest Gong in Town". The film was a critical and commercial failure , and an official soundtrack album was never released. Glendon Wasey is a sleazy, down-on-his-luck con man struggling to sell glow-in-the-dark neckties in Shanghai. When he encounters the lovely Gloria Tatlock, a missionary nurse who wants to obtain
6776-505: The style as being commonly applied to narratives where action and visual spectacle were foregrounded. He included styles like the swashbuckler , the British empire film, the sensationalized spy thriller, and mythological fantasy films as part of adventure cinema genre. Writing about the adventure genre in the 1970s, Jeffrey Richards said that "since the way a swashbuckler moves and looks is just as important as what it says, we must look at
6864-401: The style as not being a discrete genre in its own, but a flexible, overarching category that encompasses a range of different related narrative forms. British author and academic Yvonne Tasker wrote in her 2015 book The Hollywood Action and Adventure Film (2015) that adventure films imply a story that is located within a fantasy of exoticized setting. She found that these films often apply
6952-577: The users can access "Score Details" information, such as the number of Fresh and Rotten reviews, average rating, and Top Critics' score. The team also added a new "What to Know" section for each film entry page, which could combine the "Critics Consensus" blurb with a new "Audience Says" blurb, so users can see an at-a-glance summary of the sentiments of both certified critics and verified audience members. Rotten Tomatoes staff first collect online reviews from writers who are certified members of various writing guilds or film critic-associations. To be accepted as
7040-616: The vocal disgust of influential critics such as Roger Ebert, who was prone to derisively condemn such moves, with gestures such as "The Wagging Finger of Shame", on At the Movies . Furthermore, the very nature of withholding reviews can draw early conclusions from the public that the film is of poor quality because of that marketing tactic. On February 26, 2019, in response to issues surrounding coordinated " bombing " of user reviews for several films, most notably Captain Marvel and Star Wars: The Rise of Skywalker , prior to their release,
7128-602: The website for "reducing hundreds of reviews culled from print and online sources into a popularized aggregate score", while expressing respect for traditional film critics. Writer Max Landis , following his film Victor Frankenstein receiving an approval rating of 24% on the site, wrote that the site "breaks down entire reviews into just the word 'yes' or 'no', making criticism binary in a destructive arbitrary way". Vulture ran an article in September 2023 that raised several criticisms of Rotten Tomatoes's system, including
7216-520: The website's rating system. The awards were later renamed the Golden Tomato Awards. The nominees and winners are announced on the website, although there is no actual awards ceremony. The films are divided into wide release and limited release categories. Limited releases are defined as opening in 599 or fewer theaters at initial release. Platform releases, movies initially released under 600 theaters but later receiving wider distribution, fall under this definition. Any film opening in more than 600 theaters
7304-416: Was bought by News Corp 's Fox Interactive Media . In January 2010, IGN sold the website to Flixster . The combined reach of both companies is 30 million unique visitors a month across all different platforms, according to the companies. In 2011, Warner Bros. acquired Rotten Tomatoes. In early 2009, Current Television launched The Rotten Tomatoes Show , a televised version of the web review site. It
7392-466: Was built for people under 18 ... so we wanted to give the movie its best chance. What other wide release with a score under 8 percent has opened north of $ 20 million? I don't think there is one". Conversely, Warner Bros. also did not do critic pre-screenings for The House , which held a score of 16% until the day of its release, and opened to just $ 8.7 million; the lowest of star Will Ferrell 's career. That marketing tactic can backfire, and drew
7480-413: Was going to be an increasingly serious complication for the film business: "The power of Rotten Tomatoes and fast-breaking word of mouth will only get stronger. Many Millennials and even Gen X-ers now vet every purchase through the Internet, whether it's restaurants, video games, make-up, consumer electronics or movies. As they get older and comprise an even larger share of total moviegoers, this behavior
7568-464: Was hosted by Brett Erlich and Ellen Fox and written by Mark Ganek. The show aired Thursdays at 10:30 EST until September 16, 2010. It returned as a much shorter segment of InfoMania , a satirical news show that ended in 2011. By late 2009, the website was designed to enable Rotten Tomatoes users to create and join groups to discuss various aspects of film. One group, "The Golden Oyster Awards", accepted votes of members for various awards, spoofing
7656-445: Was in turn acquired by Warner Bros. in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast 's Fandango ticketing company. Warner Bros. retained a minority stake in the merged entities, including Fandango. The site is influential among moviegoers, a third of whom say they consult it before going to the cinema in the U.S. It has been criticized for oversimplifying reviews by flattening them into
7744-662: Was the historical adventure film. These films were typically set in the past and drew from the Fairbanks films such as The Black Pirate (1926) and The Mark of Zorro (1920). They feature violence in a less intense manner than other contemporary genres such as the Western or war film . While not specifically associated with one Hollywood studio, Warner Bros. released a series of popular historical adventures featuring Errol Flynn such as Captain Blood (1935), The Charge of
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