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52-403: Star Trek Log is a series of ten novelizations based on, and inspired by, episodes of the science fiction television series Star Trek: The Animated Series . Published by Ballantine Books from 1974 to 1978, the series was written by Alan Dean Foster and edited by Judy-Lynn del Rey. A 1996 omnibus edition of the series was marketed as a Star Trek: The Animated Series tie-in. The series

104-528: A female superhero, wears traditional folkloric clothes and tries to save traditional elements of Dutch society against the factory owners. Italian TV shows include A come Andromeda (1972) which was a remake of 1962 BBC serial, A for Andromeda (from the novels of Hoyle and Elliott), Geminus (1968), Il segno del comando (1971), Gamma (1974) and La traccia verde (1975). French series are Highlander: The Series , French science-fiction/fantasy television series (both co-produced with Canada) and

156-453: A group of Dutch space explorers and their adventures, De duivelsgrot (The devil's cave), broadcast from 1963 to 1964, about a scientist who finds the map of a cave that leads to the center of the Earth and Treinreis naar de Toekomst (Train journey to the future) about two young children who are taken to the future by robots who try to recreate humanity, but are unable to give the cloned humans

208-630: A man who becomes trapped in a telephone booth, while passersby seem unable to help him, won the 1973 International Emmy Award for Fiction. The series Plutón B.R.B. Nero (2008) was a brutal SF comedy by Álex de la Iglesia , in the line of The Hitchhiker's Guide to the Galaxy , Red Dwarf , or Doctor Who , with 26 episodes of 35 minutes. Other series of the 2010s were Los protegidos (2010-2012), El barco (2011-2013), and El internado (2007-2010), all three inspired by North American productions, with minor SF elements. The latest success

260-411: A new source of income for actors, who began to charge money for autographs that they had previously been doing for free. This became significant enough that lesser-known actors would come to conventions without requesting any appearance fee, simply to be allowed to sell their own autographs (commonly on publicity photos). Today most events with actor appearances are organized by commercial promoters, though

312-469: A number of fan-run conventions still exist, such as Toronto Trek and Shore Leave . The 1985 series Robotech is most often credited as the catalyst for the Western interest in anime. The series inspired a few fanzines such as Protoculture Addicts and Animag both of which in turn promoted interest in the wide world of anime in general. Anime's first notable appearance at SF or comic book conventions

364-428: A number of smaller fiction/fantasy television series, including Tang in 1971, about a secret organization that attempts to control the world with a new super weapon, "Les atomistes" and 1970 miniseries "La brigade des maléfices". Another French-produced science fiction series was the new age animated series Il était une fois... l'espace (English: Once upon a time...space ). Anime-influenced animation includes

416-641: A science fiction television series based upon Zoran Živković's story, winner of a World Fantasy Award . Návštěvníci (The Visitors) was a Czechoslovak (and Federal German, Swiss and French) TV series produced in 1981 to 1983. The family show aired in a larger number of European countries. For a list of notable science fiction series and programs on television, see: List of science fiction television programs . People who have influenced science fiction on television include: [REDACTED] Media related to Science fiction television programmes at Wikimedia Commons Transworld Publishers Transworld

468-407: A sense, virtually all animated series allow characters and objects to perform in unrealistic ways, so they are almost all considered to fit within the broadest category of speculative fiction (in the context of awards, criticism, marketing, etc.) The artistic affinity of animation to comic books has led to a large amount of superhero -themed animation, much of this adapted from comics series, while

520-400: A series of French-Japanese cartoons / anime , including such titles as Ulysses 31 (1981), The Mysterious Cities of Gold (1982), and Ōban Star-Racers (2006). The first Spanish SF series was Diego Valor , a 22 episode TV adaption of a radio show hero of the same name based on Dan Dare , aired weekly between 1958 and 1959. Nothing was survived of this series, not a single still; it

572-462: A soul. All three of these television series were aimed mostly at children. Later television series were Professor Vreemdeling (1977) about a strange professor who wants to make plants speak and Zeeuws Meisje  [ nl ] (1997) a nationalistic post-apocalyptic series where the Netherlands has been built full of housing and the highways are filled with traffic jams. The protagonist,

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624-469: A wide array of software. Models have been an essential tool in science fiction television since the beginning, when Buck Rogers took flight in spark-scattering spaceships wheeling across a matte backdrop sky. The original Star Trek required a staggering array of models; the USS Enterprise had to be built in several different scales for different needs. Models fell out of use in filming in

676-505: Is El ministerio del tiempo ( The ministry of time ), premiered on February 24, 2015 on TVE 's main channel La 1 . The series follows the exploits of a patrol of the fictional Ministry of Time, which deals with incidents caused by time travel. It has garnered several national prizes in 2015, like the Ondas Prize , and has a thick following on-line, called los ministéricos . Serbia produced The Collector ( Sakupljač ),

728-685: Is a British publishing house in Ealing , London that is a division of Penguin Random House , one of the world's largest mass media groups. It was established in 1950 as the British division of American company Bantam Books . It publishes fiction and nonfiction titles by various best-selling authors including Val Wood under several different imprints . Hardbacks are published under the Doubleday imprint, whereas paperbacks are published under

780-438: Is not known if the show was even recorded or just a live broadcast. The 60s were dominated by Chicho Ibáñez Serrador and Narciso Ibáñez Menta , who adapted SF works from Golden Age authors and others to a series titled Mañana puede ser verdad . Only 11 episodes were filmed. The 70s saw three important television films, Los pajaritos (1974), La Gioconda está triste (1977), and La cabina (1972), this last one, about

832-485: Is similar to novelizations based on episodes of Star Trek: The Original Series published by Bantam Books , written by James Blish and J. A. Lawrence . After completing two novelizations for Ballantine Books, Luana   (1974) and Dark Star (1974), Foster was approached by editor Judy-Lynn del Rey to adapt episodes of the Star Trek animated series to prose. Foster agreed, and was granted freedom to arrange

884-512: The Asgard characters are puppets in scenes where they are sitting, standing, or lying down. In Mystery Science Theater 3000 , the characters of Crow T. Robot and Tom Servo , two of the show's main (and most iconic) characters, are puppets constructed from random household items. As animation is completely free of the constraints of gravity, momentum, and physical reality, it is an ideal technique for science fiction and fantasy on television. In

936-527: The Australian Broadcasting Corporation . Later series made in the 1960s included The Interpretaris (1966) Vega 4 (1967), and Phoenix Five (1970). The country's best known Science Fiction series was Farscape ; an American co-production, it ran from 1999 to 2003. A significant proportion of Australian produced Science Fiction programmes are made for the teens/young Adults market, including The Girl from Tomorrow ,

988-574: The Los Angeles Times was printed on the cover of Log One (1974), it read: " NBC 's new animated Star Trek is… fascinating fare, written, produced and executed with all the imaginative skill, the intellectual flare and the literary level that made Gene Roddenberry 's famous old science-fiction epic the most avidly followed program in TV history…" In a review included in his Complete Starfleet Library web project, Steven Roby stated Foster carried

1040-729: The Super Robots such as Mitsuteru Yokoyama 's Tetsujin 28-go ( Gigantor ) and Go Nagai 's Mazinger Z , and the Real Robots such as Yoshiyuki Tomino 's Gundam series and Shōji Kawamori 's Macross series. Other primary aspects of Japanese science fiction television are the superhero tokusatsu (a term literally meaning special effects ) series, pioneered by programs such as Moonlight Mask and Planet Prince . The suitmation technique has been used in long running franchises include Eiji Tsuburaya 's Ultra Series , Shotaro Ishinomori 's Kamen Rider Series , and

1092-619: The Super Sentai Series. In addition, several dramas utilize science fiction elements as framing devices, but are not labeled as "tokusatsu" as they do not utilize actors in full body suits and other special effects. Among the notable German language productions are: Danish television broadcast the children's TV-series Crash in 1984 about a boy who finds out that his room is a space ship. Early Dutch television series were Morgen gebeurt het  [ nl ] (Tomorrow it will happen), broadcast from 1957 to 1959, about

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1144-555: The captain's log narration in each episode, referring to them as Star Trek "Logs" in Voyages of Imagination (2006). Numbering each book, instead of naming them after an episode was inspired by Blish's series of novelizations, which were numbered Star Trek 1 (1967) through Star Trek 9 (1973). That series would later expand to Star Trek 12 (1977). The most recent omnibus editions used the scheme Star Trek: The Animated Series – Log One and Two , etc. Goodreads lists

1196-594: The 1950s". Doctor Who , which launched in 1963 and ran until 1989, then was revived in 2005, was listed in the Guinness World Records in 2006 as the longest-running science fiction television show in the world and as the "most successful" science fiction series of all time. Other cult British series in the science fiction genre include The Tomorrow People , Space: 1999 , Blake's 7 , Star Cops and Red Dwarf . Science fiction in Canada

1248-453: The 1970s. No other show attracted a large organized following until the 1990s, when Babylon 5 attracted both Star Trek fans and a large number of literary SF fans who previously had not been involved in media fandom. Other series began to attract a growing number of followers. The British series, Doctor Who , has similarly attracted a devoted following. In the late 1990s, a market for celebrity autographs emerged on eBay , which created

1300-472: The 1990s as CGI became more affordable and practical, but even today, designers sometimes construct scale models which are then digitized for use in animation software. Models of characters are puppets . Gerry Anderson created a series of shows using puppets living in a universe of models and miniature sets, notably Thunderbirds . ALF depicted an alien living in a family, while Farscape included two puppets as regular characters. In Stargate SG-1 ,

1352-514: The U.K., Australia and New Zealand. Reprints for Log Six through Ten were scheduled for 1977, but later withdrawn. The series was translated for the German-language market as Raumschiff Enterprise: Die neuen Abenteuer . Distributed in various formats from 1993 to 1995 by publishers Goldmann and Loewe. Science fiction on television The need to portray imaginary settings or characters with properties and abilities beyond

1404-446: The adaptations "into territory that might as well have been a different story altogether." The amount of material included by Foster was "enough to make these books seem almost more like original novels rather than simple adaptations." Steve Lazarowitz of SF Site said in his review of Logs Seven and Eight (1996) that Foster, "did a great job of getting inside character's heads, as well as adding enough science and pseudoscience to make

1456-420: The adaptations however he wished. Foster was uncertain how to structure the series initially, but he settled on packaging three episode scripts per book, and attempted to tie them together into a cohesive story. He said of his work on the series, “I had pretty much a free hand. Hence the opportunity to insert little fun bits and pieces.” The first book, Log One , was released during the summer of 1974. Sales of

1508-448: The basic concept of a series, influencing all the artistic choices. By the late 1990s, improved technology and more training and cross-training within the industry made all of these techniques easier to use, so that directors of individual episodes could make decisions to use one or more methods, so such artistic choices no longer needed to be baked into the series concept. Special effects (or "SPFX") have been an essential tool throughout

1560-541: The development of the Massive software application permits producers to include hordes of non-human characters to storm a city or space station. The robotic Cylons in the new version of Battlestar Galactica are usually animated characters, while the Asgard in Stargate SG-1 are animated when they are shown walking around or more than one is on screen at once. In general, science fiction series are subject to

1612-533: The domestic television market, most Canadian productions involve partnerships with production studios based in the United States and Europe. However, in recent years, new partnership arrangements are allowing Canadian investors a growing share of control of projects produced in Canada and elsewhere. Australia's first locally produced Science Fiction series was The Stranger (1964–65) produced and screened by

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1664-559: The earliest forms of media fandom was Star Trek fandom . Fans of the series became known to each other through the science fiction fandom . In 1968, NBC decided to cancel Star Trek . Bjo Trimble wrote letters to contacts in the National Fantasy Fan Foundation, asking people to organize their local friends to write to the network to demand the show remain on the air. Network executives were overwhelmed by an unprecedented wave of correspondence, and they kept

1716-456: The first decade of the 21st century, changes in provincial tax legislation prompted many production companies to move from Toronto to Vancouver . Recent popular series produced in Vancouver include The Dead Zone , Smallville , Andromeda , Stargate Atlantis , Stargate Universe , The 4400 , Sanctuary and the reimagined Battlestar Galactica . Because of the small size of

1768-401: The first six books "skyrocketed", according to Foster. He was then approached by del Ray to produce four more books, which he obliged. Log Seven (1976) through Log Ten (1978) were based on one episode script each, which allowed Foster to greatly expand their stories. Each book's title follows a simple pattern: Star Trek Log followed by the number in the series. Foster named the books after

1820-479: The history of science fiction on television: small explosives to simulate the effects of various rayguns , squibs of blood and gruesome prosthetics to simulate the monsters and victims in horror series, and the wire-flying entrances and exits of George Reeves as Superman . The broad term "special effects" includes all the techniques here, but more commonly there are two categories of effects. Visual effects ("VFX") involve photographic or digital manipulation of

1872-516: The impossible characters and settings allowed in animation made this a preferred medium for both fantasy and for series aimed at young audiences. Originally, animation was all hand-drawn by artists, though in the 1980s, beginning with Captain Power , computers began to automate the task of creating repeated images; by the 1990s, hand-drawn animation became defunct. In recent years as technology has improved, this has become more common, notably since

1924-505: The long-running Mr. Squiggle , Halfway Across the Galaxy and Turn Left , Ocean Girl , Crash Zone , Watch This Space and Spellbinder . Other series like Time Trax , Roar , and Space: Above and Beyond were filmed in Australia, but used mostly US crew and actors. Japan has a long history of producing science fiction series for television. Some of the most famous are anime such as Osamu Tezuka 's Astro Boy ,

1976-413: The majority of science fiction media fandom has been represented by males of all ages and for most of its modern existence, a fairly diverse racial demographic. The most highly publicized demographic for science fiction fans is the male adolescent; roughly the same demographic for American comic books . Female fans, while always present, were far fewer in number and less conspicuously present in fandom. With

2028-536: The onscreen image, usually done in post-production . Mechanical or physical effects involve props, pyrotechnics, and other physical methods used during principal photography itself. Some effects involved a combination of techniques; a ray gun might require a pyrotechnic during filming, and then an optical glowing line added to the film image in post-production. Stunts are another important category of physical effects. In general, all kinds of special effects must be carefully planned during pre-production . Babylon 5

2080-664: The original text. Some printings distributed outside of North America omitted The Animated Series subtitle. Omnibus editions published by Pocket Books for the United Kingdom and Australian / New Zealand markets. Variants were later made available in North America. The series was reprinted by Corgi , and by German publishers Goldmann and Loewe. From 1978 to 1989, facsimile editions of some volumes were manufactured by vanity publishers Aeonian Press and Amereon. Corgi released reprints in limited quantities to

2132-484: The reach of current reality obliges producers to make extensive use of specialized techniques of television production. Through most of the 20th century, many of these techniques were expensive and involved a small number of dedicated craft practitioners, while the reusability of props, models, effects, or animation techniques made it easier to keep using them. The combination of high initial cost and lower maintenance cost pushed producers into building these techniques into

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2184-404: The rising popularity of fanfiction , a large majority of which is categorized as slash fanfiction . Female fans comprise the majority of fanfiction writers. U.S. television science fiction has produced Lost In Space , Star Trek , The Twilight Zone , and The X-Files , among others. British television science fiction began in 1938 when the broadcast medium was in its infancy with

2236-424: The rising popularity of fanzines, female fans became increasingly vocal. Starting in the 2000s (decade), genre series began to offer more prominent female characters. Many series featured women as the main characters with males as supporting characters. True Blood is an example. Also, such shows premises moved away from heroic action-adventure and focused more on characters and their relationships. This has caused

2288-403: The same financial constraints as other television shows. However, high production costs increase the financial risk, while limited audiences further complicate the business case for continuing production. Star Trek was the first television series to cost more than $ 100,000 per episode, while Star Trek: The Next Generation was the first to cost more than $ 1 million per episode. One of

2340-529: The series as Star Trek: Logs , but this varies according to which book or edition is searched. The name Star Trek Logs , plural, was adopted by contributors at Memory Alpha , and other fansites . Bibliographic sites, such as LibraryThing and the Internet Speculative Fiction Database , list the series as Star Trek Log with each book given its corresponding volume number in the series. A blurb credited to Cecil Smith of

2392-487: The show on the air. Although the series continued to receive low ratings and was canceled a year later, the enduring popularity of the series resulted in Paramount creating a set of movies, and then a new series Star Trek: The Next Generation , which by the early 1990s had become one of the most popular dramas on American television. Star Trek fans continued to grow in number, and first began organizing conventions in

2444-422: The stories plausible." For fans of the original series and animated series, Lazarowitz said in his review of Logs One and Two (1996) that the books were "must have." Blogger Tracy Poff contrasted Foster's adaptation of "shorter episodes" from the animated series against James Blish's adaptations of longer episodes from the original series, saying "after reading ten volumes of Blish's spartan prose," Foster's prose

2496-503: The transmission of a partial adaptation of Karel Čapek 's play R.U.R. . Despite an occasionally chequered history, programmes in the genre have been produced by both the BBC and the largest commercial channel, ITV . Nigel Kneale 's The Quatermass Experiment (1953) and its sequels have been called "one of BBC Television's earliest audience successes" and Kneale became "one of the most influential television and film writers to emerge in

2548-410: Was "refreshing." Some volumes in the series received as many as twenty-four printings by Ballantine from 1974 to 1991. Omnibus editions published by Del Rey. Log Ten (1978) was excluded. Star Trek: The Animated Series omnibus editions were published as part of Star Trek 's 30th Anniversary celebration by Del Rey Books. A serialized essay by Foster was included, as well as corrections to

2600-588: Was in the form of video showings of popular anime, untranslated and often low quality VHS bootlegs. Starting in the 1990s, anime fans began organizing conventions. These quickly grew to sizes much larger than other science fiction and media conventions in the same communities; many cities now have anime conventions attracting five to ten thousand attendees. Many anime conventions are a hybrid between non-profit and commercial events, with volunteer organizers handling large revenue streams and dealing with commercial suppliers and professional marketing campaigns. For decades,

2652-611: Was produced by the CBC as early as the 1950s. In the 1970s, CTV produced The Starlost . In the 1980s, Canadian animation studios including Nelvana , began producing a growing proportion of the world market in animation. In the 1990s, Canada became an important player in live action speculative fiction on television, with dozens of series like Forever Knight , Robocop , and most notably The X-Files and Stargate SG-1 . Many series have been produced for youth and children's markets, including Deepwater Black and MythQuest . In

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2704-401: Was the first series to use computer-generated imagery , or "CGI", for all exterior space scenes, even those with characters in space suits. The technology has made this more practical, so that today models are rarely used. In the 1990s, CGI required expensive processors and customized applications, but by the 2000s (decade), computing power has pushed capabilities down to personal laptops running

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