37-451: Streeton is a surname. Notable people with the surname include: Arthur Streeton (1867–1943), Australian landscape painter George H. Streeton (1864–?), American architect Richard Streeton (1930–2006), English journalist Terence Streeton (1930–2017), British diplomat See also [ edit ] Division of Streeton [REDACTED] Surname list This page lists people with
74-526: A Mention honourable at the 1892 Paris Salon . On 2 June 1890, in the wake of an economic depression in Melbourne, Strreeton sailed to Sydney, and initially stayed there with his sister in the suburb of Summer Hill. He soon relocated to Curlew Camp , a plein air artists' camp on Sydney Harbour, where he painted many views of his natural surroundings and was visited by a number of artists, including Julian Ashton and Albert Henry Fullwood , who stayed at
111-607: A piano trio they named the Streeton Trio after the painter. Streeton's works appear in many major Australian galleries and museums, including the National Gallery of Australia and state galleries, and the Australian War Memorial . In September 2015, Streeton's Coogee clifftop landscape Blue Pacific (1890) became the first painting by an Australian artist, and only the second painting by
148-408: A Western artist outside Europe, to hang in the permanent collection of the National Gallery , London. It sits alongside major impressionist works by Claude Monet and Édouard Manet . Streeton's paintings are amongst the most collectible of Australian artists and attracted high prices during his lifetime. Golden Summer, Eaglemont sold for around 1000 guineas in 1924 and in 1995 it was bought in
185-477: A happy pastoral, we would have instead a numerous fleet of grimy coal ships, hulks, smoke and darkness. The letter helped raise public alarm over the proposal, and in 1895, Streeton painted Cremorne pastoral , his largest harbour composition, as "an elegiac image of what [he] believed would be lost" if the project went head. When it went on exhibition later that year, the Art Gallery of New South Wales acquired
222-515: A large monument was erected in his memory. Buvelot's widow, also an artist, died in 1902, there were no children. In July 1888 a memorial exhibition of his work was held at the National Gallery of Victoria, Melbourne, and one of the galleries in that building was subsequently named after him. Buvelot is best known for his great contribution to Australian art. His works, mostly oil landscapes, are quite well regarded, but perhaps his impact
259-558: A number of which infuse the Australian landscape with mythological subjects. The city also spurred his interest in the decorative arts as he painted on fans, furniture, musical instruments and other objects. The influence of Japanese art, such as kakemono (hung scrolls), is evidenced in the extreme vertical formats and compositional elements he favoured around this time. In 1893, Streeton wrote in Sydney's Daily Telegraph criticising
296-411: A private sale by the National Gallery of Australia for A$ 3.5 million, both times setting a sales record for an Australian painting. In 1985, Settler's Camp sold at auction for A$ 800,000 and this remained the record auction price for Streeton's work until 23 May 2005, when his 1890 painting, Sunlight Sweet, Coogee , was sold for A$ 2.04 million (A$ 1.853 million before tax), becoming only
333-432: A proposal by a mining company to develop a colliery on the shores of Sydney Harbor, which would necessitate the cutting down of a great many gum trees. His letter, which came to be known as "Streeton's shriek", read in part: It seems likely that charming Cremorne is to pass away and leave a dismal eyesore ... Where once was youth with their sweethearts in white muslin gathered joyfully for merriment and sport, making Cremorne
370-566: A well-known landscape painter of the day. After a few months there he migrated to Bahia , Brazil where he worked on his uncle's coffee plantation. In October 1840 Buvelot moved to Rio de Janeiro and attracted the notice of the emperor Dom Pedro II , who bought some of his pictures and decorated him with the Order of the Rose . In November 1843 Buvelot married Marie-Félicité, née Lalouette (born 1816). Buvelot returned to Switzerland in 1852 and in 1856
407-480: A year but soon resumed his painting. He lived for some years in Latrobe Street East, and then moved to George Street, Fitzroy . His new wife, Caroline-Julie Beguin, helped by teaching French, and presently he began to find buyers for his pictures, of whom James Smith was one of the earliest. In 1869 the trustees of the National Gallery of Victoria bought two of his pictures, and in 1870 paid £131 for
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#1732766203166444-584: Is different from Wikidata All set index articles Arthur Streeton Sir Arthur Ernest Streeton (8 April 1867 – 1 September 1943) was an Australian landscape painter and a leading member of the Heidelberg School , also known as Australian Impressionism . Streeton was born in Mount Moriac, Victoria , south-west of Geelong , on 8 April 1867, the fourth child of Charles Henry and Mary (née Johnson) Streeton. His family moved to
481-644: The Art Gallery of New South Wales . After the war, Streeton resumed painting in the Grampians and Dandenong Ranges . Streeton built a house on five acres (20,000 m ) at Olinda in the Dandenongs where he continued to paint. He won the Wynne Prize in 1928 with Afternoon Light, Goulburn Valley . He was an art critic for The Argus from 1929 to 1935 and in 1937 was knighted for services to
518-681: The Chelsea Arts Club , including Tom Roberts , he joined the Royal Army Medical Corps ( British Army ) at the age of 48. He worked at the 3rd London General Hospital in Wandsworth and reached the rank of corporal . Streeton was made an Australian Official War Artist with the Australian Imperial Force , holding the rank of Honorary Lieutenant, and he travelled to France on 14 May 1918 and
555-605: The Melbourne suburb of Richmond in 1874. His parents were English migrants who had met on their voyage to Australia in 1854. In 1882, Streeton commenced art studies with George Folingsby at the National Gallery School . In 1885, Streeton exhibited works for the first time with the Victorian Academy of Art . He found employment as an apprentice lithographer under Charles Troedel . During
592-641: The Royal Academy in 1900 and became a member of the Chelsea Arts Club in 1903. Although he had developed a considerable reputation in Australia, he failed to achieve the same success in England. His trips to London were financed by the sales of his paintings at home in Australia. His time in England reinforced a strong sense of patriotism towards the British Empire and, like many, anticipated
629-629: The Southern Cross ... But tobacco and wine weighed healthily against the darkness". He descended the hill daily to Heidelberg village for meals before jaunting into the bush with a billycan of milk and swag of paints and canvases. The first artists to paint with Streeton at Eaglemont were the National Gallery students Aby Altson and John Llewellyn Jones , followed by John Mather and Walter Withers . Like Streeton, Withers painted from nature amidst suburban bush around Melbourne, employing earthy colours with loose, impressionistic brushstrokes. By
666-611: The Waterpool at Coleraine . In 1873, 1880 and 1884 he was awarded gold medals at exhibitions held in Melbourne, and he also received a silver medal at the Philadelphia exhibition of 1876. His reputation became established, his only interest was his work, and he went on steadily painting until his death on 30 May 1888. Buvelot died at his home on George St, Fitzroy . He was buried at the Boroondara Cemetery , where
703-1060: The coming war with Germany with some enthusiasm. In 1906, Streeton returned to Australia and completed some paintings at Mount Macedon in February 1907 while staying with his patrons the Pinschofs at Hohe Warte. These included the notable five feet by three feet Australia Felix (a view from Mt. Toorong) and a number of other smaller paintings. He returned to London in October. Paintings done in Venice in September 1908, including The Grand Canal , were exhibited in Australia in July 1909 as "Arthur Streeton's Venice". In Australia again in April 1914 he held exhibitions in Sydney and Melbourne and went back to England in early 1915. Along with other members of
740-413: The surname Streeton . If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Streeton&oldid=1010725421 " Category : Surnames Hidden categories: Articles with short description Short description
777-588: The arts. He married Esther Leonora Clench , a Canadian violinist, in 1908. Streeton died in September 1943. He is buried at Ferntree Gully cemetery. Streeton Drive, a main thoroughfare in Weston Creek is named after Sir Arthur, as is Streeton Primary School, in the Melbourne suburb of Yallambie . There is also a memorial for Streeton just outside Geelong, Victoria. In 2008, three expatriate Australian classical musicians living in Geneva, Switzerland founded
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#1732766203166814-609: The attractive agricultural and grazing suburb of Heidelberg , 11 km north-east of Melbourne's city centre. He intended to walk the remaining distance to the site where Louis Buvelot painted his 1866 work Summer afternoon near Templestowe , which Streeton considered "the first fine landscape painted in Victoria". On the return journey to Heidelberg, wet canvas in hand, Streeton met Charles Davies, brother-in-law of friend and fellow plein air painter David Davies . Charles gave him "artistic possession" of an abandoned homestead atop
851-556: The camp for extended periods. Tom Roberts later joined him also, continuing their artistic friendship. From 1891, Streeton began travelling widely in rural New South Wales. As well as painting scenes of Sydney Harbour and Coogee, and urban scenes of Sydney, it was during the early to mid-1890s that he painted some of his major rural landscapes, including the Hawkesbury River series and ' Fire's on' . Sydney Harbour inspired many of Streeton's most poetic Symbolist paintings,
888-457: The core group of what became known as the Heidelberg School movement, later also called Australian impressionism. Streeton's work rapidly improved during this period, and by 1888 he was widely considered one of Victoria's most gifted young painters. Streeton was exhibiting and perhaps painting in the studio of his friend Roberts at Grosvenor Chambers , Collins Street by May 1888. In the summer drought of 1888, Streeton travelled by train to
925-541: The end of 1888, he became a weekend visitor to the camp. About the same time, Streeton met the artist Charles Conder , who travelled down from Sydney in October 1888 at the invitation of Tom Roberts . One year Streeton's junior, Conder was already a committed plein airist , having been influenced by the painterly techniques of expatriate impressionist Girolamo Nerli . Conder and Roberts joined Streeton at Eaglemont in January 1889 and helped make some modest improvements to
962-457: The estate's tenant farmer Jack Whelan (who appears in Streeton's "pioneer" painting The selector's hut (Whelan on the log) , 1890 ), and slept upon the floor, the rooms being bare of furniture. Of his first few nights at the house, Streeton said it was "creaking and ghostly. A long dark corridor seemed full of past visions, and out of doors a blurred rich blackness against the sharp brilliance of
999-406: The everyday moments of the war. Streeton explained what was at that time an unconventional point of view – a perspective which was based in experience: True pictures of battlefields are very quiet looking things. There's nothing much to be seen, everybody and thing is hidden and camouflaged. Two paintings from this period, Villers Bretonneux (1918) and Boulogne (1918), are in the collection of
1036-413: The house. Despite austere living conditions, Streeton felt content: "Surrounded by the loveliness of the new landscape, with heat, drought, and flies, and hard pressed for the necessaries of life, we worked hard, and were a happy trio." Streeton and Conder quickly became friends and influenced one another's art. Their shared love of South Australian poet Adam Lindsay Gordon 's lyrical verse is revealed in
1073-636: The second painting by an Australian artist to exceed the A$ 2 ;million mark at auction (after Frederick McCubbin 's 1892 work Bush Idyll , which sold for A$ 2.3 million in 1998). The painting was part of the Foster's Group collection and was sold at auction by Sotheby's . That record was eclipsed when, on 21 April 2021, Streeton's The Grand Canal (1908) was auctioned in Melbourne for A$ 3.068 million. Louis Buvelot Louis Buvelot (3 March 1814 – 30 May 1888), born Abram-Louis Buvelot ,
1110-450: The stream, and shall for ever glide ' (1890)—each a sunlit pastoral scene of golden-paddocked plains stretching to the distant blue Corhanwarrabul . In 1891, Arthur Merric and Emma Minnie of the Boyd artistic dynasty took Golden Summer, Eaglemont to Europe where it became the first painting by an Australian-born artist to be exhibited at the Royal Academy , London, and was awarded
1147-411: The summer of 1886–87, Streeton, aged nineteen, first befriended Tom Roberts and Frederick McCubbin while painting en plein air at Mentone Beach . The pair greatly admired Streeton's work and invited him to join them at artists' camps they had established in both Mentone and Box Hill . They were later joined by Charles Conder , beginning a two-year period of close creative companionship, and forming
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1184-532: The summit of Mount Eagle estate , offering spectacular views across the Yarra Valley to the Dandenongs . For Streeton, Eaglemont (as it became known) was the ideal working environment—a reasonably isolated rural location accessible by public transport. The house itself could be seen by visitors as they arrived at Heidelberg railway station . Streeton spent the first few nights at Eaglemont alone with
1221-583: The titles of some of their Eaglemont paintings, including Streeton's romantic gloaming work ' Above us the great grave sky ' (1890, taken from Gordon's poem "Doubtful Dreams" ). Later, critics would describe some of the pair's Eaglemont paintings as companion pieces, as both artists often painted the same views and subjects using a high-keyed "gold and blue" palette, which Streeton considered "nature's scheme of colour in Australia". Two of Streeton's best-known works were painted during this period— Golden Summer, Eaglemont (1889) and ' Still glides
1258-478: The work and publicly endorsed Streeton's protests. The government, in the face of mounting backlash, was forced to abandon the mining project. Cremorne pastoral' s status as an environmental protest painting is considered groundbreaking in Australian art history. In 1897 Streeton sailed for London on the Polynesian , stopping at Port Said before continuing on via Cairo and Naples . He held an exhibition at
1295-706: Was a Swiss landscape painter who lived 17 years in Brazil, and following 5 years back in Switzerland, stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Buvelot was born in Morges , Vaud , Switzerland, second son of François Simeon Buvelot, postal official, and his wife Jeanne-Louise née Heizer, a school teacher. Louis Buvelot (who disliked his first name and never used it) worked under Marc-Louis Arland at Lausanne , and from around 1834 continued his studies at Paris with Camille Flers ,
1332-644: Was attached to the 2nd Division , receiving his movement order on 8 May 1918. He worked in France, with a break in August, until October 1918. Expected by the Commonwealth to produce sketches and drawings that were "descriptive", Streeton concentrated on the landscape of the scenes of war and did not attempt to convey the human suffering. Unlike the more famous military art depicting the definitive moments of battle, Streeton produced "military still life", capturing
1369-549: Was awarded a silver medal for a picture exhibited at Bern . Buvelot having lived in a warm country and finding the cold of Switzerland trying to his health left his family in La Chaux-de-Fonds and sailed from Liverpool bound for Melbourne , Australia in 1864 accompanied by Caroline-Julie Beguin, a teacher. Arriving in Melbourne in February 1865, Buvelot was in business as a photographer in Bourke Street for
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