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43-638: The Sydney Fringe Festival is the largest independent arts festival in New South Wales with over 450 events presented in over 70 venues across Greater Sydney each year during September. It encompasses genres such as stand-up comedy , music , theatre , cabaret , visual arts , and burlesque . Outside of September, the Sydney Fringe Festival advocate for artists, agitate for change and activate unused space creating new cultural infrastructure and precincts. The Sydney Fringe, began as

86-647: A curated festival (like the New York International Fringe Festival ) as opposed to an open access "unjuried" festival (the model used by the Edinburgh Fringe Festival ). In 2012, festival director Richard Hull implemented the open access festival model. The Sydney Fringe typically operates in a festival precinct encompassing a number of venues in the Inner West / Sydney CBD area, with a few other venues in

129-445: A demo recording. They provide an outlet for singer-songwriters. Prior to their popularity, the only outlets generally were folk clubs , which were not always friendly towards creators of new music and preferred traditional popular music. They also suggested that music performed by acoustic musicians or solo artists in this manner would necessarily be folk music, a misconception that still commonly exists today. Some organizers have chosen

172-434: A designated stage area and use a microphone with amplification as an industry standard. Open mics for comedy have no minimum requirements to perform, a format which is known as "show and go". At a typical comedy open mic, acts will get 3–7 minutes of stage time. The routine of a five-minute slot requires approximately three minutes of material. All stand-up comedy performed must be an original creation. The host of

215-442: A full house'. Conversely, when shows were not sold out and audience members had more room to spread out among empty tables and chairs, audience members were less likely to relate their experiences as one of entertainment or enjoyment." The host introduces each act by reciting the name that was placed on the sign-up list and asks the audience to give the performer an introductory round of applause. Performing first at an open mic puts

258-546: A live audience for the same reason. Jessica Delfino holds the record for most comedy sets performed in one night by a female comedian. Phyllis Diller holds the Guinness World Record for most laughs per minute, with 12. Taylor Goodwin holds the Guinness World Record for most jokes told in an hour with 550. Lee Evans sold £7 million worth of tickets for his 2011 tour in a day,

301-539: A normal format, but performers reserve spots one week to one month in advance. Bringer shows are presented in a showcase format, with each performer being required to bring 5–15 people with them (with a cover charge and a two-drink minimum per person) in order to secure stage time, but this is widely seen as exploitative. Poetry and spoken word open mics feature a host, who is normally a poet or spoken word artist, poets and spoken word artists, and audience members. Sometimes open mic nights have featured readers, or are part of

344-421: A specified number of paying guests with them to receive stage time. As well as being a mainstay of the comedy circuit, festivals often also showcase up-and-coming acts, with promoters and agents using the festivals to seek out new talent. Experienced comics with a following may produce a television special or a comedy album . It may be recorded on tour or at a show advertised and performed specifically for

387-428: A stage, often the upstairs or back room of a pub or bar, or at a bookstore, college campus, rock club, or coffeehouse. Less commonly, they are also held at venues such as strip clubs and comic book shops. Comedy clubs may be the only open mic establishments that have a green room , a backstage area for performers waiting to go on stage where no audience members are present. Open mic nights give emerging comedians

430-502: A stand-up comedy open mic tries to maintain an equilibrium of mood within "the room". Hosts will try to seat audience members close together near the designated front stage area because that seems to maximize the audience's feelings of enjoyment and may lead to increased laughter; of one such event, a reviewer wrote, "Tightly arranged seating within the comedy room created physical discomfort for audience members... yet audience members often talked about how much they enjoyed 'the feeling of

473-560: A successor to the Sydney Fringe Festival, also operated out of Bondi from 2003 to 2004 and was co-produced by Michael Cohen and Glenn Wright. Stand-up comedy A performer in this genre can be known by the masculine and gender-neutral terms stand-up comedian and stand-up comic , or by the feminine term stand-up comedienne . Performances can take place in various venues, including comedy clubs , comedy festivals , bars, nightclubs , colleges, or theaters . Stand-up comedy originated in various traditions of popular entertainment in

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516-419: A venue such as a coffeehouse , nightclub , comedy club , strip club , or pub , often taking place at night (an open mic night ), in which audience members may perform on stage whether they are amateurs or professionals, often for the first time or to promote an upcoming performance. As the name suggests, performers are usually provided with a microphone plugged into a PA system so that they can be heard by

559-430: A well-established stand-up scene; the major examples include Boston , Chicago , London , and New York City . Stand-ups also use open mics for networking to find both paid and unpaid work opportunities, for making friends, or as a form of therapy . "The room" is the term for the setting of a comedy performance; comedians are said to gauge the audience by their ability to "read the room". Stand-up performances have

602-627: A writing workshop, but generally a sign-up sheet is available for anyone interested in participating. Each participant is then called to come to the microphone and read a selection or two. Writers may attend an open mic to try out a new piece for an audience or to find out more about the local writing community. Others attend poetry open mics just to listen. Poetry/spoken word open mics range from laid back, serene settings to lively sessions where readers and/or performers compete for audience applause. They are usually held in libraries, coffee houses , cafes, bookstores and bars. Each poet or spoken word artist

645-516: Is considered America's first stand-up comedian. The first documented use of "stand-up" appeared in The Stage in 1911, describing Nellie Perrier delivering 'stand-up comic ditties in a chic and charming manner'. However, this referred to a performance of comedy songs rather than stand-up comedy in its modern form. The term appeared again in the “Stage Gossip” column of The Yorkshire Evening Post on November 10, 1917. The article discussed

688-455: Is difficult to successfully sue for joke theft regardless due to the idea–expression distinction . According to Anna Spagnolli, stand-up comedy audiences "are both 'co-constructors of the situation' and 'co-responsible for it ' ". In stand-up comedy, an unspoken contract with the audience allows for the exploration of unexpected, controversial, or scandalous subjects. The reception of a joke, whether met with laughter or disapproval, hinges on

731-567: Is followed by the opener, the feature, and then the headliner. The host may also act as the opener for smaller shows. Proven comics tend to earn regular bookings at clubs that are part of a chain and comedy venues. Jobbing stand-ups may perform sets at two or more venues on the same day. Clubs and small venues often run open mic events; these slots may be booked in advance or left for walk-ins. Comedians use open mics to work on material or to show off their skills to get an opener slot. "Bringer shows" are shows that require amateur performers to bring

774-493: Is less common for groups such as rock bands or comedy troupes to perform, mostly because of the space and logistical requirements of preparing equipment and soundchecking such groups. Open mics may have very low entrance fees or no entrance fees at all, although the venue itself may prepare a gratuity jar , a "pass the hat" for donations, or a raffle with various prizes. Venues that charge no fees profit from selling drinks and food. The performers are not typically paid, although

817-400: Is often asked to keep their performances to a minimum/specified time slot, giving each performer enough time to share some of their work with the audience. The host or MC acts as a "gatekeeper", determining which performers are suitable for the event. If a performer goes over their time limit, the host diplomatically thanks the performer for their contribution and asks them to yield the stage for

860-595: Is the opportunity for exposure. Open mics offer attendees the opportunity to discover new and local talent. Performing in front of open mic attendees exposes a performer's material to people who have never heard it before. This allows attendees the opportunity to connect with a performer and share a performer's material with friends and family with similar taste. Experience is also another benefit for performers at open mics. Many performers at open mics are just beginning their career as performers or have been performing for years. Either way, performing at an open mic gives performers

903-507: The jester's privilege , which is the right to discuss and mock anything freely without being punished. Social commentators have referred to the concepts of "punching up" and "punching down" in attempting to describe who should be the "butt of the joke". This carries the assumption that, relative to the comedian's own socio-political identity , comedy should "punch up" at the rich and powerful without "punching down" at those who are marginalized and less fortunate. Many comedians have criticized

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946-590: The United Kingdom is Thursday, with Wednesday in second place. A popular open mic arrangement in the United States is the "Blues Night". In this format, a bar or club will dedicate a particular night, usually in the middle of the week, as being "open mic blues night". The establishment may supply a house band , typically guitar, bass, and drums, and sometimes a keyboard. Singers, guitarists, and harmonica performers who wish to play sign up, usually with

989-559: The appeal of stand up is in appreciation of the skill of the performer, as studies have shown that many people find the idea of standing on stage daunting; research on the subject has consistently found that the fear of public speaking is more intense than the fear of dying . The audience is integral to live comedy, both as a foil to the comedian and as a contributing factor to the overall experience. The use of canned laughter in television comedy reveals this, with shows often seeming "dry" or dull without it. Shows may be filmed in front of

1032-399: The audience's understanding of the premise and appreciation of the punchline. A seasoned comic is able to instantly react to the audience's reaction and use it to further the narrative. Stand-up comedy, distinct from traditional performing arts, features a lone comedian directly engaging the audience. Success hinges on creating spontaneity, fostering intimacy, and deterring heckling. Part of

1075-447: The audience. Performers may sign up in advance for a time slot with the host , who is typically an experienced performer or the venue's manager or owner. The host may screen potential candidates for suitability for the venue and give them a time to perform during the show. Open mics are focused on performance arts such as comedy (whether it be sketch or stand-up ), music (often acoustic singer-songwriters), poetry, and spoken word . It

1118-537: The biggest first-day sale of a British comedy tour. Ricky Gervais set a new Guinness World Record for the highest gross from a single stand-up performance with his tour "Armageddon." The performance at the Hollywood Bowl in Los Angeles, California, on May 6, 2023, garnered £1,410,000 ($ 1,790,206.50). Open mic An open mic or open mike (shortened from "open microphone") is a live show at

1161-404: The career of a comedian Finlay Dunn, stating that Dunn was "what he calls a stand-up comedian'" during the latter part of the 19th century. However, the term may have been used retrospectively. Stand-up has multiple genres and styles with their formats. Common ones include: In a typical stand-up show, the host, compere, or emcee "warms up" the audience and introduces the other performers. This

1204-423: The comedian at a disadvantage due to the audience being "cold" and is considered the most challenging spot to perform in. Stand-ups usually use the second person to address the audience. In 2011, writer Rob Durham said that an open mic night should be no longer than 90 minutes and consist of no more than 15 acts. A comedy open mic will not normally exceed 30 people, which comedian Hannibal Buress has cited as

1247-514: The cultural rhetoric concerning "punching up" and "punching down", including Colin Quinn , who described the terms as a product of activism and "not created by humorous people." Appropriation and plagiarism are considered "social crimes" by most stand-ups. There have been several high-profile accusations of joke theft, some ending in lawsuits for copyright infringement. Those accused will sometimes claim cryptomnesia or parallel thinking, but it

1290-460: The development of routines, which they construct and refine with jokes and interconnected "bits." These bits form an interwoven narrative, leading to the "closer," the final joke that ties the show's themes together for a satisfying conclusion. Most jokes are the juxtaposition of two incongruous things and are made up of the premise, set-up, and punchline , often adding a twist, topper ,or tagline for an intensified or extra laugh. Delivery relies on

1333-719: The host. This person is tasked with screening the performers, choosing and ordering, and getting the performers on and off stage in a polite manner. Since the songs chosen need to be simple enough so that a band of musicians who have not played together can perform them without practice, blues standards are used. Songs might be announced as a "12-bar fast shuffle in C" or "slow 12-bar blues in F", or similar phrases that should be familiar to all concerned. Lead singers, keyboards, horn players (usually saxophones), and various percussion instruments are common additions. Stand-up comedy open mic nights can be held at established comedy clubs but are more commonly held at other venues with or without

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1376-583: The late 19th century. These include vaudeville , the stump-speech monologues of minstrel shows, dime museums , concert saloons , freak shows , variety shows , medicine shows , American burlesque , English music halls , circus clown antics , Chautauqua , and humorist monologues, such as those delivered by Mark Twain in his 1866 touring show Our Fellow Savages of the Sandwich Islands . Charles Farrar Browne (April 26, 1834 – March 6, 1867), better known by his nom de plume , Artemus Ward,

1419-433: The light". In modern times, this is done with the flashlight from a cell phone so as not to distract the audience with a larger or brighter light. If a comedian ignores this light and continues to perform past their allotted time, this is known as "blowing the light" and may get the comedian banned from performing at that venue. Other types of comedy open mics include "booked shows" and "bringer shows". Booked shows have

1462-422: The maximum number of people who should be there. It is common practice for stand-ups to record their sets for later review and rehearsal. The collective feedback from different audiences has a significant impact on how a stand-up routine is shaped. The host will flash a light at the comedian one minute before their time is up as a signal to finish the joke they are currently telling, a practise known as "getting

1505-423: The next performer. The terms "open deck" (where "deck" refers to the kind of turntable used by a DJ) and "open reel" (where "reel" refers to a 35 mm film reel) are used for more niche open mic events where keen amateurs can meet to exhibit and critique their skills/artform. A decrease in the cost of consumer video technology combined with the powerful editing capabilities of modern PCs has caused an increase in

1548-438: The opportunity to perform. The difference is that jam sessions often involve musical ensembles, possibly even a house band or rhythm section , and may involve the participation of professional performers. Open mics provide an opportunity for emerging musicians to gain experience performing to a live audience without having to go through the process of getting normal music gigs, which is very difficult to do without experience or

1591-428: The opportunity to practice their stand-up routine, which they cannot do without a live audience. The audience for a typical comedy open mic is other comedians. Those underage must have their parents attend clubs with them. More experienced comedians may use open mics as an unpaid opportunity to work out newer material or a new character. Open mic comedy nights are most widespread in larger English-speaking cities with

1634-538: The popularity of DJing and amateur filmmaking, but these types of events are still very rare. Performing at open mics as a musician, comedian or poet provides many benefits. One of the benefits of performing at open mics is the opportunity for performers to engage in networking . Novice performers are able to connect with seasoned performers who can offer advice on stage presence. These connections are also useful when it comes to organizing future appearances as well as collaborations. Another benefit to networking at open mics

1677-427: The purpose. A TV special originally released on television, video on demand , or in film theatre's may be re-released as an album on audio CD , LP record , or audio streaming . A "half-hour special" is typically between 20 and 35 minutes in runtime excluding commercial breaks and an "hour-long special" is typically between 40 and 65 minutes excluding commercial breaks. Stand-up comedians define their craft through

1720-530: The title "acoustic night" or "acoustic club" in an attempt to indicate an event run broadly on the lines of a folk club, but with a much wider range of musical styles. Open mic events are most commonly held in the middle of the week or at the very end of the weekend when footfall through venues is low. They rarely occur on the hallowed Friday and Saturday night time slots, when venues are busy with weekend customers and any live performances are professionals who have been booked. The most common night for an open mic in

1763-426: The use of intonation, inflection, attitude, and timing as well as other stylistic devices, such as the rule of three , idioms, archetypes, or wordplay. Another popular joke structure is the paraprosdokian , a surprising punchline that changes the context or meaning of the setup. In order to falsely frame their stories as true or to free themselves of responsibility for breaking social conventions, comedians can use

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1806-434: The venue may give them food or drink. If the host is an experienced professional and not the owner or the manager of the venue, they are usually paid for their services and may perform at some point during the evening, either preparing a full performance of their own or filling in at short notice when a performer is unavailable. Open mics are somewhat related to jam sessions , in that they both see amateur performers being given

1849-532: The wider Sydney area, including Leichhardt, Parramatta, Oxford Street and Hurstville. After a two-year hiatus due to COVID-19 pandemic the Sydney Fringe Festival returned to Sydney. The Sydney Fringe Festival ran from 1994 to 2002 in Bondi , founded by producer Victoria Harbutt and Megan Donnelly who were assisted fantastically by Cathy Carlsson, Sylvia DeAngelis, Gil Summons and Lucia Mastrantone” for four years and Katrina Sedgwick for one year. The Live Bait Festival,

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