P22 Type Foundry is a digital type foundry and letterpress printing studio based in Rochester, New York . The company was created in 1994 in Buffalo, New York by co-founders Richard Kegler and Carima El-Behairy . The company is best known for its type designs, which have appeared in films (e.g. Harry Potter , Suburbicon ) and on commercial products (e.g. Trader Joe's , Founders Brewing Co. ). The P22 Type Foundry retail font collection specializes in historical letterforms inspired by art, history, and science that otherwise have never been available previously in digital form. P22 works with museums and foundations to ensure the development of accurate historical typefaces, and with private clients to create custom bespoke fonts.
12-588: P22 may refer to: P22 (type foundry) , a digital type foundry, Rochester, New York, United States LÉ Aoife (P22) , a patrol vessel of the Irish Naval Service Curtiss XP-22 Hawk , an experimental biplane fighter Maltese patrol boat P22 , of the Armed Forces of Malta Mwera language Papyrus 22 , a biblical manuscript Salmonella virus P22 ,
24-575: A bacteriophage Walther P22 , a pistol Norfolk Southern train P22, involved in the 2005 Graniteville train crash , South Carolina, United States P22, a state regional road in Latvia P-22 , a mountain lion that resided in Griffith Park, Los Angeles, California, United States [REDACTED] Topics referred to by the same term This disambiguation page lists articles associated with
36-588: A documentary film in 2011 called Making Faces , to document the process of book artist Jim Rimmer as he developed a traditional metal font, from concept drawing through to casting in lead. P22 has also published Savage Impressions , a comprehensive book on the work of artist and letterpress-printer Bruce Licher and his Independent Project Records & Press . P22/Atom Smash Records is P22's music publishing branch. Originally started to promote and publish local Buffalo, NY bands, they have gone on to produce nineteen releases, including reissues of Rod McKuen records,
48-534: A studio location in Rochester, NY. P22 as independent type foundry consists of a few partners and outside contractors, who create the core P22 collection fonts. However P22 licenses new exclusive type designs from independent designers and makes them available via the International House of Fonts (IHOF) collection, since 2001. In 2003, P22 acquired the collection of Ted Staunton (briefly known as
60-1095: A techno band called The William Caslon Experience, and the latest release is a vinyl LP of Bruce Licher's demos called Tape Excavation to accompany the Savage Impressions book. Gerald Giampa Gerald Giampa (March 4, 1950 – June 24, 2009) was a printer , typographer and author . When Gerald Giampa was born on 4 March 1950, his parents lived in a tent in Duncan, British Columbia . His interest in printing books came from his grandfather, who liked to read. Giampa studied letterpress printing and typography under Wil Hudson and Nick Schwabe in Vancouver. From 1975 to 1981 Giampa's Cobblestone Press in Vancouver published not only jobbing printing but also works by Ezra Pound , Robin Blaser and George Bowering among others. During this time he chiefly used Caslon type. Later Giampa expanded his company, renaming it
72-621: The Hamilton Wood Type & Printing Museum to publish a collection of wood type revivals. A portion of every sale of the Hamilton Wood Type Collection (HWT) fonts goes to help fund the museum's mission. P22 self publishes from time to time. They published the Indie Fonts books (a collection of 3 volumes) in the early 2000s, to illuminate the work of small independent type designers. P22 produced
84-744: The Northland Letterpress Company, and in 1983 he bought the US Lanston Monotype Machine Company of Philadelphia from M & H typefounders in San Francisco . With the Lanston Monotype Company's stock he acquired much of Frederic Goudy 's materials. He and Jim Rimmer adapted these for digital form; and from 1988 to 2004 ran the digital foundry, Lanston Type Company. In 1994 Giampa moved to Prince Edward Island, but
96-666: The Sherwood Type Collection), which consists of expertly designed alphabets that have historical basis, but tend toward the fanciful and mythic. Staunton continues to design and publish new fonts to this collection. In 2004, P22 acquired the Lanston Type Co. from Gerald Giampa , and continues to update and publish fonts from this renowned collection of type. Known as the Lanston Type Collection (LTC), it contains classic type designs from
108-741: The late 1990s to CD-ROMs packaged in boxes with key charts. During this decade P22 moved locations three times within Buffalo to accommodate growth and manufacturing concerns. Later, with the adaptation of the internet as a means to deliver fonts, P22 reduced its staff and moved to its last Buffalo location. P22 went virtual for a few years when founder Richard Kegler became the Director of the Book Arts at Wells College in Aurora, NY. When Kegler ended his tenure at Wells in 2019, P22 once again coalesced into
120-486: The likes of Fredric Goudy , Sol Hess , Bruce Rogers , among many others. In 2005, Richard Kegler initiated the Rimmer Type Foundry with Jim Rimmer , to make his proprietary type designs available to a larger audience. Because Jim Rimmer is a Canadian national artistic treasure, the digital holdings of this division were repatriated to Patrick Griffin of Canada Type in 2012. In 2012, P22 partnered with
132-552: The same title formed as a letter–number combination. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=P22&oldid=1129728048 " Category : Letter–number combination disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages P22 (type foundry) The name P22 has no specific significance and
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#1732802167828144-597: Was used by founder Richard Kegler prior to the type foundry as a label for various art projects including an ambitious mail art correspondence. Once P22 started developing fonts, they began to sell them packaged on floppy disks. These were very popular in museum stores because of their art history focus. P22 began to work with museums and artist foundations ( Frank Lloyd Wright Foundation , Guggenheim Museum , Burchfield-Penney Art Center , Philadelphia Museum of Art , Albright-Knox Art Gallery , et al.) to develop these art history based font sets. The floppy disks soon gave way in
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