49-450: Pazienza is an Italian surname. Notable people [ edit ] Artists [ edit ] Andrea Pazienza an Italian Comic Book Artist. Sports [ edit ] Michele Pazienza an Italian Footballer. Vinny Pazienza a former Italian American boxer. Music [ edit ] Vinnie Paz an Italian American Rapper. Other [ edit ] Francesco Pazienza
98-438: A book ". Collections of comic books that do not form a continuous story, anthologies or collections of loosely related pieces, and even non-fiction are stocked by libraries and bookstores as graphic novels (similar to the manner in which dramatic stories are included in "comic" books). The term is also sometimes used to distinguish between works created as standalone stories, in contrast to collections or compilations of
147-435: A garbage man a 'sanitation engineer' - and second because a 'graphic novel' is in fact the very thing it is ashamed to admit: a comic book, rather than a comic pamphlet or comic magazine". Writer Neil Gaiman , responding to a claim that he does not write comic books but graphic novels, said the commenter "meant it as a compliment, I suppose. But all of a sudden I felt like someone who'd been informed that she wasn't actually
196-530: A story arc from a comic book series published in book form. In continental Europe, both original book-length stories such as The Ballad of the Salty Sea (1967) by Hugo Pratt or La rivolta dei racchi (1967) by Guido Buzzelli , and collections of comics have been commonly published in hardcover volumes, often called albums , since the end of the 19th century (including such later Franco-Belgian comics series as The Adventures of Tintin in
245-404: A "comic novel" on its credits page. "Graphic album" was also the term used the following year by Gene Day for his hardcover short-story collection Future Day ( Flying Buttress Press ). Another early graphic novel, though it carried no self-description, was The Silver Surfer ( Simon & Schuster/Fireside Books , August 1978), by Marvel Comics' Stan Lee and Jack Kirby . Significantly, this
294-745: A 360-page wordless book (which was never published). In the United States, there is a long tradition of reissuing previously published comic strips in book form. In 1897, the Hearst Syndicate published such a collection of The Yellow Kid by Richard Outcault and it quickly became a best seller. The 1920s saw a revival of the medieval woodcut tradition, with Belgian Frans Masereel cited as "the undisputed king" of this revival. His works include Passionate Journey (1919). American Lynd Ward also worked in this tradition, publishing Gods' Man , in 1929 and going on to publish more during
343-522: A 50-page spoof of the noir - detective genre, written and drawn by the single-name French artist Loro. Nantier followed this with Enki Bilal 's The Call of the Stars . The company marketed these works as "graphic albums". The first six issues of writer-artist Jack Katz 's 1974 Comics and Comix Co. series The First Kingdom were collected as a trade paperback ( Pocket Books , March 1978), which described itself as "the first graphic novel". Issues of
392-447: A UK best-seller list. Outside North America, Eisner's A Contract with God and Spiegelman's Maus led to the popularization of the expression "graphic novel" as well. Until then, most European countries used neutral, descriptive terminology that referred to the form of the medium, not the contents or the publishing form. In Francophone Europe for example, the expression bandes dessinées — which literally translates as "drawn strips" –
441-560: A collection of Frank Miller's four-part comic-book series featuring an older Batman faced with the problems of a dystopian future; and Watchmen (1986-1987), a collection of Alan Moore and Dave Gibbons ' 12-issue limited series in which Moore notes he "set out to explore, amongst other things, the dynamics of power in a post-Hiroshima world". These works and others were reviewed in newspapers and magazines, leading to increased coverage. Sales of graphic novels increased, with Batman: The Dark Knight Returns , for example, lasting 40 weeks on
490-569: A former Italian Militant and current Businessman. Chez Pazienza an American Journalist. [REDACTED] Surname list This page lists people with the surname Pazienza . If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Pazienza&oldid=1156616742 " Category : Surnames Hidden categories: Articles with short description Short description
539-409: A hooker; that in fact she was a lady of the evening". Responding to writer Douglas Wolk 's quip that the difference between a graphic novel and a comic book is "the binding", Bone creator Jeff Smith said: "I kind of like that answer. Because 'graphic novel' ... I don't like that name. It's trying too hard. It is a comic book. But there is a difference. And the difference is, a graphic novel
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#1732781095035588-549: A new life and, for a while, quit drugs. Andrea Pazienza died at age 32 in Montepulciano , from a heroin overdose. The nonprofit association Centro Fumetto Andrea Pazienza was created in his honour to help young cartoonists develop their skills. In 2011, Andrea Pazienza was picked as the first of 150 Italians , a list of the country's most influential people, which was dedicated to the 150th anniversary of Italian unification . Graphic novels A graphic novel
637-424: A perfect time to retire terms like "graphic novel" and "sequential art", which piggyback on the language of other, wholly separate mediums. What's more, both terms have their roots in the need to dissemble and justify, thus both exude a sense of desperation, a gnawing hunger to be accepted. Author Daniel Raeburn wrote: "I snicker at the neologism first for its insecure pretension - the literary equivalent of calling
686-515: A periodical titled Graphic Story Magazine in the fall of 1967. The Sinister House of Secret Love #2 (Jan. 1972), one of DC Comics ' line of extra-length, 48-page comics, specifically used the phrase "a graphic novel of Gothic terror" on its cover. The term "graphic novel" began to grow in popularity months after it appeared on the cover of the trade paperback edition (though not the hardcover edition) of Will Eisner 's A Contract with God (October 1978). This collection of short stories
735-466: A personal body of work, alternating between playful comic cartooning—at times politically charged–and much more elaborate, dark, disturbing graphic novels , often dealing with drugs and wanton violence, with a scattering of black humor throughout. In 1980, he created the character Zanardi and collaborated with the magazines Corto Maltese and Comic Art , while also producing movie and theatre posters, scene designs, record covers, and advertising. He
784-588: A traditional book format. European creators were also experimenting with the longer narrative in comics form. In the United Kingdom, Raymond Briggs was producing works such as Father Christmas (1972) and The Snowman (1978), which he himself described as being from the "bottomless abyss of strip cartooning", although they, along with such other Briggs works as the more mature When the Wind Blows (1982), have been re-marketed as graphic novels in
833-774: A year after A Contract with God though written and drawn in the early 1970s—was labeled a "graphic novel" on the cover of Marvel Comics' black-and-white comics magazine Marvel Preview #17 (Winter 1979), where Blackmark: The Mind Demons premiered: its 117-page contents remained intact, but its panel-layout reconfigured to fit 62 pages. Following this, Marvel from 1982 to 1988 published the Marvel Graphic Novel line of 10" × 7" trade paperbacks—although numbering them like comic books, from #1 ( Jim Starlin 's The Death of Captain Marvel ) to #35 ( Dennis O'Neil , Mike Kaluta , and Russ Heath 's Hitler's Astrologer , starring
882-599: Is "the first American graphic novel". Similarly, critic Jason Sacks referred to the 13-issue "Panther's Rage"—comics' first-known titled, self-contained, multi-issue story arc—that ran from 1973 to 1975 in the Black Panther series in Marvel's Jungle Action as "Marvel's first graphic novel". Meanwhile, in continental Europe, the tradition of collecting serials of popular strips such as The Adventures of Tintin or Asterix led to long-form narratives published initially as serials. In January 1968, Vida del Che
931-436: Is a long-form work of sequential art . The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book , which is generally used for comics periodicals and trade paperbacks . Fan historian Richard Kyle coined
980-473: Is a novel in the sense that there is a beginning, a middle and an end". The Times writer Giles Coren said: "To call them graphic novels is to presume that the novel is in some way 'higher' than the karmicbwurk (comic book), and that only by being thought of as a sort of novel can it be understood as an art form". Some alternative cartoonists have coined their own terms for extended comics narratives. The cover of Daniel Clowes ' Ice Haven (2001) refers to
1029-617: Is different from Wikidata All set index articles Andrea Pazienza Andrea Pazienza ( Italian: [patˈtsjɛntsa] ; 23 May 1956 – 16 June 1988) was an Italian comics artist and painter . Pazienza was born in San Benedetto del Tronto , province of Ascoli Piceno , in 1956. Growing up in his father's town of San Severo in Apulia, he enrolled in 1974 at the Department of Arts, Music, and Entertainment of
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#17327810950351078-412: Is that 'graphic novel' just came to mean 'expensive comic book' and so what you'd get is people like DC Comics or Marvel Comics—because 'graphic novels' were getting some attention, they'd stick six issues of whatever worthless piece of crap they happened to be publishing lately under a glossy cover and call it The She-Hulk Graphic Novel ..." Glen Weldon, author and cultural critic, writes: It's
1127-500: Is used, while the terms stripverhaal ("strip story") and tegneserie ("drawn series") are used by the Dutch/Flemish and Scandinavians respectively. European comics studies scholars have observed that Americans originally used graphic novel for everything that deviated from their standard, 32-page comic book format, meaning that all larger-sized, longer Franco-Belgian comic albums , regardless of their contents, fell under
1176-479: The University of Bologna . He made his debut in the spring of 1977 in the magazine Alteralter with his first comic story, "Le straordinarie avventure di Pentothal" (Pentothal's extraordinary adventures), the surrealistic and psychedelic story of an alter ego named after the sedative Penthothal . He later participated in such editorial experiences as Cannibale , Il Male , and Frigidaire , of which he
1225-460: The digest-sized , adult-oriented "picture novel" It Rhymes with Lust , a film noir -influenced slice of steeltown life starring a scheming, manipulative redhead named Rust. Touted as "an original full-length novel" on its cover, the 128-page digest by pseudonymous writer "Drake Waller" ( Arnold Drake and Leslie Waller ), penciler Matt Baker and inker Ray Osrin proved successful enough to lead to an unrelated second picture novel, The Case of
1274-551: The 1930s). As the exact definition of the graphic novel is debated, the origins of the form are open to interpretation. The Adventures of Obadiah Oldbuck is the oldest recognized American example of comics used to this end. It originated as the 1828 publication Histoire de Mr. Vieux Bois by Swiss caricaturist Rodolphe Töpffer , and was first published in English translation in 1841 by London's Tilt & Bogue, which used an 1833 Paris pirate edition. The first American edition
1323-426: The 1930s. Other prototypical examples from this period include American Milt Gross 's He Done Her Wrong (1930), a wordless comic published as a hardcover book, and Une semaine de bonté (1934), a novel in sequential images composed of collage by the surrealist painter Max Ernst . Similarly, Charlotte Salomon 's Life? or Theater? (composed 1941–43) combines images, narrative, and captions. The 1940s saw
1372-478: The Bristol Literary Society, on " the death of the novel ". Updike offered examples of new areas of exploration for novelists, declaring he saw "no intrinsic reason why a doubly talented artist might not arise and create a comic strip novel masterpiece". Gil Kane and Archie Goodwin's Blackmark (1971), a science fiction / sword-and-sorcery paperback published by Bantam Books , did not use
1421-490: The Winking Buddha by pulp novelist Manning Lee Stokes and illustrator Charles Raab. In the same year, Gold Medal Books released Mansion of Evil by Joseph Millard. Presaging Will Eisner's multiple-story graphic novel A Contract with God (1978), cartoonist Harvey Kurtzman wrote and drew the four-story mass-market paperback Harvey Kurtzman's Jungle Book ( Ballantine Books #338K), published in 1959. By
1470-407: The backlog catalogs of Casterman and Les Humanoïdes Associés . Some in the comics community have objected to the term graphic novel on the grounds that it is unnecessary, or that its usage has been corrupted by commercial interests. Watchmen writer Alan Moore believes: It's a marketing term... that I never had any sympathy with. The term 'comic' does just as well for me ... The problem
1519-400: The collected editions of Frank Miller 's The Dark Knight Returns in 1986 and Alan Moore and Dave Gibbons ' Watchmen in 1987. The Book Industry Study Group began using graphic novel as a category in book stores in 2001. The term is not strictly defined, though Merriam-Webster 's dictionary definition is "a fictional story that is presented in comic-strip format and published as
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1568-413: The comic had described themselves as "graphic prose", or simply as a novel. Similarly, Sabre: Slow Fade of an Endangered Species by writer Don McGregor and artist Paul Gulacy ( Eclipse Books , August 1978) — the first graphic novel sold in the newly created " direct market " of United States comic-book shops — was called a "graphic album" by the author in interviews, though the publisher dubbed it
1617-517: The first to use it. These included the Time magazine website in 2003, which said in its correction: "Eisner acknowledges that the term 'graphic novel' had been coined prior to his book. But, he says, 'I had not known at the time that someone had used that term before'. Nor does he take credit for creating the first graphic book". One of the earliest contemporaneous applications of the term post-Eisner came in 1979, when Blackmark 's sequel—published
1666-558: The heading. Writer-artist Bryan Talbot claims that the first collection of his The Adventures of Luther Arkwright , published by Proutt in 1982, was the first British graphic novel. American comic critics have occasionally referred to European graphic novels as "Euro-comics", and attempts were made in the late 1980s to cross-fertilize the American market with these works. American publishers Catalan Communications and NBM Publishing released translated titles, predominantly from
1715-601: The late 1960s, American comic book creators were becoming more adventurous with the form. Gil Kane and Archie Goodwin self-published a 40-page, magazine -format comics novel, His Name Is... Savage (Adventure House Press) in 1968—the same year Marvel Comics published two issues of The Spectacular Spider-Man in a similar format. Columnist and comic-book writer Steven Grant also argues that Stan Lee and Steve Ditko 's Doctor Strange story in Strange Tales #130–146, although published serially from 1965 to 1966,
1764-461: The launching of Classics Illustrated , a comic-book series that primarily adapted notable, public domain novels into standalone comic books for young readers. Citizen 13660 , an illustrated, novel length retelling of Japanese internment during World War II , was published in 1946. In 1947, Fawcett Comics published Comics Novel #1: "Anarcho, Dictator of Death", a 52-page comic dedicated to one story. In 1950, St. John Publications produced
1813-662: The radio and pulp fiction character the Shadow , and released in hardcover). Marvel commissioned original graphic novels from such creators as John Byrne , J. M. DeMatteis , Steve Gerber , graphic-novel pioneer McGregor, Frank Miller , Bill Sienkiewicz , Walt Simonson , Charles Vess , and Bernie Wrightson . While most of these starred Marvel superheroes , others, such as Rick Veitch 's Heartburst featured original SF/fantasy characters; others still, such as John J. Muth 's Dracula , featured adaptations of literary stories or characters; and one, Sam Glanzman 's A Sailor's Story ,
1862-487: The term graphic novel in an essay in the November 1964 issue of the comics fanzine Capa-Alpha . The term gained popularity in the comics community after the publication of Will Eisner 's A Contract with God (1978) and the start of the Marvel Graphic Novel line (1982) and became familiar to the public in the late 1980s after the commercial successes of the first volume of Art Spiegelman 's Maus in 1986,
1911-647: The term "graphic novel" in Capa-Alpha #2 (November 1964), a newsletter published by the Comic Amateur Press Alliance, and again in an article in Bill Spicer 's magazine Fantasy Illustrated #5 (Spring 1966). Kyle, inspired by European and East Asian graphic albums (especially Japanese manga ), used the label to designate comics of an artistically "serious" sort. Following this, Spicer, with Kyle's acknowledgment, edited and published
1960-425: The term originally; the back-cover blurb of the 30th-anniversary edition ( ISBN 978-1-56097-456-7 ) calls it, retroactively, the first American graphic novel. The Academy of Comic Book Arts presented Kane with a special 1971 Shazam Award for what it called "his paperback comics novel". Whatever the nomenclature, Blackmark is a 119-page story of comic-book art, with captions and word balloons , published in
2009-506: The wake of the term's popularity. Briggs noted, however, that he did not like that term too much. In 1976, the term "graphic novel" appeared in print to describe three separate works: The following year, Terry Nantier , who had spent his teenage years living in Paris, returned to the United States and formed Flying Buttress Publications , later to incorporate as NBM Publishing ( Nantier, Beall, Minoustchine ), and published Racket Rumba ,
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2058-469: Was a mature, complex work focusing on the lives of ordinary people in the real world based on Eisner's own experiences. One scholar used graphic novels to introduce the concept of graphiation, the theory that the entire personality of an artist is visible through his or her visual representation of a certain character, setting, event, or object in a novel, and can work as a means to examine and analyze drawing style. Even though Eisner's A Contract with God
2107-403: Was a true-life, World War II naval tale. Cartoonist Art Spiegelman 's Pulitzer Prize -winning Maus (1986), helped establish both the term and the concept of graphic novels in the minds of the mainstream public. Two DC Comics book reprints of self-contained miniseries did likewise, though they were not originally published as graphic novels: Batman: The Dark Knight Returns (1986),
2156-409: Was extremely prolific through the 1980s, penning hundreds of single-panel cartoons as well as longer, intricate stories usually centred on Zanardi. Pompeo , his last graphic novel, which depicts the gradual downfall of a heroin addict (a largely autobiographical character) up to his eventual suicide, is generally considered his masterwork; the post-face to this work testifies that Pazienza tried to start
2205-538: Was one of the founders. In these publications, he created hundreds of comics, influenced by American underground comics and Walt Disney . He was especially fond of the character Goofy , which he appropriated for a humorous spoof on Italian hippiedom of the 1970s entitled Perché Pippo sembra uno sballato ("Why Goofy Looks Like a Pothead"), and a later, unfinished story entitled La leggenda di Italianino Liberatore ("The Legend of Italianino Liberatore", referring to his old friend Tanino Liberatore ). Pazienza developed
2254-531: Was published by a traditional book publisher and distributed through bookstores, as was cartoonist Jules Feiffer 's Tantrum ( Alfred A. Knopf , 1979) described on its dust jacket as a "novel-in-pictures". Hyperbolic descriptions of longer comic books as "novels" appear on covers as early as the 1940s. Early issues of DC Comics ' All-Flash , for example, described their contents as "novel-length stories" and "full-length four chapter novels". In its earliest known citation, comic-book reviewer Richard Kyle used
2303-552: Was published in 1842 by Wilson & Company in New York City using the original printing plates from the 1841 edition. Another early predecessor is Journey to the Gold Diggins by Jeremiah Saddlebags by brothers J. A. D. and D. F. Read, inspired by The Adventures of Obadiah Oldbuck . In 1894, Caran d'Ache broached the idea of a "drawn novel" in a letter to the newspaper Le Figaro and started work on
2352-432: Was published in 1978 by a smaller company, Baronet Press, it took Eisner over a year to find a publishing house that would allow his work to reach the mass market. In its introduction, Eisner cited Lynd Ward's 1930s woodcuts as an inspiration. The critical and commercial success of A Contract with God helped to establish the term "graphic novel" in common usage, and many sources have incorrectly credited Eisner with being
2401-459: Was published in Argentina, a graphic novel written by Héctor Germán Oesterheld and drawn by Alberto Breccia . The book told the story of Che Guevara in comics form, but the military dictatorship confiscated the books and destroyed them. It was later re-released in corrected versions. By 1969, the author John Updike , who had entertained ideas of becoming a cartoonist in his youth, addressed
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