136-403: Notable theatres named Torch Theatre include: Torch Theatre, Dublin , Ireland Torch Theatre, Milford Haven , Wales Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Torch Theatre . If an internal link led you here, you may wish to change the link to point directly to
272-410: A collective form of reception. The structure of dramatic texts , unlike other forms of literature , is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex ( c. 429 BCE ) by Sophocles are among the masterpieces of the art of drama. A modern example
408-404: A symposium . One rite of passage was the amphidromia , celebrated on the fifth or seventh day after the birth of a child. Childbirth was extremely significant to Athenians, especially if the baby was a boy. One ceremony was pharmakos , a ritual involving expelling a symbolic scapegoat such as a slave or an animal, from a city or village in a time of hardship. It was hoped that by casting out
544-486: A certain city. Athena was associated with Athens , Apollo with Delphi and Delos , Zeus with Olympia and Aphrodite with Corinth . But other gods were also worshipped in these cities. Other deities were associated with nations outside of Greece; Poseidon was associated with Ethiopia and Troy , and Ares with Thrace . Identity of names was not a guarantee of a similar cultus ; the Greeks themselves were well aware that
680-465: A collection of beliefs, rituals , and mythology , in the form of both popular public religion and cult practices . The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic . The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of
816-406: A dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of
952-552: A disembodied soul. Some Greeks, such as the philosophers Pythagoras and Plato , also embraced the idea of reincarnation , though this was only accepted by a few. Epicurus taught that the soul was simply atoms which were dissolved at death, so one ceased to exist on dying. Greek religion had an extensive mythology . It consisted largely of stories of the gods and how they interacted with humans. Myths often revolved around heroes and their actions, such as Heracles and his twelve labors , Odysseus and his voyage home, Jason and
1088-422: A few gods, and supported a statue of the particular deity. Votive deposits were left at the altar, such as food, drinks, as well as precious objects. Sometimes animal sacrifices were performed here, with most of the flesh taken for eating and the offal burnt as an offering to the gods. Libations , often of wine, would be offered to the gods as well, not only at shrines, but also in everyday life, such as during
1224-459: A good deal about cult but very little about creed, in no small measure because the Greeks in general considered what one believed to be much less importance than what one did. The Greeks believed in an underworld inhabited by the spirits of the dead. One of the most widespread areas of this underworld was ruled by Hades, a brother of Zeus, and was also known as Hades (originally called 'the place of Hades'). Other well-known realms are Tartarus ,
1360-588: A major role in forming the relationship between humans and the divine. It has been suggested that the Chthonic deities, distinguished from Olympic deities by typically being offered the holocaust mode of sacrifice, where the offering is wholly burnt, may be remnants of the native Pre-Hellenic religion, and that many of the Olympian deities may come from the Proto-Greeks who overran the southern part of
1496-423: A male-dominated Indo-European hierarchy, has been proposed for Greece as for Minoan Crete and other regions, but has not been in favor with specialists for some decades, though the question remains too poorly evidenced for a clear conclusion; at the least the evidence from Minoan art shows more goddesses than gods. The Twelve Olympians , with Zeus as sky father , certainly have a strong Indo-European flavor; by
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#17327726251151632-695: A map to the afterlife , a communal worship, and a band of spiritual fellowship. Some of these mysteries, like the mysteries of Eleusis and Samothrace , were ancient and local. Others were spread from place to place, like the mysteries of Dionysus . During the Hellenistic period and the Roman Empire , exotic mystery religions became widespread, not only in Greece, but all across the empire. Some of these were new creations, such as Mithras , while others had been practiced for hundreds of years before, like
1768-533: A particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient India 's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramuurvashiiya ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntala ( The Recognition of Shakuntala ). The last was inspired by a story in the Mahabharata and
1904-403: A perceived whim of the deity. In some places visitors were asked to show they spoke Greek; elsewhere Dorians were not allowed entry. Some temples could only be viewed from the threshold. Some temples are said never to be opened at all. But generally Greeks, including slaves, had a reasonable expectation of being allowed into the cella . Once inside the cella it was possible to pray to or before
2040-471: A place of torment for the damned, and Elysium , a place of pleasures for the virtuous. In the early Mycenaean religion all the dead went to Hades, but the rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium. A few Greeks, like Achilles , Alcmene , Amphiaraus , Ganymede , Ino , Melicertes , Menelaus , Peleus , and a great number of those who fought in
2176-500: A play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance : the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring
2312-417: A real or imagined event before a live audience in a specific place, often a stage . The performers may communicate this experience to the audience through combinations of gesture , speech, song, music , and dance . It is the oldest form of drama , though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance
2448-607: A single transcendent deity . The worship of these deities, and several others, was found across the Greek world, though they often have different epithets that distinguished aspects of the deity, and often reflect the absorption of other local deities into the pan-Hellenic scheme. The religious practices of the Greeks extended beyond mainland Greece, to the islands and coasts of Ionia in Asia Minor , to Magna Graecia ( Sicily and southern Italy), and to scattered Greek colonies in
2584-458: A temple was ever built there. The tenemos might include many subsidiary buildings, sacred groves or springs, animals dedicated to the deity, and sometimes people who had taken sanctuary from the law, which some temples offered, for example to runaway slaves. The earliest Greek sanctuaries probably lacked temple buildings, though our knowledge of these is limited, and the subject is controversial. A typical early sanctuary seems to have consisted of
2720-468: A tenemos, often around a sacred grove, cave, rock ( baetyl ) or spring, and perhaps defined only by marker stones at intervals, with an altar for offerings. Many rural sanctuaries probably stayed in this style, but the more popular were gradually able to afford a building to house a cult image, especially in cities. This process was certainly under way by the 9th century, and probably started earlier. The temple interiors did not serve as meeting places, since
2856-436: A term for lesser attendants. As priestesses, they gained social recognition and access to more luxuries than other Greek women who worked or stayed in the home. They were mostly from local elite families; some roles required virgins, who typically only served for a year or so before marriage, while other roles went to married women. Women who voluntarily chose to become priestesses received an increase in social and legal status to
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#17327726251152992-524: A tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago. Having been an important part of human culture for more than 2,500 years, theatre has evolved
3128-543: A type of museum. Some sanctuaries offered oracles , people who were believed to receive divine inspiration in answering questions put by pilgrims. The most famous of these by far was the female priestess called the Pythia at the Temple of Apollo at Delphi , and that of Zeus at Dodona , but there were many others. Some dealt only with medical, agricultural or other specialized matters, and not all represented gods, like that of
3264-577: A typical human. They interacted with humans, sometimes even spawning children—called demigods —with them. At times, certain gods would be opposed to others, and they would try to outdo each other. In the Iliad , Aphrodite , Ares , and Apollo support the Trojan side in the Trojan War, while Hera , Athena , and Poseidon support the Greeks (see theomachy ). Some gods were specifically associated with
3400-421: A vehicle to tell a story qualify as comedies. This may include a modern farce such as Boeing Boeing or a classical play such as As You Like It . Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as black comedy . Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy. Tragedy, then, is an imitation of an action that
3536-435: A very colourful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at
3672-645: A wide range of different theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The classical Greek philosopher Aristotle , in his seminal treatise, Poetics ( c. 335 BCE ) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama — comedy , tragedy , and
3808-436: Is Long Day's Journey into Night by Eugene O'Neill (1956). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c. 335 BCE ); the earliest work of dramatic theory . The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century . Drama in this sense refers to
3944-663: Is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapala from Mataram Kingdom in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit
4080-644: Is described in an 11th-century Javanese poem as a leather shadow figure. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh , where actors re-enact episodes from Muslim history . In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali 's sons Hasan ibn Ali and Husayn ibn Ali . Secular plays were known as akhraja , recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theatre. Theatre took on many alternative forms in
4216-539: Is known primarily from the substantial papyrus fragments of Menander . Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the Satyr Play . Finding its origins in rural, agricultural rituals dedicated to Dionysus,
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4352-419: Is serious, complete, and of a certain magnitude: in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it
4488-522: Is served, in times of danger or before some important endeavor to gain the gods' favor. For example, in the Odyssey Eumaeus sacrifices a pig with prayer for his unrecognizable master Odysseus. But in the Iliad , which partly reflects very early Greek civilization, not every banquet of the princes begins with a sacrifice. These sacrificial practices share much with recorded forms of sacrificial rituals known from later. Furthermore, throughout
4624-472: Is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe 's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti ( c. 7th century CE ). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttar Ramacharita . Among these three, the last two cover between them
4760-837: Is universally acknowledged in the Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski , Vsevolod Meyerhold , Jacques Copeau , Edward Gordon Craig , Bertolt Brecht , Antonin Artaud , Joan Littlewood , Peter Brook , Jerzy Grotowski , Augusto Boal , Eugenio Barba , Dario Fo , Viola Spolin , Keith Johnstone and Robert Wilson (director) . Religion in ancient Greece Religious practices in ancient Greece encompassed
4896-518: Is why actors are commonly called "Children of the Pear Garden". During the dynasty of Empress Ling, shadow puppetry first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets , as opposed to
5032-546: The 20th century in the realism of Stanislavski and Lee Strasberg , the political theatre of Erwin Piscator and Bertolt Brecht , the so-called Theatre of the Absurd of Samuel Beckett and Eugène Ionesco , American and British musicals, the collective creations of companies of actors and directors such as Joan Littlewood 's Theatre Workshop , experimental and postmodern theatre of Robert Wilson and Robert Lepage ,
5168-520: The Balkan Peninsula in the late third millennium BCE. Various religious festivals were held in ancient Greece. Many were specific only to a particular deity or city-state. For example, the festival of Lykaia was celebrated in Arcadia in Greece, which was dedicated to the pastoral god Pan . Like the other Panhellenic Games , the ancient Olympic Games were a religious festival, held at
5304-508: The City Dionysia as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of citizenship . Civic participation also involved the evaluation of the rhetoric of orators evidenced in performances in the law-court or political assembly , both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed
5440-656: The Epic Cycle and supposedly ending up in Rome, was one of these. The sacred boulder or baetyl is another very primitive type, found around the Mediterranean and Ancient Near East . Many of the Greek statues well known from Roman marble copies were originally temple cult images, which in some cases, such as the Apollo Barberini , can be credibly identified. A very few actual originals survive, for example,
5576-589: The Gerarai or the venerable ones. There were segregated religious festivals in Ancient Greece; the Thesmophoria , Plerosia, Kalamaia, Adonia , and Skira were festivals that were only for women. The Thesmophoria festival and many others represented agricultural fertility, which was considered to be closely connected to women. It gave women a religious identity and purpose in Greek religion, in which
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5712-904: The Homeric hymns (regarded as later productions today), Hesiod's Theogony and Works and Days , and Pindar 's Odes were regarded as authoritative and perhaps inspired; they usually begin with an invocation to the Muses for inspiration. Plato even wanted to exclude the myths from his ideal state described in the Republic because of their low moral tone. While some traditions, such as Mystery cults, upheld certain texts as canonic within their praxis, such texts were respected but not necessarily accepted as canonic outside their circle. In this field, of particular importance are certain texts referring to Orphic cults : multiple copies, ranging from between 450 BCE and 250 CE, have been found in various parts of
5848-603: The Mycenaean civilization . Both the literary settings of some important myths and many important sanctuaries relate to locations that were important Helladic centers that had become otherwise unimportant by Greek times. The Mycenaeans perhaps treated Poseidon, to them a god of earthquakes as well as the sea, as their chief deity, and forms of his name along with several other Olympians are recognizable in records in Linear B , while Apollo and Aphrodite are absent. Only about half of
5984-563: The Persian response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in
6120-569: The Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese —draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata . These tales also provide source material for the wayang wong (human theatre) of Java and Bali , which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak . Wayang
6256-418: The hecatomb (meaning 100 bulls) might in practice only involve a dozen or so, at large festivals the number of cattle sacrificed could run into the hundreds, and the numbers feasting on them well into the thousands. The evidence of the existence of such practices is clear in some ancient Greek literature, especially Homer 's epics. Throughout the poems, the use of the ritual is apparent at banquets where meat
6392-559: The high-style , verbally elaborate tragedies of Seneca . Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE),
6528-516: The postcolonial theatre of August Wilson or Tomson Highway , and Augusto Boal 's Theatre of the Oppressed . Drama is the specific mode of fiction represented in performance . The term comes from a Greek word meaning " action ", which is derived from the verb δράω, dráō , "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience , presupposes collaborative modes of production and
6664-412: The sacrifices and rituals dedicated to the respective deity took place outside them, at altars within the wider precinct of the sanctuary, which might be large. As the centuries passed both the inside of popular temples and the area surrounding them accumulated statues and small shrines or other buildings as gifts, and military trophies, paintings and items in precious metals, effectively turning them into
6800-514: The satyr play —as well as lyric poetry , epic poetry , and the dithyramb ). He examines its "first principles" and identifies its genres and basic elements; his analysis of tragedy constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) mythos or "plot", ethos or "character", dianoia or "thought", lexis or "diction", melos or "song", and opsis or "spectacle". "Although Aristotle's Poetics
6936-573: The specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts , literature and the arts in general. A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. Modern theatre includes performances of plays and musical theatre . The art forms of ballet and opera are also theatre and use many conventions such as acting , costumes and staging. They were influential in
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#17327726251157072-484: The well-made plays of Scribe and Sardou gave way to the problem plays of Naturalism and Realism ; the farces of Feydeau ; Wagner's operatic Gesamtkunstwerk ; musical theatre (including Gilbert and Sullivan 's operas); F. C. Burnand 's, W. S. Gilbert 's and Oscar Wilde 's drawing-room comedies; Symbolism ; proto- Expressionism in the late works of August Strindberg and Henrik Ibsen ; and Edwardian musical comedy . These trends continued through
7208-513: The year in Athens included some 140 days that were religious festivals of some sort, though they varied greatly in importance. The main Greek temple building sat within a larger precinct or temenos , usually surrounded by a peribolos fence or wall; the whole is usually called a "sanctuary". The Acropolis of Athens is the most famous example, though this was apparently walled as a citadel before
7344-405: The "first fruits" were harvested. The libation , a ritual pouring of fluid, was part of everyday life, and libations with a prayer were often made at home whenever wine was drunk, with just a part of the cup's contents, the rest being drunk. More formal ones might be made onto altars at temples, and other fluids such as olive oil and honey might be used. Although the grand form of sacrifice called
7480-465: The 1st century CE. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of
7616-407: The 5th century BCE have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalized in competitions ( agon ) held as part of festivities celebrating Dionysus (the god of wine and fertility ). As contestants in the City Dionysia's competition (the most prestigious of
7752-461: The 5th century BCE, traced many Greek religious practices to Egypt . Robert G. Boling argues that Greek and Ugaritic / Canaanite mythology share many parallel relationships and that historical trends in Canaanite religion can help date works such as Homer 's Iliad and Odyssey . The Great Goddess hypothesis , that a Stone Age religion dominated by a female Great Goddess was displaced by
7888-480: The Artemis worshipped at Sparta , the virgin huntress, was a very different deity from the Artemis who was a many-breasted fertility goddess at Ephesus . Though worship of the major deities spread from one locality to another, and though most larger cities had temples to several major gods, the identification of different gods with different places remained strong to the end. Ancient sources for Greek religion tell
8024-553: The Corduba-born Stoic philosopher and tutor of Nero. These tragedies are known for their philosophical themes, complex characters, and rhetorical style. While Seneca's plays provide valuable insights into Roman theater, they represent only a small fraction of the dramatic repertoire that existed in ancient Rome. The first form of Indian theatre was the Sanskrit theatre , earliest-surviving fragments of which date from
8160-623: The Egyptian mysteries of Osiris . Mainstream Greek religion appears to have developed out of Proto-Indo-European religion and although very little is known about the earliest periods there are suggestive hints that some local elements go back even further than the Bronze Age or Helladic period to the farmers of Neolithic Greece . There was also clearly cultural evolution from the Late Helladic Mycenaean religion of
8296-598: The French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called tragédie bourgeoise , or domestic tragedy —that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling,
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#17327726251158432-458: The Geometric style (900–750 BCE), but are very rarely mentioned in literature; they were relatively late introductions to Greece, and it has been suggested that Greek preferences in this matter were established earlier. The Greeks liked to believe that the animal was glad to be sacrificed, and interpreted various behaviors as showing this. Divination by examining parts of the sacrificed animal
8568-543: The Greek world. Even the words of the oracles never became a sacred text. Other texts were specially composed for religious events, and some have survived within the lyric tradition; although they had a cult function, they were bound to performance and never developed into a common, standard prayer form comparable to the Christian Pater Noster . An exception to this rule were the already named Orphic and Mystery rituals, which, in this, set themselves aside from
8704-490: The Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs." Most ancient Greeks recognized the twelve major Olympian gods and goddesses — Zeus , Hera , Poseidon , Demeter , Athena , Ares , Aphrodite , Apollo , Artemis , Hephaestus , Hermes , and either Hestia or Dionysus —although philosophies such as Stoicism and some forms of Platonism used language that seems to assume
8840-603: The Mycenaean pantheon seems to survive the Greek Dark Ages . The archaeological evidence for continuity in religion is far clearer for Crete and Cyprus than the Greek mainland. Greek religious concepts may also have absorbed the beliefs and practices of earlier, nearby cultures, such as Minoan religion , and other influences came from the Near East, especially via Cyprus and Phoenicia . Herodotus , writing in
8976-507: The Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors . Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics , to the staging of Plautus 's broadly appealing situation comedies , to
9112-492: The Thesmophorion, where women could perform their rites and worship. Those who were not satisfied by the public cult of the gods could turn to various mystery religions that operated as cults into which members had to be initiated in order to learn their secrets. Here, they could find religious consolations that traditional religion could not provide: a chance at mystical awakening, a systematic religious doctrine,
9248-786: The Titans, who then gave birth to the first Olympians. The mythology largely survived and was expanded to form the later Roman mythology . The Greeks and Romans were literate societies, and much mythology, although initially shared orally, was written down in the forms of epic poetry (such as the Iliad , the Odyssey and the Argonautica ) and plays (such as Euripides ' The Bacchae and Aristophanes ' The Frogs ). The mythology became popular in Christian post- Renaissance Europe, where it
9384-558: The Trojan and Theban wars, were considered to have been physically immortalized and brought to live forever in either Elysium, the Islands of the Blessed, heaven, the ocean, or beneath the ground. Such beliefs are found in the most ancient Greek sources, such as Homer and Hesiod . This belief remained strong even into the Christian era. For most people at the moment of death there was, however, no hope of anything but continued existence as
9520-767: The West between the 15th and 19th centuries, including commedia dell'arte from Italian theatre , and melodrama . The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution . Theatre took a big pause during 1642 and 1660 in England because of the Puritan Interregnum. The rising anti-theatrical sentiment among Puritans saw William Prynne write Histriomastix (1633),
9656-579: The Western Mediterranean, such as Massalia (Marseille). Early Italian religions such as the Etruscan religion were influenced by Greek religion and subsequently influenced much of the ancient Roman religion . "There was no centralization of authority over Greek religious practices and beliefs; change was regulated only at the civic level. Thus, the phenomenon we are studying is not in fact an organized "religion". Instead we might think of
9792-630: The Woods (1986), and The Phantom of the Opera (1986), as well as more contemporary hits including Rent (1994), The Lion King (1997), Wicked (2003), Hamilton (2015) and Frozen (2018). Musical theatre may be produced on an intimate scale Off-Broadway , in regional theatres , and elsewhere, but it often includes spectacle. For instance, Broadway and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets. Theatre productions that use humour as
9928-552: The age of puberty . Some priestly functions, like the care for a particular local festival, could be given by tradition to a certain family. To a large extent, in the absence of "scriptural" sacred texts, religious practices derived their authority from tradition, and "every omission or deviation arouses deep anxiety and calls forth sanctions". Greek ceremonies and rituals were mainly performed at altars , which were never inside temples, but often just outside, or standing by themselves somewhere. These were typically devoted to one or
10064-408: The beliefs and practices of Greeks in relation to the gods as a group of closely related "religious dialects" that resembled each other far more than they did those of non-Greeks." Ancient Greek theology was polytheistic , based on the assumption that there were many gods and goddesses, as well as a range of lesser supernatural beings of various types. There was a hierarchy of deities, with Zeus ,
10200-587: The best known of which is Peking Opera which is still popular today. Xiangsheng is a certain traditional Chinese comedic performance in the forms of monologue or dialogue. In Indonesia , theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres — wayang golek (wooden rod-puppet play) of
10336-441: The bronze Piraeus Athena (2.35 m (7.7 ft) high, including a helmet). The image stood on a base, from the 5th century often carved with reliefs. It used to be thought that access to the cella of a Greek temple was limited to the priests, and it was entered only rarely by other visitors, except perhaps during important festivals or other special occasions. In recent decades this picture has changed, and scholars now stress
10472-401: The concealed knife led the way. After various rituals, the animal was slaughtered over the altar. As it fell, all the women present "[cried] out in high, shrill tones". Its blood was collected and poured over the altar. It was butchered on the spot and various internal organs, bones and other inedible parts burnt as the deity's portion of the offering, while the meat was removed to be prepared for
10608-552: The concepts of dramatic criticism and theatre architecture. Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama : tragedy , comedy , and the satyr play . The origins of theatre in ancient Greece, according to Aristotle (384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of
10744-503: The cult image, and sometimes to touch it; Cicero saw a bronze image of Heracles with its foot largely worn away by the touch of devotees. Famous cult images such as the Statue of Zeus at Olympia functioned as significant visitor attractions. In addition to the role that women performed in sacrifices, the only public roles that Greek women could perform were priestesses ; either hiereiai , meaning "sacred women", or amphipolis ,
10880-471: The dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of Satyrs . However, according to Webster , satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature. Western theatre developed and expanded considerably under the Romans . The Roman historian Livy wrote that
11016-433: The development of musical theatre . The city-state of Athens is where Western theatre originated. It was part of a broader culture of theatricality and performance in classical Greece that included festivals , religious rituals , politics , law , athletics and gymnastics, music , poetry , weddings, funerals, and symposia . Participation in the city-state's many festivals—and mandatory attendance at
11152-454: The dialogue ( melodrama and Japanese Nō , for example). In certain periods of history (the ancient Roman and modern Romantic ) some dramas have been written to be read rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Music and theatre have had a close relationship since ancient times— Athenian tragedy , for example,
11288-484: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialized in
11424-477: The entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . The Tang dynasty is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The Pear Garden to produce a form of drama that was primarily musical. That
11560-481: The existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BCE that are among the earliest examples of literature in the world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been
11696-517: The festivals to stage drama) playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records ( didaskaliai ) begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatize events from Greek mythology , though The Persians —which stages
11832-628: The first improvisation form. Popularized by 1997 Nobel Prize in Literature winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as
11968-561: The gods were certainly not all-good or even all-powerful . They had to obey fate , known to Greek mythology as the Moirai , which overrode any of their divine powers or wills. For instance, in mythology, it was Odysseus ' fate to return home to Ithaca after the Trojan War , and the gods could only lengthen his journey and make it harder for him, not stop him. The gods had human vices and many behaved with arguably less morality than
12104-409: The hero Trophonius at Livadeia . The temple was the house of the deity it was dedicated to, who in some sense resided in the cult image in the cella or main room inside, normally facing the only door. The cult image normally took the form of a statue of the deity, typically roughly life-size, but in some cases many times life-size. In early days these were in wood, marble or terracotta , or in
12240-675: The idea of the national theatre gained support in the 18th century, inspired by Ludvig Holberg . The major promoter of the idea of the national theatre in Germany, and also of the Sturm und Drang poets, was Abel Seyler , the owner of the Hamburgische Entreprise and the Seyler Theatre Company . Through the 19th century , the popular theatrical forms of Romanticism , melodrama , Victorian burlesque and
12376-483: The intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Torch_Theatre&oldid=943385603 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses , to present experiences of
12512-707: The king of the gods, having a level of control over all the others, although he was not almighty. Some deities had dominion over certain aspects of nature . For instance, Zeus was the sky-god, sending thunder and lightning, Poseidon ruled over the sea and earthquakes , Hades projected his remarkable power throughout the realms of death and the Underworld , and Helios controlled the sun. Other deities ruled over abstract concepts; for instance Aphrodite controlled love. All significant deities were visualized as "human" in form, although often able to transform themselves into animals or natural phenomena. While being immortal,
12648-672: The late 19th and early 20th century . After the Edwardian musical comedy that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of Rodgers and Hammerstein ), with Oklahoma! (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included My Fair Lady (1956), West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1980), Cats (1981), Into
12784-464: The most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture , costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in
12920-471: The most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642 . On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses . This stagnant period ended once Charles II came back to
13056-411: The necessary skills (dance, music, and recitation) in a [hereditary process]. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of
13192-410: The necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce
13328-437: The oldest surviving work of dramatic theory —his Poetics ( c. 335 BCE ). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes , while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as Athenaeus of Naucratis ). New Comedy
13464-570: The one-eyed giant Cyclopes , the sea beast Scylla , whirlpool Charybdis , Gorgons, and the half-man, half-bull Minotaur . There was no set Greek cosmogony , or creation myth. Different religious groups believed that the world had been created in different ways. One Greek creation myth was told in Hesiod's Theogony . It stated that at first there was only a primordial deity called Chaos , after which came various other primordial gods, such as Gaia, Tartarus and Eros, who then gave birth to more gods,
13600-511: The participants to eat; the leading figures tasted it on the spot. The temple usually kept the skin to sell to tanners. That humans got more use from the sacrifice than the deity did not escape the Greeks, and was often the subject of humor in Greek comedy . The animals used were, in order of preference, bulls or oxen, cows, sheep (the most common sacrifice), goats, pigs (with piglets being the cheapest mammal), and poultry (but rarely other birds or fish). Horses and asses are seen on some vases in
13736-704: The physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece , from which it borrows technical terminology, classification into genres , and many of its themes , stock characters , and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language , stage writing and
13872-473: The poem, special banquets are held whenever gods indicated their presence by some sign or success in war. Before setting out for Troy, this type of animal sacrifice is offered. Odysseus offers Zeus a sacrificial ram in vain. The occasions of sacrifice in Homer's epic poems may shed some light onto the view of gods as members of society, rather than external entities, indicating social ties. Sacrificial rituals played
14008-582: The possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the Song dynasty , there were many popular plays involving acrobatics and music. These developed in the Yuan dynasty into a more sophisticated form known as zaju , with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of
14144-588: The public, and after death, they received a public burial site. Greek priestesses had to be healthy and of a sound mind, the reasoning being that the ones serving the gods had to be as high-quality as their offerings. This was also true of male Greek priests. It is contested whether there were gendered divisions when it came to serving a particular god or goddess, who was devoted to what god, gods and/or goddesses could have both priests and priestesses to serve them. Gender specifics did come into play when it came to who would perform certain acts of sacrifice or worship. Per
14280-710: The quest for the Golden Fleece and Theseus and the Minotaur . Many species existed in Greek mythology. Chief among these were the gods and humans, though the Titans (who predated the Olympian gods) also frequently appeared in Greek myths. Lesser species included the half-man-half-horse centaurs , the nature-based nymphs (tree nymphs were dryads , sea nymphs were Nereids ) and the half-man, half-goat satyrs . Some creatures in Greek mythology were monstrous, such as
14416-443: The remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behaviour in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in
14552-446: The rest of the Greek religious system. Finally, some texts called ieri logi ( Greek : ιεροί λόγοι ) (sacred texts) by the ancient sources, originated from outside the Greek world, or were supposedly adopted in remote times, representing yet more different traditions within the Greek belief system. The lack of a unified priestly class meant that a unified, canonic form of the religious texts or practices never existed; just as there
14688-427: The ritual scapegoat, the hardship would go with it. Worship in Greece typically consisted of sacrificing domestic animals at the altar with hymn and prayer. The altar was outside any temple building, and might not be associated with a temple at all. The animal, which should be perfect of its kind, was decorated with garlands and the like, and led in procession to the altar; a girl with a basket on her head containing
14824-460: The role of women in worshipping goddesses Demeter and her daughter Persephone reinforced traditional lifestyles. The festivals relating to agricultural fertility were valued by the polis because this is what they traditionally worked for; women-centered festivals that involved private matters were less important. In Athens the festivals honoring Demeter were included in the calendar and promoted by Athens. They constructed temples and shrines like
14960-477: The sanctuary of Zeus at Olympia . Other festivals centered on Greek theatre , of which the Dionysia in Athens was the most important. More typical festivals featured a procession, large sacrifices and a feast to eat the offerings, and many included entertainments and customs such as visiting friends, wearing fancy dress and unusual behavior in the streets, sometimes risky for bystanders in various ways. Altogether
15096-422: The satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with
15232-460: The scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognized as
15368-452: The seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is
15504-433: The significance of the male or female role to a particular god or goddess, a priest would lead the priestess or the reverse. In some Greek cults priestesses served both gods and goddesses; Pythia , or female Oracle of Apollo at Delphi , and that at Didyma were priestesses, but both were overseen by male priests. The festival of Dionosyus was practiced by both and the god was served by women and female priestesses known as
15640-729: The specially prestigious form of a chryselephantine statue using ivory plaques for the visible parts of the body and gold for the clothes, around a wooden framework. The most famous Greek cult images were of this type, including the Statue of Zeus at Olympia , and Phidias 's Athena Parthenos in the Parthenon in Athens, both colossal statues, now completely lost. Fragments of two chryselephantine statues from Delphi have been excavated. Bronze cult images were less frequent, at least until Hellenistic times. Early images seem often to have been dressed in real clothes, and at all periods images might wear real jewelry donated by devotees. The acrolith
15776-596: The spoken parts were written in the Attic dialect whereas the choral (recited or sung) ones in the Doric dialect , these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical drama . Tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation . That tradition has been multiple and discontinuous, yet
15912-461: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all
16048-568: The term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians , in a common activity", as Raymond Williams puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus , Sophocles and Euripides , through its singular articulations in
16184-400: The theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during
16320-721: The throne in 1660 in the Restoration . Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the King's Company . Performances were held in converted buildings, such as Lisle's Tennis Court . The first West End theatre , known as Theatre Royal in Covent Garden , London,
16456-532: The time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage. Jeremy Collier , a preacher, was one of the heads in this movement through his piece A Short View of the Immorality and Profaneness of the English Stage . The beliefs in this paper were mainly held by non-theatre goers and
16592-429: The type of play performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of Kabuki , Nō , and Kyōgen developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic colour
16728-588: The variety of local access rules. Pausanias was a gentlemanly traveller of the 2nd-century CE who declares that the special intention of his travels around Greece was to see cult images, and usually managed to do so. It was typically necessary to make a sacrifice or gift, and some temples restricted access either to certain days of the year, or by class, race, gender (with either men or women forbidden), or even more tightly. Garlic-eaters were forbidden in one temple, in another women unless they were virgins; restrictions typically arose from local ideas of ritual purity or
16864-519: The wake of Renaissance Humanism ), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of
17000-475: The works of Shakespeare , Lope de Vega , Racine , and Schiller , to the more recent naturalistic tragedy of Strindberg , Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at
17136-540: The young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal . Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière
17272-457: Was a form of dance - drama that employed a chorus whose parts were sung (to the accompaniment of an aulos —an instrument comparable to the modern oboe ), as were some of the actors' responses and their 'solo songs' ( monodies ). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan ), variety , vaudeville , and music hall genres of
17408-440: Was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast
17544-463: Was another composite form, this time a cost-saving one with a wooden body. A xoanon was a primitive and symbolic wooden image, perhaps comparable to the Hindu lingam ; many of these were retained and revered for their antiquity, even when a new statue was the main cult image. Xoana had the advantage that they were easy to carry in processions at festivals. The Trojan Palladium , famous from the myths of
17680-574: Was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane . One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre , round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating
17816-479: Was much less important than in Roman or Etruscan religion , or Near Eastern religions , but was practiced , especially of the liver, and as part of the cult of Apollo . Generally, the Greeks put more faith in observing the behavior of birds . For a smaller and simpler offering, a grain of incense could be thrown on the sacred fire, and outside the cities farmers made simple sacrificial gifts of plant produce as
17952-422: Was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of
18088-412: Was no unified, common sacred text for the Greek belief system, there was no standardization of practices. Instead, religious practices were organized on local levels, with priests normally being magistrates for the city or village, or gaining authority from one of the many sanctuaries. Pausanias notes that the priest of the temple of Athena Alea at Tegea was a boy, who held office only until reaching
18224-457: Was often used as a basis for the works of artists like Botticelli , Michelangelo and Rubens . One of the most important moral concepts to the Greeks was aversion to hubris . Hubris constituted many things, from rape to desecration of a corpse, and was a crime in Athens. Although pride and vanity were not considered sins themselves, the Greeks emphasized moderation. Pride only became hubris when it went to extremes, like any other vice. The same
18360-516: Was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although
18496-455: Was thought of eating and drinking. Anything done to excess was not considered proper. Ancient Greeks placed, for example, importance on athletics and intellect equally. In fact many of their competitions included both. Pride was not evil until it became all-consuming or hurtful to others. The Greeks had no religious texts they regarded as "revealed" scriptures of sacred origin, but very old texts including Homer 's Iliad and Odyssey , and
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