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The Birthday Present

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38-419: The Birthday Present is a 1957 British drama film directed by Pat Jackson and starring Tony Britton and Sylvia Syms . The screenplay was by Jack Whittingham who also produced the film for British Lion Films . Simon Scott, a top toy salesman, returns from a business trip to Germany with a watch hidden inside a toy intended as a birthday present for his wife Jean. He is caught by customs, arrested, and

76-462: A better understanding of the film. According to the taxonomy, combining the type with the genre does not create a separate genre. For instance, the "Horror Drama" is simply a dramatic horror film (as opposed to a comedic horror film). "Horror Drama" is not a genre separate from the horror genre or the drama type. Crime dramas explore themes of truth, justice, and freedom, and contain the fundamental dichotomy of "criminal vs. lawman". Crime films make

114-668: A cautionary social studies film." TV Guide said, "All-around fine technical efforts add a sense of authenticity." Filmink called it "a hidden gem". Drama film In film and television , drama is a category or genre of narrative fiction (or semi-fiction ) intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera , police crime drama , political drama , legal drama , historical drama , domestic drama , teen drama , and comedy-drama (dramedy). These terms tend to indicate

152-454: A criminal record are forced back into crime due to the inability to find employment. His wife then takes a job (as a photographic model) in order to support them. Simon eventually has an offer of a similar job at another factory (without divulging his crime at the interview) but after saying he has the job they call his old employer for a reference, are told the truth and decide to withdraw the offer. However, Wilson, who remains convinced he took

190-685: A more central component of the story, along with serious content.  Examples include Three Colours: White (1994), The Truman Show (1998), The Man Without a Past (2002), The Best Exotic Marigold Hotel (2011), and Silver Linings Playbook (2012). Coined by film professor Ken Dancyger , these stories exaggerate characters and situations to the point of becoming fable, legend or fairy tale.  Examples: Fantastic Mr. Fox (2009) and Maleficent (2014). Light dramas are light-hearted stories that are, nevertheless, serious in nature.  Examples: The Help (2011) and The Terminal (2004). Psychological dramas are dramas that focus on

228-400: A particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods . To these ends, a primary element in a drama is the occurrence of conflict —emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in

266-633: A person's life and raises their level of importance. The "small things in life" feel as important to the protagonist (and the audience) as the climactic battle in an action film, or the final shootout in a western.  Often, the protagonists deal with multiple, overlapping issues in the course of the film – just as we do in life.  Films of this type/genre combination include: The Wrestler (2008), Fruitvale Station (2013), and Locke (2013). Romantic dramas are films with central themes that reinforce our beliefs about love (e.g.: themes such as "love at first sight", "love conquers all", or "there

304-417: A purely sentimental level. Moreover, the direction so lacks real force and conviction, that the final impression is of a technically competent piece of commercial film-making – clean, smooth, hygienic and quite unpoetic. The morale and the way of life the film exposes seem too much inspired by Customs regulations and the travelling salesman's handbook." Kine Weekly wrote: "The acting is highly competent and

342-464: A specific approach to drama but, rather, consider drama as a lack of comedic techniques.  Examples: Ghost World (2001) and Wuthering Heights (2011). According to the Screenwriters' Taxonomy, all film descriptions should contain their type (comedy or drama) combined with one (or more) of the eleven super-genres. This combination does not create a separate genre, but rather, provides

380-526: Is a final fight to the death; the idea of the protagonists facing death is a central expectation in a war drama film. In a war film even though the enemy may out-number, or out-power, the hero, we assume that the enemy can be defeated if only the hero can figure out how.   Examples include: Apocalypse Now (1979), Come and See (1985), Braveheart (1995), Life Is Beautiful (1997), Black Book (2006), The Hurt Locker (2008), 1944 (2015), Wildeye (2015), and 1917 (2019). Films in

418-502: Is serving a prison sentence. Wilson tries to keep the information to himself but colleagues eventually find out. Privately he decides he would allow Simon to return to work following his release. However, when Simon does next meet him, the MD regretfully tells him that a board meeting has decided that he cannot continue to work for them (as marketing manager of their toy factory). An employment agency warns Scott that many professional people with

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456-421: Is someone out there for everyone"); the story typically revolves around characters falling into (and out of, and back into) love. Annie Hall (1977), The Notebook (2004), Carol (2015), Her (2013) , and La La Land (2016) are examples of romance dramas. The science fiction drama film is often the story of a protagonist (and their allies) facing something "unknown" that has the potential to change

494-622: Is that in a documentary it uses real people to describe history or current events; in a docudrama it uses professionally trained actors to play the roles in the current event, that is "dramatized" a bit. Examples: Black Mass (2015) and Zodiac (2007). Unlike docudramas, docu-fictional films combine documentary and fiction, where actual footage or real events are intermingled with recreated scenes. Examples: Interior. Leather Bar (2013) and Your Name Here (2015). Many otherwise serious productions have humorous scenes and characters intended to provide comic relief . A comedy drama has humor as

532-763: The western super-genre often take place in the American Southwest or Mexico, with a large number of scenes occurring outdoors so we can soak in scenic landscapes. Visceral expectations for the audience include fistfights, gunplay, and chase scenes. There is also the expectation of spectacular panoramic images of the countryside including sunsets, wide open landscapes, and endless deserts and sky.   Examples of western dramas include: True Grit (1969) and its 2010 remake , Mad Max (1979), Unforgiven (1992), No Country for Old Men (2007), Django Unchained (2012), Hell or High Water (2016), and Logan (2017). Some film categories that use

570-493: The Apes (1968), A Clockwork Orange (1971), Blade Runner (1982) and its sequel Blade Runner 2049 (2017), Children of Men (2006), Interstellar (2014), and Arrival (2016). In the sports super-genre, characters will be playing sports. Thematically, the story is often one of "Our Team" versus "Their Team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption;

608-407: The audience jump through a series of mental "hoops"; it is not uncommon for the crime drama to use verbal gymnastics to keep the audience and the protagonist on their toes.   Examples of crime dramas include: The Godfather (1972), Chinatown (1974), Goodfellas (1990), The Usual Suspects (1995), The Big Short (2015), and Udta Punjab (2016). According to Eric R. Williams ,

646-412: The broader sense if their storytelling is achieved by means of actors who represent ( mimesis ) characters . In this broader sense, drama is a mode distinct from novels, short stories , and narrative poetry or songs . In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy . It is this narrower sense that

684-533: The characters' inner life and psychological problems. Examples: Requiem for a Dream (2000), Oldboy (2003), Babel (2006), Whiplash (2014), and Anomalisa (2015) Satire can involve humor, but the result is typically sharp social commentary that is anything but funny. Satire often uses irony or exaggeration to expose faults in society or individuals that influence social ideology.  Examples: Thank You for Smoking (2005) and Idiocracy (2006). Straight drama applies to those that do not attempt

722-409: The concluding reels thrust home its stern moral, but during its middle stages a little too much attention is paid to prison detail." Variety called it "smooth but uninspired". The Radio Times wrote: "doleful, overlong slice of surburban life." Allmovie called it "a bitter half-hour anecdote stretched to 100 minutes... Intended as a slice of raw realism, Birthday Present plays more like

760-414: The course of its existence, beginning as a black-and-white free press publication with Hoyts , and evolving into a glossy newsstand title. In February 2011, FilmInk became the first film magazine in the world to release an application for online tablet reading, with the magazine sold through the iTunes Store, and going through another major change. In 2016, the magazine released its final print version of

798-473: The course of the film. Thematically, horror films often serve as morality tales, with the killer serving up violent penance for the victims' past sins.  Metaphorically, these become battles of Good vs. Evil or Purity vs. Sin.  Psycho (1960), Halloween (1978), The Shining (1980), The Conjuring (2013), It (2017), mother! (2017), and Hereditary (2018) are examples of horror drama films. Day-in-the-life films takes small events in

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836-523: The extended "front of the book" section called "Keeping It Reel" with small features like "New Faces", "Dumb Ideas", "Hollywood Arseholes", "Talking Movies", "Director's Cut", "Cameo", "Icon", "FilmInk Loves", "Backstory", "Role Model", "Premiere", "quoteUNQUOTE" and "What's Wrong With the Australian Film Industry with Reg Diplock, the peoples critic". FilmInk also extensively covers all available cinematic and DVD releases, as well as

874-481: The family as a whole reacts to a central challenge. There are four micro-genres for the family drama: Family Bond , Family Feud , Family Loss , and Family Rift . A sub-type of drama films that uses plots that appeal to the heightened emotions of the audience. Melodramatic plots often deal with "crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship". Film critics sometimes use

912-409: The film and television industries, along with film studies , adopted. " Radio drama " has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio . The Screenwriters Taxonomy contends that film genres are fundamentally based upon a film's atmosphere, character and story, and therefore

950-512: The following day sentenced to three months’ imprisonment for smuggling . He is taken to Wormwood Scrubs . He is not the normal type of prisoner, wearing a three-piece suit with a silk tie. He is taken to a spartan cell. As he pleads guilty there is no right of appeal, other than against the length of sentence. He tells his wife an appeal is too costly and will take too long. His wife tells his employer’s managing director, Colonel Wilson, that, contrary to earlier reports, Simon has not been sick but

988-416: The future of humanity; this unknown may be represented by a villain with incomprehensible powers, a creature we do not understand, or a scientific scenario that threatens to change the world; the science fiction story forces the audience to consider the nature of human beings, the confines of time or space or the concepts of human existence in general. Examples include: Metropolis (1927), Planet of

1026-416: The hallmark of fantasy drama films is "a sense of wonderment, typically played out in a visually intense world inhabited by mythic creatures, magic or superhuman characters. Props and costumes within these films often belie a sense of mythology and folklore – whether ancient, futuristic, or other-worldly. The costumes, as well as the exotic world, reflect the personal, inner struggles that the hero faces in

1064-402: The insight into human behaviour keen, but the prison sequences are somewhat protracted. ...Tony Britton contributes a smooth study as the immaculate and confident though foolish Simon, Sylvia Syms is most appealing as the loyal Jean, and Geoffrey Keen and Walter Fitzgerald impress as Wilson and Sir John. The supporting types, too, are accurately etched. The kaleidoscopic opening has colour and

1102-408: The labels "drama" and "comedy" are too broad to be considered a genre. Instead, the taxonomy contends that film dramas are a "Type" of film; listing at least ten different sub-types of film and television drama. Docudramas are dramatized adaptations of real-life events. While not always completely accurate, the general facts are more-or-less true. The difference between a docudrama and a documentary

1140-678: The legal system. Films that focus on dramatic events in history. Focuses on doctors, nurses, hospital staff, and ambulance saving victims and the interactions of their daily lives. Focuses on teenage characters, especially where a secondary school setting plays a role. FilmInk FilmInk is an Australian film magazine published by FKP International Exports. It was founded by current publisher Dov Kornits and Colin Fraser in July 1997, in Sydney. The magazine has been through many changes over

1178-437: The magazine as it transitioned into an online-only format. FilmInk is a consumer-based publication that covers all types of films, from arthouse releases to the biggest blockbusters. It focuses primarily on Australian films and covers every local release in detail. FilmInk features content from Australia and abroad. It reviews mainstream films, local pictures, and arthouse and independent fare. Common elements include

The Birthday Present - Misplaced Pages Continue

1216-435: The right decision at his earlier meeting with Simon, forcefully debates the issue with the directors and points out if he had been fined rather than going to prison they would have a different attitude. The film ends with Simon receiving a letter from Wilson saying he can return after all. The film was the first production from Jack Whittingham Productions Ltd, a new company formed by Jack Whittingham and Pat Jackson. The film

1254-534: The story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team. Examples of this genre/type include:  The Hustler (1961), Hoosiers (1986), Remember the Titans (2000), and Moneyball (2011). War films typically tells the story of a small group of isolated individuals who – one by one – get killed (literally or metaphorically) by an outside force until there

1292-525: The story." Examples of fantasy dramas include The Lord of the Rings (2001–2003), Pan's Labyrinth (2006), Where the Wild Things Are (2009), and Life of Pi (2012). Horror dramas often involve the central characters isolated from the rest of society. These characters are often teenagers or people in their early twenties (the genre's central audience) and are eventually killed off during

1330-578: The term "pejoratively to connote an unrealistic, pathos-filled, camp tale of romance or domestic situations with stereotypical characters (often including a central female character) that would directly appeal to feminine audiences". Also called "women's movies", "weepies", tearjerkers, or "chick flicks". If they are targeted to a male audience, then they are called "guy cry" films. Often considered "soap-opera" drama. Focuses on religious characters, mystery play, beliefs, and respect. Character development based on themes involving criminals, law enforcement and

1368-498: The word "comedy" or "drama" are not recognized by the Screenwriters Taxonomy as either a film genre or a film type. For instance, "Melodrama" and "Screwball Comedy" are considered Pathways,  while "romantic comedy" and "family drama" are macro-genres. A macro-genre in the Screenwriters Taxonomy. These films tell a story in which many of the central characters are related. The story revolves around how

1406-404: Was all sort of at that time." The Monthly Film Bulletin wrote: "The intention of making a film about the problems of a man released from gaol is creditable enough, and the authors of the story evidently intended to bring home a serious point. Unfortunately, the good intentions are not entirely realised by the film. For a start, the treatment is novelettish, and the problem handled and solved at

1444-404: Was shot at Shepperton Studios and released by British Lion. Pat Jackson considered it one of his favourite films, calling it "an honest piece of filmmaking, with a lovely performance from Sylvia Syms. It was a very interesting and well written script." Pat Jackson said "it got wonderful, wonderful notices... didn't do commercially well because Asian 'flu if you remember, hit London very badly, it

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