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85-603: The York Mystery Plays , more properly the York Corpus Christi Plays , are a Middle English cycle of 48 mystery plays or pageants covering sacred history from the creation to the Last Judgment . They were traditionally presented on the feast day of Corpus Christi (a movable feast on the Thursday after Trinity Sunday, between 23 May and 24 June) and were performed in the city of York , from

170-488: A choral studentship to St John's College, Cambridge , but his studies were interrupted by war service. He resumed study after his return in 1945, and was then appointed as organ student. From 1948 until retirement in 1983 he was a lecturer, then senior lecturer, in the music department of the University of Leeds . He was active as a composer throughout this time. In 1951 he was asked by his friend Allan Wicks to write

255-738: A demonstrative ( þis , þat ), after a possessive pronoun (e.g., hir , our ), or with a name or in a form of address. This derives from the Old English "weak" declension of adjectives. This inflexion continued to be used in writing even after final -e had ceased to be pronounced. In earlier texts, multisyllable adjectives also receive a final -e in these situations, but this occurs less regularly in later Middle English texts. Otherwise, adjectives have no ending and adjectives already ending in -e etymologically receive no ending as well. Earlier texts sometimes inflect adjectives for case as well. Layamon's Brut inflects adjectives for

340-595: A fixed stage in the ruins of St Mary's Abbey in the Museum Gardens and directed by E. Martin Browne . The music, written for the occasion by James Brown , was directed by Allan Wicks . The part of Jesus was played by Joseph O'Conor , (although he was not named in the programme for fear of backlash) and other roles were taken by amateurs. As the York Mystery Plays website notes: A prohibition on

425-651: A hope for a brighter future. This was an outdoor production in the Residents Gardens adjoining Dean's Park in York and followed the experiences of people following the crucifixion. An experimental production using horse-drawn brewers’ drays and market stalls, was performed around Leeds University , in 1975. In 1994 the Leeds-based historian Jane Oakshott worked alongside the Friends of York Mystery Plays,

510-502: A largely Anglo-Saxon vocabulary (with many Norse borrowings in the northern parts of the country) but a greatly simplified inflectional system. The grammatical relations that were expressed in Old English by the dative and instrumental cases were replaced in Early Middle English with prepositional constructions. The Old English genitive - es survives in the -'s of the modern English possessive , but most of

595-494: A lengthened – and later also modified – pronunciation of a preceding vowel. For example, in name , originally pronounced as two syllables, the /a/ in the first syllable (originally an open syllable) lengthened, the final weak vowel was later dropped, and the remaining long vowel was modified in the Great Vowel Shift (for these sound changes, see Phonology , above). The final ⟨e⟩ , now silent, thus became

680-495: A lesser extent), and, therefore, it cannot be attributed simply to the influence of French-speaking sections of the population: English did, after all, remain the vernacular . It is also argued that Norse immigrants to England had a great impact on the loss of inflectional endings in Middle English. One argument is that, although Norse and English speakers were somewhat comprehensible to each other due to similar morphology,

765-593: A process called apophony ), as in Modern English. With the discontinuation of the Late West Saxon standard used for the writing of Old English in the period prior to the Norman Conquest, Middle English came to be written in a wide variety of scribal forms, reflecting different regional dialects and orthographic conventions. Later in the Middle English period, however, and particularly with

850-468: A professional and with a professional actor playing Jesus, the rest of the cast were local amateurs. Ian McShane played Lucifer/Satan in 1963. Some amateur actors such as Judi Dench became professionals. Directors included E. Martin Browne again (1954, 1957, 1966), David Giles (1960), William Gaskill (1963), Edward Taylor (1969, 1973), Jane Howell (1976), Patrick Garland (1980), Toby Robertson (1984) and Steven Pimlott (1988). The role of Jesus

935-524: A variant of the Northumbrian dialect (prevalent in northern England and spoken in southeast Scotland ). During the Middle English period, many Old English grammatical features either became simplified or disappeared altogether. Noun, adjective, and verb inflections were simplified by the reduction (and eventual elimination) of most grammatical case distinctions. Middle English also saw considerable adoption of Anglo-Norman vocabulary, especially in

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1020-667: Is a form of the English language that was spoken after the Norman Conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the University of Valencia states the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly coincided with

1105-478: Is a play on words, representing a religious truth or rite, and its Middle English meaning of a trade or craft). The wagons were paraded through the streets of York, stopping at 12 playing stations, designated by the city banners. The cycle uses many different verse forms, most have rhyme, a regular rhythm with fairly short lines and frequent alliteration. The balance of critical opinion is in favour of several clerics being responsible for their authorship, one of whom

1190-723: Is conventionally known as the "York Realist". It comprises 48 pageants that were originally presented on carts and wagons dressed for the occasion. In some accounts there are as many as 56 pageants. They told stories from the Old and New Testaments , from the Creation to the Last Judgement. The plays continued after the Reformation when in 1548, the feast of Corpus Christi was abolished in England. The plays were accommodated in to

1275-433: Is now rare and used only in oxen and as part of a double plural , in children and brethren . Some dialects still have forms such as eyen (for eyes ), shoon (for shoes ), hosen (for hose(s) ), kine (for cows ), and been (for bees ). Grammatical gender survived to a limited extent in early Middle English before being replaced by natural gender in the course of the Middle English period. Grammatical gender

1360-521: Is the productions of the Lords of Misrule , a dramatic group composed of students and recent graduates of the Department of Medieval Studies at the University of York . Their presentations use authentic Middle English both in the words used and in their pronunciation. They have regularly contributed to one of the waggon play productions. Middle English Middle English (abbreviated to ME )

1445-524: The Augustinian canon Orrm wrote the Ormulum , one of the oldest surviving texts in Middle English. The influence of Old Norse aided the development of English from a synthetic language with relatively free word order to a more analytic language with a stricter word order. Both Old English and Old Norse were synthetic languages with complicated inflections. Communication between Vikings in

1530-654: The Borthwick Institute at the University of York, and produced a modernisation of the complete text. Following the success of the 1951 production, said to be "the most widely applauded festival event in the country, with over 26,000 people witnessing the Plays", selections from the cycle were staged in the same location at three-year intervals, lengthening to four-year intervals, until 1988. They have aroused academic interest and publications. Usually directed by

1615-597: The Danelaw and their Anglo-Saxon neighbours resulted in the erosion of inflection in both languages. Old Norse may have had a more profound impact on Middle and Modern English development than any other language. The effect of Old Norse on Old English was substantive, pervasive, and of a democratic character. Like close cousins, Old Norse and Old English resembled each other, and with some words and grammatical structures in common, speakers of each language roughly understood each other, but according to historian Simeon Potler

1700-520: The Dean of York , Very Rev Raymond Furnell , led him to offer the use of York Minster for the most ambitious production so far. In 2000 a large-scale performance was staged in York Minster, as The York Millennium Mystery Plays, directed by Gregory Doran , with a script adapted by Mike Poulton . With Ray Stevenson in the role of Christ and Rory Mulvihill (Jesus in 1996) as Satan, the production

1785-616: The Early Modern English and Modern English eras. Middle English generally did not have silent letters . For example, knight was pronounced [ˈkniçt] (with both the ⟨k⟩ and the ⟨gh⟩ pronounced, the latter sounding as the ⟨ch⟩ in German Knecht ). The major exception was the silent ⟨e⟩ – originally pronounced but lost in normal speech by Chaucer's time. This letter, however, came to indicate

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1870-476: The High and Late Middle Ages . Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography . Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English literary variety broke down and writing in English became fragmented and localized and was, for

1955-530: The Norman Conquest , had normally been written in French. Like Chaucer's work, this new standard was based on the East Midlands-influenced speech of London. Clerks using this standard were usually familiar with French and Latin , influencing the forms they chose. The Chancery Standard, which was adopted slowly, was used in England by bureaucrats for most official purposes, excluding those of

2040-553: The plays, probably dating from between 1463 and 1477, is still intact and stored at the British Library . There is no record of the first performance of the mystery plays, but they were recorded as celebrating the festival of Corpus Christi in York in 1376, by which time the use of pageant wagons had already been established. The plays were organised, financed and performed by the York Craft Guilds ("Mystery"

2125-645: The 12th century, incorporating a unique phonetic spelling system; and the Ancrene Wisse and the Katherine Group , religious texts written for anchoresses , apparently in the West Midlands in the early 13th century. The language found in the last two works is sometimes called the AB language . Additional literary sources of the 12th and 13th centuries include Layamon's Brut and The Owl and

2210-422: The 13th century and was replaced by thorn. Thorn mostly fell out of use during the 14th century and was replaced by ⟨th⟩ . Anachronistic usage of the scribal abbreviation [REDACTED] ( þe , "the") has led to the modern mispronunciation of thorn as ⟨ y ⟩ in this context; see ye olde . Wynn, which represented the phoneme /w/ , was replaced by ⟨ w ⟩ during

2295-409: The 13th century. Due to its similarity to the letter ⟨p⟩ , it is mostly represented by ⟨w⟩ in modern editions of Old and Middle English texts even when the manuscript has wynn. Under Norman influence, the continental Carolingian minuscule replaced the insular script that had been used for Old English. However, because of the significant difference in appearance between

2380-473: The 14th century, even after the loss of the majority of the continental possessions of the English monarchy . In the aftermath of the Black Death of the 14th century, there was significant migration into London , of people to the counties of the southeast of England and from the east and central Midlands of England, and a new prestige London dialect began to develop as a result of this clash of

2465-604: The 1540s after the printing and wide distribution of the English Bible and Prayer Book , which made the new standard of English publicly recognizable and lasted until about 1650. The main changes between the Old English sound system and that of Middle English include: The combination of the last three processes listed above led to the spelling conventions associated with silent ⟨e⟩ and doubled consonants (see under Orthography , below). Middle English retains only two distinct noun-ending patterns from

2550-532: The Centre for Medieval Studies at the University of York and the York Early Music Festival to direct the first processional performance of the plays in modern times in York. The production involved nine amateur drama groups each taking one play, and touring it to five playing stations in central York using pageant waggons. A production in similar format in 1998 featured eleven plays, and for

2635-572: The Church and legalities, which used Latin and Law French respectively. The Chancery Standard's influence on later forms of written English is disputed, but it did undoubtedly provide the core around which Early Modern English formed. Early Modern English emerged with the help of William Caxton 's printing press, developed during the 1470s. The press stabilized English through a push towards standardization, led by Chancery Standard enthusiast and writer Richard Pynson . Early Modern English began in

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2720-754: The Innocents , and The Purification of the Virgin . These were condensed into a one-hour play. Amateur actors and musicians gave seven performances from 12 to 15 December 2019 at the Spurriergate Centre, Spurriergate, York. In July 2021, York Minster, the York Festival Trust and the York Mystery Plays Supporters Trust jointly produced A Resurrection for York to celebrate the easing of restrictions and

2805-778: The Museum Gardens as a performance station maintaining the link between St Mary's Abbey and the plays established in the 1950s. For the 2002 production management transferred to a committee of the Guilds of York: the York Guild of Building, the Company of Merchant Taylors, the Company of Cordwainers, the Gild of Freemen, the Company of Butchers, the Guild of Scriveners and the Company of Merchant Adventurers. Ten plays were produced with

2890-557: The Nightingale . Some scholars have defined "Early Middle English" as encompassing English texts up to 1350. This longer time frame would extend the corpus to include many Middle English Romances (especially those of the Auchinleck manuscript c.  1330 ). Gradually, the wealthy and the government Anglicised again, although Norman (and subsequently French ) remained the dominant language of literature and law until

2975-591: The Norse speakers' inability to reproduce the ending sounds of English words influenced Middle English's loss of inflectional endings. Important texts for the reconstruction of the evolution of Middle English out of Old English are the Peterborough Chronicle , which continued to be compiled up to 1154; the Ormulum , a biblical commentary probably composed in Lincolnshire in the second half of

3060-544: The Old English -eþ , Midland dialects showing -en from about 1200, and Northern forms using -es in the third person singular as well as the plural. The past tense of weak verbs was formed by adding an -ed(e) , -d(e) , or -t(e) ending. The past-tense forms, without their personal endings, also served as past participles with past-participle prefixes derived from Old English: i- , y- , and sometimes bi- . Strong verbs , by contrast, formed their past tense by changing their stem vowel (e.g., binden became bound ,

3145-713: The Old Norse influence was strongest in the dialects under Danish control that composed the southern part of the Northern England (corresponding to the Scandinavian Kingdom of Jórvík ), the East Midlands and the East of England , words in the spoken language emerged in the 10th and 11th centuries near the transition from Old to Middle English. Influence on the written languages only appeared from

3230-468: The York 800 celebrations in 2012. The performances on waggons were given again by the Guilds in 2014, continuing the established four-yearly cycle. 2018 saw the plays return to the streets of York once more, this time with a selection of 11 plays. Modern performances use some degree of modernisation of the text, either by a radical policy of replacing all obsolete word and phrases by modern equivalents, or at least by using modern pronunciations. An exception

3315-708: The York Historic Pageant included a parade of guild banners accompanying a wagon representing the Nativity through the streets. In December the same year a selection of six plays was performed as a fund-raising venture for St Olave's Church, York . The play cycle was revived on a much larger scale in 1951 in the York Festival of the Arts, part of the Festival of Britain celebrations. It was performed on

3400-710: The abundance of Modern English words for the mechanisms of government that are derived from Anglo-Norman, such as court , judge , jury , appeal , and parliament . There are also many Norman-derived terms relating to the chivalric cultures that arose in the 12th century, an era of feudalism , seigneurialism , and crusading . Words were often taken from Latin, usually through French transmission. This gave rise to various synonyms, including kingly (inherited from Old English), royal (from French, inherited from Vulgar Latin), and regal (from French, which borrowed it from Classical Latin). Later French appropriations were derived from standard, rather than Norman, French. Examples of

3485-494: The areas of politics, law, the arts, and religion, as well as poetic and emotive diction. Conventional English vocabulary remained primarily Germanic in its sources, with Old Norse influences becoming more apparent. Significant changes in pronunciation took place, particularly involving long vowels and diphthongs, which in the later Middle English period began to undergo the Great Vowel Shift . Little survives of early Middle English literature , due in part to Norman domination and

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3570-470: The assistance of local drama groups. In 2006, twelve waggons performed in the streets, in conjunction with the York Early Music Festival . The 2010 production featured twelve waggons, performing at four stations. At the same time the only known surviving manuscript of the plays was displayed in York Art Gallery . Two plays (Creation and Noah's Ark) were performed on waggons at two stations in

3655-583: The beginning of the 13th century, this delay in Scandinavian lexical influence in English has been attributed to the lack of written evidence from the areas of Danish control, as the majority of written sources from Old English were produced in the West Saxon dialect spoken in Wessex , the heart of Anglo-Saxon political power at the time. The Norman Conquest of England in 1066 saw the replacement of

3740-586: The cast was made up of amateurs, mainly from the York area. More than fifty children also took part. Original music was written for the production by local composer Richard Shephard . For 2012 the Mystery plays returned to the Museum Gardens, their home until 1988. The script was adapted by Mike Kenny and direction was by Damian Cruden of York Theatre Royal and Paul Burbridge of Riding Lights Theatre Company . The show involved more than 1,000 local volunteers working alongside theatre professionals in all areas of

3825-414: The clergy for written communication and record-keeping. A significant number of Norman words were borrowed into English and used alongside native Germanic words with similar meanings. Examples of Norman/Germanic pairs in Modern English include pig and pork , calf and veal , wood and forest , and freedom and liberty . The role of Anglo-Norman as the language of government and law can be seen in

3910-507: The comparative and superlative (e.g., greet , great; gretter , greater). Adjectives ending in -ly or -lich formed comparatives either with -lier , -liest or -loker , -lokest . A few adjectives also displayed Germanic umlaut in their comparatives and superlatives, such as long , lenger . Other irregular forms were mostly the same as in modern English. Middle English personal pronouns were mostly developed from those of Old English , with

3995-486: The development of the Chancery Standard in the 15th century, orthography became relatively standardised in a form based on the East Midlands-influenced speech of London. Spelling at the time was mostly quite regular . (There was a fairly consistent correspondence between letters and sounds.) The irregularity of present-day English orthography is largely due to pronunciation changes that have taken place over

4080-495: The different dialects, that was based chiefly on the speech of the East Midlands but also influenced by that of other regions. The writing of this period, however, continues to reflect a variety of regional forms of English. The Ayenbite of Inwyt , a translation of a French confessional prose work, completed in 1340, is written in a Kentish dialect . The best known writer of Middle English, Geoffrey Chaucer , wrote in

4165-531: The double consonant represented a sound that was (or had previously been) geminated (i.e., had genuinely been "doubled" and would thus have regularly blocked the lengthening of the preceding vowel). In other cases, by analogy, the consonant was written double merely to indicate the lack of lengthening. The basic Old English Latin alphabet consisted of 20 standard letters plus four additional letters: ash ⟨æ⟩ , eth ⟨ð⟩ , thorn ⟨þ⟩ , and wynn ⟨ƿ⟩ . There

4250-468: The end of the Middle English period only the strong -'s ending (variously spelled) was in use. Some formerly feminine nouns, as well as some weak nouns, continued to make their genitive forms with -e or no ending (e.g., fole hoves , horses' hooves), and nouns of relationship ending in -er frequently have no genitive ending (e.g., fader bone , "father's bane"). The strong -(e)s plural form has survived into Modern English. The weak -(e)n form

4335-418: The exception of the third person plural, a borrowing from Old Norse (the original Old English form clashed with the third person singular and was eventually dropped). Also, the nominative form of the feminine third person singular was replaced by a form of the demonstrative that developed into sche (modern she ), but the alternative heyr remained in some areas for a long time. As with nouns, there

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4420-588: The feast of Corpus Christi , until 30 June. The director, Phillip Breen, had previously directed for the Royal Shakespeare Company . The production featured a large step set by designers Max Jones and Ruth Hall, that was dissected by a thin gauze that reached to the vaulted ceiling, which was utilised as a projection screen by projection designer Douglas O'Connell. Writer Mike Poulton and composer Richard Shephard repeated their millennium production roles. The cast had about 150 amateur actors and

4505-487: The first time the modern York Guilds were involved with some of the plays, either directly or as sponsors. The same year (1998) a full production of all of the plays on waggons took place at Victoria College, University of Toronto. Following the production in York Minster in 2000, the Waggon Plays were the only regular cycle performed in the city until 2012 when the static plays were revived. The Waggon Plays also used

4590-412: The indicator of the longer and changed pronunciation of ⟨a⟩ . In fact, vowels could have this lengthened and modified pronunciation in various positions, particularly before a single consonant letter and another vowel or before certain pairs of consonants. A related convention involved the doubling of consonant letters to show that the preceding vowel was not to be lengthened. In some cases,

4675-561: The main difference lied on their inflectional endings, which led to much confusion within the mixed population that existed in the Danelaw, this endings tended gradually to become obscured and finally lost, "simplifying English grammar" in the process. In time, the inflections melted away and the analytic pattern emerged. Viking influence on Old English is most apparent in pronouns , modals, comparatives, pronominal adverbs (like hence and together ), conjunctions, and prepositions show

4760-417: The masculine accusative, genitive, and dative, the feminine dative, and the plural genitive. The Owl and the Nightingale adds a final -e to all adjectives not in the nominative, here only inflecting adjectives in the weak declension (as described above). Comparatives and superlatives were usually formed by adding -er and -est . Adjectives with long vowels sometimes shortened these vowels in

4845-442: The massacre of the innocents, Christ's childhood, baptism, temptation and ministry, and his entrance into Jerusalem on Palm Sunday. The second half concentrated on the capture and trial of Christ, and his crucifixion, resurrection and ascension. The production ended, as is traditional, with the Last Judgement. The production ran for a month, with a total audience of 28,000. Aside from the professional director and actor, Ray Stevenson,

4930-686: The mid-fourteenth century until their suppression in 1569. The plays are one of four virtually complete surviving English mystery play cycles, along with the Chester Mystery Plays , the Towneley/Wakefield plays and the N-Town plays . Two long, composite, and late mystery pageants have survived from the Coventry cycle and there are records and fragments from other similar productions that took place elsewhere. A manuscript of

5015-427: The more complex system of inflection in Old English : Nouns of the weak declension are primarily inherited from Old English n -stem nouns but also from ō -stem, wō -stem, and u -stem nouns, which did not inflect in the same way as n -stem nouns in Old English, but joined the weak declension in Middle English. Nouns of the strong declension are inherited from the other Old English noun stem classes. Some nouns of

5100-490: The most marked Danish influence. The best evidence of Scandinavian influence appears in extensive word borrowings; however, texts from the period in Scandinavia and Northern England do not provide certain evidence of an influence on syntax. However, at least one scholarly study of this influence shows that Old English may have been replaced entirely by Norse, by virtue of the change from Old English to Norse syntax. While

5185-551: The most part, being improvised. By the end of the period (about 1470), and aided by the invention of the printing press by Johannes Gutenberg in 1439, a standard based on the London dialects (Chancery Standard) had become established. This largely formed the basis for Modern English spelling, although pronunciation has changed considerably since that time. Middle English was succeeded in England by Early Modern English , which lasted until about 1650. Scots developed concurrently from

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5270-407: The name has come into general use. The eight plays concerned are They are all written in vigorous alliterative verse as are other plays in the cycle. The distinctive feature, apart from the high quality of the writing, is the attention to incidental detail in the story-telling and in the subtle portrayal of the negative characters: Pilate, Herod, Annas and Caiaphas. Playwright Peter Gill expressed

5355-520: The new religious orthodoxy by cutting scenes honouring the Virgin , but were suppressed in 1569. Traditionally, an individual guild took responsibility for a particular play. The authorship of the plays is unknown, but analysis of the style allows scholars to recognise where authorship changes. One group of plays, concerned with the Passion , has been attributed to a writer called "The York Realist", and

5440-693: The old insular g and the Carolingian g (modern g ), the former continued in use as a separate letter, known as yogh , written ⟨ȝ⟩ . This was adopted for use to represent a variety of sounds: [ɣ], [j], [dʒ], [x], [ç] , while the Carolingian g was normally used for [g]. Instances of yogh were eventually replaced by ⟨j⟩ or ⟨y⟩ and by ⟨gh⟩ in words like night and laugh . In Middle Scots , yogh became indistinguishable from cursive z , and printers tended to use ⟨z⟩ when yogh

5525-423: The other case endings disappeared in the Early Middle English period, including most of the roughly one dozen forms of the definite article ("the"). The dual personal pronouns (denoting exactly two) also disappeared from English during this period. The loss of case endings was part of a general trend from inflections to fixed word order that also occurred in other Germanic languages (though more slowly and to

5610-521: The plays to have played both Jesus and Satan. In December 2019, the York Mystery Plays Supporters Trust (YMPST) created A Nativity for York directed by Philip Parr, the first of what was planned to be an annual Christmas production in the city. He created a script using the original texts from a selection of the eight plays in the Nativity cycle: The Annunciation and the Visitation , Joseph’s Trouble about Mary , The Nativity , The Shepherds , Herod and The Magi , The Flight into Egypt , The Slaughter of

5695-403: The prestige that came with writing in French rather than English. During the 14th century, a new style of literature emerged with the works of writers including John Wycliffe and Geoffrey Chaucer , whose Canterbury Tales remains the most studied and read work of the period. The transition from Late Old English to Early Middle English had taken place by the 1150s to 1180s, the period when

5780-429: The production, including 500 amateur actors organised into two casts who shared the 30-performance run. The combined role of Jesus and God the Father was played by Ferdinand Kingsley , and Lucifer/Satan by Graeme Hawley . Reviews for the production were generally positive, with praise for the spectacle and stage design as well as the efforts of the volunteers. In 2016 the plays were performed in York Minster from 26 May,

5865-411: The representation of the deity - God or Christ - still existed in England, so the name of the professional actor hired to play Jesus for the 1951 production was kept a secret. And the Dean of York still maintained a ban on the representation of the giving of the Sacrament of the Last Supper. In the interests of comprehensibility, the text was abbreviated and modernised by Canon Purvis who went on to lead

5950-513: The resulting doublet pairs include warden (from Norman) and guardian (from later French; both share a common ancestor loaned from Germanic). The end of Anglo-Saxon rule did not result in immediate changes to the language. The general population would have spoken the same dialects as they had before the Conquest. Once the writing of Old English came to an end, Middle English had no standard language, only dialects that evolved individually from Old English. Early Middle English (1150–1350) has

6035-689: The second half of the 14th century in the emerging London dialect, although he also portrays some of his characters as speaking in northern dialects, as in " The Reeve's Tale ". In the English-speaking areas of lowland Scotland , an independent standard was developing, based on the Northumbrian dialect . This would develop into what came to be known as the Scots language . A large number of terms for abstract concepts were adopted directly from scholastic philosophical Latin (rather than via French). Examples are "absolute", "act", "demonstration", and "probable". The Chancery Standard of written English emerged c.  1430 in official documents that, since

6120-458: The second person singular in -(e)st (e.g., þou spekest , "thou speakest"), and the third person singular in -eþ (e.g., he comeþ , "he cometh/he comes"). ( þ (the letter "thorn") is pronounced like the unvoiced th in "think", but under certain circumstances, it may be like the voiced th in "that"). The following table illustrates a typical conjugation pattern: Plural forms vary strongly by dialect, with Southern dialects preserving

6205-409: The sole professional, Philip McGinley , played Jesus except for the last four performances, when, owing to his sudden illness, the role was taken by his understudy Toby Gordon who had, up to then, played Satan. This caused a cascade of understudying which was superbly handled by a committed cast. It also elevated Toby Gordon into the ‘Crew of Two’ with Rory Mulvihill as the only actors in the history of

6290-545: The staging of 42 pageants on the Leeds University campus. In 1992, the York production was moved in a modern production to the York Theatre Royal , with Robson Green playing Christ and a script adapted by Liz Lochhead . The 1996 production in the same place was all-amateur, with the part of Jesus played by local solicitor Rory Mulvihill, and the script shortened by Lochhead. For 2000, the interest of

6375-409: The strong type have an -e in the nominative/accusative singular, like the weak declension, but otherwise strong endings. Often, these are the same nouns that had an -e in the nominative/accusative singular of Old English (they, in turn, were inherited from Proto-Germanic ja -stem and i -stem nouns). The distinct dative case was lost in early Middle English, and although the genitive survived, by

6460-507: The top levels of the English-speaking political and ecclesiastical hierarchies by Norman rulers who spoke a dialect of Old French , now known as Old Norman , which developed in England into Anglo-Norman . The use of Norman as the preferred language of literature and polite discourse fundamentally altered the role of Old English in education and administration, even though many Normans of this period were illiterate and depended on

6545-637: The view that "If it hadn’t been for the York Realist, Shakespeare would have been a second rate writer like Goethe". After their suppression in Tudor times, the plays remained little known until Lucy Toulmin Smith obtained permission from the Earl of Ashburnham to study the manuscript of the plays in his possession and publish her transcription together with an introduction and short glossary in 1885. In 1909,

6630-497: Was a junior school teacher. James also had a brother named Tom being a chartered engineer and a sister called Dulcie who has been a civil servant, a missionary and a music teacher of cello and classical guitar. He was trained in singing and organ-playing by Jonathan Job, the Ipswich Borough Organist, then himself became organist and choirmaster at All Hallows' Church. In 1941 he left Northgate School and won

6715-425: Was indicated by agreement of articles and pronouns (e.g., þo ule "the feminine owl") or using the pronoun he to refer to masculine nouns such as helm ("helmet"), or phrases such as scaft stærcne (strong shaft), with the masculine accusative adjective ending -ne . Single-syllable adjectives added -e when modifying a noun in the plural and when used after the definite article ( þe ), after

6800-522: Was not available in their fonts; this led to new spellings (often giving rise to new pronunciations), as in McKenzie , where the ⟨z⟩ replaced a yogh, which had the pronunciation /j/ . James Clifford Brown James Clifford Brown, usually referred to as James Brown, was born at 49 St. Matthew's Street, Ipswich on 18 August 1923. His father Henry John Brown was an electrical engineer and later professional cellist while his mother Lois

6885-520: Was not yet a distinct j , v , or w , and Old English scribes did not generally use k , q , or z . Ash was no longer required in Middle English, as the Old English vowel /æ/ that it represented had merged into /a/ . The symbol nonetheless came to be used as a ligature for the digraph ⟨ae⟩ in many words of Greek or Latin origin, as did ⟨œ⟩ for ⟨oe⟩ . Eth and thorn both represented /θ/ or its allophone / ð / in Old English. Eth fell out of use during

6970-417: Was ousted by it in most dialects by the 15th. The following table shows some of the various Middle English pronouns. Many other variations are noted in Middle English sources because of differences in spellings and pronunciations at different times and in different dialects. As a general rule, the indicative first person singular of verbs in the present tense ended in -e (e.g., ich here , "I hear"),

7055-474: Was played a second time by Joseph O'Conor (1954), then by Brian Spink (1957), Tom Criddle , (1960), Alan Dobie (1963), John Westbrook (1966), John Stuart Anderson (1973), local York man David Bradley (1976), Christopher Timothy (1980), Simon Ward (1984) and Victor Banerjee (1988). Meanwhile, 1975 saw the Graduate Centre for Medieval Studies at the University of Leeds co-ordinating

7140-475: Was some inflectional simplification (the distinct Old English dual forms were lost), but pronouns, unlike nouns, retained distinct nominative and accusative forms. Third person pronouns also retained a distinction between accusative and dative forms, but that was gradually lost: The masculine hine was replaced by him south of the River Thames by the early 14th century, and the neuter dative him

7225-489: Was the most expensive and wide-reaching project in the history of the plays' modern revival. The first half began in heaven with the story of the fall of Lucifer, followed by the creation of the world, the fall of Adam and Eve, Noah's Ark (with impressive and memorable representations of the animals and the flood) and the story of Abraham and Isaac. From the New Testament there came the annunciation and nativity of Jesus,

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