Misplaced Pages

#23976

22-655: Zero1 may refer to: ZERO1 (nonprofit) , a non-profit organization Pro Wrestling Zero1 , a Japanese professional wrestling promotion founded in 2001 Zero 1, a rock band featuring Hal Sparks Zero1, a mobile virtual network operator in Singapore; see List of mobile network operators of the Asia Pacific region Zero1 Agency, an advertising & marketing agency that's headquartered in Los Angeles, California and

44-508: A complex set of algorithms and patterns in a dazzling display across the bridge's west span. ZERO1 was invited to be the fiscal sponsor, contracted with Illuminate the Arts, to provide fiscal stewardship for the world's largest light sculpture and currently the nation's largest public art project. From June 4–8, 2008 over 25,000 attendees, visited 100 art installations, 25+ performances, workshops, and public talks by over 100 artists from more than

66-470: A conceptual platform where exhibitions, artist talks, panels, and symposia could take place for the next three years. Cadre laboratory for new media The CADRE (Computer in Art, Design, Research, and Education) Laboratory for New Media is an American academic entity at San José State University focused on digital media arts research and creation. It is the second oldest education and art media lab in

88-399: A cross-cultural exchange of ideas. The selected U.S. artists team up with youth and under served populations, through country-based partnerships, to inspire creative ideas for community engagement through art programs. American Arts Incubator awards micro-grants to community-driven digital media or mural arts projects proposed by artist teams who reside in each overseas community. In doing so,

110-595: A digital art collector's panel, Still Life with Banquet, the city's first zipline over a man-made marsh, a drive-in theater fashioned out of salvaged cars, and AbsoluteZERO an evening street fair of emerging artists. The Bay Lights is an iconic light sculpture celebrating the 75th anniversary of the Bay Bridge in San Francisco by artist Leo Villareal. The sculpture is 1.8 miles wide and 500 feet high incorporating 25,000 individually programmed LED lights driven by

132-482: A dozen countries at exhibitions held throughout downtown San Jose; students from seven continents participated in a global youth digital arts exhibition designed to enable them to examine critical issues, share their views, and take action; the biennial commissioned over 19 new works, of which three were the result of a FUSE: CADRE /Montalvo Artist Research Residency Initiative, and supported an additional 29 projects. The inaugural 2006 Biennial held in conjunction with

154-459: A global community of innovative artists who are reshaping contemporary culture. The 2012 Biennial invited more than 150 artists from over 13 countries to present works at the forefront of media art – collaborating with local, regional, national and international cultural institutions and iconic Silicon Valley companies to showcase three months of exhibitions, events, and performances. The core Biennial exhibition, also entitled Seeking Silicon Valley,

176-516: A specific innovation challenge. ZERO1 Fellows participate in cross-sector collaboration and problem solving while leveraging emerging technology, resources and expertise provided by sponsors. The Fellowship network is further informed by ZERO1 exhibitions, talks, publishing, and special events that establish context and serve to inspire. In 2012 ZERO1 launched the Garage to complement the Biennial as

198-425: A tool with which to Build Your Own World. Led by ZERO1 Artistic Director, Steve Dietz, in his third and final year with the Biennial, Assistant Curator Jaime Austin, and ZERO1's Executive Director Joel Slayton, the 2010 ZERO1 Biennial featured works by art and design luminaries David Rockwell and The Lab, Brody Condon, Natalie Jeremijenko, Rigo23, Todd Chandler, Blast Theory and many more. The 2010 Biennial also included

220-531: Is different from Wikidata All article disambiguation pages All disambiguation pages ZERO1 (nonprofit) In 1995 high tech marketeer Andy Cunningham, who had worked in companies such as Apple, Cisco, and HP. Five years later, Andy Cunningham, launched ZERO1 at the intersection of art and technology and to produce a major festival celebrating this creative intersection. The organization convenes artists and technologists, presents their collaborative efforts, sponsors artistic initiatives and exhibits

242-554: The International Society for Electronic Arts brought over 20,000 people to San Jose for seven days of art and interactivity. It featured 250 art installations representing 40 countries. The 2006 Biennial yielded nearly 100 media stories including a full-page spread in the Sunday New York Times , and was recognized as North America's newest and largest digital arts biennial. ZERO1 in partnership with

SECTION 10

#1732787515024

264-720: The Triton Museum. A book was also published to commemorate the first year of the conference. Rather than continuing as a conference, in 1985 the CADRE Project was restructured into a media lab in order to allow the faculty of San Jose State to create a fine arts program which was able to take advantage of the technology-rich environment of the Silicon Valley area. The program offers both BFA and MFA degrees in Digital Media Art. Early donations to

286-473: The U.S. State Department’s Bureau of Educational and Cultural Affairs (ECA) launched a new media and mural arts program, American Arts Incubator. Inspired by the “ business incubator ” model made popular by Silicon Valley's technology and start-up companies, American Arts Incubator is a hybrid training lab, production workshop, and tool for public engagement. It showcases artists as engaged and innovative partners in addressing social issues, in addition to creating

308-613: The United States (after the MIT Media Lab ). In his 2002 book, Information Arts: Intersections of Art, Science, And Technology , Stephen Wilson describes the focus of the CADRE laboratory as "the development and testing of emerging technology applications in art, design, education, and communications in the context of critical discourse.” In 1982, San José State University Professor of Art, Marcia Chamberlain launched what

330-529: The lab were from IBM , Pacific Bell , and Silicon Graphics , who donated a combined total of over $ 435,000. In 1995, CADRE started publishing SWITCH, an online journal of new media . Switch's early years featured the net.art movement that coincided with the Dot-com bubble in Silicon Valley. In 2006, in collaboration with San José Museum of Art and The Tech Museum of Innovation , CADRE hosted

352-540: The next phase in the organization's evolution. The ZERO1 Garage was created as a platform where the principles of artistic creativity could be applied to real world innovation challenges. The Garage's unique design, by architect Chris Haas, received a 2013 Merit Award from the AIA San Francisco's Design Award Program. Part research lab, part exhibitions center, the ZERO1 Garage was both a physical space and

374-629: The program creates opportunities for innovation by translating creative practices into community-driven artworks and ongoing arts programming that will bolster local economies, influence public policy, and further social change. The ZERO1 Fellowship program was developed as a platform for artistic experimentation that recognizes the artist as the ultimate provocateur, risk-taker, and untapped resource of innovation. Working in collaboration with partner companies, cultural institutions, and academic research centers, ZERO1 Fellows are asked to cultivate lines of artistic research and cultural production in response to

396-478: The resulting work to the public. ZERO1 is the producer of ZERO1 Biennial, a multi-disciplinary, multi-venue event of visual and performing arts, the moving image, public art and interactive digital media. Established in 2006, the ZERO1 Biennial has presented the work of more than 650 artists from more than 60 countries, commissioned over 120 original works of art, attracted over 170,000 visitors from around

418-403: The world, and contributed approximately $ 30 million in economic revenue to the region. The ZERO1 Biennial, distributed throughout Silicon Valley and the greater Bay Area, is North America's most significant and comprehensive showcase of work at the nexus of art and technology. Through curated exhibitions, public art installations, performances, and speaker events, the ZERO1 Biennial presents work by

440-487: Was at the time called the CADRE Project . Initially, the CADRE Project was an academic conference which featured concerts, demonstrations, lectures, workshops, tours, panels, a symposium, and a teacher’s Institute throughout the week of January 7–14, 1984. The conference and associated activities took place at several South Bay locations including: San Jose State University, Mission College, West Valley College, and

462-643: Was collectively curated by five international curators and included 24 international artists from 11 different countries, including 18 original commissions. 51 Biennial projects were installed in public space, 28 of those public art projects were for (e)MERGE, the ZERO1 Street festival, that engaged 86 collaborating artists. In September 2010 over 47,000 visitors engaged with over 100 artists, designers, engineers, filmmakers, musicians, architects and avant-garde creators from 21 countries, as they proved that art can be more than merely aesthetically pleasing, but rather

SECTION 20

#1732787515024

484-514: Was founded in 2014 [REDACTED] Topics referred to by the same term This disambiguation page lists articles associated with the same title formed as a letter–number combination. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Zero1&oldid=1172353777 " Category : Letter–number combination disambiguation pages Hidden categories: Short description

#23976