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40-529: CBSC may refer to: Canadian Broadcast Standards Council , a Canadian non-governmental organization City of Birmingham Symphony Chorus , a chorus based in Birmingham, England Comparator-Based Switched Capacitor , a type of circuit in electronics Cowboy Bebop: Space Cowboy , a popular online game Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with

80-521: A Duo or Group with Vocal and was nominated for Record of the Year and Song of the Year as well. At the 1986 MTV Video Music Awards , the music video received 11 nominations, winning Video of the Year and Best Group Video . It is widely considered one of the band's signature songs. "Money for Nothing" is a pop rock song. Knopfler modeled his guitar sound on ZZ Top guitarist Billy Gibbons ' trademark guitar tone, as ZZ Top's music videos were already

120-463: A bit of paper and started to write the song down in the store. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real.... In 2000, Knopfler appeared on Parkinson on BBC One and explained again where the lyrics originated. According to Knopfler, he was in New York City and had visited an appliance store. At the back of the store was

160-475: A break in rehearsals for the album. The music video for the song features early 3D computer animation illustrating the lyrics. The video was one of the first uses of computer-animated human characters and was groundbreaking at the time of its release. Two other music videos are also featured within "Money for Nothing". The Hungarian pop band Első Emelet and their video "Állj, Vagy Lövök!" ("Stop or I'll Shoot!") appears as "Baby, Baby" by "First Floor" during

200-460: A gig, Knopfler was still unimpressed, but this time his girlfriend was present and took a hand. According to Barron: Luckily, his girlfriend said, "He's absolutely right. There aren't enough interesting videos on MTV, and that sounds like a brilliant idea." Mark didn't say anything but he didn't make the call to get me out of Budapest. We just went ahead and did it. Ian Pearson and Gavin Blair created

240-442: A grudging respect for rock stars. He sees it in terms of, well, that's not working and yet the guy's rich: that's a good scam. He isn't sneering. When examined in context, Knopfler is mocking the jealous and homophobic nature of the antagonist in the song by adopting a third-person point of view to show the irony, bigotry, and ignorance of the character. Dire Straits often performed the song in live concerts and when on tour, where

280-420: A look at jobs and videos performed by rock stars." Billboard called it a " bluesy poke at [Dire Straits' and Sting's] own kind; intentions ambiguous." Rolling Stone listed the song as the 94th greatest guitar song of all time, noting how Mark Knopfler "traded his pristine, rootsy tone for a dry, over-processed sound achieved by running a Les Paul through a wah-wah pedal on a track that became one of

320-460: A pot and making 'squishy' noise from MusiquePlus program CTRL broadcast on 11 November 2015 were not considered as sufficiently explicit to be classified as 'explicit sexual content'. The original complaint claimed the CTRL episode exposed complainer's children to sexual material because MusiquePlus failed to provide viewer advisories, and the cable provider rated the material as 8+. The council ruled

360-483: A staple of early MTV. Gibbons told Timothy White of Musician in late 1985 that Knopfler had solicited Gibbons' help in replicating the tone, adding, "He didn't do a half-bad job, either, considering that I never told him a goddamned thing!" Following the initial sessions in Montserrat , at which that particular guitar part was recorded, Neil Dorfsman attempted to recreate the sound during subsequent sessions at

400-553: A wall of televisions which were all tuned to MTV. Knopfler said that standing next to him, watching the TVs, there was a male employee, dressed in a baseball cap, work boots, and a checkered shirt, who was delivering boxes. As they were watching MTV, as Knopfler recalled, the man came out with lines such as, "What are those, Hawaiian noises?... That ain't workin'," etc. Knopfler then requested a pen to write some of these lines down, and eventually put them to music. The first-person narrator in

440-526: Is an industry funded self-regulating organization created by the Canadian Association of Broadcasters to administer standards established by its own members, Canada's private broadcasters. The council's membership includes more than 760 private sector radio and television stations, specialty services and networks from across Canada, programming in English, French and third languages. As such,

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480-544: The Canadian Radio-television and Telecommunications Commission asked the CBSC for a review on the ban, in response to the public outcry against the CBSC's actions; the commission reportedly received over 250 complaints erroneously sent to them, instead of the CBSC. The regulator requested the CBSC to appoint a nationwide panel to review the case, as the decision on the ban was reviewed by a regional panel for

520-553: The Canadian Broadcast Standards Council was not created until 1990. The council has five primary objectives: Citations have been issued not only for violations of the content guidelines themselves but also for failing to provide sufficient information to viewers, i.e. missing or inadequate viewer advisories, or missing ratings icons. If after receiving an unsatisfactory response from a broadcaster about concerns involving content broadcast by one of

560-456: The English language, 'faggot' is one that, even if entirely or marginally acceptable in earlier days, is no longer so." The CBSC's proceedings came in response to a radio listener's Ruling Request stemming from a playing of the song by CHOZ-FM in St. John's , Newfoundland and Labrador , which in turn followed the radio listener's dissatisfaction with the radio station's reply to their complaint about

600-803: The Maritimes and Newfoundland. On 31 August 2011, the CBSC reiterated that it found the use of 'faggot' to be inappropriate; however, because of considerations in regard to its use in context, the CBSC has left it up to the stations to decide whether to play the original or edited versions of the song. Most of the CBSC panelists thought it was inappropriate, but it was used only in a satirical, non-hateful manner. Credits sourced from Sound On Sound Dire Straits Additional musicians Sales figures based on certification alone. Shipments figures based on certification alone. Sales+streaming figures based on certification alone. The 1983 Gibson Les Paul Standard reissue guitar Knopfler played on

640-539: The Power Station in New York but was unsuccessful. Mark Knopfler described the writing of the song in a 1985 interview with critic Bill Flanagan : The lead character in "Money for Nothing" is a guy who works in the hardware department in a television/​custom kitchen/​refrigerator/​microwave appliance store. He's singing the song. I wrote the song when I was actually in the store. I borrowed

680-548: The [MTV] network's earliest hits." The video was awarded "Video of the Year" (among many other nominations) at the third annual MTV Video Music Awards in 1986. Some lyrics of the song have been criticised as being homophobic . In a late 1985 interview in Rolling Stone magazine, Knopfler expressed mixed feelings on the controversy: I got an objection from the editor of a gay newspaper in London – he actually said it

720-423: The animation, using a Bosch FGS-4000 CGI system and a Quantel Paintbox system. The animators went on to found computer animation studio Mainframe Entertainment (today Mainframe Studios ), and referenced the "Money for Nothing" video in an episode of their ReBoot series. The video also includes stage footage of Dire Straits performing, with partially rotoscoped animation in bright neon colours, as seen on

760-433: The appropriateness of the current standards by the panel so community standards are not addressed. One of the many criticisms of the process is that it does not meet with stated objectives of the council as it fails to inform broadcasters of emerging and changing societal trends or develop ways to adjust broadcast standards to meet them. A written decision is supplied to the complainant citing past decisions. In January 2011,

800-514: The ban. On 31 August, the CBSC reiterated that it found the slur to be inappropriate; however, because of considerations in regard to its use in context, the CBSC has left it up to the stations to decide whether to play the original or edited versions of the song. Most of the CBSC panelists thought the slur was inappropriate, but it was used only in a satirical, non-hateful manner. On 19 October 2016, CBSC's French language panel ruled video clips showing dildos and macaroni and cheese being stirred in

840-563: The council allows the private broadcasting industry to be self-regulating; it acts as an intermediary in the regulatory process, which is governed by the Canadian Radio-television and Telecommunications Commission (CRTC). The CRTC itself generally hears complaints against only the few CBSC non-members (most notably public broadcasters such as the CBC ), as well as reviews of CBSC decisions; the latter rarely lead to any additional action. Although first suggested by private broadcasters as early as 1968,

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880-409: The council's Atlantic Regional Panel ruled against CHOZ-FM in a complaint regarding the song " Money for Nothing " by Dire Straits (CBSC Decision 09/10-0818). The council ruled that Canadian radio stations must mute or otherwise edit out the word " faggot " before airing the original version of the song. The CRTC has asked the council to review their ban after they received numerous complaints about

920-778: The cover of the compilation album of the same name . When Dire Straits performed "Money for Nothing" at the 1985 Live Aid Concert at Wembley Stadium , the performance featured a guest appearance by Sting. Knopfler performed "Money for Nothing" during the Nelson Mandela 70th Birthday Tribute and the Prince's Trust concerts in 1986 with Sting, as well as the Nordoff-Robbins charity show at Knebworth in 1990. These versions featured extended guitar solos by Knopfler, backed by Eric Clapton (as guest) and Phil Palmer . Cash Box said that it's "a simply rocking cut taking

960-487: The episode in question. But MusiquePlus has since established the proper advisories, according to the council. The council also found the episode should be rated 13+, but the 8+ rating was erroneously issued by the cable company, not MusiquePlus. Money for Nothing (song) " Money for Nothing " is a song by British rock band Dire Straits , the second track on their fifth studio album Brothers in Arms (1985). It

1000-443: The lyrics describes a musician "banging on the bongos like a chimpanzee" and a woman "stickin' in the camera - Man, we could have some fun". In the second verse, the performer is described as "that little faggot with the earring and the make-up", and the narrator bemoans that these artists get "Money for nothing and chicks for free". The songwriting credits are shared between Mark Knopfler and Sting . According to Knopfler, he used

1040-428: The macaroni video failed to meet the explicit sexual content standard, and the use of f-word in the dildo video did not have the vulgar connotation it can have in English, which allowed the word to be used if it was used only on occasion and was not used to insult or attack an individual or group. However, the council determined MusiquePlus didn't post a viewer advisory warning of explicit language and sexual content during

1080-473: The members of the Canadian Association of Broadcasters, members of the public may file a complaint with the Canadian Broadcast Standards Council. The process takes some time after the complaint is raised. There is no dialogue within their process as it is purely an administrative review based on the council's own Broadcast Standards and past decisions. The exercise does not examine or re-examine

1120-457: The network slogan "I want my MTV" after seeing an MTV advertisement featuring The Police and setting it to the tune of " Don't Stand So Close to Me " (written by Sting), hence the cowriting credit. "Sting used to come to Montserrat to go windsurfing," recalled John Illsley , "and he came up for supper at the studio. We played him 'Money for Nothing' and he turned round and said, 'You've done it this time, you bastards.' Mark said if he thought it

1160-474: The second verse (The name "első emelet" translates to "first floor", and the song is credited as being on "Magyar Records": "Magyar" means "Hungarian" in the Hungarian language .) The other one is fictional, "Sally" by the "Ian Pearson Band". The fictional album for the first video was listed as "Turn Left" and the second was "Hot Dogs". For the second video, the record company appears as "Rush Records", and it

1200-518: The second verse was included but often altered slightly. For the band's 10 July 1985 concert (televised in the United Kingdom on The Tube on Channel 4 in January 1986 ), Knopfler replaced the word faggot with queenie : "See the little queenie got the earring and the make-up" and "That little queenie got his own jet airplane, he's got a helicopter, he's a millionaire." When the song

1240-515: The title CBSC . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=CBSC&oldid=1204633051 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Canadian Broadcast Standards Council The Canadian Broadcast Standards Council ( CBSC )

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1280-673: The word 'faggot' in the lyrics. Not all stations followed this ruling; at least two— CIRK-FM in Edmonton , Alberta , and CFRQ-FM in Halifax , Nova Scotia —played the unedited version of "Money for Nothing" repeatedly for one hour out of protest. Galaxie , which was owned by the Canadian Broadcasting Corporation (the CBC) at the time of the controversy, also continued to play the song. On 21 January 2011,

1320-404: Was a song they owned, 'Don't Stand So Close to Me'. They said that they wanted a percentage of the song, much to my embarrassment. So they took it. However, keyboard player Alan Clark claims the "I want my MTV" intro was his idea and not Knopfler's. According to him, the song originally began with the guitar riff, and then he developed the intro on keyboards and sang "I want my MTV" on top during

1360-477: Was below the belt. Apart from the fact that there are stupid gay people as well as stupid other people, it suggests that maybe you can't let it have so many meanings – you have to be direct. In fact, I'm still in two minds as to whether it's a good idea to write songs that aren't in the first person, to take on other characters. The singer in "Money for Nothing" is a real ignoramus, hard hat mentality – somebody who sees everything in financial terms. I mean, this guy has

1400-417: Was filmed on Fisherman's Bastion , Budapest, Hungary. Originally, Mark Knopfler was not at all enthusiastic about the concept of the music video. MTV, however, was insistent on it. Director Steve Barron , of Rushes Postproduction in London, was contacted by Warner Bros. to persuade Knopfler to relent. Describing the contrasting attitudes of Knopfler and MTV, he said: The problem was that Mark Knopfler

1440-603: Was included in the 1998 compilation Sultans of Swing: The Very Best of Dire Straits , a censored version was used, which completely omitted the second verse. In January 2011, the Canadian Broadcast Standards Council (CBSC) ruled that the unedited version of the song was unacceptable for airplay on private Canadian radio stations, as it breached the Canadian Association of Broadcasters ' code of ethics and their equitable portrayal code. The CBSC concluded that "like other racially driven words in

1480-401: Was released as the album's second single on 28 June 1985 through Vertigo Records . The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by Sting who sings the signature falsetto introduction, background vocals and a backing chorus of "I want my MTV ". The groundbreaking video

1520-501: Was so good, why didn't he go and add something to it. He did his bit there and then." Sting elaborated on his co-writing credit in a 1987 interview: Mark [Knopfler] asked me to go in the studio and sing this line, "I want my MTV." He gave me the melody, and I thought, "Oh, great, 'Don't Stand So Close to Me', that's a nice quote, it's fun." So I did it, and thought nothing of it, until my publishers, Virgin - who I've been at war with for years and who I have no respect for - decided that

1560-550: Was the first to be aired on MTV Europe when the network launched on 1 August 1987. It was Dire Straits' most commercially successful single, peaking at number 1 for three weeks on both the US Billboard Hot 100 and Top Rock Tracks chart and number 4 in the band's native UK. In July 1985, the month following its release, Dire Straits and Sting performed the song at Live Aid . At the 28th Annual Grammy Awards in 1986, "Money for Nothing" won Best Rock Performance by

1600-457: Was very anti-videos. All he wanted to do was perform, and he thought that videos would destroy the purity of songwriters and performers. They said, "Can you convince him that this is the right thing to do, because we've played this song to MTV and they think it's fantastic but they won't play it if it's him standing there playing guitar. They need a concept." Barron then flew to Budapest to convince Knopfler of their concept. Meeting together after

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