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149-451: Satire and political satire use comedy to portray people or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without necessarily condemning them. Other forms of comedy include screwball comedy , which derives its humor largely from bizarre, surprising (and improbable) situations or characters, and black comedy , which

298-474: A boy when the events in The Symposium are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be

447-509: A clever and discerning audience, yet he also declared that "other times" would judge the audience according to its reception of his plays. He sometimes boasts of his originality as a dramatist yet his plays consistently espouse opposition to radical new influences in Athenian society. He caricatured leading figures in the arts (notably Euripides , whose influence on his own work however he once grudgingly acknowledged), in politics (especially

596-442: A dramatist and the plays contain few clear and unambiguous clues about his personal beliefs or his private life. He was a comic poet in an age when it was conventional for a poet to assume the role of teacher ( didaskalos ), and though this specifically referred to his training of the chorus in rehearsal, it also covered his relationship with the audience as a commentator on significant issues. Aristophanes claimed to be writing for

745-417: A far more obviously extreme and unrealistic tale, involving interplanetary exploration, war among alien life forms, and life inside a 200 mile long whale back in the terrestrial ocean, all intended to make obvious the fallacies of books like Indica and The Odyssey . Medieval Arabic poetry included the satiric genre hija . Satire was introduced into Arabic prose literature by the author Al-Jahiz in

894-615: A humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in The Knights that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred. Aristophanes survived The Peloponnesian War , two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he

1043-413: A little even as you chuckle. Laughter is not an essential component of satire; in fact, there are types of satire that are not meant to be "funny" at all. Conversely, not all humour, even on such topics as politics, religion or art is necessarily "satirical", even when it uses the satirical tools of irony, parody, and burlesque . Even light-hearted satire has a serious "after-taste": the organizers of

1192-494: A marionette to a hand puppet, and he became, really, a spirit of Britain — a subversive maverick who defies authority, a kind of puppet equivalent to our political cartoons ." In early 19th century England, pantomime acquired its present form which includes slapstick comedy and featured the first mainstream clown Joseph Grimaldi , while comedy routines also featured heavily in British music hall theatre which became popular in

1341-573: A means of expression and an outlet for common people to express their anger against authoritarian entities. A popular custom in Northern India of "Bura na mano Holi hai" continues, in which comedians on the stage mock local people of importance (who are usually brought in as special guests). Aristophanes Aristophanes ( / ˌ ær ɪ ˈ s t ɒ f ə n iː z / ; Ancient Greek : Ἀριστοφάνης , pronounced [aristopʰánɛːs] ; c.  446  – c.  386 BC )

1490-431: A parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays ( The Acharnians to The Birds ) are fairly uniform in their approach however and the following elements of a parabasis can be found within them. The Wasps

1639-532: A permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform. The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes. The plays have a significance that goes beyond their artistic function, as historical documents that open

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1788-429: A prominent example from ancient Greece , philosopher Plato , when asked by a friend for a book to understand Athenian society, referred him to the plays of Aristophanes . Historically, satire has satisfied the popular need to debunk and ridicule the leading figures in politics, economy, religion and other prominent realms of power . Satire confronts public discourse and the collective imaginary , playing as

1937-625: A prominent role in Indian and Hindi literature , and is counted as one of the " ras " of literature in ancient books. With the commencement of printing of books in local language in the nineteenth century and especially after India's freedom, this grew. Many of the works of Tulsi Das , Kabir , Munshi Premchand , village minstrels, Hari katha singers, poets, Dalit singers and current day stand up Indian comedians incorporate satire, usually ridiculing authoritarians, fundamentalists and incompetent people in power. In India, it has usually been used as

2086-511: A public opinion counterweight to power (be it political, economic, religious, symbolic, or otherwise), by challenging leaders and authorities. For instance, it forces administrations to clarify, amend or establish their policies. Satire's job is to expose problems and contradictions, and it is not obligated to solve them. Karl Kraus set in the history of satire a prominent example of a satirist role as confronting public discourse. For its nature and social role, satire has enjoyed in many societies

2235-472: A result, much of their art was intentionally amusing. A famous example is Marcel Duchamp 's Fountain (1917), an inverted urinal signed "R. Mutt". This became one of the most famous and influential pieces of art in history, and one of the earliest examples of the found object movement. It is also a joke, relying on the inversion of the item's function as expressed by its title as well as its incongruous presence in an art exhibition. The advent of cinema in

2384-399: A special freedom license to mock prominent individuals and institutions. The satiric impulse, and its ritualized expressions, carry out the function of resolving social tension. Institutions like the ritual clowns , by giving expression to the antisocial tendencies , represent a safety valve which re-establishes equilibrium and health in the collective imaginary , which are jeopardized by

2533-540: A subversion of audience's expectations, so that amusement is founded on unpredictability , separate from a logical analysis of the situation. The humour derived gets its appeal from the ridiculousness and unlikeliness of the situation. The genre has roots in Surrealism in the arts. Surreal humour is the effect of illogic and absurdity being used for humorous effect. Under such premises, people can identify precursors and early examples of surreal humour at least since

2682-464: A sympathetic character. Aristotle divides comedy into three categories or subgenres: farce , romantic comedy , and satire . On the other hand, Plato taught that comedy is a destruction to the self. He believed that it produces an emotion that overrides rational self-control and learning. In The Republic , he says that the guardians of the state should avoid laughter, "for ordinarily when one abandons himself to violent laughter, his condition provokes

2831-455: A typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke. Though to myself I often seem A bright chap and not awkward, None comes close to Amynias, Son of Sellos of

2980-445: A useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of The Clouds , the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades , even quotes from the play when teasing Socrates over his appearance and yet there

3129-465: A violent reaction." Plato says comedy should be tightly controlled if one wants to achieve the ideal state. Also in Poetics , Aristotle defined comedy as one of the original four genres of literature . The other three genres are tragedy , epic poetry , and lyric poetry . Literature, in general, is defined by Aristotle as a mimesis , or imitation of life. Comedy is the third form of literature, being

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3278-506: A warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries— Anatoly Lunacharsky , first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have

3427-421: Is a genre of the visual , literary , and performing arts , usually in the form of fiction and less frequently non-fiction , in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose

3576-424: Is a satire in hexameter verses, was a literary genre of wholly Roman origin ( satura tota nostra est ). He was aware of and commented on Greek satire, but at the time did not label it as such, although today the origin of satire is considered to be Aristophanes' Old Comedy . The first critic to use the term satire in the modern broader sense was Apuleius . To Quintilian, the satire was a strict literary form, but

3725-415: Is an apotropaic rite in which the sin-eater (also called filth-eater), by ingesting the food provided, takes "upon himself the sins of the departed". Satire about death overlaps with black humor and gallows humor . Another classification by topics is the distinction between political satire, religious satire and satire of manners. Political satire is sometimes called topical satire, satire of manners

3874-412: Is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of

4023-601: Is an enclave in which satire can be introduced into mass media , challenging mainstream discourse. Comedy roasts , mock festivals, and stand-up comedians in nightclubs and concerts are the modern forms of ancient satiric rituals. One of the earliest examples of what might be called satire, The Satire of the Trades , is in Egyptian writing from the beginning of the 2nd millennium BC. The text's apparent readers are students, tired of studying. It argues that their lot as scribes

4172-454: Is characterized by a form of humor that includes darker aspects of human behavior or human nature. Similarly scatological humor , sexual humor, and race humor create comedy by violating social conventions or taboos in comic ways, which can often be taken as offensive by the subjects of the joke. A comedy of manners typically takes as its subject a particular part of society (usually upper-class society) and uses humor to parody or satirize

4321-526: Is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema ( The Clouds lines 1113–1130). The second parabasis in The Acharnians lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during

4470-457: Is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, reputedly written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces ). Plato was only

4619-799: Is not only a genius, he is the man who originated slapstick comedy. We in Hollywood owe much to him." American vaudeville emerged in the 1880s and remained popular until the 1930s, and featured comedians such as W. C. Fields , Buster Keaton and the Marx Brothers . Surreal humour (also known as 'absurdist humour'), or 'surreal comedy', is a form of humour predicated on deliberate violations of causal reasoning, producing events and behaviours that are obviously illogical . Constructions of surreal humour tend to involve bizarre juxtapositions, incongruity, non-sequiturs , irrational or absurd situations and expressions of nonsense . The humour arises from

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4768-406: Is not only useful, but far superior to that of the ordinary man. Scholars such as Helck think that the context was meant to be serious. The Papyrus Anastasi I (late 2nd millennium BC) contains a satirical letter which first praises the virtues of its recipient, but then mocks the reader's meagre knowledge and achievements. The Greeks had no word for what later would be called "satire", although

4917-521: Is often constructive social criticism , using wit to draw attention to both particular and wider issues in society. A prominent feature of satire is strong irony or sarcasm —"in satire, irony is militant ", according to literary critic Northrop Frye — but parody , burlesque , exaggeration , juxtaposition , comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural)

5066-453: Is often pessimistic, characterized by the use of irony, sarcasm, moral indignation and personal invective, with less emphasis on humor. Strongly polarized political satire can often be classified as Juvenalian. A Juvenal satirist's goal is generally to provoke some sort of political or societal change because he sees his opponent or object as evil or harmful. A Juvenal satirist mocks "societal structure, power, and civilization" by exaggerating

5215-425: Is otherwise a serious commentary on the state of foreign relations serves to frame the segment comically, creating a serious tone underlying the comedic agenda presented by Stewart. Comedy may be divided into multiple genres based on the source of humor, the method of delivery, and the context in which it is delivered. The different forms of comedy often overlap, and most comedy can fit into multiple genres. Some of

5364-410: Is sometimes called satire of everyday life, and religious satire is sometimes called philosophical satire. Comedy of manners , sometimes also called satire of manners, criticizes mode of life of common people; political satire aims at behavior, manners of politicians, and vices of political systems. Historically, comedy of manners, which first appeared in British theater in 1620, has uncritically accepted

5513-410: Is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better. One brother comes from a background of "old-fashioned" education while

5662-552: Is the reactionary side of the comic ; it limits itself to a shallow parody of physical appearance. The side-effect of teasing is that it humanizes and draws sympathy for the powerful individual towards which it is directed. Satire instead uses the comic to go against power and its oppressions, has a subversive character, and a moral dimension which draws judgement against its targets. Fo formulated an operational criterion to tell real satire from sfottò , saying that real satire arouses an outraged and violent reaction, and that

5811-582: Is the first to define this concept of Yuyan. During the Qin and Han dynasty, however, the concept of yuyan mostly died out through their heavy persecution of dissent and literary circles, especially by Qin Shi Huang and Han Wudi . The first Roman to discuss satire critically was Quintilian , who invented the term to describe the writings of Gaius Lucilius . The two most prominent and influential ancient Roman satirists are Horace and Juvenal , who wrote during

5960-483: Is the original." Nevertheless, there are competent, respectable translations in many languages. Despite the fact that translations of Aristophanes may not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years." Most of these are traditionally referred to by abbreviations of their Latin titles; Latin remains a customary language of scholarship in classical studies. The standard modern edition of

6109-462: Is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows. Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis. However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in The Clouds (lines 518–562)

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6258-455: Is useful to comprehend his plays in their historical and cultural context. The themes of Old Comedy included: The structural elements of a typical Aristophanic plot can be summarized as follows: The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In The Acharnians and Peace , for example, there is no formal agon whereas in The Clouds there are two agons. The parabasis

6407-677: The Australian comedian Paul Hogan , famous for Crocodile Dundee . Other centres of creative comic activity have been the cinema of Hong Kong , Bollywood , and French farce . American television has also been an influential force in world comedy: with American series like M*A*S*H , Seinfeld and The Simpsons achieving large followings around the world. British television comedy also remains influential, with quintessential works including Fawlty Towers , Monty Python , Dad's Army , Blackadder , and The Office . Australian satirist Barry Humphries , whose comic creations include

6556-628: The Early Middle Ages , examples of satire were the songs by Goliards or vagants now best known as an anthology called Carmina Burana and made famous as texts of a composition by the 20th-century composer Carl Orff . Satirical poetry is believed to have been popular, although little has survived. With the advent of the High Middle Ages and the birth of modern vernacular literature in the 12th century, it began to be used again, most notably by Chaucer . The disrespectful manner

6705-572: The Ig Nobel Prize describe this as "first make people laugh, and then make them think". Satire and irony in some cases have been regarded as the most effective source to understand a society, the oldest form of social study. They provide the keenest insights into a group's collective psyche , reveal its deepest values and tastes, and the society's structures of power. Some authors have regarded satire as superior to non-comic and non-artistic disciplines like history or anthropology . In

6854-590: The Lenaia and City Dionysia , where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected the mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at

7003-552: The Middle Ages , the term expanded to include narrative poems with happy endings. It is in this sense that Dante used the term in the title of his poem, La Commedia . As time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the term "comedy" became synonymous with satire , and later with humour in general. Aristotle's Poetics

7152-743: The Renaissance were Giovanni Boccaccio and François Rabelais . Other examples of Renaissance satire include Till Eulenspiegel , Reynard the Fox , Sebastian Brant 's Narrenschiff (1494), Erasmus 's Moriae Encomium (1509), Thomas More 's Utopia (1516), and Carajicomedia (1519). The Elizabethan (i.e. 16th-century English) writers thought of satire as related to the notoriously rude, coarse and sharp satyr play. Elizabethan "satire" (typically in pamphlet form) therefore contains more straightforward abuse than subtle irony. The French Huguenot Isaac Casaubon pointed out in 1605 that satire in

7301-571: The Resaleh-ye Delgosha , as well as Akhlaq al-Ashraf ("Ethics of the Aristocracy") and the famous humorous fable Masnavi Mush-O-Gorbeh (Mouse and Cat), which was a political satire. His non-satirical serious classical verses have also been regarded as very well written, in league with the other great works of Persian literature . Between 1905 and 1911, Bibi Khatoon Astarabadi and other Iranian writers wrote notable satires. In

7450-667: The Sharia " and later Arabic poets in turn using the term "Farazdaq-like" as a form of political satire. The terms " comedy " and "satire" became synonymous after Aristotle 's Poetics was translated into Arabic in the medieval Islamic world , where it was elaborated upon by Islamic philosophers and writers, such as Abu Bischr, his pupil Al-Farabi , Avicenna , and Averroes . Due to cultural differences, they disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply

7599-583: The Three Stooges , Abbott and Costello , Dean Martin and Jerry Lewis , Bob Hope and Phyllis Diller during the mid-20th century, to performers like George Carlin , Bill Cosby , Joan Rivers , Robin Williams , and Eddie Murphy toward the end of the century. Hollywood attracted many international talents like the British comics Peter Sellers , Dudley Moore and Sacha Baron Cohen , Canadian comics Dan Aykroyd , Jim Carrey , and Mike Myers , and

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7748-523: The repressive aspects of society . The state of political satire in a given society reflects the tolerance or intolerance that characterizes it, and the state of civil liberties and human rights . Under totalitarian regimes any criticism of a political system, and especially satire, is suppressed. A typical example is the Soviet Union where the dissidents , such as Aleksandr Solzhenitsyn and Andrei Sakharov were under strong pressure from

7897-460: The "art of reprehension", and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century , the term "comedy" gained a more general meaning in medieval literature . In the late 20th century, many scholars preferred to use the term laughter to refer to the whole gamut of

8046-634: The "art of reprehension", and made no reference to light and cheerful events, or troubled beginnings and happy endings, associated with classical Greek comedy. After the Latin translations of the 12th century , the term "comedy" thus gained a new semantic meaning in Medieval literature . Ubayd Zakani introduced satire in Persian literature during the 14th century. His work is noted for its satire and obscene verses, often political or bawdy, and often cited in debates involving homosexual practices. He wrote

8195-564: The 1850s. British comedians who honed their skills in music hall sketches include Charlie Chaplin , Stan Laurel and Dan Leno . English music hall comedian and theatre impresario Fred Karno developed a form of sketch comedy without dialogue in the 1890s, and Chaplin and Laurel were among the comedians who worked for his company. Karno was a pioneer of slapstick , and in his biography, Laurel stated, "Fred Karno didn't teach Charlie [Chaplin] and me all we know about comedy. He just taught us most of it". Film producer Hal Roach stated: "Fred Karno

8344-524: The 19th century, such as Lewis Carroll 's Alice's Adventures in Wonderland and Through the Looking-Glass , which both use illogic and absurdity ( hookah -smoking caterpillars , croquet matches using live flamingos as mallets, etc.) for humorous effect. Many of Edward Lear 's children stories and poems contain nonsense and are basically surreal in approach. For example, The Story of

8493-450: The 9th century. While dealing with serious topics in what are now known as anthropology , sociology and psychology , he introduced a satirical approach, "based on the premise that, however serious the subject under review, it could be made more interesting and thus achieve greater effect, if only one leavened the lump of solemnity by the insertion of a few amusing anecdotes or by the throwing out of some witty or paradoxical observations. He

8642-675: The Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government. Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine , for example, drew Les Plaideurs (1668) from The Wasps . Goethe (who turned to Aristophanes for

8791-728: The Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities. For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes , Crates and Cratinus , but also tragedians, notably Aeschylus , Sophocles and Euripides , all three of whom are mentioned in e.g. The Frogs . Aristophanes

8940-530: The Bigwig Clan, a man I once saw Dine with rich Leogorus. Now as poor as Antiphon, He lives on apples and pomegranates Yet he got himself appointed Ambassador to Pharsalus , Way up there in Thessaly , Home of the poor Penestes: Happy to be where everyone Is as penniless as he is! It can be argued that the most important feature of the language of the plays is imagery, particularly

9089-571: The Four Little Children Who Went Round the World (1871) is filled with contradictory statements and odd images intended to provoke amusement, such as the following: After a time they saw some land at a distance; and when they came to it, they found it was an island made of water quite surrounded by earth. Besides that, it was bordered by evanescent isthmuses with a great Gulf-stream running about all over it, so that it

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9238-519: The Latin satura; but "satirize", "satiric", etc., are of Greek origin. By about the 4th century AD the writer of satires came to be known as satyricus; St. Jerome, for example, was called by one of his enemies 'a satirist in prose' ('satyricus scriptor in prosa'). Subsequent orthographic modifications obscured the Latin origin of the word satire: satura becomes satyra, and in England, by the 16th century, it

9387-612: The Neapolitan stock character of Pulcinella . The figure who later became Mr. Punch made his first recorded appearance in England in 1662. Punch and Judy are performed in the spirit of outrageous comedy — often provoking shocked laughter — and are dominated by the anarchic clowning of Mr. Punch. Appearing at a significant period in British history, professor Glyn Edwards states: "[Pulcinella] went down particularly well with Restoration British audiences, fun-starved after years of Puritanism . We soon changed Punch's name, transformed him from

9536-472: The Roman fashion was something altogether more civilised. Casaubon discovered and published Quintilian's writing and presented the original meaning of the term (satira, not satyr), and the sense of wittiness (reflecting the "dishfull of fruits") became more important again. Seventeenth-century English satire once again aimed at the "amendment of vices" ( Dryden ). In the 1590s a new wave of verse satire broke with

9685-436: The Roman satirist Horace (65–8 BCE), playfully criticizes some social vice through gentle, mild, and light-hearted humour. Horace (Quintus Horatius Flaccus) wrote Satires to gently ridicule the dominant opinions and "philosophical beliefs of ancient Rome and Greece". Rather than writing in harsh or accusing tones, he addressed issues with humor and clever mockery. Horatian satire follows this same pattern of "gently [ridiculing]

9834-555: The Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied the festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience. The production process might also have influenced

9983-433: The absurdities and follies of human beings". It directs wit, exaggeration, and self-deprecating humour toward what it identifies as folly, rather than evil. Horatian satire's sympathetic tone is common in modern society. A Horatian satirist's goal is to heal the situation with smiles, rather than by anger. Horatian satire is a gentle reminder to take life less seriously and evokes a wry smile. Juvenalian satire, named for

10132-512: The address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions. The tragic dramatists Sophocles and Euripides died near the end of the Peloponnesian War, and the art of tragedy thereafter ceased to develop, yet comedy continued to evolve after

10281-450: The aim of humanizing his image. Types of satire can also be classified according to the topics it deals with. From the earliest times, at least since the plays of Aristophanes , the primary topics of literary satire have been politics , religion and sex . This is partly because these are the most pressing problems that affect anybody living in a society, and partly because these topics are usually taboo . Among these, politics in

10430-416: The aims. "Comedy", in its Elizabethan usage, had a very different meaning from modern comedy. A Shakespearean comedy is one that has a happy ending, usually involving marriages between the unmarried characters, and a tone and style that is more light-hearted than Shakespeare's other plays. The Punch and Judy show has roots in the 16th-century Italian commedia dell'arte . The figure of Punch derives from

10579-569: The behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love. Dean Rubin says the word "comedy" is derived from the Classical Greek κωμῳδία kōmōidía , which is a compound of κῶμος kômos (revel) and ᾠδή ōidḗ (singing; ode). The adjective "comic" (Greek κωμικός kōmikós), which strictly means that which relates to comedy is, in modern usage, generally confined to

10728-416: The broader sense is considered the pre-eminent topic of satire. Satire which targets the clergy is a type of political satire , while religious satire is that which targets religious beliefs . Satire on sex may overlap with blue comedy , off-color humor and dick jokes . Scatology has a long literary association with satire, as it is a classical mode of the grotesque , the grotesque body and

10877-748: The caricatures of him continued up to and even beyond his death. In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in The Knights and The Clouds , that Aristophanes' first three plays were not directed by him; they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed The Frogs and he

11026-460: The charitable attitude towards people that is required for purposes of persuasion and co-operation, but at the same time maintains our shrewdness concerning the simplicities of 'cashing in. ' " The purpose of the comic frame is to satirize a given circumstance and promote change by doing so. The comic frame makes fun of situations and people, while simultaneously provoking thought. The comic frame does not aim to vilify in its analysis, but rather, rebuke

11175-408: The charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the fourth and fifth centuries AD, resulting in their survival today. In Aristophanes' plays,

11324-868: The circus clown also continued, with such as Bozo the Clown in the United States and Oleg Popov in Russia. Radio provided new possibilities — with Britain producing the influential surreal humour of the Goon Show after the Second World War. The Goons' influence spread to the American radio and recording troupe the Firesign Theatre . American cinema has produced a great number of globally renowned comedy artists, from Laurel and Hardy ,

11473-485: The civilization of a country ... I take to be the flourishing of the Comic idea and Comedy, and the test of true Comedy is that it shall awaken thoughtful laughter." Laughter is said to be the cure for being sick. Studies show that people who laugh more often get sick less. American literary theorist Kenneth Burke writes that the "comic frame" in rhetoric is "neither wholly euphemistic, nor wholly debunking—hence it provides

11622-492: The comic, in order to avoid the use of ambiguous and problematically defined genres such as the grotesque , irony , and satire . Starting from 425 BCE, Aristophanes , a comic play and satirical author of the Ancient Greek Theater , wrote 40 comedies, 11 of which survive. Aristophanes developed his type of comedy from the earlier satyr plays , which were often highly obscene . The only surviving examples of

11771-480: The controversy over The Babylonians or a subsequent controversy over The Knights . It has been inferred from statements in The Clouds and Peace that Aristophanes was prematurely bald. Aristophanes was probably victorious at least once at the City Dionysia, with Babylonians in 427, and at least three times at the Lenaia, with The Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won

11920-455: The current evidency to incorporate all instances of the comic in the analysis, while the classification in genres and fields such as grotesque, humour and even irony or satire always poses problems. The terms humour and laughter are therefore pragmatically used in recent historiography to cover the entire spectrum. That Comedy sprang up and took shape in connection with Dionysiac or Phallic ritual has never been doubted. Satire Satire

12069-462: The defeat of Athens, and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c. 9th century AD), one of Aristophanes's last plays, Aioliskon , had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all

12218-522: The early days of the Roman Empire . Other important satirists in ancient Latin are Gaius Lucilius and Persius . Satire in their work is much wider than in the modern sense of the word, including fantastic and highly coloured humorous writing with little or no real mocking intent. When Horace criticized Augustus , he used veiled ironic terms. In contrast, Pliny reports that the 6th-century-BC poet Hipponax wrote satirae that were so cruel that

12367-487: The early modern period. The dutch translation Van den vos Reynaerde is considered a major medieval dutch literary work. In the dutch version De Vries argues that the animal characters represent barons who conspired against the Count of Flanders. Direct social commentary via satire returned in the 16th century, when texts such as the works of François Rabelais tackled more serious issues. Two major satirists of Europe in

12516-465: The elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to

12665-423: The expression lanx satura literally means "a full dish of various kinds of fruits". The use of the word lanx in this phrase, however, is disputed by B.L. Ullman. The word satura as used by Quintilian , however, was used to denote only Roman verse satire, a strict genre that imposed hexameter form, a narrower genre than what would be later intended as satire . Quintilian famously said that satura, that

12814-516: The fashion was brought to an abrupt stop by censorship. Another satiric genre to emerge around this time was the satirical almanac , with François Rabelais 's work Pantagrueline Prognostication (1532), which mocked astrological predictions. The strategies François utilized within this work were employed by later satirical almanacs, such as the Poor Robin series that spanned the 17th to 19th centuries. Satire ( Kataksh or Vyang ) has played

12963-600: The government. While satire of everyday life in the USSR was allowed, the most prominent satirist being Arkady Raikin , political satire existed in the form of anecdotes that made fun of Soviet political leaders, especially Brezhnev , famous for his narrow-mindedness and love for awards and decorations. Satire is a diverse genre which is complex to classify and define, with a wide range of satiric "modes". Satirical literature can commonly be categorized as either Horatian, Juvenalian, or Menippean . Horatian satire, named for

13112-572: The hardest job of all." The English name Aristophanes comes from the Ancient Greek : Ἀριστοφάνης meaning ' one who appears best ' , from ἄριστος ( áristos , lit.   ' best ' ) and φανής ( phanḗs ) from the verb φαίνω , lit.   ' to appear ' . An Athenian citizen, Aristophanes came from the deme of Kydathenaion . His father was Philippus from the Attic clan ( phyle ) of Pandionis and his mother

13261-427: The hero of his third play The Acharnians (staged at the Lenaia , where there were few or no foreign dignitaries), the poet carefully distinguishes between the polis and the real targets of his acerbic wit: ἡμῶν γὰρ ἄνδρες, κοὐχὶ τὴν πόλιν λέγω, μέμνησθε τοῦθ᾽ ὅτι οὐχὶ τὴν πόλιν λέγω, ἀλλ᾽ ἀνδράρια μοχθηρά, παρακεκομμένα... People among us, and I don't mean the polis, Remember this – I don't mean

13410-416: The housewife and "gigastar" Dame Edna Everage , for his delivery of Dadaist and absurdist humour to millions, was described by biographer Anne Pender in 2010 as not only "the most significant theatrical figure of our time ... [but] the most significant comedian to emerge since Charlie Chaplin ". By 200 BC, in ancient Sanskrit drama , Bharata Muni 's Natya Shastra defined humour ( hāsyam ) as one of

13559-536: The intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, Wealth II , it more closely resembles New Comedy . However it is uncertain whether he led or merely responded to changes in audience expectations. Aristophanes won second prize at the City Dionysia in 427 BC with his first play The Banqueters (now lost). He won first prize there with his next play, The Babylonians (also now lost). It

13708-644: The island of Aegina . Similarly, the hero in The Acharnians complains about Cleon "dragging me into court" over "last year's play." Comments made by the Chorus referring to Aristophanes in The Clouds have been interpreted as evidence that he can hardly have been more than 18 years old when his first play The Banqueters was produced. The second parabasis in Wasps appears to indicate that he reached some kind of temporary accommodation with Cleon following either

13857-598: The larger community the self identifies with. The audience's understanding of the context of reflexive humour is important for its receptivity and success. Satire is found not only in written literary forms. In preliterate cultures it manifests itself in ritual and folk forms, as well as in trickster tales and oral poetry . It appears also in graphic arts, music, sculpture, dance, cartoon strips , and graffiti . Examples are Dada sculptures, Pop Art works, music of Gilbert and Sullivan and Erik Satie , punk and rock music . In modern media culture , stand-up comedy

14006-413: The late 19th century, and later radio and television in the 20th century broadened the access of comedians to the general public. Charlie Chaplin , through silent film, became one of the best-known faces on Earth. The silent tradition lived on well into the late 20th century through mime artists like Marcel Marceau , and the slapstick comedy of artists like Rowan Atkinson (as Mr. Bean ). The tradition of

14155-436: The life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play The Clouds as slander that contributed to the trial and subsequent condemning to death of Socrates , although other satirical playwrights had also caricatured the philosopher. Aristophanes' second play, The Babylonians (now lost),

14304-425: The main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds

14453-495: The marriage of the hero Pisthetairos to Zeus 's paramour in The Birds and the "recreation" of old Athens, crowned with roses, at the end of The Knights . It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He

14602-498: The modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon , they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in

14751-725: The more they try to stop you, the better is the job you are doing. Fo contends that, historically, people in positions of power have welcomed and encouraged good-humoured buffoonery, while modern day people in positions of power have tried to censor, ostracize and repress satire. Teasing ( sfottò ) is an ancient form of simple buffoonery , a form of comedy without satire's subversive edge. Teasing includes light and affectionate parody, good-humoured mockery, simple one-dimensional poking fun, and benign spoofs. Teasing typically consists of an impersonation of someone monkeying around with his exterior attributes, tics , physical blemishes, voice and mannerisms, quirks, way of dressing and walking, and/or

14900-400: The most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition. Comedies begin with low or base characters seeking insignificant aims and end with some accomplishment of the aims which either lightens the initial baseness or reveals the insignificance of

15049-441: The nine nava rasas , or principle rasas (emotional responses), which can be inspired in the audience by bhavas , the imitations of emotions that the actors perform. Each rasa was associated with a specific bhavas portrayed on stage. In the case of humour, it was associated with mirth ( hasya ). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. They agree

15198-410: The offended hanged themselves. In the 2nd century AD, Lucian wrote True History , a book satirizing the clearly unrealistic travelogues/adventures written by Ctesias , Iambulus , and Homer . He states that he was surprised they expected people to believe their lies, and stating that he, like them, has no actual knowledge or experience, but shall now tell lies as if he did. He goes on to describe

15347-416: The origins of comedy are obscure because it was not treated seriously from its inception. However, comedy had its own Muse : Thalia . Aristotle taught that comedy was generally positive for society, since it brings forth happiness, which for Aristotle was the ideal state, the final goal in any activity. For Aristotle, a comedy did not need to involve sexual humor. A comedy is about the fortunate rise of

15496-441: The other brother appears to be a product of the sophistic education The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of

15645-410: The other. Max Eastman defined the spectrum of satire in terms of "degrees of biting", as ranging from satire proper at the hot-end, and "kidding" at the violet-end; Eastman adopted the term kidding to denote what is just satirical in form, but is not really firing at the target. Nobel laureate satirical playwright Dario Fo pointed out the difference between satire and teasing ( sfottò ). Teasing

15794-477: The phrases he typically repeats. By contrast, teasing never touches on the core issue, never makes a serious criticism judging the target with irony ; it never harms the target's conduct, ideology and position of power; it never undermines the perception of his morality and cultural dimension. Sfottò directed towards a powerful individual makes him appear more human and draws sympathy towards him. Hermann Göring propagated jests and jokes against himself, with

15943-423: The plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged." Listed below are some of the many works influenced (more or less) by Aristophanes. Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies, none could be flawless, "for there is much truth in the paradox that the only really perfect translation

16092-429: The polis – But wicked little men of a counterfeit kind.... Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of The Knights —a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes:

16241-574: The political conservatism of the plays may reflect the views of the wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays. When Aristophanes' first play The Banqueters was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon ) yet they are not jingoistic, and they are staunchly opposed to

16390-432: The populist Cleon ), and in philosophy/religion (where Socrates was the most obvious target). Such caricatures seem to imply that Aristophanes was an old-fashioned conservative, yet that view of him leads to contradictions. It has been argued that Aristophanes produced plays mainly to entertain the audience and to win prestigious competitions. His plays were written for production at the great dramatic festivals of Athens,

16539-497: The predominant characteristics are incongruity or contrast in the object and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory". Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play instinct" and its emotional expression. George Meredith said that "One excellent test of

16688-406: The prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus ' comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s. Plato's The Symposium appears to be

16837-604: The publication of Hall 's Virgidemiarum , six books of verse satires targeting everything from literary fads to corrupt noblemen. Although Donne had already circulated satires in manuscript, Hall's was the first real attempt in English at verse satire on the Juvenalian model. The success of his work combined with a national mood of disillusion in the last years of Elizabeth's reign triggered an avalanche of satire—much of it less conscious of classical models than Hall's — until

16986-428: The same role. Self-deprecation is a technique of comedy used by many comedians who focus on their misfortunes and foibles in order to entertain. Stand-up comedy is a mode of comic performance in which the performer addresses the audience directly, usually speaking in their own person rather than as a dramatic character . The deliberate use by Menard of the term 'le rire' rather than 'l'humour' reflects accurately

17135-499: The satiric grotesque. Shit plays a fundamental role in satire because it symbolizes death , the turd being "the ultimate dead object". The satirical comparison of individuals or institutions with human excrement , exposes their "inherent inertness, corruption and dead-likeness". The ritual clowns of clown societies , like among the Pueblo Indians , have ceremonies with filth-eating . In other cultures, sin-eating

17284-439: The satyr plays are by Euripides , which are much later examples and not representative of the genre. In ancient Greece, comedy originated in bawdy and ribald songs or recitations apropos of phallic processions and fertility festivals or gatherings. Around 335 BCE, Aristotle , in his work Poetics , stated that comedy originated in phallic processions and the light treatment of the otherwise base and ugly. He also adds that

17433-399: The sense of "laughter-provoking". Of this, the word came into modern usage through the Latin comoedia and Italian commedia and has, over time, passed through various shades of meaning. The Greeks and Romans confined their use of the word "comedy" to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average (where tragedy

17582-489: The social code of the upper classes. Comedy in general accepts the rules of the social game, while satire subverts them. Another analysis of satire is the spectrum of his possible tones : wit , ridicule , irony , sarcasm , cynicism , the sardonic and invective . The type of humour that deals with creating laughter at the expense of the person telling the joke is called reflexive humour. Reflexive humour can take place at dual levels of directing humour at self or at

17731-662: The stupidity and foolery of those involved in the circumstances. For example, on The Daily Show , Jon Stewart uses the "comic frame" to intervene in political arguments, often offering crude humor in sudden contrast to serious news. In a segment on President Obama 's trip to China, Stewart remarks on America's debt to the Chinese government while also having a weak relationship with the country. After depicting this dismal situation, Stewart shifts to speak directly to President Obama, calling upon him to "shine that turd up." For Stewart and his audience, introducing coarse language into what

17880-529: The subgenres of comedy are farce , comedy of manners , burlesque , and satire . Some comedy apes certain cultural forms: for instance, parody and satire often imitate the conventions of the genre they are parodying or satirizing. For example, in the United States, parodies of newspapers and television news include The Onion , and The Colbert Report ; in Australia, shows such as Kath & Kim , Utopia , and Shaun Micallef's Mad As Hell perform

18029-481: The term soon escaped from the original narrow definition. Robert Elliott writes: As soon as a noun enters the domain of metaphor, as one modern scholar has pointed out, it clamours for extension; and satura (which had had no verbal, adverbial, or adjectival forms) was immediately broadened by appropriation from the Greek word for "satyr" (satyros) and its derivatives. The odd result is that the English "satire" comes from

18178-567: The terms cynicism and parody were used. Modern critics call the Greek playwright Aristophanes one of the best known early satirists: his plays are known for their critical political and societal commentary , particularly for the political satire by which he criticized the powerful Cleon (as in The Knights ). He is also notable for the persecution he underwent. Aristophanes' plays turned upon images of filth and disease. His bawdy style

18327-416: The trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades ), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier , they were used in the study of rhetoric on the recommendation of Quintilian and by students of

18476-407: The unique distinction of a repeat performance at a subsequent festival. A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play Wealth II in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays Aeolosicon II and Cocalus , and it is possible that the last of these won

18625-402: The use of similes, metaphors and pictorial expressions. In The Knights , for example, the ears of a character with selective hearing are represented as parasols that open and close. In The Frogs , Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as

18774-427: The very things the satirist wishes to question. Satire is found in many artistic forms of expression, including internet memes, literature, plays, commentary, music , film and television shows, and media such as lyrics. The word satire comes from the Latin word satur and the subsequent phrase lanx satura . Satur meant "full", but the juxtaposition with lanx shifted the meaning to "miscellany or medley":

18923-512: The views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a choregus , a wealthy citizen appointed to the task by one of the archons . A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in The Knights that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus

19072-426: The war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in

19221-488: The way it is called in Chinese, goes back at least to Confucius , being mentioned in the Book of Odes (Shijing 詩經). It meant "to criticize by means of an ode". In the pre-Qin era it was also common for schools of thought to clarify their views through the use of short explanatory anecdotes, also called yuyan (寓言), translated as "entrusted words". These yuyan usually were brimming with satirical content. The Daoist text Zhuangzi

19370-426: The window on life and politics in classical Athens , in which respect they are perhaps as important as the writings of Thucydides . The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly

19519-461: The words or position of his opponent in order to jeopardize their opponent's reputation and/or power. Jonathan Swift has been established as an author who "borrowed heavily from Juvenal's techniques in [his critique] of contemporary English society". In the history of theatre there has always been a conflict between engagement and disengagement on politics and relevant issue, between satire and grotesque on one side, and jest with teasing on

19668-406: The work Reynard the Fox , written by Willem die Madoc maecte, and its translations were a popular work that satirized the class system at the time. Representing the various classes as certain anthropomorphic animals. As example, the lion in the story represents the nobility, which is portrayed as being weak and without character, but very greedy. Versions of Reynard the Fox were also popular well into

19817-901: The writings of the Roman satirist Juvenal (late first century – early second century AD), is more contemptuous and abrasive than the Horatian. Juvenal disagreed with the opinions of the public figures and institutions of the Republic and actively attacked them through his literature. "He utilized the satirical tools of exaggeration and parody to make his targets appear monstrous and incompetent". Juvenal's satire follows this same pattern of abrasively ridiculing societal structures. Juvenal also, unlike Horace, attacked public officials and governmental organizations through his satires, regarding their opinions as not just wrong, but evil. Following in this tradition, Juvenalian satire addresses perceived social evil through scorn, outrage, and savage ridicule. This form

19966-495: Was Zenodora. His family was believed to have owned property on the island of Aegina . Little is known about Aristophanes' life, his plays being the main source of biographical information. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called the parabasis , where some biographical facts can usually be found. These facts, however, relate almost entirely to his career as

20115-566: Was adopted by Greek dramatist-comedian Menander . His early play Drunkenness contains an attack on the politician Callimedon . The oldest form of satire still in use is the Menippean satire by Menippus of Gadara . His own writings are lost. Examples from his admirers and imitators mix seriousness and mockery in dialogues and present parodies before a background of diatribe . As in the case of Aristophanes plays, menippean satire turned upon images of filth and disease. Satire, or fengci (諷刺)

20264-409: Was also credited, perhaps wrongly, with directing The Wasps ). Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information, because apparent self-references might have been made with reference to his directors instead. Thus, for example, a statement by the chorus in The Acharnians seems to indicate that the "poet" had a close, personal association with

20413-615: Was an Arabian Nights tale called "Ali with the Large Member". In the 10th century, the writer Tha'alibi recorded satirical poetry written by the Arabic poets As-Salami and Abu Dulaf, with As-Salami praising Abu Dulaf's wide breadth of knowledge and then mocking his ability in all these subjects, and with Abu Dulaf responding back and satirizing As-Salami in return. An example of Arabic political satire included another 10th-century poet Jarir satirizing Farazdaq as "a transgressor of

20562-546: Was an Ancient Greek comic playwright from Athens and a poet of Old Attic Comedy . He wrote in total forty plays, of which eleven survive virtually complete today. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate

20711-458: Was an imitation of men better than the average). However, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, which is a species of the Ugly. The Ridiculous may be defined as a mistake or deformity not productive of pain or harm to others; the mask, for instance, that excites laughter is something ugly and distorted without causing pain. In

20860-458: Was considered "unchristian" and ignored, except for the moral satire , which mocked misbehaviour in Christian terms. Examples are Livre des Manières by Étienne de Fougères  [ fr ] (~1178), and some of Chaucer's Canterbury Tales . Sometimes epic poetry (epos) was mocked, and even feudal society, but there was hardly a general interest in the genre. In the High Middle Ages

21009-403: Was denounced by Cleon as a slander against the Athenian polis . It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights , the first of many plays that he directed himself. "In my opinion," he says through that play's Chorus , "the author-director of comedies has

21158-538: Was not actively involved in politics, despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century, but such appointments were very common in democratic Athens . The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect . The orator Quintilian believed that

21307-509: Was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance". The plays of Aristophanes are among the defining examples of Old Comedy. Aristophanes' plays are also the only full-length Old Comedy plays that have survived from antiquity. Thus making them literally among the most defining elements, for defining Old Comedy... For this reason, an understanding of Old Comedy and Aristophanes' place in it

21456-439: Was perfectly beautiful, and contained only a single tree, 503 feet high. In the early 20th century, several avant-garde movements, including the dadaists , surrealists , and futurists , began to argue for an art that was random, jarring and illogical. The goals of these movements were in some sense serious, and they were committed to undermining the solemnity and self-satisfaction of the contemporary artistic establishment . As

21605-563: Was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties. A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics: The rhythm begins at

21754-409: Was translated into Arabic in the medieval Islamic world , where it was elaborated upon by Arabic writers and Islamic philosophers , such as Abu Bishr , and his pupils Al-Farabi , Avicenna , and Averroes . They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply

21903-491: Was usual for foreign dignitaries to attend the City Dionysia, and The Babylonians caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon , reviled the play as slander against the polis and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through

22052-443: Was well aware that, in treating of new themes in his prose works, he would have to employ a vocabulary of a nature more familiar in hija , satirical poetry." For example, in one of his zoological works, he satirized the preference for longer human penis size , writing: "If the length of the penis were a sign of honor, then the mule would belong to the (honorable tribe of) Quraysh ". Another satirical story based on this preference

22201-456: Was written 'satyre.' The word satire derives from satura , and its origin was not influenced by the Greek mythological figure of the satyr . In the 17th century, philologist Isaac Casaubon was the first to dispute the etymology of satire from satyr, contrary to the belief up to that time. The rules of satire are such that it must do more than make you laugh. No matter how amusing it is, it doesn't count unless you find yourself wincing

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