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94-399: Aristophanes ( / ˌ ær ɪ ˈ s t ɒ f ə n iː z / ; Ancient Greek : Ἀριστοφάνης , pronounced [aristopʰánɛːs] ; c.  446  – c.  386 BC ) was an Ancient Greek comic playwright from Athens and a poet of Old Attic Comedy . He wrote in total forty plays, of which eleven survive virtually complete today. These provide the most valuable examples of

188-543: A pitch accent . In Modern Greek, all vowels and consonants are short. Many vowels and diphthongs once pronounced distinctly are pronounced as /i/ ( iotacism ). Some of the stops and glides in diphthongs have become fricatives , and the pitch accent has changed to a stress accent . Many of the changes took place in the Koine Greek period. The writing system of Modern Greek, however, does not reflect all pronunciation changes. The examples below represent Attic Greek in

282-474: A boy when the events in The Symposium are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be

376-525: A fifth major dialect group, or it is Mycenaean Greek overlaid by Doric, with a non-Greek native influence. Regarding the speech of the ancient Macedonians diverse theories have been put forward, but the epigraphic activity and the archaeological discoveries in the Greek region of Macedonia during the last decades has brought to light documents, among which the first texts written in Macedonian , such as

470-563: A genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play The Clouds as slander that contributed to

564-612: A humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in The Knights that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred. Aristophanes survived The Peloponnesian War , two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he

658-430: A parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays ( The Acharnians to The Birds ) are fairly uniform in their approach however and the following elements of a parabasis can be found within them. The Wasps

752-530: A permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform. The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes. The plays have a significance that goes beyond their artistic function, as historical documents that open

846-550: A prefix /e-/, called the augment . This was probably originally a separate word, meaning something like "then", added because tenses in PIE had primarily aspectual meaning. The augment is added to the indicative of the aorist, imperfect, and pluperfect, but not to any of the other forms of the aorist (no other forms of the imperfect and pluperfect exist). The two kinds of augment in Greek are syllabic and quantitative. The syllabic augment

940-750: A section of the Agora ) but probably moved to the Theatre of Dionysus by the mid-fifth century. Beginning in the second half of the 5th century BC, plays were performed (as they were at the City Dionysia festival later in the year). The audiences for the Lenaia were usually limited to the local population, since travel by sea at that time of year was considered unsafe. Metics , however, were apparently allowed to both participate and act as choregoi . Around 442 BC, new comic contests were officially included in

1034-542: A strong Northwest Greek influence, and can in some respects be considered a transitional dialect, as exemplified in the poems of the Boeotian poet Pindar who wrote in Doric with a small Aeolic admixture. Thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Pamphylian Greek , spoken in a small area on the southwestern coast of Anatolia and little preserved in inscriptions, may be either

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1128-455: A typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke. Though to myself I often seem A bright chap and not awkward, None comes close to Amynias, Son of Sellos of

1222-443: A useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of The Clouds , the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades , even quotes from the play when teasing Socrates over his appearance and yet there

1316-510: A vowel or /n s r/ ; final stops were lost, as in γάλα "milk", compared with γάλακτος "of milk" (genitive). Ancient Greek of the classical period also differed in both the inventory and distribution of original PIE phonemes due to numerous sound changes, notably the following: The pronunciation of Ancient Greek was very different from that of Modern Greek . Ancient Greek had long and short vowels ; many diphthongs ; double and single consonants; voiced, voiceless, and aspirated stops ; and

1410-506: A warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries— Anatoly Lunacharsky , first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have

1504-516: A wealthy citizen appointed to the task by one of the archons . A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in The Knights that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus the political conservatism of the plays may reflect the views of

1598-418: Is added to stems beginning with consonants, and simply prefixes e (stems beginning with r , however, add er ). The quantitative augment is added to stems beginning with vowels, and involves lengthening the vowel: Some verbs augment irregularly; the most common variation is e → ei . The irregularity can be explained diachronically by the loss of s between vowels, or that of the letter w , which affected

1692-412: Is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of

1786-523: Is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema ( The Clouds lines 1113–1130). The second parabasis in The Acharnians lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during

1880-448: Is considered by some linguists to have been closely related to Greek . Among Indo-European branches with living descendants, Greek is often argued to have the closest genetic ties with Armenian (see also Graeco-Armenian ) and Indo-Iranian languages (see Graeco-Aryan ). Ancient Greek differs from Proto-Indo-European (PIE) and other Indo-European languages in certain ways. In phonotactics , ancient Greek words could end only in

1974-560: Is depicted on numerous vases, which show both typical Maenad scenes and those of aristocrats and wine -mixing rituals. It is unknown exactly what kind of worship occurred at the festival, but it may have been in honor of Dionysus as a youth or the rebirth of Dionysus after his murder by the Titans . It may have also had some connection with the Eleusinian Mysteries , as some of the same religious officials were involved (such as

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2068-455: Is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, reputedly written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces ). Plato was only

2162-410: Is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better. One brother comes from a background of "old-fashioned" education while

2256-481: Is the original." Nevertheless, there are competent, respectable translations in many languages. Despite the fact that translations of Aristophanes may not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years." Most of these are traditionally referred to by abbreviations of their Latin titles; Latin remains a customary language of scholarship in classical studies. The standard modern edition of

2350-460: Is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows. Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis. However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in The Clouds (lines 518–562)

2444-454: Is useful to comprehend his plays in their historical and cultural context. The themes of Old Comedy included: The structural elements of a typical Aristophanic plot can be summarized as follows: The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In The Acharnians and Peace , for example, there is no formal agon whereas in The Clouds there are two agons. The parabasis

2538-537: The Archon basileus and the epimeletai ). These officials led the procession (πομπή pompe ), which probably ended with a sacrifice . The references we have mention a procession and ἀγών held ‘by torchlight,’ where an Eleusian official , originating in Athens, called upon or invoked Dionysus. Then, the chorus would respond ‘Iacchos, son of Semele, Πλουτοδότης.’ Most of all, the festival appears to be an agrarian one. It

2632-417: The parabasis , where some biographical facts can usually be found. These facts, however, relate almost entirely to his career as a dramatist and the plays contain few clear and unambiguous clues about his personal beliefs or his private life. He was a comic poet in an age when it was conventional for a poet to assume the role of teacher ( didaskalos ), and though this specifically referred to his training of

2726-679: The Archaic or Epic period ( c.  800–500 BC ), and the Classical period ( c.  500–300 BC ). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers . It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance . This article primarily contains information about

2820-606: The Epic and Classical periods of the language, which are the best-attested periods and considered most typical of Ancient Greek. From the Hellenistic period ( c.  300 BC ), Ancient Greek was followed by Koine Greek , which is regarded as a separate historical stage, though its earliest form closely resembles Attic Greek , and its latest form approaches Medieval Greek . There were several regional dialects of Ancient Greek; Attic Greek developed into Koine. Ancient Greek

2914-501: The Pella curse tablet , as Hatzopoulos and other scholars note. Based on the conclusions drawn by several studies and findings such as Pella curse tablet , Emilio Crespo and other scholars suggest that ancient Macedonian was a Northwest Doric dialect , which shares isoglosses with its neighboring Thessalian dialects spoken in northeastern Thessaly . Some have also suggested an Aeolic Greek classification. The Lesbian dialect

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3008-529: The deme of Kydathenaion . His father was Philippus from the Attic clan ( phyle ) of Pandionis and his mother was Zenodora. His family was believed to have owned property on the island of Aegina . Little is known about Aristophanes' life, his plays being the main source of biographical information. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called

3102-603: The epic poems , the Iliad and the Odyssey , and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic and other Classical-era dialects. The origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between

3196-501: The present , future , and imperfect are imperfective in aspect; the aorist , present perfect , pluperfect and future perfect are perfective in aspect. Most tenses display all four moods and three voices, although there is no future subjunctive or imperative. Also, there is no imperfect subjunctive, optative or imperative. The infinitives and participles correspond to the finite combinations of tense, aspect, and voice. The indicative of past tenses adds (conceptually, at least)

3290-500: The 2nd century BC. Practitioners of the revived religion of Ancient Greece, known as Hellenic Polytheists , seek to restore ancient festivals such as the Lenaia. Reconstructionists take from primary sources and secondary sources to reconstruct the festival itself. Some ways Hellenic Polytheists celebrate is by drinking, partying, and overall merriment. They also celebrate by watching plays , especially Aristophanes ’s plays, such as The Frogs . Reciting hymns to Dionysus, especially

3384-1031: The 5th century BC. Ancient pronunciation cannot be reconstructed with certainty, but Greek from the period is well documented, and there is little disagreement among linguists as to the general nature of the sounds that the letters represent. /oː/ raised to [uː] , probably by the 4th century BC. Greek, like all of the older Indo-European languages , is highly inflected. It is highly archaic in its preservation of Proto-Indo-European forms. In ancient Greek, nouns (including proper nouns) have five cases ( nominative , genitive , dative , accusative , and vocative ), three genders ( masculine , feminine , and neuter ), and three numbers (singular, dual , and plural ). Verbs have four moods ( indicative , imperative , subjunctive , and optative ) and three voices (active, middle, and passive ), as well as three persons (first, second, and third) and various other forms. Verbs are conjugated through seven combinations of tenses and aspect (generally simply called "tenses"):

3478-495: The Archaic period of ancient Greek (see Homeric Greek for more details): Μῆνιν ἄειδε, θεά, Πηληϊάδεω Ἀχιλῆος οὐλομένην, ἣ μυρί' Ἀχαιοῖς ἄλγε' ἔθηκε, πολλὰς δ' ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν οἰωνοῖσί τε πᾶσι· Διὸς δ' ἐτελείετο βουλή· ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς. The beginning of Apology by Plato exemplifies Attic Greek from

3572-674: The Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government. Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine , for example, drew Les Plaideurs (1668) from The Wasps . Goethe (who turned to Aristophanes for

3666-725: The Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities. For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes , Crates and Cratinus , but also tragedians, notably Aeschylus , Sophocles and Euripides , all three of whom are mentioned in e.g. The Frogs . Aristophanes

3760-529: The Bigwig Clan, a man I once saw Dine with rich Leogorus. Now as poor as Antiphon, He lives on apples and pomegranates Yet he got himself appointed Ambassador to Pharsalus , Way up there in Thessaly , Home of the poor Penestes: Happy to be where everyone Is as penniless as he is! It can be argued that the most important feature of the language of the plays is imagery, particularly

3854-704: The Classical period of ancient Greek. (The second line is the IPA , the third is transliterated into the Latin alphabet using a modern version of the Erasmian scheme .) Ὅτι [hóti Hóti μὲν men mèn ὑμεῖς, hyːmêːs hūmeîs,   Lenaia The term Lenaia probably comes from " lenos " 'wine-press' or from " lenai ", another name for the Maenads (the female worshippers of Dionysus). The Lenaia

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3948-545: The Dorians. The Greeks of this period believed there were three major divisions of all Greek people – Dorians, Aeolians, and Ionians (including Athenians), each with their own defining and distinctive dialects. Allowing for their oversight of Arcadian, an obscure mountain dialect, and Cypriot, far from the center of Greek scholarship, this division of people and language is quite similar to the results of modern archaeological-linguistic investigation. One standard formulation for

4042-561: The Lenaia, though plays may have been performed there earlier on an informal basis. At first, the festival held dramatic competitions only for comedy , but in 432 BC a tragic contest was introduced. Many of Aristophanes ' plays were first performed there, such as 'Knights'. As with the competition at the City Dionysia, five comedies usually competed (except during the Peloponnesian War when only three were staged). When

4136-512: The address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions. The tragic dramatists Sophocles and Euripides died near the end of the Peloponnesian War, and the art of tragedy thereafter ceased to develop, yet comedy continued to evolve after

4230-550: The aorist. Following Homer 's practice, the augment is sometimes not made in poetry , especially epic poetry. The augment sometimes substitutes for reduplication; see below. Almost all forms of the perfect, pluperfect, and future perfect reduplicate the initial syllable of the verb stem. (A few irregular forms of perfect do not reduplicate, whereas a handful of irregular aorists reduplicate.) The three types of reduplication are: Irregular duplication can be understood diachronically. For example, lambanō (root lab ) has

4324-428: The arts (notably Euripides , whose influence on his own work however he once grudgingly acknowledged), in politics (especially the populist Cleon ), and in philosophy/religion (where Socrates was the most obvious target). Such caricatures seem to imply that Aristophanes was an old-fashioned conservative, yet that view of him leads to contradictions. It has been argued that Aristophanes produced plays mainly to entertain

4418-488: The audience and to win prestigious competitions. His plays were written for production at the great dramatic festivals of Athens, the Lenaia and City Dionysia , where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected

4512-419: The augment when it was word-initial. In verbs with a preposition as a prefix, the augment is placed not at the start of the word, but between the preposition and the original verb. For example, προσ(-)βάλλω (I attack) goes to προσ έ βαλoν in the aorist. However compound verbs consisting of a prefix that is not a preposition retain the augment at the start of the word: αὐτο(-)μολῶ goes to ηὐ τομόλησα in

4606-744: The caricatures of him continued up to and even beyond his death. In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in The Knights and The Clouds , that Aristophanes' first three plays were not directed by him; they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed The Frogs and he

4700-405: The charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the fourth and fifth centuries AD, resulting in their survival today. In Aristophanes' plays,

4794-533: The chorus in rehearsal, it also covered his relationship with the audience as a commentator on significant issues. Aristophanes claimed to be writing for a clever and discerning audience, yet he also declared that "other times" would judge the audience according to its reception of his plays. He sometimes boasts of his originality as a dramatist yet his plays consistently espouse opposition to radical new influences in Athenian society. He caricatured leading figures in

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4888-500: The contest for tragedy was introduced, two tragedians competed, each presenting two plays. There is no evidence of satyr plays being performed, but dithyrambs were included in the third century BC. Towards the end of the century, the festival's plays were performed in the Theatre of Dionysus (although it is unclear when this location was first used). It is unknown when the Lenaia was abandoned, but contests of some sort continued into

4982-423: The controversy over The Babylonians or a subsequent controversy over The Knights . It has been inferred from statements in The Clouds and Peace that Aristophanes was prematurely bald. Aristophanes was probably victorious at least once at the City Dionysia, with Babylonians in 427, and at least three times at the Lenaia, with The Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won

5076-461: The defeat of Athens, and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c. 9th century AD), one of Aristophanes's last plays, Aioliskon , had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all

5170-615: The dialect of Sparta ), and Northern Peloponnesus Doric (including Corinthian ). All the groups were represented by colonies beyond Greece proper as well, and these colonies generally developed local characteristics, often under the influence of settlers or neighbors speaking different Greek dialects. After the conquests of Alexander the Great in the late 4th century BC, a new international dialect known as Koine or Common Greek developed, largely based on Attic Greek , but with influence from other dialects. This dialect slowly replaced most of

5264-530: The dialects is: West vs. non-West Greek is the strongest-marked and earliest division, with non-West in subsets of Ionic-Attic (or Attic-Ionic) and Aeolic vs. Arcadocypriot, or Aeolic and Arcado-Cypriot vs. Ionic-Attic. Often non-West is called 'East Greek'. Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian Greek had come under

5358-510: The divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period. They have the same general outline but differ in some of the detail. The only attested dialect from this period is Mycenaean Greek , but its relationship to the historical dialects and the historical circumstances of the times imply that the overall groups already existed in some form. Scholars assume that major Ancient Greek period dialect groups developed not later than 1120 BC, at

5452-463: The elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to

5546-403: The festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience. The production process might also have influenced the views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a choregus ,

5640-541: The first of many plays that he directed himself. "In my opinion," he says through that play's Chorus , "the author-director of comedies has the hardest job of all." The English name Aristophanes comes from the Ancient Greek : Ἀριστοφάνης meaning ' one who appears best ' , from ἄριστος ( áristos , lit.   ' best ' ) and φανής ( phanḗs ) from the verb φαίνω , lit.   ' to appear ' . An Athenian citizen, Aristophanes came from

5734-552: The fragments is Rudolf Kassel and Colin François Lloyd Austin 's, Poetae Comici Graeci III.2. Ancient Greek language Ancient Greek ( Ἑλληνῐκή , Hellēnikḗ ; [hellɛːnikɛ́ː] ) includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek ( c.  1400–1200 BC ), Dark Ages ( c.  1200–800 BC ),

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5828-454: The god. But, they were not the main focus and are not even mentioned in the texts. However, women are depicted on Attic vases as being close to the process of wine production along with the unmixed wine. Along with that, the satyrs of untamed nature are also found, along with the god himself. In Athens, the festival was originally held in the Lenaion (possibly a theatre outside the city or

5922-426: The hero of his third play The Acharnians (staged at the Lenaia , where there were few or no foreign dignitaries), the poet carefully distinguishes between the polis and the real targets of his acerbic wit: ἡμῶν γὰρ ἄνδρες, κοὐχὶ τὴν πόλιν λέγω, μέμνησθε τοῦθ᾽ ὅτι οὐχὶ τὴν πόλιν λέγω, ἀλλ᾽ ἀνδράρια μοχθηρά, παρακεκομμένα... People among us, and I don't mean the polis, Remember this – I don't mean

6016-473: The intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, Wealth II , it more closely resembles New Comedy . However it is uncertain whether he led or merely responded to changes in audience expectations. Aristophanes won second prize at the City Dionysia in 427 BC with his first play The Banqueters (now lost). He won first prize there with his next play, The Babylonians (also now lost). It

6110-587: The island of Aegina . Similarly, the hero in The Acharnians complains about Cleon "dragging me into court" over "last year's play." Comments made by the Chorus referring to Aristophanes in The Clouds have been interpreted as evidence that he can hardly have been more than 18 years old when his first play The Banqueters was produced. The second parabasis in Wasps appears to indicate that he reached some kind of temporary accommodation with Cleon following either

6204-425: The main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds

6298-494: The marriage of the hero Pisthetairos to Zeus 's paramour in The Birds and the "recreation" of old Athens, crowned with roses, at the end of The Knights . It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He

6392-497: The modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon , they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in

6486-435: The mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at the Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied

6580-505: The myth of the god's death and rebirth. This happened both in Delphi and in Athens in the Lenaia, in the same season, winter. It further supports the idea that Attic Lenaia had a specific ritual involving women, the followers of the god. The ritual associated in this case with the idea of the resurrection of the god associated with wine production and the wine press. Though, whether or not it

6674-508: The older dialects, although the Doric dialect has survived in the Tsakonian language , which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek . By about the 6th century AD, the Koine had slowly metamorphosed into Medieval Greek . Phrygian is an extinct Indo-European language of West and Central Anatolia , which

6768-440: The other brother appears to be a product of the sophistic education The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of

6862-487: The perfect stem eilēpha (not * lelēpha ) because it was originally slambanō , with perfect seslēpha , becoming eilēpha through compensatory lengthening. Reduplication is also visible in the present tense stems of certain verbs. These stems add a syllable consisting of the root's initial consonant followed by i . A nasal stop appears after the reduplication in some verbs. The earliest extant examples of ancient Greek writing ( c.  1450 BC ) are in

6956-421: The plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged." Listed below are some of the many works influenced (more or less) by Aristophanes. Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies, none could be flawless, "for there is much truth in the paradox that the only really perfect translation

7050-428: The polis – But wicked little men of a counterfeit kind.... Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of The Knights —a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes:

7144-401: The prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus ' comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s. Plato's The Symposium appears to be

7238-517: The syllabic script Linear B . Beginning in the 8th century BC, however, the Greek alphabet became standard, albeit with some variation among dialects. Early texts are written in boustrophedon style, but left-to-right became standard during the classic period. Modern editions of ancient Greek texts are usually written with accents and breathing marks , interword spacing , modern punctuation , and sometimes mixed case , but these were all introduced later. The beginning of Homer 's Iliad exemplifies

7332-467: The time of the Dorian invasions —and that their first appearances as precise alphabetic writing began in the 8th century BC. The invasion would not be "Dorian" unless the invaders had some cultural relationship to the historical Dorians . The invasion is known to have displaced population to the later Attic-Ionic regions, who regarded themselves as descendants of the population displaced by or contending with

7426-414: The trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades ), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier , they were used in the study of rhetoric on the recommendation of Quintilian and by students of

7520-457: The trial and subsequent condemning to death of Socrates , although other satirical playwrights had also caricatured the philosopher. Aristophanes' second play, The Babylonians (now lost), was denounced by Cleon as a slander against the Athenian polis . It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights ,

7614-405: The unique distinction of a repeat performance at a subsequent festival. A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play Wealth II in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays Aeolosicon II and Cocalus , and it is possible that the last of these won

7708-399: The use of similes, metaphors and pictorial expressions. In The Knights , for example, the ears of a character with selective hearing are represented as parasols that open and close. In The Frogs , Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as

7802-425: The war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in

7896-439: The wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays. When Aristophanes' first play The Banqueters was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon ) yet they are not jingoistic, and they are staunchly opposed to

7990-425: The window on life and politics in classical Athens , in which respect they are perhaps as important as the writings of Thucydides . The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly

8084-480: Was Aeolic. For example, fragments of the works of the poet Sappho from the island of Lesbos are in Aeolian. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, or to an island. Doric notably had several intermediate divisions as well, into Island Doric (including Cretan Doric ), Southern Peloponnesus Doric (including Laconian ,

8178-452: Was a pluricentric language , divided into many dialects. The main dialect groups are Attic and Ionic , Aeolic , Arcadocypriot , and Doric , many of them with several subdivisions. Some dialects are found in standardized literary forms in literature , while others are attested only in inscriptions. There are also several historical forms. Homeric Greek is a literary form of Archaic Greek (derived primarily from Ionic and Aeolic) used in

8272-425: Was a festival for women, or that festival heavily involved them, is still a debate. In Athens , there was no mention of a women's festival. However, that could be due to that women are associated with Dionysus's secret and sacred rites, which wouldn't normally be talked about or made public. Athenian woman probably participated in the nocturnal rites. They may have played an important role in ‘calling’ or invoking

8366-407: Was also credited, perhaps wrongly, with directing The Wasps ). Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information, because apparent self-references might have been made with reference to his directors instead. Thus, for example, a statement by the chorus in The Acharnians seems to indicate that the "poet" had a close, personal association with

8460-428: Was celebrated at a crucial time for propitiating the awakening of nature. Specifically, the grape and wine , symbolised by the god himself, his death and reemergence from the underworld. Though, this was not the time of the grape harvest, but rather when the vines were pruned. The festival may have had rites for women. The coincidence of invoking Iacchus , seen as Dionysus as a child, by torchlight and commemorating

8554-536: Was not actively involved in politics, despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century, but such appointments were very common in democratic Athens . The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect . The orator Quintilian believed that

8648-507: Was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance". The plays of Aristophanes are among the defining examples of Old Comedy. Aristophanes' plays are also the only full-length Old Comedy plays that have survived from antiquity. Thus making them literally among the most defining elements, for defining Old Comedy... For this reason, an understanding of Old Comedy and Aristophanes' place in it

8742-559: Was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties. A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics: The rhythm begins at

8836-490: Was usual for foreign dignitaries to attend the City Dionysia, and The Babylonians caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon , reviled the play as slander against the polis and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through

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