123-488: Charanam (meaning foot ) in Carnatic music (South Indian classical music) is usually the end section of a composition which is sung after the anupallavi . There may be multiple charanams in a composition which make up different stanzas , but in compositions that do not have an anupallavi , there often exists a samrashti charanam that combines both the anupallavi and charanam of the composition which directly follows
246-729: A raga . The features and rules of the raga (also known as the sanchaaraas of a raga) include how each note of the raga should be stressed, the scale of the raga, and so on. All varnams consist of lyrics, as well as swara passages, including a pallavi , an anupallavi , muktayi swaras , a charanam , and chittaswaras . Known for their complex structure, varnams are a fundamental form in Carnatic music. Varnams are practised as vocal exercises in multiple speeds by performers of Carnatic music, to help develop voice culture, and maintain proper pitch and control of rhythm. In Carnatic music concerts, varnams are often performed by musicians as
369-489: A Hindu religious identity". Scholars state that Hindu, Buddhist and Jain identities are retrospectively-introduced modern constructions. Inscriptional evidence from the 8th century onwards, in regions such as South India, suggests that medieval era India, at both elite and folk religious practices level, likely had a "shared religious culture", and their collective identities were "multiple, layered and fuzzy". Even among Hinduism denominations such as Shaivism and Vaishnavism,
492-668: A common name for the country. Al-Biruni 's 11th-century text Tarikh Al-Hind , and the texts of the Delhi Sultanate period use the term 'Hindu', where it includes all non-Islamic people such as Buddhists, and retains the ambiguity of being "a region or a religion". The 'Hindu' community occurs as the amorphous 'Other' of the Muslim community in the court chronicles, according to the Indian historian Romila Thapar . The comparative religion scholar Wilfred Cantwell Smith notes that
615-534: A consequence, religious groups have an interest in being recognised as distinct from the Hindu majority in order to qualify as a "religious minority". Thus, the Supreme Court was forced to consider the question whether Jainism is part of Hinduism in 2005 and 2006. Starting after the 10th century and particularly after the 12th century Islamic invasion, states Sheldon Pollock , the political response fused with
738-582: A diversity of beliefs, and seems to oscillate between Hindus holding a centralist and pluralist religious views. In the texts of Delhi Sultanate era, states Sharma, the term Hindu remains ambiguous on whether it means people of a region or religion, giving the example of Ibn Battuta's explanation of the name "Hindu Kush" for a mountain range in Afghanistan. It was so called, wrote Ibn Battuta, because many Indian slaves died there of snow cold, as they were marched across that mountain range. The term Hindu there
861-571: A fixed set of religious beliefs within Hinduism. One need not be religious in the minimal sense, states Julius Lipner , to be accepted as Hindu by Hindus, or to describe oneself as Hindu. Hindus subscribe to a diversity of ideas on spirituality and traditions, but have no ecclesiastical order, no unquestionable religious authorities, no governing body, nor a single founding prophet; Hindus can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist. Because of
984-511: A fixed time cycle or metre, set for a particular composition, which is built from groupings of beats. Tala s have cycles of a defined number of beats and rarely change within a song. They have specific components, which in combinations can give rise to the variety to exist (over 108), allowing different compositions to have different rhythms. Carnatic music singers usually keep the beat by moving their hands up and down in specified patterns, and using their fingers simultaneously to keep time. Tala
1107-404: A hint of the song to be performed. Theoretically, this ought to be the easiest type of improvisation, since the rules are so few, but in fact, it takes much skill to sing a pleasing, comprehensive (in the sense of giving a "feel for the ragam") and, most importantly, original raga alapana. Niraval, usually performed by the more advanced performers, consists of singing one or two lines of text of
1230-635: A long time in Sri Lanka, Carnatic music was associated with Indian immigrants, and was often derogatorily referred to as " thosai kade music" ("music from the dosa shop"), in reference to the South Indians-owned restaurants and eateries that typically played this kind of music. From the 20th century, Carnatic music gained significant popularity among certain social strata of the Sri Lankan population , who were then heavily influenced by
1353-539: A prominent cultural movement known as the Hindu revival. Carnatic music was thus appropriated and highly promoted during the 1920s and 1930s as a cultural and identity marker of the Colombo and Jaffna bourgeoisies, and by extension of the Sri Lankan Tamils . The place given to Carnatic music in the construction of a modern Sri Lankan Tamil identity has reached significant proportions, such as its rise in
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#17328010898851476-401: A reasonable construction of history. However, the existence of non-textual evidence such as cave temples separated by thousands of kilometers, as well as lists of medieval era pilgrimage sites, is evidence of a shared sacred geography and existence of a community that was self-aware of shared religious premises and landscape. Further, it is a norm in evolving cultures that there is a gap between
1599-430: A result of Western influence during its colonial history. Scholars such as Fleming and Eck state that the post-Epic era literature from the 1st millennium CE amply demonstrate that there was a historic concept of the Indian subcontinent as a sacred geography, where the sacredness was a shared set of religious ideas. For example, the twelve Jyotirlingas of Shaivism and fifty-one Shaktipithas of Shaktism are described in
1722-646: A sacred pilgrimage site is documented in the Varanasimahatmya text embedded inside the Skanda Purana , and the oldest versions of this text are dated to 6th to 8th-century CE. The idea of twelve sacred sites in Shiva Hindu tradition spread across the Indian subcontinent appears not only in the medieval era temples but also in copper plate inscriptions and temple seals discovered in different sites. According to Bhardwaj, non-Hindu texts such as
1845-756: A saint. [...] When Khusraw stopped at his residence, [Arjan] came out and had an interview with [Khusraw]. Giving him some elementary spiritual precepts picked up here and there, he made a mark with saffron on his forehead, which is called qashqa in the idiom of the Hindus and which they consider lucky. When this was reported to me, I realized how perfectly false he was and ordered him brought to me. I awarded his houses and dwellings and those of his children to Murtaza Khan, and I ordered his possessions and goods confiscated and him executed. Sikh scholar Pashaura Singh states, "in Persian writings, Sikhs were regarded as Hindu in
1968-485: A song repeatedly, but with a series of melodic improvised elaborations. Although niraval consists of extempore melodic variations, generally, the original patterns of duration are maintained; each word in the lines of text stay set within their original place ( idam ) in the tala cycle. The lines are then also played at different levels of speed which can include double speed, triple speed, quadruple speed and even sextuple speed. The improvised elaborations are made with
2091-438: A system called the melakarta , which groups them according to the kinds of notes that they have. There are seventy-two melakarta ragas , thirty six of whose madhyama ( subdominant ) is shuddha ( perfect fourth from the tonic), the remaining thirty-six of whose madhyama (subdominant) is prati (an augmented fourth from the tonic). The ragas are grouped into sets of six, called chakras ("wheels", though actually segments in
2214-405: A total of 108 tala s. Improvisation in raga is the soul of Indian classical music – an essential aspect. " Manodharma Sangeetam " or " kalpana Sangeetam " ("music of imagination") as it is known in Carnatic music, embraces several varieties of improvisation. The main traditional forms of improvisation in Carnatic music consist of the following: An alapana, sometimes also called ragam,
2337-590: A type of musical sound that is a single note, which defines a relative (higher or lower) position of a note, rather than a defined frequency. Svara s also refer to the solfege of Carnatic music, which consist of seven notes, "sa-ri-ga-ma-pa-da-ni" (compare with the Hindustani sargam : sa- re -ga-ma-pa- dha -ni or Western do-re-mi-fa-so-la-ti). These names are abbreviations of the longer names shadja , rishabha , gandhara , madhyama , panchama , dhaivata and nishada . Unlike other music systems, every member of
2460-585: A uniform civil code, where all citizens are subject to the same laws, everyone has equal civil rights, and individual rights do not depend on the individual's religion. In contrast, opponents of Hindu nationalists remark that eliminating religious law from India poses a threat to the cultural identity and religious rights of Muslims, and people of Islamic faith have a constitutional right to Islamic shariah -based personal laws. A specific law, contentious between Hindu nationalists and their opponents in India, relates to
2583-542: A verse at the end of the charana , called the madhyamakāla . It is sung immediately after the charana , but at double speed. There are many composers in Carnatic music. Purandara Dasa (1484–1564) is referred to as the Pitamaha (the father or grandfather) of Carnatic music as he formulated the basic lessons in teaching Carnatic music, and in honour of his significant contribution to Carnatic music. He structured graded exercises known as Swaravalis and Alankaras , and at
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#17328010898852706-427: A view of outlining the raga, the tempo, and the theme of the composition. Kalpanaswaram, also known as swarakalpana, consists of improvising melodic and rhythmic passages using swaras (solfa syllables). Like niraval, kalpanaswaras are sung to end on a particular swara in the raga of the melody and at a specific place ( idam ) in the tala cycle. Kalpanaswaras have a somewhat predictable rhythmical structure;
2829-604: A wedding or when a baby is born or cremation rituals. Some Hindus go on pilgrimage to shared sites they consider spiritually significant, practice one or more forms of bhakti or puja , celebrate mythology and epics, major festivals, love and respect for guru and family, and other cultural traditions. A Hindu could: In the Constitution of India , the word "Hindu" has been used in some places to denote persons professing any of these religions: Hinduism , Jainism , Buddhism or Sikhism . This however has been challenged by
2952-473: Is a controversial political subject, with no consensus about what it means or implies in terms of the form of government and religious rights of the minorities. There are 1.2 billion Hindus worldwide (15% of world's population), with about 95% of them being concentrated in India alone. Along with Christians (31.5%), Muslims (23.2%) and Buddhists (7.1%), Hindus are one of the four major religious groups of
3075-471: Is a term used to describe the culture and identity of Hindus and Hinduism , including the historic Vedic people . Hindu culture can be intensively seen in the form of art , architecture , history , diet , clothing , astrology and other forms. The culture of India and Hinduism is deeply influenced and assimilated with each other. With the Indianisation of southeast Asia and Greater India ,
3198-408: Is adept enough to perform at a concert. Hindu Traditional Hindus ( Hindustani: [ˈɦɪndu] ; / ˈ h ɪ n d uː z / ; also known as Sanātanīs ) are people who religiously adhere to Hinduism , also known by its endonym Sanātana Dharma . Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in
3321-676: Is ambivalent and could mean geographical region or religion. The term Hindu appears in the texts from the Mughal Empire era. Jahangir , for example, called the Sikh Guru Arjan a Hindu: There was a Hindu named Arjan in Gobindwal on the banks of the Beas River. Pretending to be a spiritual guide, he had won over as devotees many simple-minded Indians and even some ignorant, stupid Muslims by broadcasting his claims to be
3444-478: Is an organic relation of Sikhs to Hindus, states Zaehner, both in religious thought and their communities, and virtually all Sikhs' ancestors were Hindus. Marriages between Sikhs and Hindus, particularly among Khatris , were frequent. Some Hindu families brought up a son as a Sikh, and some Hindus view Sikhism as a tradition within Hinduism, even though the Sikh faith is a distinct religion. Julius Lipner states that
3567-410: Is believed to be a divine art form which originated from the devas and devis ( Hindu gods and goddesses), and is venerated as symbolic of nāda brāhman . Ancient treatises also describe the connection of the origin of the svaras , or notes, to the sounds of animals and birds and man's effort to simulate these sounds through a keen sense of observation and perception. The Samaveda , which
3690-482: Is believed to have laid the foundation for Indian classical music, consists of hymns from the Rigveda , set to musical tunes which would be sung using three to seven musical notes during Vedic yajnas . The Yajurveda , which mainly consists of sacrificial formulae, mentions the veena as an accompaniment to vocal recitations. References to Indian classical music are made in many ancient texts, including epics like
3813-416: Is constantly increasing. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gāyaki ). Like Hindustani music , Carnatic music rests on two main elements: rāga , the modes or melodic formulae, and tāḷa , the rhythmic cycles. Today, Carnatic music
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3936-643: Is documented in Islamic literature such as those relating to 8th century Muhammad bin-Qasim , 11th century Mahmud of Ghazni , the Persian traveler Al Biruni, the 14th century Islamic army invasion led by Timur, and various Sunni Islamic rulers of the Delhi Sultanate and Mughal Empire. There were occasional exceptions such as Akbar who stopped the persecution of Hindus, and occasional severe persecution such as under Aurangzeb , who destroyed temples, forcibly converted non-Muslims to Islam and banned
4059-473: Is formed with three basic parts (called anga s) which are laghu , dhrtam , and anudhrtam , though complex talas may have other parts like plutam , guru , and kaakapaadam . There are seven basic tala groups which can be formed from the laghu , dhrtam , and anudhrtam : A laghu has five variants (called jaathi s) based on the counting pattern. Five jaathis times seven tala groups gives thirty-five basic tala s, although use of other anga s results in
4182-399: Is integral to Ragam Tanam Pallavi. Originally developed for the veena, it consists of expanding the raga with syllables like tha, nam, thom, aa, nom, na, etc. Ragam, Tanam, and Pallavi are the principal long form in concerts, and is a composite form of improvisation. As the name suggests, it consists of raga alapana, tanam, and a pallavi line. Set to a slow-paced tala , the pallavi line
4305-426: Is often composed by the performer. Through niraval, the performer manipulates the pallavi line in complex melodic and rhythmic ways. The niraval is followed by kalpanaswarams. Tani Avartanam refers to the extended solo that is played by the percussionists in a concert, and is usually played after the main composition in a concert. The percussionist displays the full range of his skills and rhythmic imagination during
4428-412: Is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style. Although there are stylistic differences, the basic elements of śruti (the relative musical pitch), svara (the musical sound of a single note), rāga (the mode or melodic formulae), and tala (the rhythmic cycles) form
4551-458: Is presented by musicians in concerts or recordings, either vocally or through instruments. Carnatic music itself developed around musical works or compositions of phenomenal composers (see below). Śruti commonly refers to musical pitch. It is the approximate equivalent of a tonic (or less precisely a key) in Western music; it is the note from which all the others are derived. It is also used in
4674-443: Is the exposition of a raga or tone – a slow improvisation with no rhythm, where the raga acts as the basis of embellishment. In performing alapana, performers consider each raga as an object that has beginnings and endings and consists somehow of sequences of thought. The performer will explore the ragam and touch on its various nuances, singing in the lower octaves first, then gradually moving up to higher octaves, while giving
4797-567: Is this Rama to be described.. who freed Varanasi from the mleccha (barbarian, Turk Muslim) horde, and built there a golden temple of Sarngadhara". Pollock notes that the Yadava king Ramacandra is described as a devotee of deity Shiva (Shaivism), yet his political achievements and temple construction sponsorship in Varanasi, far from his kingdom's location in the Deccan region, is described in
4920-401: Is traditionally taught according to the system formulated by Purandara Dasa . This involves sarali swaras (graded exercises), alankaras (exercises based on the seven talas), geetams or simple songs, and Swarajatis . After the student has reached a certain standard, varnams are taught and later, the student learns kritis . It typically takes several years of learning before a student
5043-423: Is usually only one variant of each note present. The exceptions exist in "light" ragas, in which, for artistic effect, there may be two, one ascending (in the arohanam ) and another descending (in the avarohanam ). A raga in Carnatic music prescribes a set of rules for building a melody – very similar to the Western concept of mode . It specifies rules for movements up ( aarohanam ) and down ( avarohanam ),
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5166-604: The Ramayana and the Mahabharata . The Yajnavalkya Smriti states, " vīṇāvādana tattvajñaḥ śrutijātiviśāradaḥ tālajñaścāprayāsena mokṣamārgaṃ niyacchati" (The one who is well versed in veena , one who has the knowledge of srutis and one who is adept in tala, attains liberation ( moksha ) without doubt"). Contemporray Carnatic music is based on musical concepts (including svara , raga , and tala ) that were described in detail in several ancient works, particularly
5289-430: The divya prabandham , thevaram and ugabhoga are often performed similarly, however, these forms can also have a set melody and rhythm like the devaranama , javali , padam , thillana and thiruppugazh forms. The most common and significant forms in Carnatic music are the varnam and the kriti (or kirtanam ). Varnams are short metric pieces which encapsulate the main features and requirements of
5412-425: The pallavi . The charana swaras are grouped in four different ways: This article about the music of India is a stub . You can help Misplaced Pages by expanding it . This article related to Carnatic music is a stub . You can help Misplaced Pages by expanding it . Carnatic music Traditional Carnatic music or Karnataka Sangita (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in
5535-542: The Bharata 's Natya Shastra and Cilappatikaram by Ilango Adigal . Owing to Persian and Islamic influences in North India from the 12th century onwards, Indian classical music began to diverge into two distinct styles — Hindustani music and Carnatic music. Commentaries and other works, such as Sharngadeva 's Sangita Ratnakara , further elaborated on the musical concepts found in Indian classical music. By
5658-599: The Dravidian languages ) is a system of music commonly associated with South India , including the modern Indian states of Andhra Pradesh , Karnataka , Kerala , Tamil Nadu and portions of east and south Telangana and southern Odisha . It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda . (The other two are Hindustani music and Odissi music .) The main emphasis in Carnatic music
5781-493: The Hindu Sabhas (Hindu associations), and ultimately a Hindu-identity driven nationalism in the 1920s. The colonial era Hindu revivalism and mobilisation, along with Hindu nationalism, states Peter van der Veer, was primarily a reaction to and competition with Muslim separatism and Muslim nationalism. The successes of each side fed the fears of the other, leading to the growth of Hindu nationalism and Muslim nationalism in
5904-526: The Indian subcontinent . It is assumed that the term "Hindu" traces back to Avestan scripture Vendidad which refers to land of seven rivers as Hapta Hendu which itself is a cognate to Sanskrit term Sapta Sindhuḥ (This term Sapta Sindhuḥ is mentioned in RigVeda that refers to a North western Indian region of seven rivers and as an India whole). The Greek cognates of the same terms are " Indus " (for
6027-477: The Maratha rulers of Tanjore . Some of the royalty of the kingdoms of Mysore and Travancore were themselves noted composers and proficient in playing musical instruments, such as the veena , rudra veena , violin , ghatam , venu , mridangam , nadaswaram , and swarabat . Some famous court-musicians proficient in music were Veene Sheshanna (1852–1926) and Veene Subbanna (1861–1939), among others. During
6150-816: The Trinity of Carnatic music include Sripadaraja , Vyasatirtha , Kanakadasa , Vadiraja Tirtha , Arunachala Kavi , Annamacharya , Narayana Theertha , Vijaya Dasa , Jagannatha Dasa , Gopala Dasa , Bhadrachala Ramadas , Sadasiva Brahmendra and Oottukkadu Venkata Kavi . Other composers are Swathi Thirunal , Gopalakrishna Bharathi , Neelakanta Sivan , Patnam Subramania Iyer , Mysore Vasudevachar , Koteeswara Iyer , Muthiah Bhagavathar , Subramania Bharathiyar , Kalyani Varadarajan , M. Balamuralikrishna and Papanasam Sivan . The compositions of these composers are rendered frequently by artists of today. Composers of Carnatic music were often inspired by religious devotion and were usually scholars proficient in one or more of
6273-600: The United Arab Emirates and the United Kingdom . These together accounted for 99% of the world's Hindu population, and the remaining nations of the world combined had about 6 million Hindus as of 2010 . The word Hindu is an exonym . This word Hindu is derived from the Indo-Aryan and Sanskrit word Sindhu , which means "a large body of water", covering "river, ocean". It was used as
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#17328010898856396-772: The Upanishads . The Puranas and the Itihasa (mainly Ramayana and the Mahabharata ) are enduring traditions among Indonesian Hindus, expressed in community dances and shadow puppet ( wayang ) performances. As in India, Indonesian Hindus recognise four paths of spirituality, calling it Catur Marga . Similarly, like Hindus in India, Balinese Hindus believe that there are four proper goals of human life, calling it Catur Purusartha – dharma (pursuit of moral and ethical living), artha (pursuit of wealth and creative activity), kama (pursuit of joy and love) and moksha (pursuit of self-knowledge and liberation). Hindu culture
6519-489: The ghatam , kanjira , morsing , venu flute, veena , and chitraveena . The greatest concentration of Carnatic musicians is to be found in the city of Chennai . Various Carnatic music festivals are held throughout India and abroad, including the Madras Music Season , which has been considered to be one of the world's largest cultural events. Like all art forms in Indian culture , Indian classical music
6642-441: The scale of which notes should figure more and which notes should be used more sparingly, which notes may be sung with gamaka (ornamentation), which phrases should be used or avoided, and so on. In effect, it is a series of obligatory musical events which must be observed, either absolutely or with a particular frequency. In Carnatic music, the sampoorna ragas (those with all seven notes in their scales) are classified into
6765-399: The "lived and historical realities" of a religious tradition and the emergence of related "textual authorities". The tradition and temples likely existed well before the medieval era Hindu manuscripts appeared that describe them and the sacred geography. This, states Fleming, is apparent given the sophistication of the architecture and the sacred sites along with the variance in the versions of
6888-530: The 16th and 17th centuries, there was a clear demarcation between Carnatic and Hindustani music; Carnatic music remained relatively unaffected by Persian and Arabic influences. It was at this time that Carnatic music flourished in Vijayanagara , while the Vijayanagara Empire reached its greatest extent. Purandara Dasa , who is known as the "father ( pitamaha ) of Carnatic music", formulated
7011-587: The 17th-century Bhakta Mala text using the phrase "Hindu dharma ". Scholar Arvind Sharma notes that the term "Hindus" was used in the 'Brahmanabad settlement' which Muhammad ibn Qasim made with non-Muslims after the Arab invasion of northwestern Sindh region of India, in 712 CE. The term 'Hindu' meant people who were non-Muslims, and it included Buddhists of the region. In the 11th-century text of Al Biruni, Hindus are referred to as "religious antagonists" to Islam, as those who believe in rebirth, presents them to hold
7134-562: The 18th century, South Indian immigrant communities abroad increased, especially in Southeast Asia and Sri Lanka . Communities such as the Nattukottai Chettiars participate in the extension of the Carnatic cultural scene abroad, thanks to their rich patronage activity. Carnatic music artists therefore perform abroad among South Indian communities who request their coming, in order to enliven local community life. For
7257-801: The 1920s, as a reaction to the Islamic Khilafat Movement wherein Indian Muslims championed and took the cause of the Turkish Ottoman sultan as the Caliph of all Muslims, at the end of the World War I . Hindus viewed this development as one of divided loyalties of Indian Muslim population, of pan-Islamic hegemony, and questioned whether Indian Muslims were a part of an inclusive anti-colonial Indian nationalism. The Hindu nationalism ideology that emerged, states Jeffrelot,
7380-579: The 19th century as a response to British colonialism by Indian nationalists and neo-Hinduism gurus. Jaffrelot states that the efforts of Christian missionaries and Islamic proselytizers, during the British colonial era, each of whom tried to gain new converts to their own religion, by stereotyping and stigmatising Hindus to an identity of being inferior and superstitious, contributed to Hindus re-asserting their spiritual heritage and counter cross examining Islam and Christianity, forming organisations such as
7503-521: The 7th-century CE Chinese text Records on the Western Regions by the Buddhist scholar Xuanzang . Xuanzang uses the transliterated term In-tu whose "connotation overflows in the religious" according to Arvind Sharma . While Xuanzang suggested that the term refers to the country named after the moon, another Buddhist scholar I-tsing contradicted the conclusion saying that In-tu was not
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#17328010898857626-491: The Carnatic music repertoire. The performance of the Sanskrit sloka , Tamil viruttam , Kannada Ugabhoga and Telugu padyamu or sisapadya forms are particularly unique. Though these forms consist of lyric-based verses , musicians improvise raga phrases in free rhythm, like an alapana , so both the sound value, and the meaning of the text, guide the musician through elaborate melodic improvisations. Forms such as
7749-476: The European merchants and colonists began to refer to the followers of Indian religions collectively as Hindus. Other prominent mentions of 'Hindu' include the epigraphical inscriptions from Andhra Pradesh kingdoms who battled military expansion of Muslim dynasties in the 14th century, where the word 'Hindu' partly implies a religious identity in contrast to 'Turks' or Islamic religious identity. The term Hindu
7872-737: The Hindu identities, states Leslie Orr, lacked "firm definitions and clear boundaries". Overlaps in Jain-Hindu identities have included Jains worshipping Hindu deities, intermarriages between Jains and Hindus, and medieval era Jain temples featuring Hindu religious icons and sculpture. Beyond India, on Java island of Indonesia , historical records attest to marriages between Hindus and Buddhists, medieval era temple architecture and sculptures that simultaneously incorporate Hindu and Buddhist themes, where Hinduism and Buddhism merged and functioned as "two separate paths within one overall system", according to Ann Kenney and other scholars. Similarly, there
7995-642: The Hindu identity and religious response to Islamic invasion and wars developed in different kingdoms, such as wars between Islamic Sultanates and the Vijayanagara kingdom, and Islamic raids on the kingdoms in Tamil Nadu . These wars were described not just using the mythical story of Rama from Ramayana, states Chattopadhyaya, the medieval records used a wide range of religious symbolism and myths that are now considered as part of Hindu literature. This emergence of religious with political terminology began with
8118-477: The Hindu-majority post-British India. After the separation of India and Pakistan in 1947, the Hindu nationalism movement developed the concept of Hindutva in second half of the 20th century. The Hindu nationalism movement has sought to reform Indian laws, that critics say attempts to impose Hindu values on India's Islamic minority. Gerald Larson states, for example, that Hindu nationalists have sought
8241-760: The Hindus and intensely scrutinized them, but did not interrogate and avoided reporting the practices and religion of Mughal and Arabs in South Asia", and often relied on Muslim scholars to characterise Hindus. In contemporary era, the term Hindus are individuals who identify with one or more aspects of Hinduism , whether they are practising or non-practicing or Laissez-faire . The term does not include those who identify with other Indian religions such as Buddhism, Jainism, Sikhism or various animist tribal religions found in India such as Sarnaism . The term Hindu, in contemporary parlance, includes people who accept themselves as culturally or ethnically Hindu rather than with
8364-501: The Indian subcontinent. In the 20th century, the sense of religious nationalism grew in India, states van der Veer, but only Muslim nationalism succeeded with the formation of the West and East Pakistan (later split into Pakistan and Bangladesh), as "an Islamic state" upon independence. Religious riots and social trauma followed as millions of Hindus, Jains, Buddhists and Sikhs moved out of the newly created Islamic states and resettled into
8487-455: The Indic religious culture and doctrines. Temples dedicated to deity Rama were built from north to south India, and textual records as well as hagiographic inscriptions began comparing the Hindu epic of Ramayana to regional kings and their response to Islamic attacks. The Yadava king of Devagiri named Ramacandra , for example states Pollock, is described in a 13th-century record as, "How
8610-731: The North and Karnataka (later called Carnatic) in the South. The term "Karnataka" music originated from the Vijayanagara Empire, historically known as the Karnataka Empire. The British later influenced the change in name to "Carnatic" music, and the term is only about 150–200 years old. In the 18th and 19th centuries, Carnatic music was mainly patronised by the local kings of the Kingdom of Mysore , Kingdom of Travancore , and
8733-570: The Puranic literature. According to Diana L. Eck and other Indologists such as André Wink, Muslim invaders were aware of Hindu sacred geography such as Mathura, Ujjain, and Varanasi by the 11th century. These sites became a target of their serial attacks in the centuries that followed. The Hindus have been persecuted during the medieval and modern era. The medieval persecution included waves of plunder, killing, destruction of temples and enslavement by Turk-Mongol Muslim armies from central Asia. This
8856-725: The Sikhs and by neo-Buddhists who were formerly Hindus. According to Sheen and Boyle, Jains have not objected to being covered by personal laws termed under 'Hindu', but Indian courts have acknowledged that Jainism is a distinct religion. The Republic of India is in the peculiar situation that the Supreme Court of India has repeatedly been called upon to define "Hinduism" because the Constitution of India , while it prohibits "discrimination of any citizen" on grounds of religion in article 15, article 30 foresees special rights for "All minorities, whether based on religion or language". As
8979-484: The Sindhu river, therefore some assumptions that medieval Persian authors considered Hindu as derogatory is not accepted by practicing Hindus themselves as those references are much later to references used in pre-Islamic Persian sources, early Arab and Indian sources, all of them had positive connotation only as they either referred to region or followers of Hinduism. The historical development of Hindu self-identity within
9102-542: The Yavanas [Muslims], The Kali age now deserves deepest congratulations for being at the zenith of its power, gone is the sacred learning, hidden is refinement, hushed is the voice of Dharma . The historiographic writings in Telugu language from the 13th- and 14th-century Kakatiya dynasty period presents a similar "alien other (Turk)" and "self-identity (Hindu)" contrast. Chattopadhyaya, and other scholars, state that
9225-537: The celebration of Hindu festivals such as Holi and Diwali . Other recorded persecution of Hindus include those under the reign of 18th century Tipu Sultan in south India, and during the colonial era. In the modern era, religious persecution of Hindus have been reported outside India in Pakistan and Bangladesh . Christophe Jaffrelot states that modern Hindu nationalism was born in Maharashtra , in
9348-444: The conventional representation) grouped according to the supertonic and mediant scale degrees. There is a system known as the katapayadi sankhya to determine the names of melakarta raga s. Raga s may be divided into two classes: janaka raga s (i.e. melakarta or parent ragas) and janya raga s (descendant ragas of a particular janaka raga). Janya ragas are themselves subclassified into various categories. Tala refers to
9471-445: The curricula of most Jaffna colleges, where it gradually replaced from the mid-1930s the teaching of Western classical music , or its high esteem among the upper social classes of Colombo and Jaffna, where the learning of Carnatic music among young women is expected as a sign of good education. Many people have travelled to India for improving their skills, and the flow of students to India from Sri Lanka or of Sri Lankan Tamil origin
9594-431: The custom of distinguishing between Hindus, Buddhists, Jains, and Sikhs is a modern phenomena, but one that is a convenient abstraction. Distinguishing Indian traditions is a fairly recent practice, states Lipner, and is the result of "not only Western preconceptions about the nature of religion in general and of religion in India in particular, but also with the political awareness that has arisen in India" in its people and
9717-477: The early medieval era Puranas as pilgrimage sites around a theme. This sacred geography and Shaiva temples with same iconography, shared themes, motifs and embedded legends are found across India, from the Himalayas to hills of South India, from Ellora Caves to Varanasi by about the middle of 1st millennium. Shakti temples, dated to a few centuries later, are verifiable across the subcontinent. Varanasi as
9840-442: The evolution of Carnatic music. Most Carnatic compositions are in Telugu and Sanskrit. Carnatic music is usually performed by a small ensemble of musicians, consisting of a principal performer (usually a vocalist), a melodic accompaniment (usually a violin ), a rhythm accompaniment (usually a mridangam ), and a tambura , which acts as a drone throughout the performance. Other typical instruments used in performances may include
9963-539: The first Muslim invasion of Sindh in the 8th century CE, and intensified 13th century onwards. The 14th-century Sanskrit text, Madhuravijayam , a memoir written by Gangadevi , the wife of Vijayanagara prince, for example describes the consequences of war using religious terms, I very much lament for what happened to the groves in Madhura , The coconut trees have all been cut and in their place are to be seen, rows of iron spikes with human skulls dangling at
10086-460: The foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung through compositions, especially the kriti (or kirtanam) – a form developed between the 14th and 20th centuries by composers such as Purandara Dasa , and the Trinity of Carnatic music . Carnatic music is also usually taught and learned through compositions. Telugu language predominates in
10209-486: The highest percentage of Hindus (in decreasing order) are Nepal , India , Mauritius , Fiji , Guyana , Bhutan , Suriname , Trinidad and Tobago , Qatar , Sri Lanka , Kuwait , Bangladesh , Réunion , Malaysia , and Singapore . The fertility rate, that is children per woman, for Hindus is 2.4, which is less than the world average of 2.5. Pew Research projects that there will be 1.4 billion Hindus by 2050. In more ancient times, Hindu kingdoms arose and spread
10332-609: The historical records in Vaishnavism terms of Rama, a deity Vishnu avatar. Pollock presents many such examples and suggests an emerging Hindu political identity that was grounded in the Hindu religious text of Ramayana, one that has continued into the modern times, and suggests that this historic process began with the arrival of Islam in India. Brajadulal Chattopadhyaya has questioned the Pollock theory and presented textual and inscriptional evidence. According to Chattopadhyaya,
10455-476: The influential Asiatick Researches founded in the 18th century, later called The Asiatic Society , initially identified just two religions in India – Islam, and Hinduism. These orientalists included all Indian religions such as Buddhism as a subgroup of Hinduism in the 18th century. These texts called followers of Islam as Mohamedans , and all others as Hindus . The text, by the early 19th century, began dividing Hindus into separate groups, for chronology studies of
10578-492: The languages Kannada , Malayalam , Sanskrit , Tamil , or Telugu . They usually included a signature, called a mudra , in their compositions. For example, all songs by Tyāgarāja (who composed in Sanskrit and Telugu) have the word Tyagaraja in them, all songs by Muttuswāmi Dīkṣitar (who composed in Sanskrit and Maṇipravāl̥am) have the words Guruguha in them; songs by Śyāma Śāstri (who composed in Sanskrit and Telugu) have
10701-404: The late 19th century, the city of Madras (now known as Chennai) emerged as the locus for Carnatic music. With the dissolution of the erstwhile princely states and the Indian independence movement reaching its conclusion in 1947, Carnatic music went through a radical shift in patronage into an art of the masses with ticketed performances organised by private institutions called sabhās . From
10824-486: The legal age of marriage for girls. Hindu nationalists seek that the legal age for marriage be eighteen that is universally applied to all girls regardless of their religion and that marriages be registered with local government to verify the age of marriage. Muslim clerics consider this proposal as unacceptable because under the shariah-derived personal law, a Muslim girl can be married at any age after she reaches puberty. Hindu nationalism in India, states Katharine Adeney,
10947-623: The local Indian population, in a religious or cultural sense, is unclear. Competing theories state that Hindu identity developed in the British colonial era , or that it may have developed post-8th century CE after the Muslim invasions and medieval Hindu–Muslim wars . A sense of Hindu identity and the term Hindu appears in some texts dated between the 13th and 18th century in Sanskrit and Bengali . The 14th- and 18th-century Indian poets such as Vidyapati , Kabir , Tulsidas and Eknath used
11070-509: The memoirs of Chinese Buddhist and Persian Muslim travellers attest to the existence and significance of the pilgrimage to sacred geography among Hindus by later 1st millennium CE. According to Fleming, those who question whether the term Hindu and Hinduism are a modern construction in a religious context present their arguments based on some texts that have survived into the modern era, either of Islamic courts or of literature published by Western missionaries or colonial-era Indologists aiming for
11193-415: The mid-19th century, colonial orientalist texts further distinguished Hindus from Buddhists , Sikhs and Jains , but the colonial laws continued to consider all of them to be within the scope of the term Hindu until about mid-20th century. Scholars state that the custom of distinguishing between Hindus, Buddhists, Jains and Sikhs is a modern phenomenon. At approximately 1.2 billion, Hindus are
11316-399: The military and political campaign during the medieval era wars in Deccan peninsula of India, and in the north India, were no longer a quest for sovereignty, they embodied a political and religious animosity against the "otherness of Islam", and this began the historical process of Hindu identity formation. Andrew Nicholson, in his review of scholarship on Hindu identity history, states that
11439-714: The musical element itself. This poses a special challenge for the musicians because rendering this music does not involve just playing or singing the correct musical notes; the musicians are expected to understand what was conveyed by the composer in various languages, and sing musical phrases that act to create the effect that was intended by the composer in his/her composition. There are many types/forms of compositions. Geethams and swarajatis (which have their own peculiar composition structures) are principally meant to serve as basic learning exercises. Compositions more commonly associated with Indian classical dance and Indian devotional music have also been increasingly used in
11562-423: The musician's interpretation. A Carnatic composition really has two elements, one being the musical element, the other being what is conveyed in the composition. It is probably because of this fact that most Carnatic music compositions are composed for singing. In addition to the rich musical experience, each composition brings out the knowledge and personality of the composer, and hence the words are as important as
11685-679: The name of the Indus River and also referred to its tributaries. The actual term 'hindu' first occurs, states Gavin Flood, as "a Persian geographical term for the people who lived beyond the river Indus (Sanskrit: Sindhu )", more specifically in the 5th-century BCE, DNa inscription of Darius I . The Punjab region , called Sapta Sindhu in the Vedas, is called Hapta Hindu in Zend Avesta . The 6th-century BCE inscription of Darius I mentions
11808-470: The opening item – acting as a warm up for the musicians, and as a means of grabbing the attention of the audience. Carnatic songs (kritis) are varied in structure and style, but generally consist of three units: This kind of song is called a keerthanam or a kriti . There are other possible structures for a kriti , which may in addition include swara passages named chittaswara . A chittaswara consists only of notes, and has no words. Still others have
11931-431: The phrase Hindu dharma (Hinduism) and contrasted it with Turaka dharma ( Islam ). The Christian friar Sebastiao Manrique used the term 'Hindu' in a religious context in 1649. In the 18th century, European merchants and colonists began to refer to the followers of Indian religions collectively as Hindus , in contrast to Mohamedans for groups such as Turks, Mughals and Arabs , who were adherents of Islam. By
12054-511: The points, In the highways which were once charming with anklets sound of beautiful women, are now heard ear-piercing noises of Brahmins being dragged, bound in iron-fetters, The waters of Tambraparni , which were once white with sandal paste, are now flowing red with the blood of cows slaughtered by miscreants, Earth is no longer the producer of wealth, nor does Indra give timely rains, The God of death takes his undue toll of what are left lives if undestroyed by
12177-433: The province of Hi[n]dush , referring to northwestern India. The people of India were referred to as Hinduvān and hindavī was used as the adjective for Indian language in the 8th century text Chachnama . According to D. N. Jha , the term 'Hindu' in these ancient records is an ethno-geographical term and did not refer to a religion. Among the earliest known records of 'Hindu' with connotations of religion may be in
12300-522: The religion and traditions across Southeast Asia, particularly Thailand , Nepal , Burma , Malaysia , Indonesia , Cambodia , Laos , Philippines , and what is now central Vietnam . Over 3 million Hindus are found in Bali Indonesia, a culture whose origins trace back to ideas brought by Hindu traders to Indonesian islands in the 1st millennium CE. Their sacred texts are also the Vedas and
12423-453: The religions have drawn their curved swords;" however, the date of this text is unclear and considered by most scholars to be more recent. In Islamic literature, 'Abd al-Malik Isami 's Persian work, Futuhu's-salatin , composed in the Deccan under Bahmani rule in 1350, uses the word ' hindi' to mean Indian in the ethno-geographical sense and the word ' hindu' to mean 'Hindu' in
12546-633: The river) and " India " (for the land of the river). Likewise Hebrew cognate hōd-dū refers to India mentioned in Hebrew Bible ( Esther 1:1 ). The term " Hindu " also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River . By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims . Since ancient times, Hindu has been used to refer to people inhibiting region beyond
12669-595: The same time, introduced the Raga Mayamalavagowla as the first scale to be learnt by beginners. He also composed Gitas (simple songs) for novice students. The contemporaries Tyagaraja (1767– 1847), Muthuswami Dikshitar , (1776–1835) and Syama Sastri , (1762–1827) are regarded as the Trinity of Carnatic music because of the quality of Syama Sastri's compositions, the varieties of compositions of Muthuswami Dikshitar, and Tyagaraja's prolific output in composing kritis . Prominent composers prior to
12792-477: The sense of a follower of the Hindu religion". The poet Vidyapati 's Kirtilata (1380) uses the term Hindu in the sense of a religion, it contrasts the cultures of Hindus and Turks (Muslims) in a city and concludes "The Hindus and the Turks live close together; Each makes fun of the other's religion ( dhamme )." One of the earliest uses of word 'Hindu' in a religious context, in a European language (Spanish),
12915-408: The sense of graded pitches in an octave . While there are an infinite number of sounds falling within a scale (or raga) in Carnatic music, the number that can be distinguished by auditory perception is twenty-two (although over the years, several of them have converged). In this sense, while sruti is determined by auditory perception, it is also an expression in the listener's mind. Svara refers to
13038-443: The sense of non-Muslim Indians". However, scholars like Robert Fraser and Mary Hammond opine that Sikhism began initially as a militant sect of Hinduism and it got formally separated from Hinduism only in the 20th century. During the colonial era, the term Hindu had connotations of native religions of India, that is religions other than Christianity and Islam. In early colonial era Anglo-Hindu laws and British India court system,
13161-501: The solfege (called a swara ) has three variants. The exceptions are the drone notes, shadja and panchama (also known as the tonic and the dominant ), which have only one form; and madhyama (the subdominant ), which has two forms. A 7th century stone inscription in Kudumiyan Malai in Tamil Nadu shows vowel changes to solfege symbols with ra, ri, ru etc. to denote the higher quarter-tones. In one scale, or raga , there
13284-409: The solo, which may take from two to twenty minutes. In contrast to Hindustani music of the northern part of India, Carnatic music is taught and learned through compositions, which encode many intricate musical details, also providing scope for free improvisation. Nearly every rendition of a Carnatic music composition is different and unique as it embodies elements of the composer's vision, as well as
13407-418: The swaras are sung to end on the samam (the first beat of the rhythmical cycle). The swaras can also be sung at the same speed or double the speed of the melody that is being sung, though some artists sing triple-speed phrases too. Kalpanaswaram is the most elementary type of improvisation, usually taught before any other form of improvisation. Tanam is one of the most important forms of improvisation, and
13530-519: The system that is commonly used for the teaching of Carnatic music. Venkatamakhin invented and authored the formula for the melakarta system of raga classification in his Sanskrit work, the Chaturdandi Prakasika (1660 AD). Govindacharya is known for expanding the melakarta system into the sampurna raga scheme – the system that is in common use today. By the 16th century, Indian classical music split into two styles: Hindustani in
13653-470: The term 'Hindu' retained its geographical reference initially: 'Indian', 'indigenous, local', virtually 'native'. Slowly, the Indian groups themselves started using the term, differentiating themselves and their "traditional ways" from those of the invaders. The text Prithviraj Raso , by Chand Bardai , about the 1192 CE defeat of Prithviraj Chauhan at the hands of Muhammad Ghori , is full of references to "Hindus" and "Turks", and at one stage, says "both
13776-408: The term Hindu referred to people of all Indian religions as well as two non-Indian religions: Judaism and Zoroastrianism. In the 20th century, personal laws were formulated for Hindus, and the term 'Hindu' in these colonial 'Hindu laws' applied to Buddhists, Jains and Sikhs in addition to denominational Hindus. Beyond the stipulations of British colonial law, European orientalists and particularly
13899-505: The various beliefs. Among the earliest terms to emerge were Seeks and their College (later spelled Sikhs by Charles Wilkins), Boudhism (later spelled Buddhism), and in the 9th volume of Asiatick Researches report on religions in India, the term Jainism received notice. According to Pennington, the terms Hindu and Hinduism were thus constructed for colonial studies of India. The various sub-divisions and separation of subgroup terms were assumed to be result of "communal conflict", and Hindu
14022-456: The vernacular literature of Bhakti movement sants from 15th to 17th century, such as Kabir , Anantadas, Eknath, Vidyapati, suggests that distinct religious identities, between Hindus and Turks (Muslims), had formed during these centuries. The poetry of this period contrasts Hindu and Islamic identities, states Nicholson, and the literature vilifies the Muslims coupled with a "distinct sense of
14145-424: The wide range of traditions and ideas covered by the term Hinduism, arriving at a comprehensive definition is difficult. The religion "defies our desire to define and categorize it". A Hindu may, by his or her choice, draw upon ideas of other Indian or non-Indian religious thought as a resource, follow or evolve his or her personal beliefs, and still identify as a Hindu. In 1995, Chief Justice P. B. Gajendragadkar
14268-657: The words Ś yāma Kr̥ṣṇa in them; all songs by Purandaradasa (who composed in Kannada and Sanskrit) have the words Purandara Vitthala ; while Gopalakrishna Bharathi (who composed in Tamil) used the signature Gopalakrishnan in his compositions. Papanasam Sivan, who has been hailed as the Tamil Tyagaraja of Carnatic music, composed in Tamil and Sanskrit, and used the signature Ramadasan in his compositions. Carnatic music
14391-479: The world's third-largest religious group after Christians and Muslims. The vast majority of Hindus, approximately 966 million (94.3% of the global Hindu population), live in India , according to the 2011 Indian census. After India, the next nine countries with the largest Hindu populations are, in decreasing order: Nepal , Bangladesh , Indonesia , Pakistan , Sri Lanka , the United States , Malaysia ,
14514-564: The world. Most Hindus are found in Asian countries. The top twenty-five countries with the most Hindu residents and citizens (in decreasing order) are India , Nepal , Bangladesh , Indonesia , Pakistan , Sri Lanka , United States , Malaysia , Myanmar , United Kingdom , Mauritius , South Africa , United Arab Emirates , Canada , Australia , Saudi Arabia , Trinidad and Tobago , Singapore , Fiji , Qatar , Kuwait , Guyana , Bhutan , Oman and Yemen . The top fifteen countries with
14637-581: Was codified by Savarkar while he was a political prisoner of the British colonial authorities. Chris Bayly traces the roots of Hindu nationalism to the Hindu identity and political independence achieved by the Maratha confederacy , that overthrew the Islamic Mughal empire in large parts of India, allowing Hindus the freedom to pursue any of their diverse religious beliefs and restored Hindu holy places such as Varanasi. A few scholars view Hindu mobilisation and consequent nationalism to have emerged in
14760-664: Was constructed by these orientalists to imply people who adhered to "ancient default oppressive religious substratum of India", states Pennington. Followers of other Indian religions so identified were later referred Buddhists, Sikhs or Jains and distinguished from Hindus, in an antagonistic two-dimensional manner, with Hindus and Hinduism stereotyped as irrational traditional and others as rational reform religions. However, these mid-19th-century reports offered no indication of doctrinal or ritual differences between Hindu and Buddhist, or other newly constructed religious identities. These colonial studies, states Pennigton, "puzzled endlessly about
14883-435: Was later used occasionally in some Sanskrit texts such as the later Rajataranginis of Kashmir (Hinduka, c. 1450 ) and some 16th- to 18th-century Bengali Gaudiya Vaishnava texts, including Chaitanya Charitamrita and Chaitanya Bhagavata . These texts used it to contrast Hindus from Muslims who are called Yavanas (foreigners) or Mlecchas (barbarians), with the 16th-century Chaitanya Charitamrita text and
15006-442: Was quoted in an Indian Supreme Court ruling: Although Hinduism contains a broad range of philosophies, Hindus share philosophical concepts, such as but not limiting to dharma , karma , kama , artha , moksha and samsara , even if each subscribes to a diversity of views. Hindus also have shared texts such as the Vedas with embedded Upanishads , and common ritual grammar ( Sanskara (rite of passage) ) such as rituals during
15129-407: Was the publication in 1649 by Sebastio Manrique . In the Indian historian DN Jha 's essay "Looking for a Hindu identity" , he writes: "No Indians described themselves as Hindus before the fourteenth century" and that "The British borrowed the word 'Hindu' from India, gave it a new meaning and significance, [and] reimported it into India as a reified phenomenon called Hinduism." In the 18th century,
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