Misplaced Pages

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93-427: When dealing with numeric values, artistic (or creative) control usually refers to the commanding portion of an executive deal or contract, so a share such as 51% and 49%, respectively, for shareholders or stocks would denote the shareholder with 51% as having control. 50 and 50 percent share an equal commanding portion, and so must come to terms on both sides. Artistic Control or creative control can differ widely within

186-699: A couple of appearances from Kylie Minogue and a few releases on XL Recordings, the Official Independent Singles Chart Top 50 would be alien to anyone who remembered the indie chart from 1990. It is now more likely for grime, dance and K-Pop artists to be in the Top 10 than indie bands, with the chart of 20 November to 26 November 2020, having KSI and Craig David at number one with their BMG released single "Really Love", BTS at number two with "Dynamite" and AJ Tracey at number three with "West Ten". Apart from re-issues and oldies by people like

279-411: A direct, do-it-yourself manner allowing creative distribution. There is the potential for artists to gain large numbers of streams on Spotify if their music are included in certain popular playlists. For both independent and major labels, the label generally owns the copyright to the sound recording. Artists who maintain their copyrights usually must sacrifice other parts of their deal, and must give

372-593: A distinct musical style found in indie music, which was influenced by post-punk and new wave . Important albums that contributed to this style include Joy Division 's Unknown Pleasures (1979) and Depeche Mode 's Speak & Spell (1981). Released on Rough Trade, Inflammable Material (1979) was the first independently-released album to sell over 100,000 copies. By the 1980s, the indie pop band The Smiths , signed with Rough Trade, "came to exemplify indie both musically and culturally" according to The Conversation . The Smith's authentic sound contrasted with

465-532: A few years later decided to launch a 'new Virgin Records'. This 'Virgin2' was set up as V2 Music in 1996 with staff from Branson's company working on V2 at the same time as the V96 Festival (both record company and festival would use similar 'V' branding, as Branson could not use the full Virgin name for any projects involving music). This British independent label would be joined by other V2 Records around

558-433: A huge number of records (usually promoted by a 'front' of models-turned-singers and various rappers) and, in the 1990s, a UK arm which would eventually turn into hard house label Nukleuz , known for its DJ Nation releases. The dance music scene also proved beneficial to independent labels who compiled and marketed TV-advertised compilations, especially when Virgin teamed up with EMI to launch Now That's What I Call Music ,

651-489: A lack of artistic control. In film (movies and television) the person that is in charge of creative control is the director . The director has control of the artistic attributes of the film, commonly having a large influence of the overall vision. Directors commonly work in tandem with screenwriters and adjust aspects of the film as filming continues. The director has control over a variety of aspects such as: lighting, hair and makeup, set design and wardrobe. They are typically

744-633: A long history of promoting developments in popular music, stretching back to the post-war period in the United States, with labels such as Sun Records , King Records , and Stax . In the United Kingdom during the 1950s and 1960s, the major record companies had so much power that independent labels struggled to become established, until the launch of new labels like Virgin Records . Several British producers and artists launched independent labels as outlets for their work and artists they liked;

837-407: A lot of its catalogue in order to please various anti-monopoly and merger commissions or trade bodies, after buying the large part of EMI ( Parlophone ) that UMG was not allowed to keep hold of after acquiring the remainder. In 2016, Radiohead 's back catalogue was sold to Beggars (XL Recordings) , Chrysalis Records was sold to Blue Raincoat Music (now including recordings by Everything but

930-536: A massive $ 3.4 million record deal, all which ended when Mimran's father, Jean Claude, cut finances. In the end Bowie's Savage album, Black Tie White Noise only just made the US Top 40 albums chart (but was a number one in the UK for Savage's distributor BMG via their Arista label) with Savage Records being a record label whose 'story' Telstar and Sanctuary would follow to a lesser extent. One independent record label who

1023-401: A musician that is contracted to a record label. Typical record labels include Universal Music Group , Republic Records , Sony Music Entertainment , and Warner Music Group . Artists that are signed to larger record labels are bind to a contract that dictates the amount, type, and demographic that the music caters to. Signed artist typically see a large budget and promotion but can be subject to

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1116-676: A negative way, WEA set up Korova in 1979 for Zoo Record's Echo & the Bunnymen , with Zoo Records being the Liverpool-based label of Bill Drummond and David Balfe). The term " alternative " was increasingly used to describe artists, and "indie'" was more often used to describe a broad range of guitar-based rock and pop. The "explosion" of the dance music scene in the mid- to late 1980s found labels such as Warp , Coldcut's Ahead of Our Time and Wax On Records set up. In Italy production teams like Groove Groove Melody and

1209-583: A nightclub in South London, before it became a record company). Originally AATW would focus on singles and would issue a compilation album once in a while as a tie-in with a local EMAP-owned radio station such as 97.4 Rock FM in Preston, Lancashire (Rock The Dancefloor - All Mixed Up), while the Ministry of Sound moved into compilations quite quickly with the release of their Sessions series . Over

1302-407: A number one hit that would see CBS and WEA (the future Sony BMG and WMG) move into the market with their rival Hits compilations and Chrysalis and MCA team up for the short lived Out Now! brand. Morgan Khan's StreetSounds/StreetWaves was the first independent company to run up a number of hits in the UK album chart with a run of various artist dance music collections and started off business in

1395-423: A partnership. One issue is that artists often forgo their mechanical royalties in 50-50 deals, and it can be more difficult to recoup the advance, meaning it takes longer to turn a profit. Some labels forgo a formal contract altogether, and their deals include few restrictions. Independent music is a broad category that is made up of distinct subgenres with influences from various other genres. Indie pop

1488-761: A scene or movement, and often combines influences from a variety of genres. It has origins in the 1990s, with artists like Stereolab , Arab Strap , and Disco Inferno contributing to the style. Indietronica largely grew in popularity in the 2000s, with the rising accessibility to home recording and software synthesizers . Influential artists of this era include Hot Chip , Metronomy , and The Postal Service . Some 2010s artists achieved wider success with their music, for example, James Blake and The xx . Indietronica artists usually release their music on independent labels, with examples including Sub Pop , Warp , and Ghostly International . Independent record label An independent record label (or indie label )

1581-506: A similar marketplace to their compilations partner, the original BMG company. In the 2010s, due to platforms such as Bandcamp and SoundCloud, a number of the larger indies moved away from signing unknown acts instead acquiring back catalogues and working with 'heritage acts' (for example, those popular in a pre-digital age). New independent BMG , which had been spun-out of the Sony BMG joint venture that included Arista and RCA, ended up with

1674-517: A small but loyal audience. They relied less on mass sales and were able to provide artists much more opportunity for experimentation and artistic freedom . In the late 1940s and into the 1950s, the American music business changed as people began to more quickly learn the industry. Several companies set up their own recording studios , and the number of label owners began to increase. Many of these owners realized that whichever label first publishes

1767-502: A song is legally entitled to receive compensation for every record sold. Jazz musicians pioneered a new subset of independent labels, companies operated by the artists themselves. Following the original pioneers of the music industry, many new labels were launched over the following decades by people with industry experience. From the 1940s to 1950s, R&B indie labels such as Savoy, Apollo, King, Modern, Mercury, Imperial, Specialty, Red Robin, Duke and Vee-Jay Records were founded. During

1860-460: A specific genre , and the chart featured a diverse range of music, from punk to reggae , MOR , and mainstream pop , including many songs in the late 1980s by artists like Kylie Minogue and Jason Donovan on the PWL label. Even though PWL 's releases were mainly Hi-NRG -influenced disco-pop the label was independently distributed and did have a music fan ( Pete Waterman ) at its helm, of which

1953-510: A valuable marketing tool (especially when targeting readers of the NME, Select and various student publications) and so the Britpop-era gave rise to the idea of the 'fake indie'. The 'fake indie' would be a record label owned by a major company but whose distribution did not go through the parent company's distribution arm, going through an independent in order for those records to be eligible for

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2046-477: A variety of methods of distribution, with the label generally owning the copyright for the sound recording. They generally give smaller advances , or sometimes no advance, and some may offer higher royalty splits than major labels. Although "Indie" was first used to described music released on independent record labels, the term grew to describe a specific sound because of the creative freedom of its initial bands and artists. A defining characteristic of indie music

2139-633: Is a record label that operates without the funding or distribution of major record labels ; they are a type of small- to medium-sized enterprise , or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network ( WIN ). Many of the labels started as producers and distributors of specific genres of music, such as jazz music , or represent something new and non-mainstream, such as Elvis Presley in

2232-691: Is a broad style of music characterized by creative freedoms, low-budgets, and a do-it-yourself approach to music creation, which originated from the liberties afforded by independent record labels . Indie music describes a number of related styles, but generally describes guitar-oriented music straying away from mainstream conventions. There are a number of subgenres of independent music which combine its characteristics with other genres, such as indie pop , indie rock , indie folk , and indie electronic . The origins of independent music lie in British independent record labels, such as Rough Trade and Mute . In

2325-403: Is a challenge to this orthodoxy: George McKay's argument in the article 'Was punk DIY? Is DIY punk?' that, because it relied on existing commercial record manufacturing companies, [n]o punk band ever made its own singles . Further, only recently has the early 1970s pub rock scene has been re-evaluated by cultural historians and in rock documentaries such as Sky Arts' Trailblazers series, with

2418-489: Is a label that owns its distribution channel . Some independent labels, particularly those with successful artists, sign dual-release, or distribution only agreements with major labels. They may also rely on international licensing deals and other arrangements with major labels. Major labels sometimes fully or partially acquire independent labels. Other nominally independent labels are started and sometimes run by artists on major labels but are still fully or partially owned by

2511-513: Is a style of folk music which originated in the 1990s with artists like Elliott Smith and Will Oldham . The genre grew from traditional and contemporary folk , but took a distinctly independent approach inspired by indie rock. The genre gained further popularity and support in the 2000s from labels such as Saddle Creek , Barsuk , and Sub Pop . Notable 21st century indie folk artists include Fleet Foxes , Bon Iver , Great Lake Swimmers , Sufjan Stevens , and Phoebe Bridgers . Indie folk

2604-451: Is a style of rock music and is one of the most popular independent music genres. It originally grew out of the alternative rock , punk rock , and independent movements of the 1980s, with local scenes emerging in many American cities and college towns . The New Zealand Dunedin sound of the 1970s and 80s was also influential in indie rock's development. By the 1990s, indie rock had separated from alternative rock and gained popularity in

2697-598: Is a style of pop music that originally grew out of British post-punk in the late 1970s. Indie pop was one of the first independent music genres, and was initially synonymous with "indie". Indie pop is characterized by a focus on melody , arrangements, and harmony , with less angst and distortion as compared to indie rock . It features the homemade intimacy commonly found in independent music. Notable subgenres include chamber pop , which adds lush chamber orchestration , and twee pop , which features "primitive simplicity". Indie rock (also referred to as simply "indie")

2790-404: Is distinguished by its acoustic instrumentation – and often consists of just vocals and acoustic guitar – although some artists experiment with more diverse instrumentation. As well, indie folk artists are often singer-songwriters . Indie electronic , also known as indietronica, is a broad categorization of music that combines independent and electronic music styles. It is not considered

2883-418: Is independent the music that is produced is completely funded by them or the group in which they are a part of. If an artist chooses to remain independent they typically have complete control of the music that they create, their release schedule and the amount of content that is created. However, there are also cons to this approach due to the lack of funding and promotion of the music. A signed artist includes

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2976-420: Is that artists have less to pay back, and therefore can begin to profit quicker. There are a number of ways that an independent label may structure their contract. Some independent labels have contracts that are essentially equivalent to major label deals. On a major label, a typical royalty rate (what the artist takes) is 13% to 16%; however, some independent labels offer 50-50 splits, which functions more as

3069-540: Is that artists retain much more creative control over their music as compared to major labels. Bands often have small budgets, and employ a do-it-yourself ethos which influences their sound. Indie music generally represents guitar-oriented music which strays away from commercial conventions. It often features lyrics that are earnest and emotive, with many cultural and sociopolitical references. Many artists signed to major labels have retained creative control and are still considered indie artists. Independent labels have

3162-568: The 13th Floor Elevators and began distributing releases from local rock bands. In the United Kingdom during the 1950s and 1960s, the major labels EMI , Philips , and Decca had so much power that smaller labels struggled to establish themselves. Several British producers launched independent labels, including Joe Meek ( Triumph Records ), Andrew Loog Oldham ( Immediate Records ), and Larry Page ( Page One Records ). Chrysalis Records , launched by Chris Wright and Terry Ellis ,

3255-603: The Official Charts Company when he released Weltschmerz on 25 September 2020, an album self-funded, marketed and distributed from his home in Scotland. As he did not partner with a record label like BMG, he missed out on a top ten album chart placing when early sales revealed that he would have been number 2 on the UK midweek charts behind that week's chart topper, the Partisan-signed band IDLES. On

3348-490: The Recording Industry Association of America , indie labels produce and distribute about 66% of music titles, but only account for 20% of sales. Many musical artists begin their careers on independent labels, hoping to further grow their career into signing with a record label . The distinction between major and independent labels is not always clear. The traditional definition of a major label

3441-564: The peak body for the independent music industry is the Australian Independent Record Labels Association , known as AIR, representing about 350 members as of 2019 . A 2017 report commissioned by AIR, titled AIR Share: Australian Independent Music Market Report , was the first market analysis of the industry in Australia. It showed that indie labels represented 30% of revenue generated by

3534-509: The post-war period in the United States . Disputes with major labels led to a proliferation of smaller labels specializing in country , jazz , and blues . Sun Records played an important part in the development of rock 'n' roll and country music, working with artists such as Elvis Presley , Carl Perkins , Johnny Cash , Jerry Lee Lewis , Roy Orbison , and Charlie Rich . These independent labels usually aimed their releases at

3627-452: The 1960s, rock label Elektra, R&B labels such as Motown, Stax records released singles and albums. A noted success was that of comedy artist Tom Lehrer , who sold more than 350,000 copies of his 4 albums on his own label, Lehrer Records, by the mid-1960s before moving publishing to Warner Bros. Amidst the advent of the psychedelic revolution independent record labels such as International Artists geared their attention towards bands like

3720-401: The 1970s, these labels contributed to the emergence of a distinct sound, influenced by post-punk and new wave . NME released the influential compilation album C86 in 1986, and helped with indie's spread and development. American independent music first emerged in the 1980s, and was spread via college radios . Styles that evolved out of indie music and reached wide commercial success in

3813-462: The 1980s. Early independents of the 1970s included labels such as MAM Records , set up by the Gordon Mills' Management Agency & Music company. However MAM, like many of the small independents in the United Kingdom ended up signing a distribution deal with a major to remain viable, with MAM's records being licensed and distributed by Decca until it was sold to Chrysalis. For many years,

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3906-586: The 1990s include grunge ( Nirvana , Pearl Jam , and the Smashing Pumpkins ) and Britpop ( Blur , Pulp , and Oasis ). In the 21st century, due to the internet, indie music saw a global spread in popularity, as music fans were no longer dependent on physical publications to find new music. Independent record labels , important to the development of indie music, are characterized by their smaller operations, lower funding, and greater creative control as compared to major labels . Independent labels use

3999-678: The 1990s would see the founding of two independent companies who would go on to chart numerous dance music collections in the new compilations album chart, Blackburn-based All Around the World (AATW) and the Ministry of Sound . Both All Around the World/AATW and the Ministry of Sound would be founded in 1991, the former by Cris Nuttall and Matt Cadman, the latter by James Palumbo , Humphrey Waterhouse and Justin Berkmann (though initially as

4092-588: The Australian recorded music market, and that 57% of independent sector revenue was from Australian artists, which put the Australian sector in the Top 10 global list of mainly English-speaking indie music markets, according to then CEO of WIN (Worldwide Independent Network), Alison Wenham. (By comparison, the US indie market had a 34% share while the UK had 23%.) The report valued the Australian recording industry as worth A$ 399.4 million , sixth largest music market in

4185-561: The Disco Mix Club (DMC) for their Hit Mix series. Coming before the Acid House-era the first Hit Mix album in 1986 still had a large amount of pop hits from mainstream chart stars like Kajagoogoo, Kate Bush and Nik Kershaw, but Paul Dakeyne & Les 'L.A. Mix' Adams mixed 86 tracks onto four-sides of vinyl, while follow-up releases would start to feature more house tracks by people like Krush and Nitro De Luxe. The start of

4278-608: The FPI Project would make and release Italo dance/piano house records under many pseudonyms and license them individually to various record labels around the world (such as Beggars' Citybeat label). Instead of going down this one-by-one deal route, Cappella 's Gianfranco Bortolotti set up Media Records in Brescia, northern Italy to release his 'commercial European dance music', a set-up which included fifteen studios featuring various production teams working almost non-stop on

4371-519: The Girl , Athlete and Cockney Rebel ), while the rights to albums by Guster and Airbourne went to Nettwerk . In 2017, WMG went on to sell the catalogues of a number of other artists to independent record companies, including Domino ( Hot Chip and Buzzcocks ), Cherry Red ( Howard Jones , Dinosaur Jr. and Kim Wilde ), Fire ( The Lemonheads and The Groundhogs ) and Because Music ( The Beta Band and various French acts). Apart from

4464-552: The Official Independent Albums Chart Top 10 for 8 October, IDLES would be number one with Ultra Mono with acts from the 1970s, 1980s and 1990s taking up a further seven slots (including compilations from acts like Slade and new albums from people like Hüsker Dü 's Bob Mould ). According to Korean newspaper Kyunghyang Shinmun , K-pop company Big Hit Entertainment had revenues of 484 billion South Korea won ($ 436 million US dollars) for

4557-493: The UK, this music was not referred to as "indie" until the 2000s. Indie music reached wide commercial success in the 1990s, especially with Britpop bands like Blur , Pulp , and Oasis . As well, American grunge bands like Nirvana , Pearl Jam , and The Smashing Pumpkins received mainstream success. In 1991, the Grammys added an Alternative section to its awards ceremony, for "non-traditional form[s]" existing "outside of

4650-478: The White Stripes and Arctic Monkeys, the nearest to a new indie band hit is pop guitar band McFly at number 30 with their song "Happiness", only charting after a special called "McFly: All About Us" was broadcast by ITV on 14 November 2020. After having his own independent record company in the 1990s which charted a number of releases in the main UK charts, prog rock singer Fish decided not to sign up to

4743-562: The attraction of creating independent labels for the genre. MF Doom 's album Madvillainy sold over 150,000 copies, making it Stones Throw Records highest selling underground album. In 2004, Telstar Records went bankrupt in the UK after giving Victoria Beckham a £1.5 million record deal. Like Savage Records a decade earlier Telstar did not stick to their niche (they started off as a compilations label - similar to Ronco and K-Tel - before signing children's TV stars and dance acts to their XSRhythm and Multiply labels) and tried to operate in

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4836-404: The bands got bigger the releases ended up going through major distribution channels like Arvato (its also worth pointing out that BMG would be seen as being one of the largest independent record companies of the 21st century after Sony BMG was dissolved). Richard Branson sold the independent label he co-founded with Simon Draper and Nik Powell ( Virgin Records ) to Thorn EMI in 1992 and

4929-408: The case of Factory, one of Tony Wilson's beliefs was that "musicians own everything, the company owns nothing", which caused problems for the firm when it was going to be taken over by Roger Ames' London Recordings (a 'boutique' semi-independent label which followed Ames from Polygram to Warners when he became CEO). London Recordings did not have to buy Factory out right because the artists owned

5022-423: The catalogues of Echo , Infectious and Sanctuary (the biggest independent record label in the UK before it went bankrupt), while Cherry Red Records , who had a few 'heritage acts' like Hawkwind on their main label, were mainly concerned with their re-issue labels such as 7T's Records (1970s music), 3 Loop Music (indie music) and Cherry Pop (mainly chart pop from the 1980s). From 2013, Warner Music had to sell

5115-444: The chances of greater success. There are a few ways an independent label may go about distributing its music. Some independent labels are owned by major labels, who carry out the distribution for them. Other labels instead go through independent distributors. Many current artists use their own resources to produce, record, market and release music through Spotify , SoundCloud , and other streaming platforms with social media in

5208-631: The common highly produced pop music of the time. The UK Indie Chart was first compiled in 1980, and independent distribution became better organized from the late 1970s onward. In 1986, NME released the compilation album C86 , which was influential to the development of indie music. In the United States, independent music was first spread by in the 1980s by college radios and thus dubbed college rock (also later termed modern rock and alternative rock ). Defining American albums of this era include Sonic Youth 's Daydream Nation (1988) and Pixies ’ Doolittle (1989). However, unlike

5301-438: The company is sometimes excluded from various lists of 'greatest independent labels' due to its association with Island Records in the 1980s (though ranked at number 7 on the NME's list from 2015). In the United States, independent labels such as Beserkley found success with artists such as The Modern Lovers . Another factor that came to define independent labels was the method of distribution, which had to be independent of

5394-525: The cost of smaller budgets and personnel. They are often able to support artists working in niche styles of music, and rely heavily on personal networking, or word of mouth , to expose their acts. Indie labels are usually small operations, with almost no outside assistance and run out of tiny offices. Some artists choose to go from an independent label to a major label if given the opportunity, as major labels have considerably more power and financial means to promote and distribute products, sometimes increasing

5487-446: The early days. Indies release rock , soul , R&B , jazz , blues , gospel , reggae , hip hop , and world music . Music appearing on indie labels is often referred to as indie music , or more specifically by genre, such as indie hip-hop . Independent record labels are small companies that produce and distribute records . They are not affiliated with or funded by the three major records labels . According to SoundScan and

5580-421: The final say unless the producer has adjustments of their own. Once the movie or television show is finished filming, the director will begin editing and release a version of the film commonly known as a "directors cut" . This is an alternate version of the film that contains different scenes, cuts and edits. Independent music Independent music (also commonly known as indie music , or simply indie )

5673-423: The firm running TV channels in the 21st century based on Clubland and Universal's Now Music brands. Also in 1991 Rough Trade Distribution went bankrupt, causing a number of indie labels to stop trading (including Rough Trade itself and - indirectly - Factory, who had already spent a large amount of money on various projects such as their headquarters at Fac251 ) and others to be sold off in part to majors. In

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5766-508: The first annual coordinated celebration of independent music across the world, for which the Australian Independent Record Labels Association created a list of the greatest independent records of all time. After Wenham's departure, WIN's director of Legal and Business Affairs, Charlie Phillips, was promoted to the leadership role, named as chief operating Officer. He would report directly to

5859-572: The first three quarters of 2020, a period which did not include the release of the Billboard album chart topping BE by BTS, but did include the period when the label bought into Han Sung Soo's Pledis Entertainment . In October 2020, Big Hit Entertainment floated on the Korean stock market with founder Bang Si-hyuk giving the members of BTS shares in the company and his stake in Big Hit making him

5952-413: The following decades, album brands such as AATW's Clubland and Floorfillers or the Ministry of Sound's The Annual and Euphoria (with the latter brand picked up from Telstar) would turn-up in the compilations top 20 so regularly that the majors became interested, with Sony taking over Ministry of Sound's record company and AATW getting into a joint-venture with Universal Music TV, which ended up with

6045-432: The general consensus was that the punk rock movement was the main turning point for independent labels, with the movement's do-it-yourself ethos creating an even greater proliferation of independent labels. Scholars of punk from Dave Laing (1985) to Matt Worley (2017) have consistently argued that independent labels were, along with self-produced punk fanzines, key to punk's influential DIY heart. Worth noting here though

6138-406: The genre being given a more prominent role in music history than it had. The pub rock scene included labels such as Chiswick Records and Stiff Records , the latter being a company known for rude slogans, bizarre releases (such as The Wit And Wisdom Of Ronald Reagan ) and tours by train. Even though Stiff Records released the UK's first punk single, ("New Rose" by The Damned on 22 October 1976),

6231-423: The indie chart. Acts promoted this way initially included Sleeper on BMG's Indolent Records and Echobelly on Sony's Fauve Records. However, at this point its worth noting that Sony owned half of Creation Records at the time (with Alan McGee too important within the scene to be labelled a 'fake'), that Fauve Records was set up as part of a labels deal between Epic and former dance music label Rhythm King and as

6324-447: The label a temporary license to the recordings. An advance is a pre-payment of royalties from the label for the artist to record the album; it is paid back through the album's royalties. Independent labels generally give out much smaller advances than major labels, if any. Additionally, some independent labels will cover an album's recording costs instead of proving a set dollar amount as an advance. One advantage of smaller advances

6417-591: The label managed to make it into the 1990s with a number of dance and hip-hop hits by artists such as Silver Bullet and A Homeboy, Hippy and A Funky Dread (issued on Savage's Tam Tam dance label). Around the time Soho had their top ten UK hit, Mimran decided that Savage would not just be a British indie, but would be an American major instead. Savage Records went on a spending spree in America, which resulted in them opening plush offices on Broadway, hiring Michael Jackson's manager Frank DiLeo and signing David Bowie to

6510-408: The label was closely associated with. Whether indie fans dismiss Stock Aitken Waterman as cheesy pop or not, this was as true for Waterman as it was for Ivo Watts-Russell (4AD), Alan Horne (Postcard), Daniel Miller (Mute), Alan McGee (Creation) or Tony Wilson (Factory). The UK Indie Chart became a major source of exposure for artists on independent labels, with the top ten singles regularly aired on

6603-568: The last two spent as CEO . As a driving force in helping indie labels being able to compete worldwide with bigger companies, Wenham featured in Billboard ' s "Top Women in Music" every year since publication. She stepped down from her role at WIN in December 2018, the following year taking on a non-executive director 's role at Funnel Music. On 4 July 2008, WIN ran " Independents Day ",

6696-701: The mainstream music consciousness". The internet 's ease of spreading information influenced indie music's popularization in the United States and global spread. Music fans no longer relied on publications or magazines to hear about new artists. At the beginning of the 21st century, the term indie came to describe a number of related but distinct subgenres . One example is indie folk , a stripped-back low fidelity approach to folk music , as seen in Fleet Foxes or Bon Iver 's first album, For Emma, Forever Ago . Widely popular indie rock bands of this era include Arcade Fire and Arctic Monkeys . By this time,

6789-494: The mainstream, pushed along by the popularity of Seattle's grunge scene, especially Nirvana . Notable artists of the 2000s included The Strokes , Yeah Yeah Yeahs , and the Arctic Monkeys , while some of the 2010s included The 1975 and Vampire Weekend . Indie rock went onto inspire a multitude of subgenres and derivative styles, such as dream pop , noise pop , lo-fi , math rock , emo , and more. Indie folk

6882-523: The major label. These labels are frequently referred to as vanity labels or boutique labels, and are intended to appease established artists or allow them to discover and promote newer artists. According to the Association of Independent Music , "A 'major' is defined in AIM's constitution as a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for

6975-500: The major labels for records to be included in the UK Indie Chart , with labels such as Industrial and Factory retaining full independence (though Beggars was excluded as they had a deal with Warner Brothers for Gary Numan at the time). The late 1970s had seen the establishment of independent distribution companies such as Pinnacle and Spartan, providing independent labels an effective means of distribution without involving

7068-466: The major labels. Distribution was further improved with the establishment of 'The Cartel', an association of companies such as Rough Trade Records , Backs Records, and Red Rhino , which helped to take releases from small labels and get them into record shops nationwide. The UK Indie Chart was first compiled in 1980, with the first number one being "Where's Captain Kirk?" by Spizz and his band (billed on

7161-415: The majority failed as commercial ventures or were bought by the major labels. During the punk rock era, the number of independent labels grew. In 1977, Manchester -band Buzzcocks released Spiral Scratch , considered the first independently released rock release. In the late 1970s, certain UK independent labels (such as Rough Trade , Factory , Fiction , and Mute ) contributed to the emergence of

7254-451: The majors at their own game. David Mimran's Savage Records (known for British band Soho and their Smiths-sampling indie-dance hit "Hippychick" in 1991) was set up by the Swiss teenager in 1986 and funded by his multi-millionaire father. Due to the almost endless financing of his father and the fact their A&R manager (a Swiss record shop owner called Bernard Fanin) had industry experience,

7347-492: The masters and so London could pick and choose which acts they wanted, dealing with them directly (though due to problems with the administration, London did not get the rights to New Order's catalogue for a couple of years and so a company called CentreDate Co Ltd was set up to license them back to London). However, not all indie record labels failed in this era due the problems with Rough Trade Distribution, some failed because they did not stick to their niche and tried to take on

7440-456: The music industry. Two categories that determine the amount of creative control an artist possesses are: Independent and Signed . The type of venture that a musician chooses can impact the future of their music and how it is released. An independent artist produces and releases music without the additional support of a record label . Similar wording to that of an independent artist would include "indie" or independently produced. When an artist

7533-476: The national television show The Chart Show . By the late 1980s, the major labels had identified that there was an opportunity in indie music and so teamed up with many of the main figures of the indie scene to launch indie music record labels. WEA (Warner/Elektra/Atlantic) teamed up with Geoff Travis and él Records' Mike Alway to launch Blanco y Negro , followed a few years later by Alan McGee's Elevation label (even though some indie fans viewed this development in

7626-461: The pre-Now days of Open Top Cars and Girls in T'Shirts , Raiders of the Pop Charts and Chart Encounters Of The Hit Kind . In fact, apart from a few soul music compilations billed as Dance Mix - Dance Hits on Epic and a few throwback disco collections, Khan's company was the only label regularly charting with music that could be classed as with club or dance until Stylus Music teamed up with

7719-711: The recently elected chair, Justin West, of Canadian company Secret City Records. As of August 2019 other member organisations of WIN included A2IM (USA), ABMI (Brazil), ADISQ (Canada – Quebec only), AIM (UK), AMAEI (Portugal), A.S.I.A.r (Argentina), Audiocoop (Italy), BIMA (Belgium), CIMA (Canada), DUP (Denmark), FONO (Norway), HAIL (Hungary), IMCJ (Japan), IMICHILE (Chile) IMNZ (New Zealand), IMPALA (Europe), indieCo (Finland), IndieSuisse (Switzerland), Liak (Korea), P.I.L. (Israel), PMI (Italy), Runda (Balkans), SOM (Sweden), stomp (Netherlands), UFI (Spain), UPFI (France), VTMOE (Austria) and VUT (Germany). Particularly active are

7812-411: The record as Spizzenergi ). "Where's Captain Kirk?" had been a constant seller for Geoff Travis' Rough Trade Records , but never got into the chart compiled by BMRB (British Market Research Bureau) as a lot of independent stores were not chart return shops and because a more accurate way of collating sales via EPOS (electronic point-of-sale systems) had yet to be introduced. The chart was unrelated to

7905-556: The sale of records or music videos. The majors are currently Sony , Warner Music (WMG) and the Universal Music Group (UMG), with EMI and BMG (RCA/Ariola International) being the other two majors that made up the 'Big 5' of the 1980s and 1990s. If a major owns 50% or more of the total shares in a company, that company would (usually) be owned or controlled by that major." Independent labels have historically anticipated developments in popular music , beginning with

7998-502: The sixth richest person in Korea. The international peak body for the indie music industry, Worldwide Independent Network, was founded in 2006. WIN is a coalition of independent music bodies from countries throughout the world. Alison Wenham spent 17 years leading the UK's Association of Independent Music (AIM), which she launched in 1999. During this time she also helped to found WIN in 2006, remaining at WIN for twelve years, with

8091-400: The term indie had transcended the definition of solely independently released music, and came to represent a "general resistance to popular and mainstream culture, evoking realism, independence and authenticity". An independent record label is one that operates outside of the funding and creative control of major record labels . Independent labels generally have greater creative freedom, at

8184-524: The time were signed and saw great commercial success with independent labels. These included Hep Stars ( Olga Records ), Tages ( Platina Records ) and Ola & the Janglers ( Gazell Records ). According to Företagskällan , these three artists secured an interest for minor record labels, a situation which otherwise would've led to 'the big five' having full control of the Swedish music scene during

8277-485: The trade associations in countries and regions with well-established music markets: AIM (UK), A2IM (USA), AIR (Australia), CIMA (Canada), VUT (Germany), IMNZ (New Zealand), UFI (Spain); IMICHILE (Chile), ABMI (Brazil), and IMPALA (Europe). In 2016, WIN's WINTEL report, an analysis of the global economic and cultural impact of the indie sector, showed the share of the global market as 37.6%. The sector generated worldwide revenues of US$ 5.6 billion in 2015. In Australia,

8370-536: The world in terms of revenue and ahead of countries with higher populations such as Canada and South Korea. Digital revenue, at 44%, had overtaken that coming from physical sales, at 33%. A spokesperson from the company Unified Music Group said that governments were beginning to recognise the financial and cultural worth of a thriving music industry, but there was still a big challenge for the independents to compete with well-funded tech companies that have an anti- copyright agenda. In 2017, Finland's indie market share had

8463-469: The world, with V2 Records Benelux founded in 1997, a record company which continues to operate to this day. In 2001, Daptone Records records would be founded in New York, a funk and soul label known for Sharon Jones , Charles Bradley and a lot of the musicians who would appear on Amy Winehouse 's Back to Black album in 2006. As the indie hip hop or underground hip hop scene began to grow, so did

8556-404: Was having a better time than Savage Records in the early to mid-90s American marketplace was Epitaph Records . It was Epitaph that released The Offspring 's 1994 album Smash , which would become the best-selling independent record of the 1990s. The album was certified six times platinum in the United States and sold more than 12 million copies worldwide. In the UK, the indie chart was still

8649-523: Was perhaps the most successful independent label from that era. Several established artists started their own independent labels, including the Beatles ' Apple Records , and the Rolling Stones ' Rolling Stones Records . These labels tended to fail commercially or be acquired by the major labels. Internationally, the situation was different. In Sweden , three of the four biggest rock bands at

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